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It is now at The Met in New York.","Abraham, by Lorenzo Monaco, ca. 1408–10",{"_294":428,"_296":429,"_298":430},"https://img.ochreeditions.com/m/1121.jpg?dl=1","/art/abraham-met-436911","/galleries/style/italian-renaissance/abraham-met-436911",{"_290":372,"_292":373},{"_224":423,"_125":424,"_285":425},{"_275":420,"_277":421,"_279":422,"_281":406},58.461,81,43.461,{"_287":224,"_123":426,"_154":427,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1121/480.jpg","https://img.ochreeditions.com/a/1121/960.jpg","https://img.ochreeditions.com/a/1121/1920.jpg",{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},{"_310":438,"_312":439},{"_310":436,"_312":437},"#0f0c0a",0.0915,"#5b6652",0.1574,"#c49b55",0.205,"#724a39",0.2318,"#a97350",0.3143,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","saint-john-the-baptist-bearing-witness-met-438813","Saint John the Baptist Bearing Witness",{"_42":504,"_221":505,"_324":506,"_326":327,"_328":507,"_330":508,"_332":509,"_334":510,"_336":-5,"_140":101},"ca. 1600","Oil on copper","21 3/8 x 17 1/8 in. (54.3 x 43.5 cm)",43.5,54.3,0.8074035723530935,[489,490,491,492,493],{"_220":300,"_221":301,"_42":302,"_303":304},"2009.252","Annibale Carracci painted this in about 1600, aged about 35. It is now at The Met in New York.","Saint John the Baptist Bearing Witness, by Annibale Carracci, ca. 1600",{"_294":486,"_296":487,"_298":488},"https://img.ochreeditions.com/m/1189.jpg?dl=1","/art/saint-john-the-baptist-bearing-witness-met-438813","/galleries/style/italian-renaissance/saint-john-the-baptist-bearing-witness-met-438813",{"_290":372,"_292":373},{"_224":476,"_125":477,"_285":478},{"_275":473,"_277":474,"_279":475,"_281":459},58.842013978772975,69.3,43.842013978772975,{"_287":224,"_123":484,"_154":485,"_140":89},{"_287":125,"_123":481,"_154":482,"_140":483},{"_287":285,"_123":479,"_154":480,"_140":406},"era/16-italy","16th-century Italy","style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1189/480.jpg","https://img.ochreeditions.com/a/1189/960.jpg","https://img.ochreeditions.com/a/1189/1920.jpg",{"_310":502,"_312":503},{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},{"_310":494,"_312":495},"#66432b",0.088,"#504e41",0.1088,"#5f6c72",0.1391,"#44321f",0.2855,"#2c2419",0.3786,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome","the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","The Creation of the World and the Expulsion from Paradise",{"_42":558,"_221":559,"_324":560,"_326":327,"_328":561,"_330":562,"_332":398,"_334":398,"_336":563,"_140":97},"1445","Overall: 18 1/4 × 20 1/2 in. (46.4 × 52.1 cm)",52.1,46.4,1.1235955056179776,[543,544,545,546,547],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.31","Giovanni di Paolo painted this in 1445, aged 47. It is now at The Met in New York.","Two moments share one small panel. At the left, God the Father, borne by a ring of blue cherubim, sets the universe in motion: a great disc of concentric circles for the elements, the planets and the signs of the zodiac, with a map of the earth at its centre.","The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445",{"_294":540,"_296":541,"_298":542},"https://img.ochreeditions.com/m/1245.jpg?dl=1","/art/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","/galleries/style/italian-renaissance/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971",{"_290":372,"_292":373},{"_224":535,"_125":536,"_285":537},{"_275":532,"_277":533,"_279":516,"_281":534},67.1,61.369,46.369,{"_287":224,"_123":538,"_154":539,"_140":97},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1245/480.jpg","https://img.ochreeditions.com/a/1245/960.jpg","https://img.ochreeditions.com/a/1245/1920.jpg",{"_310":556,"_312":557},{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},"#0e0c0a",0.1085,"#777e75",0.1783,"#385163",0.2003,"#88704d",0.2215,"#473d2b",0.2914,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","Painting","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",39.5,1.7407564810879728,[601,602,603,604,605],{"_220":597,"_221":598,"_42":599,"_303":600},"Courtesy National Gallery of Art, Washington","1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_294":594,"_296":595,"_298":596},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_290":372,"_292":373},{"_224":589,"_125":590,"_285":591},{"_275":586,"_277":587,"_279":421,"_281":588},96,61.531494140625,46.531494140625,{"_287":224,"_123":592,"_154":593,"_140":77},{"_287":125,"_123":481,"_154":482,"_140":483},{"_287":285,"_123":479,"_154":480,"_140":406},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},{"_310":606,"_312":607},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":661,"_221":662,"_324":663,"_326":327,"_328":664,"_330":665,"_332":666,"_334":667,"_336":-5,"_140":103},"ca. 1449","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[647,648,649,650,651],{"_220":300,"_221":301,"_42":302,"_303":304},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_294":644,"_296":645,"_298":646},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_290":372,"_292":373},{"_224":639,"_125":640,"_285":641},{"_275":636,"_277":637,"_279":622,"_281":638},107.7,105.74339768339769,90.74339768339769,{"_287":224,"_123":642,"_154":643,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_310":659,"_312":660},{"_310":657,"_312":658},{"_310":655,"_312":656},{"_310":653,"_312":654},{"_310":652,"_312":315},"#a69f8f","#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,1486,"San Giovanni Valdarno","Florence","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":720,"_221":721,"_324":722,"_326":327,"_328":723,"_330":724,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[705,706,707,708,709],{"_220":597,"_221":598,"_42":599,"_303":600},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_294":702,"_296":703,"_298":704},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_290":291,"_292":293},{"_224":694,"_125":695,"_285":696},{"_275":691,"_277":692,"_279":676,"_281":693},62,51.00634765625,27.00634765625,{"_287":224,"_123":700,"_154":701,"_140":89},{"_287":125,"_123":697,"_154":698,"_140":699},{"_287":285,"_123":479,"_154":480,"_140":406},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"saint-apollonia-nga-12103","Saint Apollonia",{"_42":392,"_221":393,"_324":394,"_326":327,"_328":395,"_330":396,"_332":397,"_334":398,"_336":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.6 x 11.3 cm (11 1/4 x 4 7/16 in.) framed: 31.4 x 14 x 7.8 cm (12 3/8 x 5 1/2 x 3 1/16 in.)",11.3,28.6,0.447509765625,[755,756,757,758,759],{"_220":597,"_221":598,"_42":599,"_303":600},"1943.4.5","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.",{"_294":752,"_296":753,"_298":754},"https://img.ochreeditions.com/m/1361.jpg?dl=1","/art/saint-apollonia-nga-12103","/galleries/style/italian-renaissance/saint-apollonia-nga-12103",{"_290":372,"_292":373},{"_224":749,"_125":750,"_285":751},{"_275":746,"_277":747,"_279":748,"_281":732},27.798779296875,43.6,12.798779296875,{"_287":224,"_123":370,"_154":371,"_140":99},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1361/480.jpg","https://img.ochreeditions.com/a/1361/960.jpg","https://img.ochreeditions.com/a/1361/1920.jpg",{"_310":768,"_312":769},{"_310":766,"_312":767},{"_310":764,"_312":765},{"_310":762,"_312":763},{"_310":760,"_312":761},"#29201b",0.1021,"#c8a36e",0.1624,"#5b3427",0.2037,"#825e40",0.2204,"#a27d55",0.3114,"the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":99},"1510–13","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[803,804,805,806,807],{"_220":300,"_221":301,"_42":302,"_303":304},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_294":800,"_296":801,"_298":802},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_290":291,"_292":293},{"_224":794,"_125":795,"_285":796},{"_275":792,"_277":278,"_279":793,"_281":282},43.44008372579801,19.44008372579801,{"_287":224,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":797,"_154":798,"_140":799},{"_287":285,"_123":479,"_154":480,"_140":406},"style/drawing-16","More drawings of the 16th century",35,"https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_310":816,"_312":817},{"_310":814,"_312":815},{"_310":812,"_312":813},{"_310":810,"_312":811},{"_310":808,"_312":809},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":865,"_221":866,"_324":867,"_326":327,"_328":868,"_330":869,"_332":870,"_334":871,"_336":-5,"_140":103},"1570s","Oil on canvas","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[850,851,852,853,854],{"_220":300,"_221":301,"_42":302,"_303":304},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_294":847,"_296":848,"_298":849},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_290":372,"_292":373},{"_224":842,"_125":843,"_285":844},{"_275":839,"_277":840,"_279":841,"_281":825},175.13744999999997,220.7,160.13744999999997,{"_287":224,"_123":845,"_154":846,"_140":89},{"_287":125,"_123":481,"_154":482,"_140":483},{"_287":285,"_123":479,"_154":480,"_140":406},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_310":863,"_312":864},{"_310":861,"_312":862},{"_310":859,"_312":860},{"_310":857,"_312":858},{"_310":855,"_312":856},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","the-baptism-of-christ-met-440393","The Baptism of Christ",{"_42":918,"_221":919,"_324":920,"_326":327,"_328":921,"_330":922,"_332":923,"_334":923,"_336":-5,"_140":101},"ca. 1590","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[903,904,905,906,907],{"_220":300,"_221":301,"_42":302,"_303":304},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_294":900,"_296":901,"_298":902},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_290":372,"_292":373},{"_224":895,"_125":896,"_285":897},{"_275":892,"_277":893,"_279":894,"_281":878},171.29437386569876,206.8,156.29437386569876,{"_287":224,"_123":898,"_154":899,"_140":89},{"_287":125,"_123":481,"_154":482,"_140":483},{"_287":285,"_123":479,"_154":480,"_140":406},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},{"_310":910,"_312":911},{"_310":908,"_312":909},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","the-holy-family-nga-41590","The Holy Family",{"_42":971,"_221":972,"_324":973,"_326":327,"_328":974,"_330":921,"_332":-5,"_334":-5,"_336":-5,"_140":103},"probably c. 1500","oil on panel transferred to hardboard","overall: 37.3 x 45.6 cm (14 11/16 x 17 15/16 in.) framed: 55.9 x 64.8 x 7.6 cm (22 x 25 1/2 x 3 in.)",45.6,37.3,1.2333634447455586,[956,957,958,959,960],{"_220":597,"_221":598,"_42":599,"_303":600},"1952.2.8","Giorgione painted this (probably c. 1500), aged 23. It is now at the National Gallery of Art in Washington, DC.","An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.",{"_294":953,"_296":954,"_298":955},"https://img.ochreeditions.com/m/1498.jpg?dl=1","/art/the-holy-family-nga-41590","/galleries/style/italian-renaissance/the-holy-family-nga-41590",{"_290":372,"_292":373},{"_224":948,"_125":949,"_285":950},{"_275":945,"_277":946,"_279":930,"_281":947},60.6,51.9720703125,36.9720703125,{"_287":224,"_123":951,"_154":952,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giorgione","Giorgione's contemporaries","https://img.ochreeditions.com/a/1498/480.jpg","https://img.ochreeditions.com/a/1498/960.jpg","https://img.ochreeditions.com/a/1498/1920.jpg",{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":963,"_312":964},{"_310":961,"_312":962},"#426787",0.1575,"#9b7a33",0.1605,"#bba78a",0.1764,"#423326",0.1845,"#835d3f",0.3211,"Giorgione","giorgione","Venetian, 1477/1478–1510",1477,"the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","The Annunciation to Zacharias; (verso) The Angel of the Annunciation",{"_42":558,"_221":559,"_324":560,"_326":327,"_328":561,"_330":562,"_332":398,"_334":398,"_336":563,"_140":97},"ca. 1455–60","Overall: 29 7/8 in. × 17 in. (75.9 × 43.2 cm)",43.2,75.9,0.4765,[1005,1006,1007,1008,1009],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.37","Giovanni di Paolo painted this in about 1455–60, aged about 54. It is now at The Met in New York.","In the Temple at Jerusalem the aged priest Zacharias is visited by the angel Gabriel, who announces that his wife Elizabeth, long childless, will bear a son, the future John the Baptist. Zacharias doubts, and is struck dumb until the child is born.","The Annunciation to Zacharias; (verso) The Angel of the Annunciation, by Giovanni di Paolo, ca. 1455–60",{"_294":1002,"_296":1003,"_298":1004},"https://img.ochreeditions.com/m/1246.jpg?dl=1","/art/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977","/galleries/style/italian-renaissance/the-annunciation-to-zacharias-verso-the-angel-of-the-annunci-met-458977",{"_290":372,"_292":373},{"_224":999,"_125":1000,"_285":1001},{"_275":996,"_277":997,"_279":998,"_281":981},51.16635,90.9,36.16635,{"_287":224,"_123":538,"_154":539,"_140":97},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1246/480.jpg","https://img.ochreeditions.com/a/1246/960.jpg","https://img.ochreeditions.com/a/1246/1920.jpg",{"_310":1018,"_312":1019},{"_310":1016,"_312":1017},{"_310":1014,"_312":1015},{"_310":1012,"_312":1013},{"_310":1010,"_312":1011},"#754b2e",0.1058,"#040303",0.1371,"#362f27",0.1673,"#594b34",0.2747,"#846f4b",0.3151,"the-baptism-of-christ-nga-1142",{"_42":1067,"_221":1068,"_324":1069,"_326":327,"_328":1070,"_330":1071,"_332":-5,"_334":-5,"_336":1072,"_140":103},"c. 1535/1540","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[1052,1053,1054,1055,1056],{"_220":597,"_221":598,"_42":599,"_303":600},"1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_294":1049,"_296":1050,"_298":1051},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_290":372,"_292":373},{"_224":1044,"_125":1045,"_285":1046},{"_275":1041,"_277":1042,"_279":1025,"_281":1043},147,145.1953125,130.1953125,{"_287":224,"_123":1047,"_154":1048,"_140":89},{"_287":125,"_123":481,"_154":482,"_140":483},{"_287":285,"_123":479,"_154":480,"_140":406},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg",{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},{"_310":1057,"_312":1058},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":1119,"_221":1120,"_324":1121,"_326":327,"_328":1122,"_330":1123,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1490/1493","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[1104,1105,1106,1107,1108],{"_220":597,"_221":598,"_42":599,"_303":600},"1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_294":1101,"_296":1102,"_298":1103},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_290":372,"_292":373},{"_224":1096,"_125":1097,"_285":1098},{"_275":1093,"_277":1094,"_279":1095,"_281":1079},45.162988281249994,62.3,30.162988281249998,{"_287":224,"_123":1099,"_154":1100,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg",{"_310":1117,"_312":1118},{"_310":1115,"_312":1116},{"_310":1113,"_312":1114},{"_310":1111,"_312":1112},{"_310":1109,"_312":1110},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,{"_1125":-5,"_1126":1127,"_1128":1129,"_1130":8,"_1131":1132,"_1133":8},"user","csrf","45d73fe8ec379e26f53796d159f8ae6d24e73d7c","cartCount",0,"dropLive","legal",[1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145],"uploadsEnabled",{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]