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and Venus United by Love","artist",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_140":103},"unrecorded","date","1570s","century","place","italy","movement","italian-renaissance","painting","classification","Paintings","medium","Oil on canvas","dimensions","81 x 63 3/8 in. (205.7 x 161 cm)","width_cm",161,"height_cm",205.7,"aspect",0.7785,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy of The Metropolitan Museum of Art","accession","10.189","licence","CC0","story","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. 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(22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[374,375,376,377,378],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_293":371,"_295":372,"_297":373},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_289":290,"_291":292},{"_224":360,"_125":361,"_283":362},{"_274":357,"_276":358,"_278":342,"_280":359},46.1,35.760535292574126,20.760535292574126,{"_285":224,"_123":369,"_154":370,"_140":99},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg",{"_309":387,"_311":388},{"_309":385,"_311":386},{"_309":383,"_311":384},{"_309":381,"_311":382},{"_309":379,"_311":380},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","a-young-woman-and-her-little-boy-nga-1143","A Young Woman and Her Little Boy",{"_42":448,"_221":449,"_323":450,"_325":326,"_327":451,"_329":452,"_331":453,"_333":454,"_335":-5,"_140":101},"c. 1540","Painting","oil on panel","overall: 99.5 x 76 cm (39 3/16 x 29 15/16 in.) framed: 134.6 x 111.1 x 6.7 cm (53 x 43 3/4 x 2 5/8 in.)",76,99.5,0.76416015625,[433,434,435,436,437],{"_220":429,"_221":430,"_42":431,"_302":432},"Courtesy National Gallery of Art, Washington","1942.9.6","Agnolo Bronzino painted this in about 1540, aged 37. It is now at the National Gallery of Art in Washington, DC.","A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.",{"_293":426,"_295":427,"_297":428},"https://img.ochreeditions.com/m/1323.jpg?dl=1","/art/a-young-woman-and-her-little-boy-nga-1143","/galleries/style/italian-renaissance/a-young-woman-and-her-little-boy-nga-1143",{"_289":290,"_291":292},{"_224":421,"_125":422,"_283":423},{"_274":418,"_276":419,"_278":420,"_280":403},91.033935546875,114.5,76.033935546875,{"_285":224,"_123":424,"_154":425,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1323/480.jpg","https://img.ochreeditions.com/a/1323/960.jpg","https://img.ochreeditions.com/a/1323/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#b0906f",0.0813,"#734e34",0.0938,"#741d24",0.2618,"#2e1f18",0.2663,"#393a25",0.2968,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","Florence","orpheus-nga-1139","Orpheus","Unrecorded Italian maker","c. 1515","oil on panel transferred to canvas","overall: 39.5 x 81 cm (15 9/16 x 31 7/8 in.) framed: 67.3 x 101.1 x 4.4 cm (26 1/2 x 39 13/16 x 1 3/4 in.)",81,39.5,1.7407564810879728,[487,488,489,490,491],{"_220":429,"_221":430,"_42":431,"_302":432},"1942.9.2","An unrecorded Venetian artist painted this in about 1515. It is now at the National Gallery of Art in Washington, DC.","Two women, a man, and a satyr, a man with goat’s legs, are in two pairs in a forested landscape in this horizontal painting. The pale-skinned women are nude, and their blond hair is tied up and back. One woman sits on a brown boulder to the left of center. One hand covers her groin, and the other hand rests on the satyr’s shoulder. The satyr has deeply tanned skin, short white hair, and a long white beard. A white cloth wraps over one shoulder and across his hips. He holds up an object, perhaps a shell, with one hand. That arm crosses over the woman’s breasts. His other hand is by his lower belly, and he looks at the shell. A bit farther back and to our right, a second nude woman also sits on a boulder. She faces away from us and holds up a long stick with her left arm, which arcs over her body. A clean-shaven, pale-skinned man sits with his back against the boulder. He has long brown hair and looks off to the distance to our right. He wears a carnation-pink robe over a sapphire-blue tunic. His legs splay in front of him, his feet bare, as he holds a bow to a violin-like instrument tucked under his chin. The two pairs sit in a grassy glade occupied also by five pheasant- or peacock-like birds. A thin river running behind the glade is lined with spindly trees that together make an impenetrable bronze-brown and laurel-green canopy. The second woman’s stick points or is directed to a gray, mountain lion-like cat on the far bank. Closer inspection reveals deer and another person, who points, tucked among the trunks. A glimpse of blue sky is visible through a break in the tree trunks.",{"_293":484,"_295":485,"_297":486},"https://img.ochreeditions.com/m/1319.jpg?dl=1","/art/orpheus-nga-1139","/galleries/style/italian-renaissance/orpheus-nga-1139",{"_289":290,"_291":292},{"_224":479,"_125":480,"_283":481},{"_274":476,"_276":477,"_278":461,"_280":478},96,61.531494140625,46.531494140625,{"_285":224,"_123":482,"_154":483,"_140":77},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1319/480.jpg","https://img.ochreeditions.com/a/1319/960.jpg","https://img.ochreeditions.com/a/1319/1920.jpg",{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},{"_309":492,"_311":493},"#b17758",0.053,"#ab915a",0.102,"#7d653a",0.1806,"#5e4f33",0.2934,"#433922",0.371,"pope-receiving-visitor-si-chndm-1938-88-7079","Pope Receiving Visitor",{"_42":564,"_221":565,"_323":326,"_325":326,"_327":-5,"_329":566,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1590–1646","drawing","Drawing","Pen and brown ink, brush and brown wash, graphite on cream laid paper, lined","23.1 x 32.7 cm (9 1/8 x 12 7/8 in.)",32.7,23.1,1.3574660633484164,[549,550,551,552,553],{"_220":546,"_221":547,"_42":548,"_302":303},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-7079","Belisario Corenzio drew this in 1590–1646. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":543,"_544":545},"POPE RECEIVING VISITOR",{"_293":540,"_295":541,"_297":542},"https://img.ochreeditions.com/m/1737.jpg?dl=1","/art/pope-receiving-visitor-si-chndm-1938-88-7079","/galleries/style/italian-renaissance/pope-receiving-visitor-si-chndm-1938-88-7079",{"_289":538,"_291":539},{"_224":530,"_125":531,"_283":532},{"_274":527,"_276":528,"_278":510,"_280":529},56.7,48.089,24.089000000000002,{"_285":224,"_123":536,"_154":537,"_140":89},{"_285":125,"_123":533,"_154":534,"_140":535},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-belisario-corenzio","Belisario Corenzio's contemporaries","black","snow","https://img.ochreeditions.com/a/1737/480.jpg","https://img.ochreeditions.com/a/1737/960.jpg","https://img.ochreeditions.com/a/1737/1920.jpg","Interior, striped wall, framed picture hanging; a pope, seated on a low pedestal under a rectangular canopy, speaks to a kneeling visitor. The visitor is entreating him with a document, while two cardinals flanking the pope and two courtiers at some distance to the right look on.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":562,"_311":563},{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},"#a09384",0.0615,"#a8886c",0.1649,"#ede9d8",0.2038,"#bea182",0.2763,"#cfb999",0.2935,"Belisario Corenzio","belisario-corenzio",1646,"saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":613,"_221":614,"_323":615,"_325":326,"_327":616,"_329":617,"_331":618,"_333":618,"_335":-5,"_140":103},"ca. 1440","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[598,599,600,601,602],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_293":595,"_295":596,"_297":597},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_289":290,"_291":292},{"_224":590,"_125":591,"_283":592},{"_274":587,"_276":588,"_278":589,"_280":573},49.760041300980895,62.6,34.760041300980895,{"_285":224,"_123":593,"_154":594,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d",0.1323,"#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"Siena","christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":665,"_221":666,"_323":667,"_325":326,"_327":668,"_329":669,"_331":670,"_333":670,"_335":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[650,651,652,653,654],{"_220":299,"_221":300,"_42":301,"_302":303},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_293":647,"_295":648,"_297":649},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_289":290,"_291":292},{"_224":642,"_125":643,"_283":644},{"_274":639,"_276":640,"_278":641,"_280":625},45.62467599792639,57.5,30.62467599792639,{"_285":224,"_123":645,"_154":646,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1430,1479,"Messina","the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families",{"_42":717,"_221":718,"_323":719,"_325":326,"_327":720,"_329":721,"_331":722,"_333":454,"_335":-5,"_140":103},"ca. 1449","Tempera, silver, and gold on wood","Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[702,703,704,705,706],{"_220":299,"_221":300,"_42":301,"_302":303},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_293":699,"_295":700,"_297":701},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_289":290,"_291":292},{"_224":694,"_125":695,"_283":696},{"_274":691,"_276":692,"_278":677,"_280":693},107.7,105.74339768339769,90.74339768339769,{"_285":224,"_123":697,"_154":698,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_309":715,"_311":716},{"_309":713,"_311":714},{"_309":711,"_311":712},{"_309":709,"_311":710},{"_309":707,"_311":708},"#a69f8f",0.0741,"#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,1486,"San Giovanni Valdarno","portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille",{"_42":771,"_221":772,"_323":326,"_325":326,"_327":-5,"_329":773,"_331":-5,"_333":-5,"_335":-5,"_140":103},"ca. 1485–95","Oil on wood; (verso: oil and gold on wood)","Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)",7.3,10.2,0.6975,[756,757,758,759,760],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.85","Jacometto (Jacometto Veneziano) painted this in about 1485–95. It is now at The Met in New York.","Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, by Jacometto (Jacometto Veneziano), ca. 1485–95",{"_293":753,"_295":754,"_297":755},"https://img.ochreeditions.com/m/1250.jpg?dl=1","/art/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027","/galleries/style/italian-renaissance/portrait-of-a-woman-possibly-a-nun-of-san-secondo-verso-scen-met-459027",{"_289":290,"_291":292},{"_224":748,"_125":749,"_283":750},{"_274":744,"_276":745,"_278":746,"_280":747},32.4375,40,17.4375,25,{"_285":224,"_123":751,"_154":752,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-jacometto-jacometto-veneziano","Jacometto (Jacometto Veneziano)'s contemporaries","https://img.ochreeditions.com/a/1250/480.jpg","https://img.ochreeditions.com/a/1250/960.jpg","https://img.ochreeditions.com/a/1250/1920.jpg",{"_309":769,"_311":770},{"_309":767,"_311":768},{"_309":765,"_311":766},{"_309":763,"_311":764},{"_309":761,"_311":762},"#1e1f1e",0.1129,"#8e7862",0.142,"#60584c",0.1442,"#547186",0.1974,"#a6a8a7",0.4035,"Jacometto (Jacometto Veneziano)","jacometto-jacometto-veneziano",1498,"the-musicians-met-435844","The Musicians",{"_42":820,"_221":821,"_323":822,"_325":326,"_327":823,"_329":824,"_331":825,"_333":826,"_335":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[805,806,807,808,809],{"_220":299,"_221":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":802,"_295":803,"_297":804},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":290,"_291":292},{"_224":797,"_125":798,"_283":799},{"_274":794,"_276":795,"_278":779,"_280":796},133.4,106.908,91.908,{"_285":224,"_123":800,"_154":801,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":818,"_311":819},{"_309":816,"_311":817},{"_309":814,"_311":815},{"_309":812,"_311":813},{"_309":810,"_311":811},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","a-bear-walking-met-459184","A Bear Walking",{"_42":878,"_221":879,"_323":880,"_325":326,"_327":881,"_329":882,"_331":883,"_333":884,"_335":885,"_140":99},"ca. 1482–85","Drawings","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[863,864,865,866,867],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_293":860,"_295":861,"_297":862},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_289":538,"_291":539},{"_224":853,"_125":854,"_283":855},{"_274":850,"_276":851,"_278":747,"_280":852},49,43.29429429429429,19.294294294294293,{"_285":224,"_123":858,"_154":859,"_140":99},{"_285":125,"_123":856,"_154":857,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},{"_309":868,"_311":869},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":933,"_221":934,"_323":935,"_325":326,"_327":936,"_329":773,"_331":454,"_333":937,"_335":-5,"_140":101},"early to mid 1480s","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",25.4,28.1,0.9000336587007741,[918,919,920,921,922],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_293":915,"_295":916,"_297":917},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_289":538,"_291":539},{"_224":910,"_125":911,"_283":912},{"_274":907,"_276":908,"_278":909,"_280":893},49.29094580949175,52.1,25.290945809491753,{"_285":224,"_123":913,"_154":914,"_140":89},{"_285":125,"_123":856,"_154":857,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,"Rome","the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess",{"_42":989,"_221":990,"_323":991,"_325":326,"_327":992,"_329":993,"_331":-5,"_333":-5,"_335":-5,"_140":103},"ca. 1510–20","print","Prints","Engraving","Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm)",43.7,29.1,1.4766208251473478,[974,975,976,977,978],{"_220":299,"_221":300,"_42":301,"_302":303},"19.74.1","Marcantonio Raimondi made this in about 1510–20, aged about 25. It is now at The Met in New York.","The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, by Marcantonio Raimondi, ca. 1510–20",{"_293":971,"_295":972,"_297":973},"https://img.ochreeditions.com/m/1009.jpg?dl=1","/art/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058","/galleries/style/italian-renaissance/the-judgment-of-paris-he-is-sitting-at-left-with-venus-juno-met-337058",{"_289":538,"_291":539},{"_224":964,"_125":965,"_283":966},{"_274":961,"_276":962,"_278":946,"_280":963},67.7,53.59459819052688,29.594598190526877,{"_285":224,"_123":969,"_154":970,"_140":89},{"_285":125,"_123":967,"_154":968,"_140":53},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-15","More prints of the 15th century","artist/contemporaries-of-marcantonio-raimondi","Marcantonio Raimondi's contemporaries","https://img.ochreeditions.com/a/1009/480.jpg","https://img.ochreeditions.com/a/1009/960.jpg","https://img.ochreeditions.com/a/1009/1920.jpg",{"_309":987,"_311":988},{"_309":985,"_311":986},{"_309":983,"_311":984},{"_309":981,"_311":982},{"_309":979,"_311":980},"#f5f0dd",0.0523,"#cac0b0",0.1283,"#9e9486",0.2184,"#5f5951",0.2969,"#7d756a",0.3041,"Marcantonio Raimondi","marcantonio-raimondi","Italian, Argini (?) ca. 1480–before 1534 Bologna (?)",1475,1534,"the-last-communion-of-saint-jerome-met-435728","The Last Communion of Saint Jerome",{"_42":1039,"_221":1040,"_323":1041,"_325":326,"_327":1042,"_329":1043,"_331":454,"_333":454,"_335":-5,"_140":101},"early 1490s","13 1/2 x 10 in. (34.3 x 25.4 cm)",34.3,0.75475,[1024,1025,1026,1027,1028],{"_220":299,"_221":300,"_42":301,"_302":303},"14.40.642","Botticelli (Alessandro di Mariano Filipepi) painted this in the early 1490s, aged about 46. It is now at The Met in New York.","The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s",{"_293":1021,"_295":1022,"_297":1023},"https://img.ochreeditions.com/m/1063.jpg?dl=1","/art/the-last-communion-of-saint-jerome-met-435728","/galleries/style/italian-renaissance/the-last-communion-of-saint-jerome-met-435728",{"_289":290,"_291":292},{"_224":1016,"_125":1017,"_283":1018},{"_274":1013,"_276":1014,"_278":1015,"_280":999},40.887924999999996,49.3,25.887925,{"_285":224,"_123":1019,"_154":1020,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1063/480.jpg","https://img.ochreeditions.com/a/1063/960.jpg","https://img.ochreeditions.com/a/1063/1920.jpg",{"_309":1037,"_311":1038},{"_309":1035,"_311":1036},{"_309":1033,"_311":1034},{"_309":1031,"_311":1032},{"_309":1029,"_311":1030},"#a06a4e",0.0609,"#95927e",0.1214,"#7f6948",0.1745,"#262119",0.3145,"#4b3b29",0.3287,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,1510,"saint-apollonia-nga-12103","Saint Apollonia",{"_42":1091,"_221":1092,"_323":1093,"_325":326,"_327":1094,"_329":1095,"_331":1096,"_333":618,"_335":-5,"_140":99},"c. 1435","tempera on poplar panel","overall: 28.6 x 11.3 cm (11 1/4 x 4 7/16 in.) framed: 31.4 x 14 x 7.8 cm (12 3/8 x 5 1/2 x 3 1/16 in.)",11.3,28.6,0.447509765625,[1076,1077,1078,1079,1080],{"_220":429,"_221":430,"_42":431,"_302":432},"1943.4.5","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their head slightly tilted to the left. They have a pale complexion, and short, wavy blonde hair adorned with a thin red crown. They have rosy, pink cheeks, arched eyebrows, a straight nose, and small lips set in a neutral expression. The individual is wearing a long red robe over a black tunic or dress and is holding a long black quill-like object in one hand, and what looks like a thin staff with a red loop at the end in the other. A detailed golden halo surrounds their head, and the background features an ornate gold pattern which is slightly worn and peeling in some places. The painting is bordered by a golden frame.",{"_293":1073,"_295":1074,"_297":1075},"https://img.ochreeditions.com/m/1361.jpg?dl=1","/art/saint-apollonia-nga-12103","/galleries/style/italian-renaissance/saint-apollonia-nga-12103",{"_289":290,"_291":292},{"_224":1068,"_125":1069,"_283":1070},{"_274":1065,"_276":1066,"_278":1067,"_280":1051},27.798779296875,43.6,12.798779296875,{"_285":224,"_123":1071,"_154":1072,"_140":99},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1361/480.jpg","https://img.ochreeditions.com/a/1361/960.jpg","https://img.ochreeditions.com/a/1361/1920.jpg",{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},"#29201b",0.1021,"#c8a36e",0.1624,"#5b3427",0.2037,"#825e40",0.2204,"#a27d55",0.3114,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","allegory-nga-35082","Allegory",{"_42":1144,"_221":1145,"_323":326,"_325":326,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1515-1525","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[1129,1130,1131,1132,1133],{"_220":429,"_221":430,"_42":431,"_302":432},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_289":290,"_291":292},{"_224":1121,"_125":1122,"_283":1123},{"_274":1118,"_276":1119,"_278":1120,"_280":1103},54.105224609375,58,39.105224609375,{"_285":224,"_123":1124,"_154":1125,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","e9fe5a6867184efcf23a158d46e9c1ddf1f460b9","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]