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(87.3 x 71.1 cm)","width_cm",71.1,"height_cm",87.3,"aspect",0.82,"palette",[306,307,308,309,310],"museum",{"_221":301,"_222":302,"_42":303,"_304":305},"credit","Courtesy of The Metropolitan Museum of Art","accession","65.117","licence","CC0","story","Lorenzo Lotto painted this in 1547, aged 72. It is now at The Met in New York.","note","Brother Gregorio Belo, a friar of the Hieronymite order, holds a book in one hand and strikes his chest with the other in a gesture of penitence, while behind him a small scene of the Crucifixion appears in a landscape, as if conjured by his meditation.","Brother Gregorio Belo of Vicenza, by Lorenzo Lotto, 1547","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1122.jpg?dl=1","page_url","/art/brother-gregorio-belo-of-vicenza-met-436917","walk_url","/galleries/style/italian-renaissance/brother-gregorio-belo-of-vicenza-met-436917","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":245},"w",86.586,"h",102.3,"image_w",71.586,"image_h",{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1122/480.jpg","960","https://img.ochreeditions.com/a/1122/960.jpg","1920","https://img.ochreeditions.com/a/1122/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#232e1c","weight",0.0274,"#583f24",0.0318,"#2d2113",0.1147,"#110d08",0.3567,"#1d150c",0.4694,"Lorenzo Lotto","lorenzo-lotto","bio","Italian, 1475–1556","nationality","Italian","birth_year",1475,"death_year",1556,"birth_place","Venice","death_place","Loreto","about_excerpt","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","the-baptism-of-christ-nga-1142","The Baptism of Christ",{"_42":393,"_222":394,"_325":395,"_327":328,"_329":396,"_331":397,"_333":-5,"_335":-5,"_337":398,"_140":103},"c. 1535/1540","Painting","oil on canvas","overall: 129.5 x 132 cm (51 x 51 15/16 in.) framed: 177 x 178.8 x 10.2 cm (69 11/16 x 70 3/8 x 4 in.)",132,129.5,1.0138613861386139,[378,379,380,381,382],{"_221":374,"_222":375,"_42":376,"_304":377},"Courtesy National Gallery of Art, Washington","1942.9.5","Paris Bordone painted this in about 1535/1540, aged about 35. It is now at the National Gallery of Art in Washington, DC.","John the Baptist, bracing himself against a tree on the riverbank, tips a shallow dish of water over the head of Christ, who stands ankle-deep in the stream with his hands joined in prayer.","Bright light from the upper left illuminates two muscular men and a winged angel against a dim landscape in this square painting. They all have pale skin, and the two men have dark brown hair and beards. One man, Jesus, stands ankle-deep in a rippling dark blue stream in the center of the composition facing us with downcast eyes. He is nude except for a white cloth that drapes over one shoulder and is tied around his hips. The other end of the cloth drops into the water. Jesus’s hands are pressed together in prayer at chest-height closer to his right shoulder, to our left. He leans his torso in the other direction and looks down at the water. The second man stands on the riverbank to our right. His body faces our left but his left shoulder, closer to us, dips down so his broad back is angled toward us. His lower body is wrapped in a cobalt-blue garment bordered with what looks like sheepskin. His near hand swings back to clutch the trunk of a tree growing immediately behind him. In his other hand, he holds up a pewter-grey dish that dribbles water onto Jesus’s head. On the left riverbank, the copper-haired angel looks on, facing our right in profile but the body faces us. The angel wears a sleeveless, pumpkin-orange robe with a shimmering salmon-pink mantle draped over the right shoulder, to our left. Petal-pink and dark grey wings extend from the shoulders, and the lower legs and feet are bare. The shadowy landscape has a dark green field stretching back to jagged, sapphire-blue mountains along the horizon, which comes four-fifths of the way up this composition. Pale blue clouds skim across the vivid blue sky, where three chubby, winged babies float. One holds a triangle and a rod with which to strike it, and another might hold a rectangular musical instrument. Blue clouds split nearby to show a sliver of golden yellow light, and possibly more angels.",{"_295":371,"_297":372,"_299":373},"https://img.ochreeditions.com/m/1322.jpg?dl=1","/art/the-baptism-of-christ-nga-1142","/galleries/style/italian-renaissance/the-baptism-of-christ-nga-1142",{"_291":292,"_293":294},{"_225":366,"_125":367,"_285":368},{"_276":363,"_278":364,"_280":346,"_282":365},147,145.1953125,130.1953125,{"_287":225,"_123":369,"_154":370,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paris-bordone","Paris Bordone's contemporaries","https://img.ochreeditions.com/a/1322/480.jpg","https://img.ochreeditions.com/a/1322/960.jpg","https://img.ochreeditions.com/a/1322/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":391,"_313":392},{"_311":389,"_313":390},{"_311":387,"_313":388},{"_311":385,"_313":386},{"_311":383,"_313":384},"#476c78",0.0565,"#8d6040",0.1161,"#ceba93",0.131,"#373629",0.317,"#1e2329",0.3794,"Paris Bordone","paris-bordone","Venetian, 1500–1571",1500,1571,"Paris Bordone was born in Treviso and trained in Venice, according to Vasari briefly in Titian’s studio. He became known for richly coloured religious paintings, mythologies and portraits, and for sensuous half-length images of women.","the-last-communion-of-saint-jerome-met-435728","The Last Communion of Saint Jerome",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":455,"_331":456,"_333":457,"_335":457,"_337":-5,"_140":101},"early 1490s","Tempera and gold on wood","13 1/2 x 10 in. (34.3 x 25.4 cm)",25.4,34.3,0.75475,[437,438,439,440,441],{"_221":301,"_222":302,"_42":303,"_304":305},"14.40.642","Botticelli (Alessandro di Mariano Filipepi) painted this in the early 1490s, aged about 46. It is now at The Met in New York.","The Last Communion of Saint Jerome, by Botticelli (Alessandro di Mariano Filipepi), early 1490s",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/1063.jpg?dl=1","/art/the-last-communion-of-saint-jerome-met-435728","/galleries/style/italian-renaissance/the-last-communion-of-saint-jerome-met-435728",{"_291":292,"_293":294},{"_225":423,"_125":424,"_285":425},{"_276":420,"_278":421,"_280":422,"_282":406},40.887924999999996,49.3,25.887925,{"_287":225,"_123":432,"_154":433,"_140":89},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":426,"_154":427,"_140":428},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-botticelli-alessandro-di-mariano-filipepi","Botticelli (Alessandro di Mariano Filipepi)'s contemporaries","https://img.ochreeditions.com/a/1063/480.jpg","https://img.ochreeditions.com/a/1063/960.jpg","https://img.ochreeditions.com/a/1063/1920.jpg",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#a06a4e",0.0609,"#95927e",0.1214,"#7f6948",0.1745,"#262119",0.3145,"#4b3b29",0.3287,"Botticelli (Alessandro di Mariano Filipepi)","botticelli-alessandro-di-mariano-filipepi","Italian, 1444–1510",1444,1510,"Florence","venus-and-cupid-met-436918","Venus and Cupid",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":99},"1520s","36 3/8 x 43 7/8 in. (92.4 x 111.4 cm)",111.4,92.4,1.1951000896325068,[488,489,490,491,492],{"_221":301,"_222":302,"_42":303,"_304":305},"1986.138","Lorenzo Lotto painted this in the 1520s, aged about 45. It is now at The Met in New York.","Venus reclines on draperies beneath a hanging shell, wearing a bridal crown and veil, while a mischievous Cupid urinates through a myrtle wreath onto her lap, an earthy wish for fertility and good fortune in marriage.","Venus and Cupid, by Lorenzo Lotto, 1520s",{"_295":485,"_297":486,"_299":487},"https://img.ochreeditions.com/m/1123.jpg?dl=1","/art/venus-and-cupid-met-436918","/galleries/style/italian-renaissance/venus-and-cupid-met-436918",{"_291":292,"_293":294},{"_225":482,"_125":483,"_285":484},{"_276":479,"_278":480,"_280":463,"_282":481},126.4,108.21395,93.21395,{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1123/480.jpg","https://img.ochreeditions.com/a/1123/960.jpg","https://img.ochreeditions.com/a/1123/1920.jpg",{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},{"_311":495,"_313":496},{"_311":493,"_313":494},"#234b5c",0.1082,"#b4a086",0.1949,"#615140",0.1963,"#652d2d",0.2075,"#291d19",0.2931,"madonna-and-child-nga-12111","Madonna and Child",{"_42":551,"_222":552,"_325":553,"_327":328,"_329":554,"_331":555,"_333":-5,"_335":-5,"_337":556,"_140":99},"1413","tempera on panel","painted surface: 113.5 × 52.8 cm (44 11/16 × 20 13/16 in.) overall: 116.3 × 55.6 cm (45 13/16 × 21 7/8 in.) framed: 127 x 66.2 x 11.4 cm (50 x 26 1/16 x 4 1/2 in.)",52.8,113.5,0.462646484375,[536,537,538,539,540],{"_221":374,"_222":375,"_42":376,"_304":377},"1943.4.13","Lorenzo Monaco painted this in 1413, aged 43. It is now at the National Gallery of Art in Washington, DC.","The Virgin, in a midnight-blue robe scattered with golden stars, supports the Christ Child as he stands on her knee, one hand holding her sky-blue scarf and the other a scroll with the words “EGO S…”, the beginning of a Latin declaration, “I am…”.","A woman sits and supports a baby standing on her lap, both against a gold background in this arched, vertical painting. The woman and baby’s light skin is shaded with faint green, and they have pale pink cheeks. The woman’s body faces us. She tips her head toward the baby who stands on her knee, to our right. The woman looks at us with light brown eyes under curving brows. She has a long, straight nose, and her small pink lips are closed. Her blond hair is mostly covered by a midnight-blue robe that drapes over her shoulders, across her lap, and pools on the floor. The robe is lined with goldenrod yellow, edged with bright gold, and has gold starburst-like designs on the shoulder we can see and top of the head. The dress she wears underneath has more gold stars creating a pattern across the pearl-white fabric. A sky-blue scarf wraps over her head and loops across her shoulders. The baby holds one end of the scarf, and his other elbow rests on the woman’s shoulder. She props him up with both hands. He has a cap of blond curls and chubby cheeks with delicate features. His geranium-red garment falls over a pale blue skirt that reaches his bare feet. In the hand near the woman’s shoulder, he holds a scroll with the letters “EGO S.” The floor beneath them is mint green and has gold writing across the front, reading, “AVE.G ANN O.D M.CCCC.XIII.” The woman and baby’s disc-like gold halos blend into the gold background, which is visibly cracked in some areas. The panel comes to a pointed arch at the top.",{"_295":533,"_297":534,"_299":535},"https://img.ochreeditions.com/m/1362.jpg?dl=1","/art/madonna-and-child-nga-12111","/galleries/style/italian-renaissance/madonna-and-child-nga-12111",{"_291":292,"_293":294},{"_225":528,"_125":529,"_285":530},{"_276":525,"_278":526,"_280":527,"_282":510},67.5103759765625,128.5,52.5103759765625,{"_287":225,"_123":531,"_154":532,"_140":99},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":426,"_154":427,"_140":428},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1362/480.jpg","https://img.ochreeditions.com/a/1362/960.jpg","https://img.ochreeditions.com/a/1362/1920.jpg",{"_311":549,"_313":550},{"_311":547,"_313":548},{"_311":545,"_313":546},{"_311":543,"_313":544},{"_311":541,"_313":542},"#915c42",0.0738,"#f1ede7",0.0797,"#707862",0.1579,"#3d3d40",0.2419,"#d6aa6d",0.4467,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","Latona Giving Birth to Apollo and Diana on the Island of Delos",{"_42":611,"_222":612,"_325":613,"_327":328,"_329":614,"_331":615,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1561-1565","print","Print","engraving on laid paper (with offset of Diana Scultori's \"Snake Charmer\" [B.44] on verso)","plate: 25.8 × 38 cm (10 3/16 × 14 15/16 in.) sheet: 30.3 × 42.2 cm (11 15/16 × 16 5/8 in.)",38,25.8,1.4070766059773274,[596,597,598,599,600],{"_221":374,"_222":375,"_42":376,"_304":377},"1943.3.4619","Diana Scultori made this in 1561-1565, aged about 14. It is now at the National Gallery of Art in Washington, DC.","Latona Giving Birth to Apollo and Diana on the Island of Delos, by Diana Scultori, 1561-1565",{"_295":593,"_297":594,"_299":595},"https://img.ochreeditions.com/m/1347.jpg?dl=1","/art/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358","/galleries/style/italian-renaissance/latona-giving-birth-to-apollo-and-diana-on-the-island-of-del-nga-7358",{"_291":591,"_293":592},{"_225":583,"_125":584,"_285":585},{"_276":580,"_278":581,"_280":565,"_282":582},62,51.00634765625,27.00634765625,{"_287":225,"_123":589,"_154":590,"_140":89},{"_287":125,"_123":586,"_154":587,"_140":588},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-diana-scultori","Diana Scultori's contemporaries","black","snow","https://img.ochreeditions.com/a/1347/480.jpg","https://img.ochreeditions.com/a/1347/960.jpg","https://img.ochreeditions.com/a/1347/1920.jpg",{"_311":609,"_313":610},{"_311":607,"_313":608},{"_311":605,"_313":606},{"_311":603,"_313":604},{"_311":601,"_313":602},"#5a5145",0.1427,"#c7b496",0.199,"#efd7b7",0.2087,"#807360",0.2097,"#a29279",0.2399,"Diana Scultori","diana-scultori","Italian, c.1547–1612",1547,1612,"the-coronation-of-the-virgin-nga-12134","The Coronation of the Virgin",{"_42":663,"_222":664,"_325":665,"_327":328,"_329":666,"_331":667,"_333":668,"_335":457,"_337":-5,"_140":101},"c. 1475","tempera and oil on poplar panel","overall: 90.5 x 222.9 cm (35 5/8 x 87 3/4 in.) framed: 99.1 x 229.9 x 7.6 cm (39 x 90 1/2 x 3 in.)",222.9,90.5,2.4794188861985473,[648,649,650,651,652],{"_221":374,"_222":375,"_42":376,"_304":377},"1943.4.36","Filippino Lippi painted this in about 1475, aged 18. It is now at the National Gallery of Art in Washington, DC.","In a wide, arched panel, a bearded man wearing a crown places another crown on the head of a woman. To our right, the woman bows her head with her eyes nearly closed and crosses her wrists over her chest. A white cloak covers her head, drapes over her shoulders, and pools in deep folds around her feet. The cloak is lined with pine green, and she wears a shell-pink dress. To our left, the man has shoulder-length, curly gray hair and a beard. His robe is dark rose pink, and the cloak is azure blue lined with pine green. Two winged angels have brown hair, short, white wings, and wear voluminous white robes. They stand to either side of the man and woman and hold up a swag of raspberry-red cloth hung with gold tassels. All the people have pale, peachy skin. Winged baby heads encircled with gold rays create an arch behind the man and woman, who sit on clouds. The background is pale blue sky.",{"_295":645,"_297":646,"_299":647},"https://img.ochreeditions.com/m/1364.jpg?dl=1","/art/the-coronation-of-the-virgin-nga-12134","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-nga-12134",{"_291":292,"_293":294},{"_225":640,"_125":641,"_285":642},{"_276":637,"_278":638,"_280":622,"_282":639},237.9,104.90009765625,89.90009765625,{"_287":225,"_123":643,"_154":644,"_140":89},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":426,"_154":427,"_140":428},"artist/contemporaries-of-filippino-lippi","Filippino Lippi's contemporaries","https://img.ochreeditions.com/a/1364/480.jpg","https://img.ochreeditions.com/a/1364/960.jpg","https://img.ochreeditions.com/a/1364/1920.jpg",{"_311":661,"_313":662},{"_311":659,"_313":660},{"_311":657,"_313":658},{"_311":655,"_313":656},{"_311":653,"_313":654},"#87433a",0.1358,"#8e714e",0.1785,"#556659",0.2151,"#aca17a",0.2188,"#f9fafa",0.2518,"Filippino Lippi","filippino-lippi","Italian, 1457–1504",1457,1504,"Prato","the-musicians-met-435844","The Musicians",{"_42":715,"_222":716,"_325":717,"_327":328,"_329":397,"_331":718,"_333":719,"_335":720,"_337":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[700,701,702,703,704],{"_221":301,"_222":302,"_42":303,"_304":305},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_295":697,"_297":698,"_299":699},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_291":292,"_293":294},{"_225":692,"_125":693,"_285":694},{"_276":689,"_278":690,"_280":674,"_282":691},133.4,106.908,91.908,{"_287":225,"_123":695,"_154":696,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_311":713,"_313":714},{"_311":711,"_313":712},{"_311":709,"_313":710},{"_311":707,"_313":708},{"_311":705,"_313":706},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1610,"Milan or Caravaggio","Porto Ercole","david-with-the-head-of-goliath-nga-1145","David with the Head of Goliath",{"_42":768,"_222":769,"_325":770,"_327":328,"_329":771,"_331":666,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1450/1455","tempera on leather on wood","overall (width at top): 115.5 x 76.5 cm (45 1/2 x 30 1/8 in.) overall (width at bottom): 115.5 x 40.6 cm (45 1/2 x 16 in.)",76.5,115.5,0.706787109375,[753,754,755,756,757],{"_221":374,"_222":375,"_42":376,"_304":377},"1942.9.8","Andrea del Castagno painted this in about 1450/1455, aged about 31. It is now at the National Gallery of Art in Washington, DC.","This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.",{"_295":750,"_297":751,"_299":752},"https://img.ochreeditions.com/m/1325.jpg?dl=1","/art/david-with-the-head-of-goliath-nga-1145","/galleries/style/italian-renaissance/david-with-the-head-of-goliath-nga-1145",{"_291":292,"_293":294},{"_225":745,"_125":746,"_285":747},{"_276":742,"_278":743,"_280":744,"_282":728},96.6339111328125,130.5,81.6339111328125,{"_287":225,"_123":748,"_154":749,"_140":89},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":426,"_154":427,"_140":428},"artist/contemporaries-of-andrea-del-castagno","Andrea del Castagno's contemporaries","https://img.ochreeditions.com/a/1325/480.jpg","https://img.ochreeditions.com/a/1325/960.jpg","https://img.ochreeditions.com/a/1325/1920.jpg",{"_311":766,"_313":767},{"_311":764,"_313":765},{"_311":762,"_313":763},{"_311":760,"_313":761},{"_311":758,"_313":759},"#a07d5a",0.1,"#6b4531",0.1323,"#36291e",0.1458,"#3e4f47",0.2122,"#f6f6f4",0.4097,"Andrea del Castagno","andrea-del-castagno","Florentine, before 1419–1457",1419,"the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":826,"_222":827,"_325":828,"_327":328,"_329":829,"_331":830,"_333":831,"_335":832,"_337":833,"_140":99},"1510–13","drawing","Drawings","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[811,812,813,814,815],{"_221":301,"_222":302,"_42":303,"_304":305},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_295":808,"_297":809,"_299":810},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_291":591,"_293":592},{"_225":800,"_125":801,"_285":802},{"_276":796,"_278":797,"_280":798,"_282":799},43.44008372579801,49,19.44008372579801,25,{"_287":225,"_123":806,"_154":807,"_140":99},{"_287":125,"_123":803,"_154":804,"_140":805},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-16","More drawings of the 16th century",35,"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_311":824,"_313":825},{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)",{"_42":882,"_222":883,"_325":884,"_327":328,"_329":885,"_331":886,"_333":887,"_335":888,"_337":-5,"_140":103},"1435–38","Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)","11 13/16 x 8 13/16in. (30 x 22.4cm)",22.4,30,0.76325,[867,868,869,870,871],{"_221":301,"_222":302,"_42":303,"_304":305},"1996.364a, b","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) drew this in 1435–38, aged about 61. It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_295":864,"_297":865,"_299":866},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/italian-renaissance/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_291":591,"_293":592},{"_225":857,"_125":858,"_285":859},{"_276":855,"_278":588,"_280":856,"_282":841},46.8975,22.8975,{"_287":225,"_123":862,"_154":863,"_140":89},{"_287":125,"_123":860,"_154":861,"_140":91},{"_287":285,"_123":426,"_154":427,"_140":428},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg",{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},{"_311":874,"_313":875},{"_311":872,"_313":873},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","the-journey-of-the-magi-met-437611","The Journey of the Magi",{"_42":935,"_222":936,"_325":937,"_327":328,"_329":938,"_331":939,"_333":940,"_335":941,"_337":-5,"_140":99},"ca. 1433–35","8 1/2 x 11 3/4 in. (21.6 x 29.8 cm)",29.8,21.6,1.3119055428009183,[920,921,922,923,924],{"_221":301,"_222":302,"_42":303,"_304":305},"43.98.1","Sassetta painted this in about 1433–35, aged about 43. It is now at The Met in New York.","The Journey of the Magi, by Sassetta, ca. 1433–35",{"_295":917,"_297":918,"_299":919},"https://img.ochreeditions.com/m/1153.jpg?dl=1","/art/the-journey-of-the-magi-met-437611","/galleries/style/italian-renaissance/the-journey-of-the-magi-met-437611",{"_291":292,"_293":294},{"_225":912,"_125":913,"_285":914},{"_276":909,"_278":910,"_280":894,"_282":911},44.8,37.715050000000005,22.71505,{"_287":225,"_123":915,"_154":916,"_140":99},{"_287":125,"_123":429,"_154":430,"_140":431},{"_287":285,"_123":426,"_154":427,"_140":428},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1153/480.jpg","https://img.ochreeditions.com/a/1153/960.jpg","https://img.ochreeditions.com/a/1153/1920.jpg",{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},{"_311":927,"_313":928},{"_311":925,"_313":926},"#3a434b",0.154,"#5d3c23",0.169,"#0b0604",0.1843,"#7c7159",0.2302,"#56482f",0.2625,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","Siena","the-coronation-of-the-virgin-met-435853",{"_42":987,"_222":988,"_325":989,"_327":328,"_329":990,"_331":991,"_333":992,"_335":993,"_337":-5,"_140":101},"after 1595","46 3/8 x 55 5/8 in. (117.8 x 141.3 cm)",141.3,117.8,1.169248757673195,[972,973,974,975,976],{"_221":301,"_222":302,"_42":303,"_304":305},"1971.155","Annibale Carracci painted this (after 1595), aged about 35. It is now at The Met in New York.","The Coronation of the Virgin, by Annibale Carracci, after 1595",{"_295":969,"_297":970,"_299":971},"https://img.ochreeditions.com/m/1070.jpg?dl=1","/art/the-coronation-of-the-virgin-met-435853","/galleries/style/italian-renaissance/the-coronation-of-the-virgin-met-435853",{"_291":292,"_293":294},{"_225":964,"_125":965,"_285":966},{"_276":961,"_278":962,"_280":946,"_282":963},156.3,135.84682500000002,120.84682500000001,{"_287":225,"_123":967,"_154":968,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-annibale-carracci","Annibale Carracci's contemporaries","https://img.ochreeditions.com/a/1070/480.jpg","https://img.ochreeditions.com/a/1070/960.jpg","https://img.ochreeditions.com/a/1070/1920.jpg",{"_311":985,"_313":986},{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},"#6c6252",0.0827,"#7c5937",0.1563,"#030202",0.1991,"#4c3a2c",0.2381,"#302a24",0.3238,"Annibale Carracci","annibale-carracci","Italian, 1560–1609",1560,1609,"Bologna","Rome","allegory-nga-35082","Allegory",{"_42":1042,"_222":1043,"_325":328,"_327":328,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1515-1525","oil on panel","overall: 43 x 39.2 cm (16 15/16 x 15 7/16 in.) framed: 63.5 x 59.1 x 6.4 cm (25 x 23 1/4 x 2 1/2 in.)",39.2,43,0.909423828125,[1027,1028,1029,1030,1031],{"_221":374,"_222":375,"_42":376,"_304":377},"1948.17.1","Pietro degli Ingannati painted this in about 1515-1525. It is now at the National Gallery of Art in Washington, DC.","A sleeping nude woman lies on a rose-pink cloth while a satyr reaches towards her and another, holding a jug, glances back over his shoulder.","A nude woman, pudgy child, and two satyrs, which have men’s heads and torsos with goat’s legs and horns, are in a landscape in this octagonal painting. The scene is divided in half by a tree stump which only reaches to the center of the composition. To the left of the stump, the pale-skinned, nude child stands and hunches over to draw on the ground with a V-shaped compass. Two pieces of paper and a violin lie nearby. The landscape behind him has a body of water leading back to a town with buildings streaked with peach, perhaps flames. A band of peach sky separates the blue silhouettes of mountains lining the horizon from the vivid blue sky above. At the bottom center of the painting, a shield with an oval horizontally striped with red and white leans on the boy’s side of the tree, which has one leafy branch growing on the left side. One satyr holds a jug and kneels close to the tree with his back to it as he looks back over one shoulder. He and the other satyr both have dark, peach-toned skin and full beards. The second satyr hovers to the right of the nude, sleeping woman, both hands reaching for her or the rose-pink cloth surrounding her. The woman has blond curls, a round face, and she sleeps with one hand resting across her belly and her head tipped to our left. The trio are on a grassy area enclosed by dense, dark-green bushes and trees.",{"_295":1024,"_297":1025,"_299":1026},"https://img.ochreeditions.com/m/1492.jpg?dl=1","/art/allegory-nga-35082","/galleries/style/italian-renaissance/allegory-nga-35082",{"_291":292,"_293":294},{"_225":1019,"_125":1020,"_285":1021},{"_276":1016,"_278":1017,"_280":1018,"_282":1001},54.105224609375,58,39.105224609375,{"_287":225,"_123":1022,"_154":1023,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pietro-degli-ingannati","Pietro degli Ingannati's contemporaries","https://img.ochreeditions.com/a/1492/480.jpg","https://img.ochreeditions.com/a/1492/960.jpg","https://img.ochreeditions.com/a/1492/1920.jpg",{"_311":1040,"_313":1041},{"_311":1038,"_313":1039},{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},"#f9f9f8",0.0981,"#586a54",0.1527,"#a87d4e",0.2282,"#6e4f2f",0.2476,"#3b2e23",0.2734,"Pietro degli Ingannati","pietro-degli-ingannati","portrait-of-a-young-man-met-435802","Portrait of a Young Man",{"_42":1091,"_222":1092,"_325":1093,"_327":328,"_329":1094,"_331":1095,"_333":1096,"_335":457,"_337":-5,"_140":101},"1530s","Oil on wood","37 5/8 x 29 1/2 in. (95.6 x 74.9 cm)",74.9,95.6,0.785300780266801,[1076,1077,1078,1079,1080],{"_221":301,"_222":302,"_42":303,"_304":305},"29.100.16","Agnolo Bronzino painted this in the 1530s, aged about 27. It is now at The Met in New York.","Portrait of a Young Man, by Agnolo Bronzino, 1530s",{"_295":1073,"_297":1074,"_299":1075},"https://img.ochreeditions.com/m/1065.jpg?dl=1","/art/portrait-of-a-young-man-met-435802","/galleries/style/italian-renaissance/portrait-of-a-young-man-met-435802",{"_291":292,"_293":294},{"_225":1068,"_125":1069,"_285":1070},{"_276":1065,"_278":1066,"_280":1067,"_282":1051},90.07475459350617,110.6,75.07475459350617,{"_287":225,"_123":1071,"_154":1072,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-agnolo-bronzino","Agnolo Bronzino's contemporaries","https://img.ochreeditions.com/a/1065/480.jpg","https://img.ochreeditions.com/a/1065/960.jpg","https://img.ochreeditions.com/a/1065/1920.jpg",{"_311":1089,"_313":1090},{"_311":1087,"_313":1088},{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},"#79613e",0.0619,"#5a5741",0.1119,"#2c2420",0.2037,"#3e392c",0.2231,"#151413",0.3994,"Agnolo Bronzino","agnolo-bronzino","Italian, 1503–1572",1503,1572,"Monticelli","study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":1143,"_222":1144,"_325":1145,"_327":328,"_329":1146,"_331":1147,"_333":457,"_335":993,"_337":-5,"_140":101},"early to mid 1480s","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",28.1,0.9000336587007741,[1128,1129,1130,1131,1132],{"_221":301,"_222":302,"_42":303,"_304":305},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_295":1125,"_297":1126,"_299":1127},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_291":591,"_293":592},{"_225":1120,"_125":1121,"_285":1122},{"_276":1117,"_278":1118,"_280":1119,"_282":1103},49.29094580949175,52.1,25.290945809491753,{"_287":225,"_123":1123,"_154":1124,"_140":89},{"_287":125,"_123":860,"_154":861,"_140":91},{"_287":285,"_123":426,"_154":427,"_140":428},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_311":1141,"_313":1142},{"_311":1139,"_313":1140},{"_311":1137,"_313":1138},{"_311":1135,"_313":1136},{"_311":1133,"_313":1134},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","8bad7d573fd9b988303d64b4b5960f29d5fef0cd","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]