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It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":304,"_305":306},"note","STUDY FOR PAINTING, MOUNT OLYMPUS","images",{"_298":299,"_300":301,"_302":303},"download_url","https://img.ochreeditions.com/m/1739.jpg?dl=1","page_url","/art/study-for-painting-mount-olympus-si-chndm-1938-88-7331","walk_url","/galleries/style/italian-settecento/study-for-painting-mount-olympus-si-chndm-1938-88-7331","frame",{"_294":295,"_296":297},{"_227":286,"_125":287,"_288":289},"size",{"_279":280,"_281":282,"_283":284,"_285":248},"w",51.79337683121999,"h",69.6,"image_w",27.79337683121999,"image_h",{"_290":227,"_123":170,"_154":169,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},"era",{"_290":288,"_123":166,"_154":165,"_140":168},"facet","style/drawing-18","More drawings of the 18th century",31,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1739/480.jpg","960","https://img.ochreeditions.com/a/1739/960.jpg","1920","https://img.ochreeditions.com/a/1739/1920.jpg","Vertical rectangle. Hermes flying alongside Bacchus and an unidentified goddess seated in the clouds. Apollo and a muse, who holds a plumb-level, are seated on the row of clouds beneath them. Hercules is visible in the distance. Several putti are scattered amongst the gods in the clouds.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","city","New York",{"_317":327,"_319":328},{"_317":325,"_319":326},{"_317":323,"_319":324},{"_317":321,"_319":322},{"_317":318,"_319":320},"hex","#7c746b","weight",0.1226,"#90897e",0.1939,"#ddd6c4",0.2011,"#afac9f",0.2336,"#9f9a8f",0.2488,"Vito D'Anna","vito-d-anna","bio","Italian, 1718–1769","nationality","Italian","birth_year",1718,"death_year",1769,"birth_place","death_place","about_excerpt","the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons)",{"_42":399,"_224":400,"_331":401,"_333":334,"_335":402,"_337":403,"_339":404,"_340":405,"_341":406,"_140":97},"ca. 1749–50","print","Prints","Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)","Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm) Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm)",41.5,54.5,0.7688,[384,385,386,387,388],{"_223":381,"_224":382,"_42":383,"_310":311},"Courtesy of The Metropolitan Museum of Art","37.45.3(27)","Giovanni Battista Piranesi made this in about 1749–50, aged about 24. It is now at The Met in New York.","A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. This impression is of the first state, printed around 1749–50, when Piranesi’s Imaginary Prisons were still airy and sketch-like, etched with a free, rapid line that owes much to stage design.","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons), by Giovanni Battista Piranesi, ca. 1749–50",{"_298":378,"_300":379,"_302":380},"https://img.ochreeditions.com/m/1030.jpg?dl=1","/art/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","/galleries/style/italian-settecento/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725",{"_294":295,"_296":297},{"_227":370,"_125":371,"_288":372},{"_279":367,"_281":368,"_283":369,"_285":351},65.89959999999999,78.5,41.8996,{"_290":227,"_123":376,"_154":377,"_140":97},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/1030/480.jpg","https://img.ochreeditions.com/a/1030/960.jpg","https://img.ochreeditions.com/a/1030/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_317":397,"_319":398},{"_317":395,"_319":396},{"_317":393,"_319":394},{"_317":391,"_319":392},{"_317":389,"_319":390},"#e5dac2",0.0804,"#b4a994",0.1754,"#5d574d",0.2028,"#766e60",0.2685,"#938978",0.2729,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","Procession in the Courtyard of the Ducal Palace, Venice",{"_42":466,"_224":467,"_331":468,"_333":334,"_335":469,"_337":470,"_339":-5,"_340":-5,"_341":-5,"_140":101},"1742 or after","painting","Painting","oil on canvas","overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.3 x 240.7 cm (71 3/8 x 94 3/4 in.)",221.6,160.7,1.3861252115059222,[451,452,453,454,455],{"_223":447,"_224":448,"_42":449,"_310":450},"Courtesy National Gallery of Art, Washington","1945.15.1","Antonio Joli painted this in 1742 or after, aged 42. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a square seen from above, surrounded by elegant architectural structures. On the left side, there is a large building with a red-brown facade and arched white windows with columns. On the right, there is an ornate off-white structure with arches and detailed stonework. Both of these long buildings stretch from the sides of the painting towards the center, where they converge at a gray building with tall spires and large blue domes behind it. In the square there are countless people in colorful attire, wearing shades of pink, red, blue, green, yellow, black, and blue. There are men, women, and children, and those with visible faces all appear to have light skin. Some wear white masks with bird-like noses. On the right, there is a long line of people engaging in a procession or gathering. People also line the windows of the two buildings on either side of the square. The painting is incredibly detailed, capturing architectural elements and the bustling crowd. The color palette features earthy tones for the architecture and vibrant colors for the people, all set below a pale blue sky with a few white-and-gray clouds.",{"_298":444,"_300":445,"_302":446},"https://img.ochreeditions.com/m/1468.jpg?dl=1","/art/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586","/galleries/style/italian-settecento/procession-in-the-courtyard-of-the-ducal-palace-venice-nga-32586",{"_294":442,"_296":443},{"_227":434,"_125":435,"_288":436},{"_279":431,"_281":432,"_283":415,"_285":433},236.6,174.8701171875,159.8701171875,{"_290":227,"_123":440,"_154":441,"_140":89},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-antonio-joli","Antonio Joli's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1468/480.jpg","https://img.ochreeditions.com/a/1468/960.jpg","https://img.ochreeditions.com/a/1468/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":464,"_319":465},{"_317":462,"_319":463},{"_317":460,"_319":461},{"_317":458,"_319":459},{"_317":456,"_319":457},"#879088",0.0802,"#473b2f",0.142,"#866e4b",0.1688,"#675139",0.2945,"#97bec7",0.3145,"Antonio Joli","antonio-joli","Italian, c. 1700–1777",1700,1777,"the-choristers-nga-53149","The Choristers",{"_42":516,"_224":517,"_331":518,"_333":334,"_335":519,"_337":520,"_339":-5,"_340":-5,"_341":-5,"_140":103},"c. 1740/1745","overall: 68 x 54.5 cm (26 3/4 x 21 7/16 in.) framed: 91.4 x 78.1 cm (36 x 30 3/4 in.)",68,0.798583984375,[501,502,503,504,505],{"_223":447,"_224":448,"_42":449,"_310":450},"1972.17.1","Alessandro Magnasco painted this in about 1740/1745, aged about 73. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a group engaged in a music session, all looking towards a large open music book in a grand, architectural setting. Behind the group are tall, ornate columns and an arched background that opens up to show a cloudy blue sky. Most of the people have open mouths as if they are singing, while one man in the back seems to be conducting, holding a up roll of paper. Some of the people in the group are seated in cushioned wooden chairs, and a yellowish cloth is draped over the surface that the large book rests on. There is a string instrument similar to a cello near the bottom left corner. The colors used are rich, earthy browns, yellows, and reds, with elements of blue and white clothing. All of the people have pale skin, and two have long white mustaches.",{"_298":498,"_300":499,"_302":500},"https://img.ochreeditions.com/m/1559.jpg?dl=1","/art/the-choristers-nga-53149","/galleries/style/italian-settecento/the-choristers-nga-53149",{"_294":442,"_296":443},{"_227":493,"_125":494,"_288":495},{"_279":490,"_281":491,"_283":492,"_285":476},69.3037109375,83,54.3037109375,{"_290":227,"_123":496,"_154":497,"_140":89},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alessandro-magnasco","Alessandro Magnasco's contemporaries","https://img.ochreeditions.com/a/1559/480.jpg","https://img.ochreeditions.com/a/1559/960.jpg","https://img.ochreeditions.com/a/1559/1920.jpg",{"_317":514,"_319":515},{"_317":512,"_319":513},{"_317":510,"_319":511},{"_317":508,"_319":509},{"_317":506,"_319":507},"#886545",0.0548,"#494a3b",0.0744,"#57351e",0.1553,"#25150a",0.3517,"#3a2213",0.3638,"Alessandro Magnasco","alessandro-magnasco","Italian, 1667–1749",1667,1749,"the-glorification-of-the-barbaro-family-met-437798","The Glorification of the Barbaro Family",{"_42":571,"_224":572,"_331":573,"_333":334,"_335":574,"_337":575,"_339":576,"_340":577,"_341":578,"_140":85},"ca. 1750","Paintings","Oil on canvas","Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm)",466.7,243.8,1.7854214123006833,[556,557,558,559,560],{"_223":381,"_224":382,"_42":383,"_310":311},"23.128","Giovanni Battista Tiepolo painted this in about 1750, aged about 49. It is now at The Met in New York.","Seen from below, as if through an opening in the ceiling, allegorical figures rise into a luminous sky to celebrate the Barbaro, one of the old patrician families of Venice. The canvas was painted around 1750 for a ceiling in the family’s palace on the Grand Canal.","The Glorification of the Barbaro Family, by Giovanni Battista Tiepolo, ca. 1750",{"_298":553,"_300":554,"_302":555},"https://img.ochreeditions.com/m/1167.jpg?dl=1","/art/the-glorification-of-the-barbaro-family-met-437798","/galleries/style/italian-settecento/the-glorification-of-the-barbaro-family-met-437798",{"_294":442,"_296":443},{"_227":548,"_125":549,"_288":550},{"_279":544,"_281":545,"_283":546,"_285":547},255,149.42204644041848,240,134.42204644041848,{"_290":227,"_123":551,"_154":552,"_140":85},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1167/480.jpg","https://img.ochreeditions.com/a/1167/960.jpg","https://img.ochreeditions.com/a/1167/1920.jpg",{"_317":569,"_319":570},{"_317":567,"_319":568},{"_317":565,"_319":566},{"_317":563,"_319":564},{"_317":561,"_319":562},"#b48545",0.1042,"#5a4839",0.1897,"#8d9990",0.191,"#977b5c",0.2556,"#050403",0.2595,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","Procession of Gondolas in the Bacino di San Marco, Venice",{"_42":466,"_224":467,"_331":468,"_333":334,"_335":469,"_337":470,"_339":-5,"_340":-5,"_341":-5,"_140":101},"overall: 160.7 x 221.6 cm (63 1/4 x 87 1/4 in.) framed: 181.6 x 239.7 cm (71 1/2 x 94 3/8 in.)",1.3671562082777036,[603,604,605,606,607],{"_223":447,"_224":448,"_42":449,"_310":450},"1945.15.2","The painting depicts many large and small ships on blue-green water. Gondolas in shades of gold, black, red, and blue drift across the water, small people on them pushing long poles through the water. There are also large sailboats and long boats with several rowers. They create a colorful mix. On the left, a large brown building with columns is visible. Some of the boats pull up to it, and many people in colorful clothing are visible on the shore. Behind the water are more large buildings in shades of brown, cream, and tan, with even more people visible on the streets below them. There is a large tower in the center of the painting, and several blue domes are visible in the distance. The sky is light blue, with white and gray clouds drifting across it.",{"_298":600,"_300":601,"_302":602},"https://img.ochreeditions.com/m/1469.jpg?dl=1","/art/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587","/galleries/style/italian-settecento/procession-of-gondolas-in-the-bacino-di-san-marco-venice-nga-32587",{"_294":442,"_296":443},{"_227":597,"_125":598,"_288":599},{"_279":431,"_281":595,"_283":415,"_285":596},177.08828125,162.08828125,{"_290":227,"_123":440,"_154":441,"_140":89},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1469/480.jpg","https://img.ochreeditions.com/a/1469/960.jpg","https://img.ochreeditions.com/a/1469/1920.jpg",{"_317":616,"_319":617},{"_317":614,"_319":615},{"_317":612,"_319":613},{"_317":610,"_319":611},{"_317":608,"_319":609},"#857154",0.0984,"#332d29",0.0994,"#5c4c3b",0.1144,"#59655b",0.1842,"#9bb9c0",0.5036,"entrance-to-the-grand-canal-from-the-molo-venice-nga-32589","Entrance to the Grand Canal from the Molo, Venice",{"_42":665,"_224":666,"_331":667,"_333":334,"_335":668,"_337":669,"_339":576,"_340":576,"_341":670,"_140":93},"1742/1744","overall: 114.5 x 153.5 cm (45 1/16 x 60 7/16 in.)",153.5,114.5,1.3429508196721311,[650,651,652,653,654],{"_223":447,"_224":448,"_42":449,"_310":450},"1945.15.4","Canaletto painted this in 1742/1744, aged about 45. It is now at the National Gallery of Art in Washington, DC.","From the Molo, the stone waterfront beside the Doge’s Palace, we look across the busy mouth of the Grand Canal to the domes of Santa Maria della Salute on the far bank.","We look slightly down onto a port-side town along a canal, with a church across the water from us in this horizontal landscape painting. A bright blue sky with billowing white, pink, and gray clouds fills the top two-thirds of the painting. Below, a three-masted ship with all but one sail furled is surrounded by a couple dozen black long, low boats, gondolas, and one or two other sailboats. People stand and walk mostly in pairs and trios along the stone walkway under us, which extends into the distance to our right. The women all wear long dresses and most of the men wear suits with knee-length jackets with tails or capes, and hats. The clothing is painted in shades of brick and terracotta red, pine green, royal blue, and gray. The walkway is interrupted by two low walls that partition off an area near us. The angled roofs of stalls line the walkway in the farther distance before it is again interrupted, this time by a two-story, cream-colored building. The walkway continues as a narrower path under an arched arcade on the lower level of that building, alongside the water. On the far side of the canal, to our left and in the distance, a cluster of ivory-white buildings includes a structure with two stone-blue domes. More buildings extend into the deep distance to our left.",{"_298":647,"_300":648,"_302":649},"https://img.ochreeditions.com/m/1471.jpg?dl=1","/art/entrance-to-the-grand-canal-from-the-molo-venice-nga-32589","/galleries/style/italian-settecento/entrance-to-the-grand-canal-from-the-molo-venice-nga-32589",{"_294":442,"_296":443},{"_227":642,"_125":643,"_288":644},{"_279":639,"_281":640,"_283":623,"_285":641},168.5,129.300537109375,114.300537109375,{"_290":227,"_123":645,"_154":646,"_140":93},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/canaletto","More by Canaletto","https://img.ochreeditions.com/a/1471/480.jpg","https://img.ochreeditions.com/a/1471/960.jpg","https://img.ochreeditions.com/a/1471/1920.jpg",{"_317":663,"_319":664},{"_317":661,"_319":662},{"_317":659,"_319":660},{"_317":657,"_319":658},{"_317":655,"_319":656},"#574b38",0.1745,"#acc1d5",0.1818,"#abadb4",0.1895,"#908262",0.1951,"#7d91a1",0.2591,"Canaletto","canaletto","Italian, 1697–1768",1697,1768,"Canaletto, the son of a Venetian painter of theatre scenery, turned in the 1720s to painting views of his native city and became its leading vedutista. British travellers on the Grand Tour were his most eager patrons, many through the merchant and consul Joseph Smith.","the-triumph-of-marius-met-437788","The Triumph of Marius",{"_42":571,"_224":572,"_331":573,"_333":334,"_335":574,"_337":575,"_339":576,"_340":577,"_341":578,"_140":85},"1729","Irregular painted surface, 220 x 128 5/8 in. (558.8 x 326.7 cm)",326.7,558.8,0.5873186458893068,[700,701,702,703,704],{"_223":381,"_224":382,"_42":383,"_310":311},"65.183.1","Giovanni Battista Tiepolo painted this in 1729, aged 33. It is now at The Met in New York.","The Roman general Gaius Marius rides in triumph in a chariot, while before him the defeated Numidian king Jugurtha walks in chains, surrounded by soldiers, spoils and onlookers. Tiepolo painted the huge canvas in 1729 as one of ten scenes from Roman history for the great hall of the Palazzo Dolfin in Venice.","The Triumph of Marius, by Giovanni Battista Tiepolo, 1729",{"_298":697,"_300":698,"_302":699},"https://img.ochreeditions.com/m/1165.jpg?dl=1","/art/the-triumph-of-marius-met-437788","/galleries/style/italian-settecento/the-triumph-of-marius-met-437788",{"_294":442,"_296":443},{"_227":694,"_125":695,"_288":696},{"_279":692,"_281":544,"_283":693,"_285":546},155.95647501343365,140.95647501343365,{"_290":227,"_123":551,"_154":552,"_140":85},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1165/480.jpg","https://img.ochreeditions.com/a/1165/960.jpg","https://img.ochreeditions.com/a/1165/1920.jpg",{"_317":713,"_319":714},{"_317":711,"_319":712},{"_317":709,"_319":710},{"_317":707,"_319":708},{"_317":705,"_319":706},"#a3845a",0.0764,"#637f86",0.1465,"#86806d",0.1491,"#201f22",0.307,"#55473d",0.321,"scalinata-della-trinita-dei-monti-met-337498","Scalinata della Trinità dei Monti",{"_42":763,"_224":764,"_331":765,"_333":334,"_335":766,"_337":767,"_339":768,"_340":405,"_341":-5,"_140":101},"ca. 1756–58","Drawings","Pen and black ink, brush and gray wash, watercolor, over graphite","13-11/16 x 11-9/16 in. (34.8 x 29.3 cm)",29.3,34.8,0.8408480143326366,[748,749,750,751,752],{"_223":381,"_224":382,"_42":383,"_310":311},"1971.63.1","Giovanni Paolo Panini painted this in about 1756–58, aged about 49. It is now at The Met in New York.","Scalinata della Trinità dei Monti, by Giovanni Paolo Panini, ca. 1756–58",{"_298":745,"_300":746,"_302":747},"https://img.ochreeditions.com/m/1024.jpg?dl=1","/art/scalinata-della-trinita-dei-monti-met-337498","/galleries/style/italian-settecento/scalinata-della-trinita-dei-monti-met-337498",{"_294":295,"_296":297},{"_227":740,"_125":741,"_288":742},{"_279":737,"_281":738,"_283":739,"_285":723},53.261510898775754,58.8,29.26151089877575,{"_290":227,"_123":743,"_154":744,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-paolo-panini","Giovanni Paolo Panini's contemporaries","https://img.ochreeditions.com/a/1024/480.jpg","https://img.ochreeditions.com/a/1024/960.jpg","https://img.ochreeditions.com/a/1024/1920.jpg",{"_317":761,"_319":762},{"_317":759,"_319":760},{"_317":757,"_319":758},{"_317":755,"_319":756},{"_317":753,"_319":754},"#888077",0.0725,"#a0978d",0.1448,"#b9b0a3",0.1963,"#d0c7bb",0.235,"#e4dcd1",0.3514,"Giovanni Paolo Panini","giovanni-paolo-panini","Italian, 1691–1765",1691,1765,"Piacenza","imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287","Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from \"Views\" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)",{"_42":665,"_224":666,"_331":667,"_333":334,"_335":668,"_337":669,"_339":576,"_340":576,"_341":670,"_140":93},"1741","Etching; undivided plate, only state","Sheet (Trimmed): 11 13/16 × 17 3/16 in. (30 × 43.7 cm)",53.3,40.6,1.4313438300988648,[799,800,801,802,803],{"_223":381,"_224":382,"_42":383,"_310":311},"1973.634","Canaletto made this in 1741, aged 44. It is now at The Met in New York.","Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from \"Views\" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), by Canaletto, 1741",{"_298":796,"_300":797,"_302":798},"https://img.ochreeditions.com/m/995.jpg?dl=1","/art/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287","/galleries/style/italian-settecento/imaginary-view-of-venice-houses-at-left-with-figures-on-terr-met-335287",{"_294":295,"_296":297},{"_227":793,"_125":794,"_288":795},{"_279":790,"_281":791,"_283":775,"_285":792},77.3,61.2377334356613,37.2377334356613,{"_290":227,"_123":645,"_154":646,"_140":93},{"_290":125,"_123":373,"_154":374,"_140":375},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/995/480.jpg","https://img.ochreeditions.com/a/995/960.jpg","https://img.ochreeditions.com/a/995/1920.jpg",{"_317":812,"_319":813},{"_317":810,"_319":811},{"_317":808,"_319":809},{"_317":806,"_319":807},{"_317":804,"_319":805},"#706d63",0.1275,"#dfdac7",0.1314,"#8b887b",0.1783,"#a8a495",0.2521,"#bdb8a8",0.3107,"interior-of-saint-peter-s-rome-nga-50884","Interior of Saint Peter's, Rome",{"_42":763,"_224":764,"_331":765,"_333":334,"_335":766,"_337":767,"_339":768,"_340":405,"_341":-5,"_140":101},"c. 1754","overall: 154.5 x 197 cm (60 13/16 x 77 9/16 in.) framed: 179.1 x 222.3 x 8.3 cm (70 1/2 x 87 1/2 x 3 1/4 in.)",197,154.5,1.2744243932794026,[843,844,845,846,847],{"_223":447,"_224":448,"_42":449,"_310":450},"1968.13.2","Giovanni Paolo Panini painted this in about 1754, aged 63. It is now at the National Gallery of Art in Washington, DC.","The soaring, gilded vault of a central aisle of the inside of a church fills this horizontal painting. The ceiling of the nave curves up and away from us like a tunnel. It is lined with coffers, which have inset panels, decorated with gold. The light-filled nave angles down from the top center of the composition toward the lower left as it moves away from us. The white stone pillars supporting the barrel vault are intricately carved and decorated with pudgy, winged cherubs holding portraits of men, and aisles run parallel to the central nave to our left and right. In the side aisles, pink marble columns flank altars in chapels. At the far end of the church, the nave is interrupted where it opens into the light-filled crossing, before continuing beyond. Marking the space where the long hall of the church is intersected by a shorter arm to create a cross shape is a structure made of four twisting columns supporting a pointed canopy, all cast in bronze. Tiny men and women pray or gather in pairs and small groups along the nave. Some wear tattered clothing and others are elegantly dressed.",{"_298":840,"_300":841,"_302":842},"https://img.ochreeditions.com/m/1539.jpg?dl=1","/art/interior-of-saint-peter-s-rome-nga-50884","/galleries/style/italian-settecento/interior-of-saint-peter-s-rome-nga-50884",{"_294":442,"_296":443},{"_227":837,"_125":838,"_288":839},{"_279":834,"_281":835,"_283":819,"_285":836},212,169.57958984375,154.57958984375,{"_290":227,"_123":743,"_154":744,"_140":89},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1539/480.jpg","https://img.ochreeditions.com/a/1539/960.jpg","https://img.ochreeditions.com/a/1539/1920.jpg",{"_317":856,"_319":857},{"_317":854,"_319":855},{"_317":852,"_319":853},{"_317":850,"_319":851},{"_317":848,"_319":849},"#877d4e",0.1397,"#63512b",0.1444,"#3a3f2c",0.1975,"#949d8d",0.2184,"#666f5d",0.3,"warwick-castle-the-east-front-met-459183","Warwick Castle: The East Front",{"_42":665,"_224":666,"_331":667,"_333":334,"_335":668,"_337":669,"_339":576,"_340":576,"_341":670,"_140":93},"1752","Pen and brown ink, gray wash","12 7/16 x 22 1/8 in. (31.6 x 56.2 cm)",56.2,31.6,1.764520486267447,[889,890,891,892,893],{"_223":381,"_224":382,"_42":383,"_310":311},"1975.1.297","Canaletto drew this in 1752, aged 55. It is now at The Met in New York.","Canaletto spent nearly a decade in England from 1746, when war had cut off the flow of British travellers to Venice. Among his patrons there was Lord Brooke, owner of Warwick Castle, of which he made several views.","Warwick Castle: The East Front, by Canaletto, 1752",{"_298":886,"_300":887,"_302":888},"https://img.ochreeditions.com/m/1266.jpg?dl=1","/art/warwick-castle-the-east-front-met-459183","/galleries/style/italian-settecento/warwick-castle-the-east-front-met-459183",{"_294":295,"_296":297},{"_227":883,"_125":884,"_288":885},{"_279":880,"_281":881,"_283":864,"_285":882},80.2,55.850012758356726,31.850012758356726,{"_290":227,"_123":645,"_154":646,"_140":93},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1266/480.jpg","https://img.ochreeditions.com/a/1266/960.jpg","https://img.ochreeditions.com/a/1266/1920.jpg",{"_317":902,"_319":903},{"_317":900,"_319":901},{"_317":898,"_319":899},{"_317":896,"_319":897},{"_317":894,"_319":895},"#ecdeb9",0.0551,"#9a7b5e",0.1111,"#cba57c",0.1849,"#b48f6a",0.2114,"#e4c299",0.4375,"study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120","Study for a Painting on Theme of Callisto",{"_42":952,"_224":953,"_331":334,"_333":334,"_335":-5,"_337":669,"_339":-5,"_340":-5,"_341":-5,"_140":103},"Pen and brown ink, black charcoal on cream laid paper; verso: pen and brown ink","19.8 x 27.8 cm (7 13/16 x 10 15/16 in.)",27.8,19.8,1.4129634871214265,[937,938,939,940,941],{"_223":307,"_224":308,"_42":309,"_310":311},"1938-88-8120","Filippo Falciatore drew this in about 1750. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":936,"_305":306},"STUDY FOR A PAINTING ON THEME OF CALLISTO",{"_298":933,"_300":934,"_302":935},"https://img.ochreeditions.com/m/1741.jpg?dl=1","/art/study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120","/galleries/style/italian-settecento/study-for-a-painting-on-theme-of-callisto-si-chndm-1938-88-8120",{"_294":295,"_296":297},{"_227":928,"_125":929,"_288":930},{"_279":925,"_281":926,"_283":909,"_285":927},51.8,43.674959935897434,19.674959935897437,{"_290":227,"_123":931,"_154":932,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-filippo-falciatore","Filippo Falciatore's contemporaries","https://img.ochreeditions.com/a/1741/480.jpg","https://img.ochreeditions.com/a/1741/960.jpg","https://img.ochreeditions.com/a/1741/1920.jpg","Three figures of putti flying: one carrying a fish, one a goose, and the other shooting with bow and arrow at a bird; separate study of a hand and floating drapery in upper left.",{"_317":950,"_319":951},{"_317":948,"_319":949},{"_317":946,"_319":947},{"_317":944,"_319":945},{"_317":942,"_319":943},"#88725f",0.0635,"#a99176",0.1056,"#e0d8c2",0.1458,"#bda587",0.2486,"#ccb699",0.4365,"Filippo Falciatore","filippo-falciatore","allegory-of-the-planets-and-continents-met-437790","Allegory of the Planets and Continents",{"_42":571,"_224":572,"_331":573,"_333":334,"_335":574,"_337":575,"_339":576,"_340":577,"_341":578,"_140":85},"73 x 54 7/8 in. (185.4 x 139.4 cm)",139.4,185.4,0.7540901082305562,[983,984,985,986,987],{"_223":381,"_224":382,"_42":383,"_310":311},"1977.1.3","Giovanni Battista Tiepolo painted this in 1752, aged 56. It is now at The Met in New York.","This is Tiepolo’s oil sketch for the vast ceiling fresco over the staircase of the Residenz in Würzburg, made in 1752 for his patron, the prince-bishop Carl Philipp von Greiffenklau.","Allegory of the Planets and Continents, by Giovanni Battista Tiepolo, 1752",{"_298":980,"_300":981,"_302":982},"https://img.ochreeditions.com/m/1166.jpg?dl=1","/art/allegory-of-the-planets-and-continents-met-437790","/galleries/style/italian-settecento/allegory-of-the-planets-and-continents-met-437790",{"_294":442,"_296":443},{"_227":977,"_125":978,"_288":979},{"_279":974,"_281":975,"_283":976,"_285":959},154.80830606594512,200.4,139.80830606594512,{"_290":227,"_123":551,"_154":552,"_140":85},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1166/480.jpg","https://img.ochreeditions.com/a/1166/960.jpg","https://img.ochreeditions.com/a/1166/1920.jpg",{"_317":996,"_319":997},{"_317":994,"_319":995},{"_317":992,"_319":993},{"_317":990,"_319":991},{"_317":988,"_319":989},"#908a71",0.1292,"#a5916d",0.1732,"#635139",0.223,"#483a2b",0.2262,"#816e50",0.2484,"the-meeting-met-436905","The Meeting",{"_42":1044,"_224":1045,"_331":1046,"_333":334,"_335":1047,"_337":1048,"_339":576,"_340":576,"_341":1049,"_140":97},"1746","24 x 19 1/2 in. (61 x 49.5 cm)",49.5,61,0.8062219878723965,[1029,1030,1031,1032,1033],{"_223":381,"_224":382,"_42":383,"_310":311},"36.16","Pietro Longhi painted this in 1746, aged 44. It is now at The Met in New York.","The Meeting, by Pietro Longhi, 1746",{"_298":1026,"_300":1027,"_302":1028},"https://img.ochreeditions.com/m/1118.jpg?dl=1","/art/the-meeting-met-436905","/galleries/style/italian-settecento/the-meeting-met-436905",{"_294":442,"_296":443},{"_227":1021,"_125":1022,"_288":1023},{"_279":1018,"_281":1019,"_283":1020,"_285":1004},64.17954126021618,76,49.17954126021619,{"_290":227,"_123":1024,"_154":1025,"_140":97},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/pietro-longhi","More by Pietro Longhi","https://img.ochreeditions.com/a/1118/480.jpg","https://img.ochreeditions.com/a/1118/960.jpg","https://img.ochreeditions.com/a/1118/1920.jpg",{"_317":1042,"_319":1043},{"_317":1040,"_319":1041},{"_317":1038,"_319":1039},{"_317":1036,"_319":1037},{"_317":1034,"_319":1035},"#492e19",0.0797,"#8d7650",0.121,"#665336",0.144,"#171307",0.3064,"#292414",0.3489,"Pietro Longhi","pietro-longhi","Italian, 1702–1785",1702,1785,"Pietro Longhi, born Pietro Falca, trained with Antonio Balestra and then in Bologna with Giuseppe Maria Crespi, who encouraged his turn from history painting to genre.","the-campo-di-ss-giovanni-e-paolo-venice-nga-1144","The Campo di SS. Giovanni e Paolo, Venice",{"_42":1096,"_224":1097,"_331":1098,"_333":334,"_335":1099,"_337":1100,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1743/1747","overall: 70.8 x 111 cm (27 7/8 x 43 11/16 in.)",111,70.8,1.610062893081761,[1081,1082,1083,1084,1085],{"_223":447,"_224":448,"_42":449,"_310":450},"1942.9.7","Bernardo Bellotto painted this in 1743/1747, aged about 21. It is now at the National Gallery of Art in Washington, DC.","People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting. The canal begins in the lower left corner and angles slightly right as it travels to the horizon, which comes about a third of the way up this composition. One, two, three, or four-story buildings line the canal to the left into the far distance. Arched doorways give direct access to the water, and one person leans out an upper-story window. The buildings are reflected in the gently rippling water, which is painted in shades of olive green. A stepped bridge crosses the canal in the near distance, and two gondoliers guide a long, narrow boat to a platform alongside the plaza in the bottom left corner of the composition. People walk or stand singly or in pairs on the plaza in the bottom right quadrant of the painting. The women wear dresses with long skirts and head coverings in shades of black, white, yellow, or pale pink. The men wear hats, jackets, capes, stockings, and slacks in shades of peanut brown, muted yellow, red, blue, or white. The people all appear to have pale, peachy skin. A statue of a man riding a horse rests on a towering platform in a grassy patch to our right. Beyond it is the blocky form of a red brick church. One man in a pair standing on the plaza gestures toward the entrance with a walking stick and others approach the central entrance. Sunlight streams across the scene from the upper right, throwing the church façade into shadow and casting a deep shadow across the face of another building that encloses the far side of the plaza. That second building has arched windows and doors, statues lining the roofline, and a winged lion over the entrance. A fat cloud trundles across a mostly empty vibrant blue sky above.",{"_298":1078,"_300":1079,"_302":1080},"https://img.ochreeditions.com/m/1324.jpg?dl=1","/art/the-campo-di-ss-giovanni-e-paolo-venice-nga-1144","/galleries/style/italian-settecento/the-campo-di-ss-giovanni-e-paolo-venice-nga-1144",{"_294":442,"_296":443},{"_227":1073,"_125":1074,"_288":1075},{"_279":1070,"_281":1071,"_283":1055,"_285":1072},126,83.94140625,68.94140625,{"_290":227,"_123":1076,"_154":1077,"_140":89},{"_290":125,"_123":437,"_154":438,"_140":439},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bernardo-bellotto","Bernardo Bellotto's contemporaries","https://img.ochreeditions.com/a/1324/480.jpg","https://img.ochreeditions.com/a/1324/960.jpg","https://img.ochreeditions.com/a/1324/1920.jpg",{"_317":1094,"_319":1095},{"_317":1092,"_319":1093},{"_317":1090,"_319":1091},{"_317":1088,"_319":1089},{"_317":1086,"_319":1087},"#a79c7a",0.0707,"#ab813f",0.1094,"#362e16",0.1789,"#6a5930",0.2172,"#99c7e0",0.4238,"Bernardo Bellotto","bernardo-bellotto","Venetian, 1722–1780",1722,1780,{"_1102":-5,"_1103":1104,"_1105":1106,"_1107":8,"_1108":1109,"_1110":8},"user","csrf","369a77c132a342a8b6d5792866c6983131c33599","cartCount",0,"dropLive","legal",[1111,1112,1113,1114,1115,1116,1117,1118,1119,1120,1121,1122],"uploadsEnabled",{"_224":1145,"_20":1146},{"_224":1143,"_20":1144},{"_224":1141,"_20":1142},{"_224":1139,"_20":1140},{"_224":1137,"_20":1138},{"_224":1135,"_20":1136},{"_224":1133,"_20":1134},{"_224":1131,"_20":1132},{"_224":1129,"_20":1130},{"_224":1127,"_20":1128},{"_224":1125,"_20":1126},{"_224":1123,"_20":1124},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]