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It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/127.jpg?dl=1","page_url","/art/portrait-of-constance-pipelet-aic-31233","walk_url","/galleries/style/neoclassicism/portrait-of-constance-pipelet-aic-31233","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":246},"w",113.41,"h",145,"image_w",98.41,"image_h",{"_287":225,"_123":171,"_154":170,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/127/480.jpg","960","https://img.ochreeditions.com/a/127/960.jpg","1920","https://img.ochreeditions.com/a/127/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#77441c","weight",0.0605,"#3e3427",0.1051,"#847556",0.14,"#bfbfbc",0.2806,"#628599",0.4138,"Jean Baptiste François Désoria","jean-baptiste-francois-desoria","bio","French, 1758–1832","nationality","French","birth_year",1758,"death_year",1832,"birth_place","death_place","about_excerpt","the-marquesa-de-pontejos-nga-92","The Marquesa de Pontejos",{"_42":391,"_222":392,"_325":393,"_327":394,"_329":395,"_331":396,"_333":397,"_334":398,"_335":399,"_140":81},"c. 1786","spain","oil on canvas","overall: 210.3 x 127 cm (82 13/16 x 50 in.) framed: 231.8 x 146.4 cm (91 1/4 x 57 5/8 in.)",210.3,0.60107421875,[376,377,378,379,380],{"_221":372,"_222":373,"_42":374,"_304":375},"Courtesy National Gallery of Art, Washington","1937.1.85","Francisco Goya painted this in about 1786, aged 40. It is now at the National Gallery of Art in Washington, DC.","The Marquesa de Pontejos stands in a parklike landscape in a silvery-grey gown puffed and festooned with pink roses and ribbons, a straw hat tilted on her powdered hair, a carnation in one hand and a closed fan in the other. A pug in a pink collar with bells stands at her feet.","A woman with pale skin, wearing a silvery-gray dress adorned with white ribbons and light pink roses, stands looking out at us with a small, pug dog by her feet in this vertical portrait painting. The woman’s body is angled slightly to our right but she looks at us with dark eyes under faint, arched brows. Her nose is rounded, her cheeks smooth and flushed, and her pale pink lips are closed. Her face is framed in a cloud of nickel-gray hair, and tendrils curl down over her shoulders. She wears a wide-brimmed straw hat with a white ribbon set on the back of her head and slightly off to one side. The bodice of her dress has a low, curving neck. This area is loosely painted to create the impression of layers of lace. A band of intertwined pale pink roses and delicate green leaves borders the outer edge of the lace. The dress has long, tight sleeves with lace at the cuffs and the notably narrow waist is tied with a blush-pink ribbon. The full, silver skirt is picked up to create a row of puffs, like the top of a muffin, around her knees. Bunches of pink roses and white ribbons are nestled into the puffs, and below, the skirt falls in long, vertical pleats to her ankles. She wears white stockings and pointed, petal-pink shoes. In her left arm, on our right, she holds a closed fan loosely at her side, almost lost behind the skirt. She holds a pink carnation with a full bloom and a bud on a long, curving stem in her other hand, by her hip. A caramel-brown pug with a black face, wearing a pink collar lined with three bells, stands facing us with one front paw lifted, to our right of the woman's feet. The landscape is painted in tones of mint and sage green for grass beneath trees enclosing the space the woman stands in, sand brown for the ground, and icy blue for the sky above.",{"_295":369,"_297":370,"_299":371},"https://img.ochreeditions.com/m/1305.jpg?dl=1","/art/the-marquesa-de-pontejos-nga-92","/galleries/style/neoclassicism/the-marquesa-de-pontejos-nga-92",{"_291":292,"_293":294},{"_225":362,"_125":363,"_285":364},{"_276":359,"_278":360,"_280":361,"_282":343},141.40590820312502,225.3,126.40590820312501,{"_287":225,"_123":367,"_154":368,"_140":81},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":365,"_154":366,"_140":85},"era/18-spain","18th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/1305/480.jpg","https://img.ochreeditions.com/a/1305/960.jpg","https://img.ochreeditions.com/a/1305/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":389,"_313":390},{"_311":387,"_313":388},{"_311":385,"_313":386},{"_311":383,"_313":384},{"_311":381,"_313":382},"#c4bcb0",0.0794,"#708971",0.1435,"#3c4237",0.2076,"#9ba29f",0.2706,"#7d755e",0.2989,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","study-of-clouds-over-the-roman-campagna-nga-98872","Study of Clouds over the Roman Campagna",{"_42":448,"_222":449,"_325":450,"_327":328,"_329":451,"_331":452,"_333":-5,"_334":-5,"_335":453,"_140":97},"c. 1782/1785","oil on paper on cardboard","overall (paper support): 19 x 32.1 cm (7 1/2 x 12 5/8 in.) overall (paperboard support): 19.6 x 33 cm (7 11/16 x 13 in.) framed: 30.5 x 43.2 x 2.1 cm (12 x 17 x 13/16 in.)",32.1,19,1.714524905818334,[433,434,435,436,437],{"_221":372,"_222":373,"_42":374,"_304":375},"1997.23.1","Pierre Henri de Valenciennes painted this in about 1782/1785, aged about 32. It is now at the National Gallery of Art in Washington, DC.","A procession of grey and white clouds sweeps across a vivid blue sky above a thin strip of land, painted quickly in oil on paper.","A sliver of land across the bottom of this composition gives way to a procession of puffy gray and white clouds sweeping up across a vivid blue, panoramic sky in this horizontal landscape painting. An area of darker gray beyond the brown land could be a valley, mountain, or shadows from the billowing clouds. About one-fifth of the way up the composition, the horizon glows the faintest peach. The clouds trundle from our left up and to our right. The view is loosely painted, especially in the land.",{"_295":430,"_297":431,"_299":432},"https://img.ochreeditions.com/m/1637.jpg?dl=1","/art/study-of-clouds-over-the-roman-campagna-nga-98872","/galleries/style/neoclassicism/study-of-clouds-over-the-roman-campagna-nga-98872",{"_291":292,"_293":294},{"_225":425,"_125":426,"_285":427},{"_276":422,"_278":423,"_280":406,"_282":424},47.1,33.722387695312506,18.722387695312502,{"_287":225,"_123":428,"_154":429,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/1637/480.jpg","https://img.ochreeditions.com/a/1637/960.jpg","https://img.ochreeditions.com/a/1637/1920.jpg",{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},{"_311":440,"_313":441},{"_311":438,"_313":439},"#73573d",0.0895,"#62686b",0.1529,"#778f9d",0.1905,"#a8a294",0.223,"#81817d",0.3441,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)",{"_42":506,"_222":507,"_325":508,"_327":328,"_329":509,"_331":510,"_333":511,"_334":511,"_335":-5,"_140":101},"1789","Paintings","45 x 34 1/2 in. (114.3 x 87.6 cm)",87.6,114.3,0.78175,[491,492,493,494,495],{"_221":487,"_222":488,"_42":489,"_304":490},"Courtesy of The Metropolitan Museum of Art","54.182","Elisabeth Louise Vigée Le Brun painted this in 1789, aged 34. It is now at The Met in New York.","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), by Elisabeth Louise Vigée Le Brun, 1789",{"_295":484,"_297":485,"_299":486},"https://img.ochreeditions.com/m/1175.jpg?dl=1","/art/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","/galleries/style/neoclassicism/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900",{"_291":292,"_293":294},{"_225":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":478,"_282":461},104.354025,129.3,89.354025,{"_287":225,"_123":482,"_154":483,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-elisabeth-louise-vigee-le-brun","Elisabeth Louise Vigée Le Brun's contemporaries","https://img.ochreeditions.com/a/1175/480.jpg","https://img.ochreeditions.com/a/1175/960.jpg","https://img.ochreeditions.com/a/1175/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},"#533718",0.0569,"#928774",0.0934,"#c7c3b1",0.2144,"#3c382e",0.2681,"#181612",0.3672,"Elisabeth Louise Vigée Le Brun","elisabeth-louise-vigee-le-brun","French, 1755–1842",1755,1842,"Paris","psyche-asks-proserpine-to-put-a-little-of-her-beauty-in-an-u-si-chndm-1897-9-15","Psyche Asks Proserpine to Put a Little of her Beauty in an Urn for Venus",{"_42":577,"_222":578,"_325":579,"_327":580,"_329":581,"_331":582,"_333":-5,"_334":-5,"_335":-5,"_140":103},"ca. 1781","germany","drawing","Drawing","Lead pencil, pen and dark ink, brush and black and gray watercolors on paper","26.9 × 41.5 cm (10 9/16 × 16 5/16 in.)",41.5,26.9,1.5351615530817269,[562,563,564,565,566],{"_221":559,"_222":560,"_42":561,"_304":490},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1897-9-15","Johann August Nahl The Younger painted this in about 1781, aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":556,"_557":558},"PSYCHE ASKS PROSERPINE TO PUT A LITTLE OF HER BEAUTY IN AN URN FOR VENUS",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/1701.jpg?dl=1","/art/psyche-asks-proserpine-to-put-a-little-of-her-beauty-in-an-u-si-chndm-1897-9-15","/galleries/style/neoclassicism/psyche-asks-proserpine-to-put-a-little-of-her-beauty-in-an-u-si-chndm-1897-9-15",{"_291":551,"_293":552},{"_225":541,"_125":542,"_285":543},{"_276":538,"_278":539,"_280":521,"_282":540},65.5,51.03298549699328,27.03298549699328,{"_287":225,"_123":549,"_154":550,"_140":89},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":544,"_154":545,"_140":85},"era/18-germany","18th-century Germany","style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-johann-august-nahl-the-younger","Johann August Nahl The Younger's contemporaries","black","snow","https://img.ochreeditions.com/a/1701/480.jpg","https://img.ochreeditions.com/a/1701/960.jpg","https://img.ochreeditions.com/a/1701/1920.jpg","Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in Manuta. Pluto sits beside Proserpine. Two Erynis, one of them with Cerberus, and probably Charon are looking on. Without indication of the locality. The lower and part of the upper framing of the lunette are indicated.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_311":575,"_313":576},{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},"#b3b1b0",0.0781,"#989382",0.0833,"#b0ab9b",0.1622,"#c5c0b0",0.3017,"#d8d2c1",0.3747,"Johann August Nahl The Younger","johann-august-nahl-the-younger","German, 1752–1825","German",1752,1825,"seated-giant-met-334002","Seated Giant",{"_42":391,"_222":392,"_325":393,"_327":394,"_329":395,"_331":396,"_333":397,"_334":398,"_335":399,"_140":81},"by 1818 (possibly 1814–18)","print","Prints","Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)","Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm) Framed: 21 3/4 × 19 in. (55.2 × 48.3 cm)",20.8,28.4,0.7007743362831859,[621,622,623,624,625],{"_221":487,"_222":488,"_42":489,"_304":490},"35.42","Francisco Goya made this (by 1818 (possibly 1814–18)), aged 72. It is now at The Met in New York.","A colossal nude figure sits on the edge of the world, turning to look back over his shoulder, while a tiny landscape lies at his feet. Goya created the image in burnished aquatint, scraping and polishing light out of a dark tonal ground so that the giant seems to emerge from the night.","Seated Giant, by Francisco Goya, by 1818 (possibly 1814–18)",{"_295":618,"_297":619,"_299":620},"https://img.ochreeditions.com/m/989.jpg?dl=1","/art/seated-giant-met-334002","/galleries/style/neoclassicism/seated-giant-met-334002",{"_291":551,"_293":552},{"_225":610,"_125":611,"_285":612},{"_276":607,"_278":608,"_280":609,"_282":592},43.90199115044248,52.4,19.901991150442477,{"_287":225,"_123":367,"_154":368,"_140":81},{"_287":125,"_123":615,"_154":616,"_140":617},{"_287":285,"_123":613,"_154":614,"_140":87},"era/19-spain","19th-century Spain","style/print-19","More prints of the 19th century",159,"https://img.ochreeditions.com/a/989/480.jpg","https://img.ochreeditions.com/a/989/960.jpg","https://img.ochreeditions.com/a/989/1920.jpg",{"_311":634,"_313":635},{"_311":632,"_313":633},{"_311":630,"_313":631},{"_311":628,"_313":629},{"_311":626,"_313":627},"#584e43",0.1619,"#c2b29c",0.169,"#716352",0.207,"#94846f",0.2088,"#e9dbc1",0.2533,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":692,"_222":693,"_325":694,"_327":328,"_329":695,"_331":696,"_333":697,"_334":511,"_335":698,"_140":95},"1816","watercolour","Drawing and Watercolor","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,59,0.7685862865947611,[677,678,679,680,681],{"_221":301,"_222":302,"_42":303,"_304":305},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_295":674,"_297":675,"_299":676},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/neoclassicism/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_291":551,"_293":552},{"_225":663,"_125":664,"_285":665},{"_276":660,"_278":661,"_280":662,"_282":645},69.3465909090909,83,45.34659090909091,{"_287":225,"_123":672,"_154":673,"_140":95},{"_287":125,"_123":669,"_154":670,"_140":671},{"_287":285,"_123":666,"_154":667,"_140":668},"era/19-france","19th-century France",237,"style/watercolour-19","More watercolours of the 19th century",40,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_311":690,"_313":691},{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},"#493c33",0.0813,"#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","an-old-woman-spinning-si-chndm-1931-64-204","An Old Woman Spinning",{"_42":752,"_222":753,"_325":754,"_327":328,"_329":395,"_331":755,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1810–30","Graphite, pen and black ink, brush and watercolor, white chalk on rough gray paper","20.6 x 22.5 cm (8 1/8 x 8 7/8 in.), irregular",22.5,20.6,1.124859392575928,[737,738,739,740,741],{"_221":559,"_222":560,"_42":561,"_304":490},"1931-64-204","Claude-Louis Desrais painted this in 1810–30, aged 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":736,"_557":558},"AN OLD WOMAN SPINNING",{"_295":733,"_297":734,"_299":735},"https://img.ochreeditions.com/m/1729.jpg?dl=1","/art/an-old-woman-spinning-si-chndm-1931-64-204","/galleries/style/neoclassicism/an-old-woman-spinning-si-chndm-1931-64-204",{"_291":551,"_293":552},{"_225":725,"_125":726,"_285":727},{"_276":721,"_278":722,"_280":723,"_282":724},49,46.224999999999994,25,22.224999999999998,{"_287":225,"_123":731,"_154":732,"_140":89},{"_287":125,"_123":728,"_154":729,"_140":730},{"_287":285,"_123":666,"_154":667,"_140":668},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-claude-louis-desrais","Claude-Louis Desrais's contemporaries","https://img.ochreeditions.com/a/1729/480.jpg","https://img.ochreeditions.com/a/1729/960.jpg","https://img.ochreeditions.com/a/1729/1920.jpg","Old woman at work spinning.",{"_311":750,"_313":751},{"_311":748,"_313":749},{"_311":746,"_313":747},{"_311":744,"_313":745},{"_311":742,"_313":743},"#f2efe5",0.0485,"#908269",0.0539,"#ad9f82",0.1515,"#c4b697",0.1705,"#dbcdab",0.5756,"Claude-Louis Desrais","claude-louis-desrais","French, 1746–1816",1816,"martyrdom-of-st-andrew-si-chndm-1901-39-48","Martyrdom of St. Andrew",{"_42":809,"_222":810,"_325":811,"_327":812,"_329":813,"_331":814,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1825–50","italy","Pen and brown ink, black chalk on cream laid paper, lined","30.1 x 23.6 cm (11 7/8 x 9 5/16 in.)",23.6,30.1,1.2385847477886684,[794,795,796,797,798],{"_221":559,"_222":560,"_42":561,"_304":490},"1901-39-48","Francesco Coghetti drew this in 1825–50, aged 21. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":793,"_557":558},"MARTYRDOM OF ST. ANDREW",{"_295":790,"_297":791,"_299":792},"https://img.ochreeditions.com/m/1707.jpg?dl=1","/art/martyrdom-of-st-andrew-si-chndm-1901-39-48","/galleries/style/neoclassicism/martyrdom-of-st-andrew-si-chndm-1901-39-48",{"_291":551,"_293":552},{"_225":783,"_125":784,"_285":785},{"_276":779,"_278":780,"_280":781,"_282":782},53.66211491851447,47.94839349626443,29.66211491851447,23.94839349626443,{"_287":225,"_123":788,"_154":789,"_140":89},{"_287":125,"_123":728,"_154":729,"_140":730},{"_287":285,"_123":786,"_154":787,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-francesco-coghetti","Francesco Coghetti's contemporaries","https://img.ochreeditions.com/a/1707/480.jpg","https://img.ochreeditions.com/a/1707/960.jpg","https://img.ochreeditions.com/a/1707/1920.jpg","In a spacious Roman hall, three men are raising the cross with the Apostle. Meanwhile, a soldier is trying to corral an excited crowd at left, and the praetor and two more soldiers watch the scene in the background.",{"_311":807,"_313":808},{"_311":805,"_313":806},{"_311":803,"_313":804},{"_311":801,"_313":802},{"_311":799,"_313":800},"#bfaf95",0.1002,"#cbbda6",0.1238,"#e5d7bc",0.2074,"#cfbfa3",0.2445,"#d9caaf",0.3241,"Francesco Coghetti","francesco-coghetti","Italian, 1804–1875","Italian",1804,1875,"ajax-front-view-from-oeuvre-de-canova-aic-260561","Ajax, Front View, from Oeuvre de Canova",{"_42":863,"_222":864,"_325":865,"_327":812,"_329":866,"_331":867,"_333":-5,"_334":-5,"_335":-5,"_140":99},"1817","Print","Engraving and etching in black on ivory wove paper","Plate: 60.5 × 41.2 cm (23 7/8 × 16 1/4 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",41,60,0.7232285312060066,[848,849,850,851,852],{"_221":301,"_222":302,"_42":303,"_304":305},"2021.48","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_295":845,"_297":846,"_299":847},"https://img.ochreeditions.com/m/403.jpg?dl=1","/art/ajax-front-view-from-oeuvre-de-canova-aic-260561","/galleries/style/neoclassicism/ajax-front-view-from-oeuvre-de-canova-aic-260561",{"_291":551,"_293":552},{"_225":840,"_125":841,"_285":842},{"_276":837,"_278":838,"_280":839,"_282":823},67.3937118723604,84,43.3937118723604,{"_287":225,"_123":843,"_154":844,"_140":99},{"_287":125,"_123":615,"_154":616,"_140":617},{"_287":285,"_123":786,"_154":787,"_140":79},"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/403/480.jpg","https://img.ochreeditions.com/a/403/960.jpg","https://img.ochreeditions.com/a/403/1920.jpg",{"_311":861,"_313":862},{"_311":859,"_313":860},{"_311":857,"_313":858},{"_311":855,"_313":856},{"_311":853,"_313":854},"#867e74",0.0187,"#afa79e",0.0435,"#e6dad3",0.0445,"#d1c8c1",0.0904,"#faede6",0.8029,"Antonio Canova","antonio-canova","Italian, 1765–1820",1765,1820,"sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","Sheet of Sketches: Cavalry Battles and Mounted Soldiers",{"_42":914,"_222":915,"_325":916,"_327":328,"_329":917,"_331":918,"_333":919,"_334":511,"_335":920,"_140":99},"1813/14","Graphite, on tan wove paper, perimeter mounted on ivory laid paper","17.2 × 23 cm (6 13/16 × 9 1/16 in.)",23,17,1.2110445205479452,[900,901,902,903,904],{"_221":301,"_222":302,"_42":303,"_304":305},"1947.35.57R","Jean Louis André Théodore Géricault painted this in 1813/14, aged about 22. It is now at the Art Institute of Chicago.","Horses rear and gallop and riders clash across this sheet of rapid pencil sketches, made around 1813–14, when the young Théodore Géricault was absorbed by the drama of Napoleon’s cavalry.","A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.",{"_295":897,"_297":898,"_299":899},"https://img.ochreeditions.com/m/293.jpg?dl=1","/art/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","/galleries/style/neoclassicism/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385",{"_291":551,"_293":552},{"_225":892,"_125":893,"_285":894},{"_276":721,"_278":890,"_280":723,"_282":891},44.643336868151295,20.64333686815129,{"_287":225,"_123":895,"_154":896,"_140":99},{"_287":125,"_123":669,"_154":670,"_140":671},{"_287":285,"_123":666,"_154":667,"_140":668},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/293/480.jpg","https://img.ochreeditions.com/a/293/960.jpg","https://img.ochreeditions.com/a/293/1920.jpg",{"_311":912,"_313":913},{"_311":910,"_313":911},{"_311":908,"_313":909},{"_311":801,"_313":907},{"_311":905,"_313":906},"#b0a490",0.0117,0.152,"#ddd6c4",0.2169,"#d6c9b1",0.247,"#e2ddd0",0.3724,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","view-of-rome-cma-145309","View of Rome",{"_42":448,"_222":449,"_325":450,"_327":328,"_329":451,"_331":452,"_333":-5,"_334":-5,"_335":453,"_140":97},"c. 1782–84","oil on paper, mounted on board","Framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); Unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in.)",39,19.5,2.0274299344066784,[959,960,961,962,963],{"_221":955,"_222":956,"_42":957,"_304":958},"Courtesy of the Cleveland Museum of Art","1970.55","Pierre Henri de Valenciennes painted this in about 1782–84, aged about 32. It is now at the Cleveland Museum of Art.",{"_118":953,"_557":954},"View of Rome, by Pierre Henri de Valenciennes, c. 1782–84",{"_295":950,"_297":951,"_299":952},"https://img.ochreeditions.com/m/676.jpg?dl=1","/art/view-of-rome-cma-145309","/galleries/style/neoclassicism/view-of-rome-cma-145309",{"_291":292,"_293":294},{"_225":947,"_125":948,"_285":949},{"_276":944,"_278":945,"_280":927,"_282":946},54,34.236176470588234,19.236176470588237,{"_287":225,"_123":428,"_154":429,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/676/480.jpg","https://img.ochreeditions.com/a/676/960.jpg","https://img.ochreeditions.com/a/676/1920.jpg","This oil sketch showing St. Peter's Basilica in the distance was painted during the artist's stay in Rome, 1777–85. Its spontaneity and freshness is typical of the artist's outdoor paintings, in which he sought to capture the light and atmosphere of Rome.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":972,"_313":973},{"_311":970,"_313":971},{"_311":968,"_313":969},{"_311":966,"_313":967},{"_311":964,"_313":965},"#3f3f34",0.0998,"#806b4f",0.1694,"#695f4d",0.1865,"#95a7b1",0.2586,"#cac4ad",0.2857,"the-virgin-with-the-child-si-chndm-1938-88-8055","The Virgin with the Child",{"_42":1022,"_222":1023,"_325":1024,"_327":812,"_329":1025,"_331":696,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1820–1850","Graphite, pen and ink on paper","26.9 × 18.9 cm (10 9/16 × 7 7/16 in.)",18.9,0.7390787518573552,[1007,1008,1009,1010,1011],{"_221":559,"_222":560,"_42":561,"_304":490},"1938-88-8055","Fortunato Duranti drew this in 1820–1850, aged about 33. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1006,"_557":558},"THE VIRGIN WITH THE CHILD",{"_295":1003,"_297":1004,"_299":1005},"https://img.ochreeditions.com/m/1740.jpg?dl=1","/art/the-virgin-with-the-child-si-chndm-1938-88-8055","/galleries/style/neoclassicism/the-virgin-with-the-child-si-chndm-1938-88-8055",{"_291":551,"_293":552},{"_225":998,"_125":999,"_285":1000},{"_276":995,"_278":996,"_280":997,"_282":522},43.88121842496285,50.9,19.881218424962853,{"_287":225,"_123":1001,"_154":1002,"_140":89},{"_287":125,"_123":728,"_154":729,"_140":730},{"_287":285,"_123":786,"_154":787,"_140":79},"artist/contemporaries-of-fortunato-duranti","Fortunato Duranti's contemporaries","https://img.ochreeditions.com/a/1740/480.jpg","https://img.ochreeditions.com/a/1740/960.jpg","https://img.ochreeditions.com/a/1740/1920.jpg","The Virgin is sitting on the ground, seen from the right side. The Child sits in her lap; she is holding him. The head of the Virgin is turned toward her right shoulder.",{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},{"_311":1016,"_313":1017},{"_311":1014,"_313":1015},{"_311":1012,"_313":1013},"#b3a99e",0.0578,"#c7bbb0",0.1263,"#d9cdbf",0.1765,"#e8dac9",0.2693,"#f3e4d2",0.3701,"Fortunato Duranti","fortunato-duranti","Italian, 1787–1863",1787,"sitges-aic-147478","Sitges",{"_42":1072,"_222":1073,"_325":1074,"_327":394,"_329":1075,"_331":1076,"_333":-5,"_334":-5,"_335":-5,"_140":103},"19th century","Oil on masonite","43.2 × 59.7 cm (17 × 23 1/2 in.); Framed: 51.7 × 68.3 × 4.5 cm (20 3/8 × 26 7/8 × 1 3/4 in.)",43,1.406020066889632,[1057,1058,1059,1060,1061],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.1418","Juan Roig y Soler painted this in 19th century. It is now at the Art Institute of Chicago.","A work made of oil on masonite.",{"_295":1054,"_297":1055,"_299":1056},"https://img.ochreeditions.com/m/327.jpg?dl=1","/art/sitges-aic-147478","/galleries/style/neoclassicism/sitges-aic-147478",{"_291":292,"_293":294},{"_225":1049,"_125":1050,"_285":1051},{"_276":1046,"_278":1047,"_280":645,"_282":1048},74,56.96241674595623,41.96241674595623,{"_287":225,"_123":1052,"_154":1053,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":365,"_154":366,"_140":85},"artist/contemporaries-of-juan-roig-y-soler","Juan Roig y Soler's contemporaries","https://img.ochreeditions.com/a/327/480.jpg","https://img.ochreeditions.com/a/327/960.jpg","https://img.ochreeditions.com/a/327/1920.jpg",{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},"#a4977f",0.0715,"#665c4b",0.1389,"#718888",0.1878,"#5b7b86",0.2826,"#82745e",0.3192,"Juan Roig y Soler","juan-roig-y-soler","Spanish, 1852–1909",1852,1909,"alexander-at-the-tomb-of-cyrus-the-great-aic-100060","Alexander at the Tomb of Cyrus the Great",{"_42":448,"_222":449,"_325":450,"_327":328,"_329":451,"_331":452,"_333":-5,"_334":-5,"_335":453,"_140":97},"1796","42 × 91.1 cm (16 9/16 × 35 7/8 in.); Framed: 59.3 × 107.7 cm (23 5/16 × 42 3/8 in.)",91,42,2.2301401869158877,[1106,1107,1108,1109,1110],{"_221":301,"_222":302,"_42":303,"_304":305},"1983.35","Pierre Henri de Valenciennes painted this in 1796, aged 46. It is now at the Art Institute of Chicago.","Alexander the Great and his soldiers pause among tents and trees before the tomb of Cyrus the Great, founder of the Persian Empire, whose grave at Pasargadae Alexander found plundered and ordered to be restored.",{"_295":1103,"_297":1104,"_299":1105},"https://img.ochreeditions.com/m/259.jpg?dl=1","/art/alexander-at-the-tomb-of-cyrus-the-great-aic-100060","/galleries/style/neoclassicism/alexander-at-the-tomb-of-cyrus-the-great-aic-100060",{"_291":292,"_293":294},{"_225":1100,"_125":1101,"_285":1102},{"_276":1097,"_278":1098,"_280":1082,"_282":1099},106,55.804609743321116,40.804609743321116,{"_287":225,"_123":428,"_154":429,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/259/480.jpg","https://img.ochreeditions.com/a/259/960.jpg","https://img.ochreeditions.com/a/259/1920.jpg",{"_311":1119,"_313":1120},{"_311":1117,"_313":1118},{"_311":1115,"_313":1116},{"_311":1113,"_313":1114},{"_311":1111,"_313":1112},"#a09a87",0.1546,"#876233",0.1848,"#46371b",0.201,"#726d62",0.2188,"#583a0f",0.2408,"the-large-self-portrait-aic-264160","The Large Self-Portrait",{"_42":1173,"_222":1174,"_325":1175,"_327":1176,"_329":1177,"_331":1178,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1778/81","switzerland","Etching, roulette, and mezzotint in black on cream laid paper","Sheet: 46.6 × 39.4 cm (18 3/8 × 15 9/16 in.)",46,0.8469155474618711,[1158,1159,1160,1161,1162],{"_221":301,"_222":302,"_42":303,"_304":305},"2022.273","Jean Etienne Liotard made this in 1778/81, aged about 76. It is now at the Art Institute of Chicago.","A work made of etching, roulette, and mezzotint in black on cream laid paper.",{"_295":1155,"_297":1156,"_299":1157},"https://img.ochreeditions.com/m/418.jpg?dl=1","/art/the-large-self-portrait-aic-264160","/galleries/style/neoclassicism/the-large-self-portrait-aic-264160",{"_291":551,"_293":552},{"_225":1145,"_125":1146,"_285":1147},{"_276":1142,"_278":1143,"_280":1144,"_282":1128},62.95811518324607,70,38.95811518324607,{"_287":225,"_123":1153,"_154":1154,"_140":89},{"_287":125,"_123":1150,"_154":1151,"_140":1152},{"_287":285,"_123":1148,"_154":1149,"_140":89},"era/18-switzerland","18th-century Switzerland","style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-jean-etienne-liotard","Jean Etienne Liotard's contemporaries","https://img.ochreeditions.com/a/418/480.jpg","https://img.ochreeditions.com/a/418/960.jpg","https://img.ochreeditions.com/a/418/1920.jpg",{"_311":1171,"_313":1172},{"_311":1169,"_313":1170},{"_311":1167,"_313":1168},{"_311":1165,"_313":1166},{"_311":1163,"_313":1164},"#998c7e",0.0804,"#c8b9aa",0.1218,"#776d61",0.1464,"#514a43",0.3223,"#60584f",0.3291,"Jean Etienne Liotard","jean-etienne-liotard","Swiss, 1702–1789","Swiss",1702,1789,{"_1180":-5,"_1181":1182,"_1183":1184,"_1185":8,"_1186":1187,"_1188":8},"user","csrf","814560cbf29e4f17b590ac2fba645bf925fd4cde","cartCount",0,"dropLive","legal",[1189,1190,1191,1192,1193,1194,1195,1196,1197,1198,1199,1200],"uploadsEnabled",{"_222":1223,"_20":1224},{"_222":1221,"_20":1222},{"_222":1219,"_20":1220},{"_222":1217,"_20":1218},{"_222":1215,"_20":1216},{"_222":1213,"_20":1214},{"_222":1211,"_20":1212},{"_222":1209,"_20":1210},{"_222":1207,"_20":1208},{"_222":1205,"_20":1206},{"_222":1203,"_20":1204},{"_222":1201,"_20":1202},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]