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It is now at the National Gallery of Art in Washington, DC.","The image features two men in military uniform engaging closely with each other. Both are shown from head to toe. The man on the left stands with his left leg forward, holding a rifle, and has his right arm around the shoulder of the other man. The man on the right has his right leg slightly bent, supporting his weight, and is holding a sword in his left hand. Each man has distinctive facial features. Both wear tall, elaborate military hats and detailed uniforms. The man on the left displays a strap over his shoulder, while the man on the right has intricate decorations on his jacket and trousers. In the background, there are a few more soldiers and part of a building to the left. The setting is monochromatic.",{"_293":441,"_295":442,"_297":443},"https://img.ochreeditions.com/m/1672.jpg?dl=1","/art/two-grenadiers-nga-143801","/galleries/style/neoclassicism/two-grenadiers-nga-143801",{"_289":290,"_291":292},{"_223":430,"_125":431,"_283":432},{"_274":426,"_276":427,"_278":428,"_280":429},43.708251953125,49,19.708251953125,25,{"_285":223,"_123":439,"_154":440,"_140":89},{"_285":125,"_123":436,"_154":437,"_140":438},{"_285":283,"_123":433,"_154":434,"_140":435},"era/19-france","19th-century France",237,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-victor-adam","Victor Adam's contemporaries","https://img.ochreeditions.com/a/1672/480.jpg","https://img.ochreeditions.com/a/1672/960.jpg","https://img.ochreeditions.com/a/1672/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":461,"_311":462},{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},"#997b5d",0.0469,"#b79a7a",0.1294,"#ceb08a",0.23,"#e1ceae",0.2672,"#dac09a",0.3265,"Victor Adam","victor-adam","French, 1801–1866",1801,1866,"la-cervara-the-roman-campagna-cma-140078","La Cervara, the Roman Campagna",{"_42":530,"_220":531,"_323":532,"_325":403,"_327":533,"_329":534,"_331":535,"_332":535,"_333":536,"_140":87},"c. 1830–31","painting","Painting","oil on fabric","Framed: 130 x 167.5 x 9.5 cm (51 3/16 x 65 15/16 x 3 3/4 in.); Unframed: 97.6 x 135.8 cm (38 7/16 x 53 7/16 in.)",135.8,97.6,1.3945857260049221,[515,516,517,518,519],{"_219":511,"_220":512,"_42":513,"_302":514},"Courtesy of the Cleveland Museum of Art","1963.91","Jean Baptiste Camille Corot painted this in about 1830–31, aged about 34. It is now at the Cleveland Museum of Art.",{"_118":509,"_379":510},"La Cervara, the Roman Campagna, by Jean Baptiste Camille Corot, c. 1830–31",{"_293":506,"_295":507,"_297":508},"https://img.ochreeditions.com/m/654.jpg?dl=1","/art/la-cervara-the-roman-campagna-cma-140078","/galleries/style/neoclassicism/la-cervara-the-roman-campagna-cma-140078",{"_289":504,"_291":505},{"_223":496,"_125":497,"_283":498},{"_274":493,"_276":494,"_278":476,"_280":495},150.8,112.37658823529412,97.37658823529412,{"_285":223,"_123":502,"_154":503,"_140":87},{"_285":125,"_123":499,"_154":500,"_140":501},{"_285":283,"_123":433,"_154":434,"_140":435},"style/painting-19","More paintings of the 19th century",432,"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","natural","ivory","https://img.ochreeditions.com/a/654/480.jpg","https://img.ochreeditions.com/a/654/960.jpg","https://img.ochreeditions.com/a/654/1920.jpg","Corot based his large oil painting on drawings and oil sketches made outdoors. Attracted to the beauty of the Italian countryside, he often sketched around Rome, where he lived from 1825 to 1828.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":528,"_311":529},{"_309":526,"_311":527},{"_309":524,"_311":525},{"_309":522,"_311":523},{"_309":520,"_311":521},"#8f7f67",0.1168,"#a0b1b4",0.1281,"#474237",0.2385,"#685d4c",0.2459,"#6c8da6",0.2707,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Paris","Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","the-fortunate-rescue-nga-57440","The Fortunate Rescue",{"_42":585,"_220":586,"_323":587,"_325":588,"_327":589,"_329":466,"_331":-5,"_332":-5,"_333":-5,"_140":101},"1791","germany","etching",0.62646484375,[570,571,572,573,574],{"_219":444,"_220":445,"_42":446,"_302":447},"1979.59.4","Daniel Nikolaus Chodowiecki made this in 1791, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image shows three figures. Two of them are embracing in the foreground, kneeling on the ground and facing each other in a kiss. The person on the left has curly hair and appears to be wearing a coat-like garment, while the person on the right has long hair tied back and is dressed in a long robe. The third figure emerges from the bushes in the background, with shoulder-length hair, wearing a dress with a sash and a light shawl or scarf over their head. The setting includes tall trees, shrubs, and a structure with columns and arches on the right side, suggesting a garden or courtyard. Rolling hills and cloudy skies are in the distant background.",{"_293":567,"_295":568,"_297":569},"https://img.ochreeditions.com/m/1592.jpg?dl=1","/art/the-fortunate-rescue-nga-57440","/galleries/style/neoclassicism/the-fortunate-rescue-nga-57440",{"_289":290,"_291":292},{"_223":560,"_125":561,"_283":562},{"_274":556,"_276":557,"_278":558,"_280":559},61.587890625,84,37.587890625,60,{"_285":223,"_123":565,"_154":566,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":563,"_154":564,"_140":85},"era/18-germany","18th-century Germany","artist/contemporaries-of-daniel-nikolaus-chodowiecki","Daniel Nikolaus Chodowiecki's contemporaries","https://img.ochreeditions.com/a/1592/480.jpg","https://img.ochreeditions.com/a/1592/960.jpg","https://img.ochreeditions.com/a/1592/1920.jpg",{"_309":583,"_311":584},{"_309":581,"_311":582},{"_309":579,"_311":580},{"_309":577,"_311":578},{"_309":575,"_311":576},"#6d635a",0.1609,"#877c6f",0.1781,"#a39686",0.1836,"#c1b4a2",0.202,"#f3e6cf",0.2754,"Daniel Nikolaus Chodowiecki","daniel-nikolaus-chodowiecki","German, 1726–1801","German",1726,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":643,"_220":644,"_323":645,"_325":403,"_327":646,"_329":647,"_331":648,"_332":535,"_333":649,"_140":95},"1816","watercolour","Drawing and Watercolor","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,59,0.7685862865947611,[628,629,630,631,632],{"_219":299,"_220":300,"_42":301,"_302":303},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_293":625,"_295":626,"_297":627},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/neoclassicism/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_289":290,"_291":292},{"_223":617,"_125":618,"_283":619},{"_274":614,"_276":615,"_278":616,"_280":599},69.3465909090909,83,45.34659090909091,{"_285":223,"_123":623,"_154":624,"_140":95},{"_285":125,"_123":620,"_154":621,"_140":622},{"_285":283,"_123":433,"_154":434,"_140":435},"style/watercolour-19","More watercolours of the 19th century",40,"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_309":641,"_311":642},{"_309":639,"_311":640},{"_309":637,"_311":638},{"_309":635,"_311":636},{"_309":633,"_311":634},"#493c33",0.0813,"#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","landscape-with-haystacks-aic-227622","Landscape with Haystacks",{"_42":696,"_220":697,"_323":698,"_325":403,"_327":699,"_329":700,"_331":-5,"_332":-5,"_333":-5,"_140":103},"n.d.","Conté crayon on gray-blue wove paper","26.5 × 39.4 cm (10 7/16 × 15 9/16 in.)",26,1.4848093083387202,[681,682,683,684,685],{"_219":299,"_220":300,"_42":301,"_302":303},"2019.211","Constant Troyon painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of conté crayon on gray-blue wove paper.",{"_293":678,"_295":679,"_297":680},"https://img.ochreeditions.com/m/365.jpg?dl=1","/art/landscape-with-haystacks-aic-227622","/galleries/style/neoclassicism/landscape-with-haystacks-aic-227622",{"_289":290,"_291":292},{"_223":673,"_125":674,"_283":675},{"_274":670,"_276":671,"_278":242,"_280":672},63,50.26599912929909,26.265999129299086,{"_285":223,"_123":676,"_154":677,"_140":89},{"_285":125,"_123":620,"_154":621,"_140":622},{"_285":283,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-constant-troyon","Constant Troyon's contemporaries","https://img.ochreeditions.com/a/365/480.jpg","https://img.ochreeditions.com/a/365/960.jpg","https://img.ochreeditions.com/a/365/1920.jpg",{"_309":694,"_311":695},{"_309":692,"_311":693},{"_309":690,"_311":691},{"_309":688,"_311":689},{"_309":686,"_311":687},"#85796f",0.0134,"#a19489",0.0621,"#b6a99d",0.1446,"#c9baab",0.2115,"#d4c5b4",0.5684,"Constant Troyon","constant-troyon","French, 1810–1865",1810,1865,"cupid-and-psyche-cma-138464","Cupid and Psyche",{"_42":751,"_220":752,"_323":753,"_325":403,"_327":754,"_329":755,"_331":535,"_332":756,"_333":757,"_140":97},"1817","oil on canvas","Framed: 221 x 282 x 10 cm (87 x 111 x 3 15/16 in.); Unframed: 184.2 x 241.6 cm (72 1/2 x 95 1/8 in.)",241.6,184.2,1.320901320901321,[736,737,738,739,740],{"_219":511,"_220":512,"_42":513,"_302":514},"1962.37","Jacques-Louis David painted this in 1817, aged 69. It is now at the Cleveland Museum of Art.",{"_118":735,"_379":510},"Cupid and Psyche, by Jacques-Louis David, 1817",{"_293":732,"_295":733,"_297":734},"https://img.ochreeditions.com/m/652.jpg?dl=1","/art/cupid-and-psyche-cma-138464","/galleries/style/neoclassicism/cupid-and-psyche-cma-138464",{"_289":504,"_291":505},{"_223":727,"_125":728,"_283":729},{"_274":723,"_276":724,"_278":725,"_280":726},255,196.69411764705882,240,181.69411764705882,{"_285":223,"_123":730,"_154":731,"_140":97},{"_285":125,"_123":499,"_154":500,"_140":501},{"_285":283,"_123":433,"_154":434,"_140":435},"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/652/480.jpg","https://img.ochreeditions.com/a/652/960.jpg","https://img.ochreeditions.com/a/652/1920.jpg","David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity.",{"_309":749,"_311":750},{"_309":747,"_311":748},{"_309":745,"_311":746},{"_309":743,"_311":744},{"_309":741,"_311":742},"#d3bea7",0.1003,"#99755a",0.1348,"#4b4e43",0.1387,"#47291f",0.265,"#1e1d18",0.3612,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","prancing-horse-aic-51541","Prancing Horse",{"_42":802,"_220":803,"_323":804,"_325":403,"_327":805,"_329":806,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1808–12","Oil on canvas","26.4 × 39.5 cm (10 3/8 × 15 1/2 in.); Framed: 46.4 × 59.1 × 7.3 cm (18 1/4 × 23 1/4 × 2 7/8 in.)",1.533487297921478,[788,789,790,791,792],{"_219":299,"_220":300,"_42":301,"_302":303},"1944.687","Follower of Jean Louis André Théodore Géricault painted this in 1808–12, aged about 17. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":785,"_295":786,"_297":787},"https://img.ochreeditions.com/m/162.jpg?dl=1","/art/prancing-horse-aic-51541","/galleries/style/neoclassicism/prancing-horse-aic-51541",{"_289":504,"_291":505},{"_223":780,"_125":781,"_283":782},{"_274":777,"_276":778,"_278":242,"_280":779},54,40.43222891566265,25.43222891566265,{"_285":223,"_123":783,"_154":784,"_140":89},{"_285":125,"_123":499,"_154":500,"_140":501},{"_285":283,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-follower-of-jean-louis-andre-theodore-gericault","Follower of Jean Louis André Théodore Géricault's contemporaries","https://img.ochreeditions.com/a/162/480.jpg","https://img.ochreeditions.com/a/162/960.jpg","https://img.ochreeditions.com/a/162/1920.jpg",{"_309":800,"_311":801},{"_309":798,"_311":799},{"_309":796,"_311":797},{"_309":794,"_311":795},{"_309":793,"_311":689},"#5b6762","#989a85",0.1194,"#575030",0.1819,"#201c1b",0.3158,"#343324",0.3208,"Follower of Jean Louis André Théodore Géricault","follower-of-jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"the-virgin-with-the-child-si-chndm-1938-88-8055","The Virgin with the Child",{"_42":859,"_220":860,"_323":861,"_325":862,"_327":863,"_329":647,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1820–1850","italy","Graphite, pen and ink on paper","26.9 × 18.9 cm (10 9/16 × 7 7/16 in.)",18.9,26.9,0.7390787518573552,[844,845,846,847,848],{"_219":381,"_220":382,"_42":383,"_302":384},"1938-88-8055","Fortunato Duranti drew this in 1820–1850, aged about 33. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":843,"_379":380},"THE VIRGIN WITH THE CHILD",{"_293":840,"_295":841,"_297":842},"https://img.ochreeditions.com/m/1740.jpg?dl=1","/art/the-virgin-with-the-child-si-chndm-1938-88-8055","/galleries/style/neoclassicism/the-virgin-with-the-child-si-chndm-1938-88-8055",{"_289":290,"_291":292},{"_223":833,"_125":834,"_283":835},{"_274":830,"_276":831,"_278":832,"_280":815},43.88121842496285,50.9,19.881218424962853,{"_285":223,"_123":838,"_154":839,"_140":89},{"_285":125,"_123":436,"_154":437,"_140":438},{"_285":283,"_123":836,"_154":837,"_140":79},"era/19-italy","19th-century Italy","artist/contemporaries-of-fortunato-duranti","Fortunato Duranti's contemporaries","https://img.ochreeditions.com/a/1740/480.jpg","https://img.ochreeditions.com/a/1740/960.jpg","https://img.ochreeditions.com/a/1740/1920.jpg","The Virgin is sitting on the ground, seen from the right side. The Child sits in her lap; she is holding him. The head of the Virgin is turned toward her right shoulder.",{"_309":857,"_311":858},{"_309":855,"_311":856},{"_309":853,"_311":854},{"_309":851,"_311":852},{"_309":849,"_311":850},"#b3a99e",0.0578,"#c7bbb0",0.1263,"#d9cdbf",0.1765,"#e8dac9",0.2693,"#f3e4d2",0.3701,"Fortunato Duranti","fortunato-duranti","Italian, 1787–1863","Italian",1787,"sketch-for-the-revolt-of-cairo-aic-152851","Sketch for The Revolt of Cairo",{"_42":909,"_220":910,"_323":911,"_325":403,"_327":912,"_329":806,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1810","Oil and ink on paper, laid down on canvas","30.8 × 45.1 cm (12 1/8 × 17 3/4 in.); Framed: 43.2 × 58.5 × 6.4 cm (17 × 23 × 2 1/2 in.)",30,1.5200074794315632,[894,895,896,897,898],{"_219":299,"_220":300,"_42":301,"_302":303},"1999.384","Anne-Louis Girodet de Roussy-Trioson painted this in about 1810, aged about 38. It is now at the Art Institute of Chicago.","A work made of oil and ink on paper, laid down on canvas.",{"_293":891,"_295":892,"_297":893},"https://img.ochreeditions.com/m/335.jpg?dl=1","/art/sketch-for-the-revolt-of-cairo-aic-152851","/galleries/style/neoclassicism/sketch-for-the-revolt-of-cairo-aic-152851",{"_289":504,"_291":505},{"_223":886,"_125":887,"_283":888},{"_274":559,"_276":884,"_278":598,"_280":885},44.605117480624926,29.605117480624923,{"_285":223,"_123":889,"_154":890,"_140":89},{"_285":125,"_123":499,"_154":500,"_140":501},{"_285":283,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-anne-louis-girodet-de-roussy-trioson","Anne-Louis Girodet de Roussy-Trioson's contemporaries","https://img.ochreeditions.com/a/335/480.jpg","https://img.ochreeditions.com/a/335/960.jpg","https://img.ochreeditions.com/a/335/1920.jpg",{"_309":907,"_311":908},{"_309":905,"_311":906},{"_309":903,"_311":904},{"_309":901,"_311":902},{"_309":899,"_311":900},"#873f22",0.1153,"#bc9259",0.1414,"#855f36",0.208,"#2d2218",0.2645,"#553520",0.2708,"Anne-Louis Girodet de Roussy-Trioson","anne-louis-girodet-de-roussy-trioson","French, 1767–1824",1767,"a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","A Fisherman and Two Children in a Landscape with Thatched Cottages",{"_42":958,"_220":959,"_323":960,"_325":326,"_327":961,"_329":962,"_331":-5,"_332":-5,"_333":963,"_140":99},"1764","etching on laid paper","plate: 21.4 x 18.9 cm (8 7/16 x 7 7/16 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",21.4,0.8924433249370277,[943,944,945,946,947],{"_219":444,"_220":445,"_42":446,"_302":447},"1996.12.2","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a rustic scene with a house, trees, and a figure washing near a stream. Two children stand in the middle distance next to a ladder. In the background are two thatched houses among trees. The drawing style is detailed with fine lines and cross-hatching, creating texture. The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.",{"_293":940,"_295":941,"_297":942},"https://img.ochreeditions.com/m/1630.jpg?dl=1","/art/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","/galleries/style/neoclassicism/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134",{"_289":290,"_291":292},{"_223":935,"_125":936,"_283":937},{"_274":933,"_276":427,"_278":934,"_280":429},46.31108312342569,22.311083123425693,{"_285":223,"_123":938,"_154":939,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":89},"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1630/480.jpg","https://img.ochreeditions.com/a/1630/960.jpg","https://img.ochreeditions.com/a/1630/1920.jpg",{"_309":956,"_311":957},{"_309":954,"_311":955},{"_309":952,"_311":953},{"_309":950,"_311":951},{"_309":948,"_311":949},"#ac9b84",0.1357,"#8e7f6d",0.1664,"#76695a",0.1848,"#5e5448",0.1861,"#d7c3a5",0.327,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","Wealth and Benefits of the Spanish Monarchy under Charles III",{"_42":1016,"_220":1017,"_323":1018,"_325":862,"_327":1019,"_329":1020,"_331":1021,"_332":1022,"_333":1023,"_140":85},"1762","overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.)",104.3,181.8,0.570556640625,[1001,1002,1003,1004,1005],{"_219":444,"_220":445,"_42":446,"_302":447},"1943.4.39","Giovanni Battista Tiepolo painted this in 1762, aged 66. It is now at the National Gallery of Art in Washington, DC.","Seen from below through an illusionistic opening, crowds of figures in windswept robes swirl upward on clouds towards a crowned figure enthroned in the blue sky, while stone giants recline beside gold medallions at the corners.","We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting. From a distance, the scene looks like a complete illusion but up close, the people, clouds, and architecture are sketchily painted. The ledge running around the opening has a gold, oval medallion at each corner. Appearing to be carved from white stone, two bearded men with long hair recline against each medallion, flanking them to each side in front of large shells that curve up over the people and frames them. A few architectural structures extend up into the sky, including a pointed obelisk in the lower left corner, a pair of columns at the upper right, and what seems to be the mast of a ship at the top left. Most of the people have pale skin but some have more tan complexions, and a few, including those wearing feather headdresses near the upper left corner, have brown skin. The people wear windswept robes of pale, butter yellow, robin’s egg blue, rose pink, and ivory. The eye may drawn to a few vignettes, such as the man holding a rearing, chestnut-brown horse on the illusionistic ledge near the lower right, a nun wearing a white robe and holding a cross above him in the clouds, and, farthest away, a crowned person sitting on a throne.",{"_293":998,"_295":999,"_297":1000},"https://img.ochreeditions.com/m/1366.jpg?dl=1","/art/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137","/galleries/style/neoclassicism/wealth-and-benefits-of-the-spanish-monarchy-under-charles-ii-nga-12137",{"_289":504,"_291":505},{"_223":988,"_125":989,"_283":990},{"_274":985,"_276":986,"_278":987,"_280":970},118.72719726562501,196.8,103.72719726562501,{"_285":223,"_123":996,"_154":997,"_140":85},{"_285":125,"_123":993,"_154":994,"_140":995},{"_285":283,"_123":991,"_154":992,"_140":427},"era/18-italy","18th-century Italy","style/painting-18","More paintings of the 18th century",168,"artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/1366/480.jpg","https://img.ochreeditions.com/a/1366/960.jpg","https://img.ochreeditions.com/a/1366/1920.jpg",{"_309":1014,"_311":1015},{"_309":1012,"_311":1013},{"_309":1010,"_311":1011},{"_309":1008,"_311":1009},{"_309":1006,"_311":1007},"#4f3f34",0.1302,"#bccbcd",0.1766,"#baad95",0.1905,"#75614e",0.2348,"#98866e",0.2679,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","self-portrait-met-334004","Self-Portrait",{"_42":1078,"_220":1079,"_323":1080,"_325":1081,"_327":1082,"_329":1083,"_331":1084,"_332":1085,"_333":1086,"_140":81},"ca. 1796","spain","Drawings","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[1063,1064,1065,1066,1067],{"_219":1060,"_220":1061,"_42":1062,"_302":384},"Courtesy of The Metropolitan Museum of Art","35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_293":1057,"_295":1058,"_297":1059},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/neoclassicism/self-portrait-met-334004",{"_289":290,"_291":292},{"_223":1050,"_125":1051,"_283":1052},{"_274":1048,"_276":427,"_278":1049,"_280":429},38.840055632823365,14.840055632823365,{"_285":223,"_123":1055,"_154":1056,"_140":81},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":1053,"_154":1054,"_140":85},"era/18-spain","18th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},{"_309":1072,"_311":1073},{"_309":1070,"_311":1071},{"_309":1068,"_311":1069},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","alexander-at-the-tomb-of-cyrus-the-great-aic-100060","Alexander at the Tomb of Cyrus the Great",{"_42":1132,"_220":1133,"_323":1134,"_325":403,"_327":1135,"_329":1136,"_331":-5,"_332":-5,"_333":1137,"_140":97},"1796","42 × 91.1 cm (16 9/16 × 35 7/8 in.); Framed: 59.3 × 107.7 cm (23 5/16 × 42 3/8 in.)",91,42,2.2301401869158877,[1118,1119,1120,1121,1122],{"_219":299,"_220":300,"_42":301,"_302":303},"1983.35","Pierre Henri de Valenciennes painted this in 1796, aged 46. It is now at the Art Institute of Chicago.","Alexander the Great and his soldiers pause among tents and trees before the tomb of Cyrus the Great, founder of the Persian Empire, whose grave at Pasargadae Alexander found plundered and ordered to be restored.",{"_293":1115,"_295":1116,"_297":1117},"https://img.ochreeditions.com/m/259.jpg?dl=1","/art/alexander-at-the-tomb-of-cyrus-the-great-aic-100060","/galleries/style/neoclassicism/alexander-at-the-tomb-of-cyrus-the-great-aic-100060",{"_289":504,"_291":505},{"_223":1110,"_125":1111,"_283":1112},{"_274":1107,"_276":1108,"_278":1092,"_280":1109},106,55.804609743321116,40.804609743321116,{"_285":223,"_123":1113,"_154":1114,"_140":97},{"_285":125,"_123":993,"_154":994,"_140":995},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/pierre-henri-de-valenciennes","More by Pierre Henri de Valenciennes","https://img.ochreeditions.com/a/259/480.jpg","https://img.ochreeditions.com/a/259/960.jpg","https://img.ochreeditions.com/a/259/1920.jpg",{"_309":1130,"_311":1131},{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},{"_309":1125,"_311":953},{"_309":1123,"_311":1124},"#a09a87",0.1546,"#876233","#46371b",0.201,"#726d62",0.2188,"#583a0f",0.2408,"Pierre Henri de Valenciennes","pierre-henri-de-valenciennes","French, 1750–1819",1750,1819,"Valenciennes was the leading theorist of French historical landscape.","invocation-to-love-cma-123431","Invocation to Love",{"_42":1187,"_220":1188,"_323":1189,"_325":403,"_327":180,"_329":1190,"_331":1191,"_332":535,"_333":1192,"_140":93},"c. 1781","Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper","Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)",41.6,33.5,1.2336719883889695,[1172,1173,1174,1175,1176],{"_219":511,"_220":512,"_42":513,"_302":514},"1943.657","Jean Honoré Fragonard drew this in about 1781, aged about 44. It is now at the Cleveland Museum of Art.",{"_118":1171,"_379":510},"Invocation to Love, by Jean Honoré Fragonard, c. 1781",{"_293":1168,"_295":1169,"_297":1170},"https://img.ochreeditions.com/m/561.jpg?dl=1","/art/invocation-to-love-cma-123431","/galleries/style/neoclassicism/invocation-to-love-cma-123431",{"_289":290,"_291":292},{"_223":1163,"_125":1164,"_283":1165},{"_274":1160,"_276":1161,"_278":1144,"_280":1162},65.6,57.720470588235294,33.720470588235294,{"_285":223,"_123":1166,"_154":1167,"_140":93},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/jean-honore-fragonard","More by Jean Honoré Fragonard","https://img.ochreeditions.com/a/561/480.jpg","https://img.ochreeditions.com/a/561/960.jpg","https://img.ochreeditions.com/a/561/1920.jpg","Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love.",{"_309":1185,"_311":1186},{"_309":1183,"_311":1184},{"_309":1181,"_311":1182},{"_309":1179,"_311":1180},{"_309":1177,"_311":1178},"#d8b58d",0.0934,"#6e513d",0.2064,"#ba9671",0.2103,"#9f7d5c",0.2139,"#866549",0.276,"Jean Honoré Fragonard","jean-honore-fragonard","French, 1732–1806",1806,"Grasse","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.",{"_1194":-5,"_1195":1196,"_1197":1198,"_1199":8,"_1200":1201,"_1202":8},"user","csrf","8c31015620ca66616b635079872ca1165c8832e4","cartCount",0,"dropLive","legal",[1203,1204,1205,1206,1207,1208,1209,1210,1211,1212,1213,1214],"uploadsEnabled",{"_220":1237,"_20":1238},{"_220":1235,"_20":1236},{"_220":1233,"_20":1234},{"_220":1231,"_20":1232},{"_220":1229,"_20":1230},{"_220":1227,"_20":1228},{"_220":1225,"_20":1226},{"_220":1223,"_20":1224},{"_220":1221,"_20":1222},{"_220":1219,"_20":1220},{"_220":1217,"_20":1218},{"_220":1215,"_20":1216},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]