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It is now at the National Gallery of Art in Washington, DC.","Moonlight falls across several masted ships near a rocky shoreline in this horizontal painting. The sky fills the top three-quarters of the picture. A veil of slate-gray clouds is lit to pearl white around the crisp, full moon at the center of the composition. Patches of denim-blue sky are seen through breaks in the blanket of clouds. Moonlight reflects down the center of rippling, silvery-gray water that laps against a beach close to us, along the bottom edge of the painting. A tent is set up in the lower left corner of the composition. There, two women and one man stand looking at a glowing fire next to the tent. One woman holds a basket on her head, the other tucks a flat basket under one arm. The man stands between the two women, and a fourth man crouches near the fire, his back to us. In the opening of the tent, another woman kneels over a large bowl as she looks at the fire. A fifth person, a man, gazes at the fire as he sits smoking a long-stemmed pipe on a boulder. At the foot of the boulders, a man lies back against some bundles, one arm thrown up over his head. A dog curls up next to his hip. Not far from the sleeping man and in the center of the foreground, a man carries several long wooden objects, possibly oars, over one shoulder while a dog beyond him barks at the lapping surf. The beach curves like a C away from us, along the left. At the point of the curve in the middle distance, a structure like a city wall and gate jut out to the water’s edge. More buildings atop steep cliffs rise vertically beyond the gate. The shoreline curves into the distance again, and more buildings, including a lighthouse, and masted ships there are smoke-gray silhouettes. Near the lower right corner of the painting, four men pull on ropes tied around the prow of a small wooden boat while three others push it toward the land. Another man stands in the far end. A short distance beyond that boat is a tall wooden ship with three masts and rigging outlined against the night sky. Windows along the decks of that boat’s wide stern, angled toward us, glow with golden light. Beyond it and a bit to our left, another ship, smaller in scale, sails away from us. Several more ships move back to the horizon until we only see strokes of white and gray to indicate their unfurled sails.",{"_295":373,"_297":374,"_299":375},"https://img.ochreeditions.com/m/1696.jpg?dl=1","/art/moonlight-nga-214332","/galleries/style/neoclassicism/moonlight-nga-214332",{"_291":292,"_293":294},{"_225":362,"_125":363,"_285":364},{"_276":359,"_278":360,"_280":343,"_281":361},178.2,128.475,113.475,{"_287":225,"_123":371,"_154":372,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"era/18-france","18th-century France",75,"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-claude-joseph-vernet","Claude-Joseph Vernet's contemporaries","https://img.ochreeditions.com/a/1696/480.jpg","https://img.ochreeditions.com/a/1696/960.jpg","https://img.ochreeditions.com/a/1696/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":393,"_313":394},{"_311":391,"_313":392},{"_311":389,"_313":390},{"_311":387,"_313":388},{"_311":385,"_313":386},"#8b8164",0.0742,"#616153",0.1563,"#4a4237",0.2045,"#2e241d",0.2337,"#2c2f2e",0.3313,"Claude-Joseph Vernet","claude-joseph-vernet","French, 1714–1789",1714,1789,"self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)",{"_42":452,"_222":453,"_325":454,"_327":328,"_329":455,"_331":330,"_333":456,"_334":456,"_335":-5,"_140":101},"1785","Paintings","83 x 59 1/2 in. 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It is now at The Met in New York.","Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), by Adélaïde Labille-Guiard, 1785",{"_295":430,"_297":431,"_299":432},"https://img.ochreeditions.com/m/1112.jpg?dl=1","/art/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840","/galleries/style/neoclassicism/self-portrait-with-two-pupils-marie-gabrielle-capet-1761-181-met-436840",{"_291":292,"_293":294},{"_225":425,"_125":426,"_285":427},{"_276":422,"_278":423,"_280":424,"_281":407},171.12408834103752,225.8,156.12408834103752,{"_287":225,"_123":428,"_154":429,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-adelaide-labille-guiard","Adélaïde Labille-Guiard's contemporaries","https://img.ochreeditions.com/a/1112/480.jpg","https://img.ochreeditions.com/a/1112/960.jpg","https://img.ochreeditions.com/a/1112/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#6a685f",0.125,"#7d5c3e",0.1609,"#5f432c",0.2178,"#1f1d13",0.2457,"#3d2f22",0.2506,"Adélaïde Labille-Guiard","adelaide-labille-guiard","French, 1749–1803",1749,"Paris","comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)",{"_42":503,"_222":504,"_325":505,"_327":328,"_329":506,"_331":507,"_333":456,"_334":456,"_335":-5,"_140":101},"1789","45 x 34 1/2 in. (114.3 x 87.6 cm)",87.6,114.3,0.78175,[488,489,490,491,492],{"_221":433,"_222":434,"_42":435,"_304":436},"54.182","Elisabeth Louise Vigée Le Brun painted this in 1789, aged 34. It is now at The Met in New York.","Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), by Elisabeth Louise Vigée Le Brun, 1789",{"_295":485,"_297":486,"_299":487},"https://img.ochreeditions.com/m/1175.jpg?dl=1","/art/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900","/galleries/style/neoclassicism/comtesse-de-la-chatre-marie-charlotte-louise-perrette-aglae-met-437900",{"_291":292,"_293":294},{"_225":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":479,"_281":463},104.354025,129.3,89.354025,{"_287":225,"_123":483,"_154":484,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-elisabeth-louise-vigee-le-brun","Elisabeth Louise Vigée Le Brun's contemporaries","https://img.ochreeditions.com/a/1175/480.jpg","https://img.ochreeditions.com/a/1175/960.jpg","https://img.ochreeditions.com/a/1175/1920.jpg",{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},{"_311":495,"_313":496},{"_311":493,"_313":494},"#533718",0.0569,"#928774",0.0934,"#c7c3b1",0.2144,"#3c382e",0.2681,"#181612",0.3672,"Elisabeth Louise Vigée Le Brun","elisabeth-louise-vigee-le-brun","French, 1755–1842",1755,1842,"waterfall-at-terni-met-438635","Waterfall at Terni",{"_42":556,"_222":557,"_325":558,"_327":328,"_329":559,"_331":560,"_333":456,"_334":456,"_335":561,"_140":87},"1826","Oil on paper, laid down on wood","10 1/2 x 12 1/8 in. (26.7 x 30.8 cm)",30.8,26.7,1.1404330017554125,[541,542,543,544,545],{"_221":433,"_222":434,"_42":435,"_304":436},"2003.42.13","Jean Baptiste Camille Corot painted this in 1826, aged 30. It is now at The Met in New York.","The waterfall at Terni, a celebrated cascade in Umbria visited by generations of travellers, is the subject of this small oil study on paper.","Waterfall at Terni, by Jean Baptiste Camille Corot, 1826",{"_295":538,"_297":539,"_299":540},"https://img.ochreeditions.com/m/1186.jpg?dl=1","/art/waterfall-at-terni-met-438635","/galleries/style/neoclassicism/waterfall-at-terni-met-438635",{"_291":292,"_293":294},{"_225":533,"_125":534,"_285":535},{"_276":530,"_278":531,"_280":514,"_281":532},45.8,42.00728578758338,27.007285787583378,{"_287":225,"_123":536,"_154":537,"_140":87},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1186/480.jpg","https://img.ochreeditions.com/a/1186/960.jpg","https://img.ochreeditions.com/a/1186/1920.jpg",{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},{"_311":548,"_313":549},{"_311":546,"_313":547},"#9dadb9",0.056,"#75746f",0.0881,"#5e5848",0.1574,"#413a2d",0.3116,"#312d25",0.3869,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","self-portrait-met-334004","Self-Portrait",{"_42":620,"_222":621,"_325":622,"_327":623,"_329":624,"_331":625,"_333":626,"_334":627,"_335":628,"_140":81},"ca. 1796","spain","drawing","Drawings","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[605,606,607,608,609],{"_221":433,"_222":434,"_42":435,"_304":436},"35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_295":602,"_297":603,"_299":604},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/neoclassicism/self-portrait-met-334004",{"_291":600,"_293":601},{"_225":590,"_125":591,"_285":592},{"_276":586,"_278":587,"_280":588,"_281":589},38.840055632823365,49,14.840055632823365,25,{"_287":225,"_123":598,"_154":599,"_140":81},{"_287":125,"_123":595,"_154":596,"_140":597},{"_287":285,"_123":593,"_154":594,"_140":85},"era/18-spain","18th-century Spain","style/drawing-18","More drawings of the 18th century",31,"artist/francisco-goya","More by Francisco Goya","black","snow","https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg",{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","cupid-and-psyche-cma-138464","Cupid and Psyche",{"_42":685,"_222":686,"_325":687,"_327":328,"_329":688,"_331":689,"_333":456,"_334":690,"_335":691,"_140":97},"1817","Framed: 221 x 282 x 10 cm (87 x 111 x 3 15/16 in.); Unframed: 184.2 x 241.6 cm (72 1/2 x 95 1/8 in.)",241.6,184.2,1.320901320901321,[670,671,672,673,674],{"_221":666,"_222":667,"_42":668,"_304":669},"Courtesy of the Cleveland Museum of Art","1962.37","Jacques-Louis David painted this in 1817, aged 69. It is now at the Cleveland Museum of Art.",{"_118":663,"_664":665},"Cupid and Psyche, by Jacques-Louis David, 1817",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/652.jpg?dl=1","/art/cupid-and-psyche-cma-138464","/galleries/style/neoclassicism/cupid-and-psyche-cma-138464",{"_291":292,"_293":294},{"_225":655,"_125":656,"_285":657},{"_276":651,"_278":652,"_280":653,"_281":654},255,196.69411764705882,240,181.69411764705882,{"_287":225,"_123":658,"_154":659,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jacques-louis-david","More by Jacques-Louis David","https://img.ochreeditions.com/a/652/480.jpg","https://img.ochreeditions.com/a/652/960.jpg","https://img.ochreeditions.com/a/652/1920.jpg","David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":683,"_313":684},{"_311":681,"_313":682},{"_311":679,"_313":680},{"_311":677,"_313":678},{"_311":675,"_313":676},"#d3bea7",0.1003,"#99755a",0.1348,"#4b4e43",0.1387,"#47291f",0.265,"#1e1d18",0.3612,"Jacques-Louis David","jacques-louis-david","French, 1748–1825",1748,1825,"Brussels","David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates.","two-grenadiers-nga-143801","Two Grenadiers",{"_42":740,"_222":741,"_325":742,"_327":328,"_329":743,"_331":744,"_333":-5,"_334":-5,"_335":-5,"_140":103},"Drawing","brush and brown wash with pen and brown ink over graphite on wove paper laid down on album sheet","sheet: 16 x 12.5 cm (6 5/16 x 4 15/16 in.)",12.5,0.788330078125,[725,726,727,728,729],{"_221":376,"_222":377,"_42":378,"_304":379},"2009.70.2","Victor Adam drew this. It is now at the National Gallery of Art in Washington, DC.","The image features two men in military uniform engaging closely with each other. Both are shown from head to toe. The man on the left stands with his left leg forward, holding a rifle, and has his right arm around the shoulder of the other man. The man on the right has his right leg slightly bent, supporting his weight, and is holding a sword in his left hand. Each man has distinctive facial features. Both wear tall, elaborate military hats and detailed uniforms. The man on the left displays a strap over his shoulder, while the man on the right has intricate decorations on his jacket and trousers. In the background, there are a few more soldiers and part of a building to the left. The setting is monochromatic.",{"_295":722,"_297":723,"_299":724},"https://img.ochreeditions.com/m/1672.jpg?dl=1","/art/two-grenadiers-nga-143801","/galleries/style/neoclassicism/two-grenadiers-nga-143801",{"_291":600,"_293":601},{"_225":714,"_125":715,"_285":716},{"_276":712,"_278":587,"_280":713,"_281":589},43.708251953125,19.708251953125,{"_287":225,"_123":720,"_154":721,"_140":89},{"_287":125,"_123":717,"_154":718,"_140":719},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-victor-adam","Victor Adam's contemporaries","https://img.ochreeditions.com/a/1672/480.jpg","https://img.ochreeditions.com/a/1672/960.jpg","https://img.ochreeditions.com/a/1672/1920.jpg",{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},{"_311":732,"_313":733},{"_311":730,"_313":731},"#997b5d",0.0469,"#b79a7a",0.1294,"#ceb08a",0.23,"#e1ceae",0.2672,"#dac09a",0.3265,"Victor Adam","victor-adam","French, 1801–1866",1801,1866,"rays-of-sunlight-striking-a-woodland-path-nga-139126","Rays of Sunlight Striking a Woodland Path",{"_42":795,"_222":796,"_325":797,"_327":798,"_329":799,"_331":800,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1815","switzerland","watercolor with pen and black ink over graphite on wove paper","sheet: 42.8 x 34 cm (16 7/8 x 13 3/8 in.)",34,42.8,0.80078125,[780,781,782,783,784],{"_221":376,"_222":377,"_42":378,"_304":379},"2007.111.32","Friedrich Salathé painted this in about 1815, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a dense, forested area with towering trees. The composition leads the eye along a pathway into the distance, without a distinct horizon line. The intricate brushstrokes depict the texture and foliage of the trees, suggesting movement and light filtering through the leaves. The color palette is rich and earthy, with shades of green, brown, yellow, and orange, creating a vibrant yet tranquil atmosphere emphasizing light and shadow.",{"_295":777,"_297":778,"_299":779},"https://img.ochreeditions.com/m/1668.jpg?dl=1","/art/rays-of-sunlight-striking-a-woodland-path-nga-139126","/galleries/style/neoclassicism/rays-of-sunlight-striking-a-woodland-path-nga-139126",{"_291":600,"_293":601},{"_225":770,"_125":771,"_285":772},{"_276":767,"_278":768,"_280":769,"_281":753},58.2734375,66.8,34.2734375,{"_287":225,"_123":775,"_154":776,"_140":89},{"_287":125,"_123":717,"_154":718,"_140":719},{"_287":285,"_123":773,"_154":774,"_140":95},"era/19-switzerland","19th-century Switzerland","artist/contemporaries-of-friedrich-salathe","Friedrich Salathé's contemporaries","https://img.ochreeditions.com/a/1668/480.jpg","https://img.ochreeditions.com/a/1668/960.jpg","https://img.ochreeditions.com/a/1668/1920.jpg",{"_311":793,"_313":794},{"_311":791,"_313":792},{"_311":789,"_313":790},{"_311":787,"_313":788},{"_311":785,"_313":786},"#aea78b",0.1633,"#d7cbb0",0.1808,"#767956",0.1857,"#7c7d6b",0.2022,"#5d6353",0.268,"Friedrich Salathé","friedrich-salathe","Swiss, 1793–1858","Swiss",1793,1858,"still-life-with-fish-bread-and-kettle-cma-151555","Still Life with Fish, Bread, and Kettle",{"_42":848,"_222":849,"_325":850,"_327":623,"_329":851,"_331":852,"_333":853,"_334":854,"_335":-5,"_140":101},"c. 1772","Framed: 54 x 67 x 5 cm (21 1/4 x 26 3/8 x 1 15/16 in.); Unframed: 34 x 48 cm (13 3/8 x 18 7/8 in.)",48,1.3968775677896468,[833,834,835,836,837],{"_221":666,"_222":667,"_42":668,"_304":669},"1983.97","Luis Meléndez painted this in about 1772, aged about 51. It is now at the Cleveland Museum of Art.",{"_118":832,"_664":665},"Still Life with Fish, Bread, and Kettle, by Luis Meléndez, c. 1772",{"_295":829,"_297":830,"_299":831},"https://img.ochreeditions.com/m/719.jpg?dl=1","/art/still-life-with-fish-bread-and-kettle-cma-151555","/galleries/style/neoclassicism/still-life-with-fish-bread-and-kettle-cma-151555",{"_291":292,"_293":294},{"_225":824,"_125":825,"_285":826},{"_276":821,"_278":822,"_280":806,"_281":823},63,49.36235294117647,34.36235294117647,{"_287":225,"_123":827,"_154":828,"_140":89},{"_287":125,"_123":368,"_154":369,"_140":370},{"_287":285,"_123":593,"_154":594,"_140":85},"artist/contemporaries-of-luis-melendez","Luis Meléndez's contemporaries","https://img.ochreeditions.com/a/719/480.jpg","https://img.ochreeditions.com/a/719/960.jpg","https://img.ochreeditions.com/a/719/1920.jpg","During the 1760s, after painting portraits and portrait miniatures with his father, Meléndez began to specialize in still lifes. Active mainly in Madrid, he is regarded as the finest Spanish still-life painter of the 18th century, but he spent much of his life in poverty.",{"_311":846,"_313":847},{"_311":844,"_313":845},{"_311":842,"_313":843},{"_311":840,"_313":841},{"_311":838,"_313":839},"#7d7057",0.0703,"#c29551",0.0856,"#694420",0.1084,"#453522",0.2731,"#231e16",0.4626,"Luis Meléndez","luis-melendez","Spanish, 1716–1780",1716,1780,"Naples","Madrid","invocation-to-love-cma-123431","Invocation to Love",{"_42":903,"_222":904,"_325":905,"_327":328,"_329":906,"_331":907,"_333":908,"_334":456,"_335":909,"_140":93},"c. 1781","Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper","Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)",41.6,33.5,1.2336719883889695,[889,890,891,892,893],{"_221":666,"_222":667,"_42":668,"_304":669},"1943.657","Jean Honoré Fragonard drew this in about 1781, aged about 44. It is now at the Cleveland Museum of Art.",{"_118":888,"_664":665},"Invocation to Love, by Jean Honoré Fragonard, c. 1781",{"_295":885,"_297":886,"_299":887},"https://img.ochreeditions.com/m/561.jpg?dl=1","/art/invocation-to-love-cma-123431","/galleries/style/neoclassicism/invocation-to-love-cma-123431",{"_291":600,"_293":601},{"_225":880,"_125":881,"_285":882},{"_276":877,"_278":878,"_280":861,"_281":879},65.6,57.720470588235294,33.720470588235294,{"_287":225,"_123":883,"_154":884,"_140":93},{"_287":125,"_123":595,"_154":596,"_140":597},{"_287":285,"_123":365,"_154":366,"_140":367},"artist/jean-honore-fragonard","More by Jean Honoré Fragonard","https://img.ochreeditions.com/a/561/480.jpg","https://img.ochreeditions.com/a/561/960.jpg","https://img.ochreeditions.com/a/561/1920.jpg","Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love.",{"_311":901,"_313":902},{"_311":899,"_313":900},{"_311":897,"_313":898},{"_311":895,"_313":896},{"_311":894,"_313":496},"#d8b58d","#6e513d",0.2064,"#ba9671",0.2103,"#9f7d5c",0.2139,"#866549",0.276,"Jean Honoré Fragonard","jean-honore-fragonard","French, 1732–1806",1732,1806,"Grasse","Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este.","george-washington-front-view-from-oeuvre-de-canova-aic-260564","George Washington, Front View, from Oeuvre de Canova",{"_42":965,"_222":966,"_325":967,"_327":968,"_329":969,"_331":970,"_333":-5,"_334":-5,"_335":-5,"_140":99},"italy","print","Print","Engraving in black on ivory wove paper","Plate: 45 × 32.5 cm (17 3/4 × 12 13/16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",32,45,0.7184520471116096,[950,951,952,953,954],{"_221":301,"_222":302,"_42":303,"_304":305},"2021.51","Antonio Canova made this in 1817, aged 52. It is now at the Art Institute of Chicago.","Antonio Canova’s statue of George Washington, commissioned by the state of North Carolina for its State House in Raleigh, showed the first American president seated in Roman dress, writing on a tablet.","A work made of engraving in black on ivory wove paper.",{"_295":947,"_297":948,"_299":949},"https://img.ochreeditions.com/m/404.jpg?dl=1","/art/george-washington-front-view-from-oeuvre-de-canova-aic-260564","/galleries/style/neoclassicism/george-washington-front-view-from-oeuvre-de-canova-aic-260564",{"_291":600,"_293":601},{"_225":937,"_125":938,"_285":939},{"_276":934,"_278":935,"_280":936,"_281":919},56.33034212002243,69,32.33034212002243,{"_287":225,"_123":945,"_154":946,"_140":99},{"_287":125,"_123":942,"_154":943,"_140":944},{"_287":285,"_123":940,"_154":941,"_140":79},"era/19-italy","19th-century Italy","style/print-19","More prints of the 19th century",159,"artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/404/480.jpg","https://img.ochreeditions.com/a/404/960.jpg","https://img.ochreeditions.com/a/404/1920.jpg",{"_311":963,"_313":964},{"_311":961,"_313":962},{"_311":959,"_313":960},{"_311":957,"_313":958},{"_311":955,"_313":956},"#6d665e",0.0099,"#958d85",0.0177,"#d5cec8",0.0564,"#bbb3ac",0.0625,"#f5eae4",0.8535,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"a-forest-with-apollo-and-daphne-cma-148364","A Forest with Apollo and Daphne",{"_42":1015,"_222":1016,"_325":1017,"_327":328,"_329":1018,"_331":507,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1810","oil on fabric","Framed: 67.5 x 78.5 x 7 cm (26 9/16 x 30 7/8 x 2 3/4 in.); Unframed: 54 x 65 cm (21 1/4 x 25 9/16 in.)",1.2125534950071326,[1000,1001,1002,1003,1004],{"_221":666,"_222":667,"_42":668,"_304":669},"1975.77","Jean-Victor Bertin painted this in 1810, aged 43. It is now at the Cleveland Museum of Art.","A Forest with Apollo and Daphne, by Jean-Victor Bertin, 1810",{"_295":997,"_297":998,"_299":999},"https://img.ochreeditions.com/m/692.jpg?dl=1","/art/a-forest-with-apollo-and-daphne-cma-148364","/galleries/style/neoclassicism/a-forest-with-apollo-and-daphne-cma-148364",{"_291":292,"_293":294},{"_225":992,"_125":993,"_285":994},{"_276":277,"_278":990,"_280":244,"_281":991},68.60588235294118,53.60588235294118,{"_287":225,"_123":995,"_154":996,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-victor-bertin","Jean-Victor Bertin's contemporaries","https://img.ochreeditions.com/a/692/480.jpg","https://img.ochreeditions.com/a/692/960.jpg","https://img.ochreeditions.com/a/692/1920.jpg",{"_311":1013,"_313":1014},{"_311":1011,"_313":1012},{"_311":1009,"_313":1010},{"_311":1007,"_313":1008},{"_311":1005,"_313":1006},"#a09d8d",0.0451,"#606148",0.0787,"#434230",0.2052,"#22211a",0.3264,"#312f22",0.3446,"Jean-Victor Bertin","jean-victor-bertin","French, 1767–1842",1767,"im-hollenthal-in-the-hollen-valley-nga-108753","Im Höllenthal (In the Höllen Valley)",{"_42":1069,"_222":1070,"_325":1071,"_327":1072,"_329":1073,"_331":1074,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1818","germany","etching on laid paper","sheet (trimmed to plate mark): 32.8 x 27.6 cm (12 15/16 x 10 7/8 in.)",27.6,32.8,0.8498527968596663,[1054,1055,1056,1057,1058],{"_221":376,"_222":377,"_42":378,"_304":379},"1999.32.1","Johann Christoph Erhard made this in 1818, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a wooden bridge crossing over a river in a valley. The scenery includes cliffs, trees, and flowing water below. The artwork features fine, detailed brushstrokes depicting the texture of the cliffs, foliage, and water. The color scheme is monochromatic with various shades of gray and sepia tones. Two figures are seen on the bridge, contributing to the sense of scale and activity in the serene setting.",{"_295":1051,"_297":1052,"_299":1053},"https://img.ochreeditions.com/m/1643.jpg?dl=1","/art/im-hollenthal-in-the-hollen-valley-nga-108753","/galleries/style/neoclassicism/im-hollenthal-in-the-hollen-valley-nga-108753",{"_291":600,"_293":601},{"_225":1044,"_125":1045,"_285":1046},{"_276":1041,"_278":1042,"_280":1043,"_281":1027},51.87517173699705,56.8,27.875171736997054,{"_287":225,"_123":1049,"_154":1050,"_140":89},{"_287":125,"_123":942,"_154":943,"_140":944},{"_287":285,"_123":1047,"_154":1048,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-johann-christoph-erhard","Johann Christoph Erhard's contemporaries","https://img.ochreeditions.com/a/1643/480.jpg","https://img.ochreeditions.com/a/1643/960.jpg","https://img.ochreeditions.com/a/1643/1920.jpg",{"_311":1067,"_313":1068},{"_311":1065,"_313":1066},{"_311":1063,"_313":1064},{"_311":1061,"_313":1062},{"_311":1059,"_313":1060},"#59524c",0.1033,"#baae9b",0.1947,"#7c7367",0.2054,"#ded1be",0.2332,"#998e7f",0.2634,"Johann Christoph Erhard","johann-christoph-erhard","German, 1795–1822","German",1795,1822,"ettore-side-view-from-oeuvre-de-canova-aic-260560","Ettore, Side View, from Oeuvre de Canova",{"_42":965,"_222":966,"_325":967,"_327":968,"_329":969,"_331":970,"_333":-5,"_334":-5,"_335":-5,"_140":99},"Engraving and etching in black on ivory wove paper","Plate: 64 × 40.5 cm (25 1/4 × 16 in.); Sheet: 86 × 62 cm (33 7/8 × 24 7/16 in.)",40,64,0.7256637168141593,[1103,1104,1105,1106,1107],{"_221":301,"_222":302,"_42":303,"_304":305},"2021.47","A work made of engraving and etching in black on ivory wove paper.",{"_295":1100,"_297":1101,"_299":1102},"https://img.ochreeditions.com/m/402.jpg?dl=1","/art/ettore-side-view-from-oeuvre-de-canova-aic-260560","/galleries/style/neoclassicism/ettore-side-view-from-oeuvre-de-canova-aic-260560",{"_291":600,"_293":601},{"_225":1097,"_125":1098,"_285":1099},{"_276":1094,"_278":1095,"_280":1096,"_281":1081},70.4424778761062,88,46.442477876106196,{"_287":225,"_123":945,"_154":946,"_140":99},{"_287":125,"_123":942,"_154":943,"_140":944},{"_287":285,"_123":940,"_154":941,"_140":79},"https://img.ochreeditions.com/a/402/480.jpg","https://img.ochreeditions.com/a/402/960.jpg","https://img.ochreeditions.com/a/402/1920.jpg",{"_311":1115,"_313":1116},{"_311":1113,"_313":1114},{"_311":1111,"_313":1112},{"_311":1109,"_313":1110},{"_311":1108,"_313":958},"#8e867f","#b2aba5",0.0506,"#cec5bf",0.0917,"#f1e2da",0.1243,"#f4e8e2",0.7157,"a-shepherd-and-a-young-woman-with-their-feet-in-a-brook-nga-94133","A Shepherd and a Young Woman With Their Feet in a Brook",{"_42":1168,"_222":1169,"_325":1170,"_327":798,"_329":1171,"_331":1172,"_333":-5,"_334":-5,"_335":1173,"_140":99},"1764","etching on laid paper tinted pale blue","plate: 20.7 x 19 cm (8 1/8 x 7 1/2 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",20.7,0.9267408749676417,[1153,1154,1155,1156,1157],{"_221":376,"_222":377,"_42":378,"_304":379},"1996.12.4","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","A shepherd and a young woman sit together by a brook with their feet in the water, beneath tall trees, while animals graze in the distance.","The image depicts a forest scene with large trees dominating the right side, two figures seated by a stream, rocky formations on the left, grazing animals in the distance, and a monochrome color palette of brown and espresso tones.",{"_295":1150,"_297":1151,"_299":1152},"https://img.ochreeditions.com/m/1629.jpg?dl=1","/art/a-shepherd-and-a-young-woman-with-their-feet-in-a-brook-nga-94133","/galleries/style/neoclassicism/a-shepherd-and-a-young-woman-with-their-feet-in-a-brook-nga-94133",{"_291":600,"_293":601},{"_225":1140,"_125":1141,"_285":1142},{"_276":1138,"_278":587,"_280":1139,"_281":589},47.16852187419104,23.168521874191043,{"_287":225,"_123":1148,"_154":1149,"_140":99},{"_287":125,"_123":1145,"_154":1146,"_140":1147},{"_287":285,"_123":1143,"_154":1144,"_140":89},"era/18-switzerland","18th-century Switzerland","style/print-18","More prints of the 18th century",129,"artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1629/480.jpg","https://img.ochreeditions.com/a/1629/960.jpg","https://img.ochreeditions.com/a/1629/1920.jpg",{"_311":1166,"_313":1167},{"_311":1164,"_313":1165},{"_311":1162,"_313":1163},{"_311":1160,"_313":1161},{"_311":1158,"_313":1159},"#a49782",0.1226,"#857867",0.1592,"#564c41",0.2188,"#cfc0a6",0.2444,"#6b5f51",0.255,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788",1730,1788,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.",{"_1175":-5,"_1176":1177,"_1178":1179,"_1180":8,"_1181":1182,"_1183":8},"user","csrf","a950fe3c3928ea9014b101f2bbbb6a4ae69553d5","cartCount",0,"dropLive","legal",[1184,1185,1186,1187,1188,1189,1190,1191,1192,1193,1194,1195],"uploadsEnabled",{"_222":1218,"_20":1219},{"_222":1216,"_20":1217},{"_222":1214,"_20":1215},{"_222":1212,"_20":1213},{"_222":1210,"_20":1211},{"_222":1208,"_20":1209},{"_222":1206,"_20":1207},{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]