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It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_294":442,"_296":443,"_298":444},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_290":291,"_292":293},{"_224":437,"_125":438,"_284":439},{"_275":434,"_277":435,"_279":436,"_281":420},47.416417519013905,57.2,32.416417519013905,{"_286":224,"_123":440,"_154":441,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":526,"_221":527,"_324":528,"_326":529,"_328":530,"_330":531,"_332":-5,"_334":-5,"_336":532,"_140":99},"ca. 1587 – 1590","drawing","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[511,512,513,514,515],{"_220":508,"_221":509,"_42":510,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":506,"_384":507},"TWO GALLEYS AT SEA",{"_294":503,"_296":504,"_298":505},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_290":378,"_292":379},{"_224":495,"_125":496,"_284":497},{"_275":491,"_277":492,"_279":493,"_281":494},49,41.86612497581737,25,17.86612497581737,{"_286":224,"_123":501,"_154":502,"_140":99},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":370,"_154":371,"_140":372},"style/drawing-16","More drawings of the 16th century",35,"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":524,"_312":525},{"_310":522,"_312":523},{"_310":520,"_312":521},{"_310":518,"_312":519},{"_310":516,"_312":517},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":583,"_221":584,"_324":585,"_326":529,"_328":331,"_330":586,"_332":-5,"_334":-5,"_336":587,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[568,569,570,571,572],{"_220":564,"_221":565,"_42":566,"_303":567},"Courtesy of the Art Institute of Chicago","2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":561,"_296":562,"_298":563},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_290":378,"_292":379},{"_224":556,"_125":557,"_284":558},{"_275":554,"_277":491,"_279":555,"_281":493},42.87946763979822,18.879467639798218,{"_286":224,"_123":559,"_154":560,"_140":99},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":581,"_312":582},{"_310":579,"_312":580},{"_310":577,"_312":578},{"_310":575,"_312":576},{"_310":573,"_312":574},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":637,"_221":638,"_324":639,"_326":327,"_328":640,"_330":641,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1553",1.5103244837758112,[622,623,624,625,626],{"_220":618,"_221":619,"_42":620,"_303":621},"Courtesy National Gallery of Art, Washington","1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_294":615,"_296":616,"_298":617},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_290":378,"_292":379},{"_224":610,"_125":611,"_284":612},{"_275":606,"_277":607,"_279":608,"_281":609},84,63.7265625,60,39.7265625,{"_286":224,"_123":613,"_154":614,"_140":89},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":635,"_312":636},{"_310":633,"_312":634},{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":688,"_221":689,"_324":690,"_326":691,"_328":202,"_330":692,"_332":693,"_334":694,"_336":695,"_140":91},"netherlands","pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[673,674,675,676,677],{"_220":618,"_221":619,"_42":620,"_303":621},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_294":670,"_296":671,"_298":672},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_290":378,"_292":379},{"_224":663,"_125":664,"_284":665},{"_275":606,"_277":661,"_279":608,"_281":662},83.51529140219273,59.51529140219274,{"_286":224,"_123":668,"_154":669,"_140":91},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":666,"_154":667,"_140":500},"era/16-netherlands","16th-century Netherlands","artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_310":686,"_312":687},{"_310":684,"_312":685},{"_310":682,"_312":683},{"_310":680,"_312":681},{"_310":678,"_312":679},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":742,"_221":743,"_324":744,"_326":529,"_328":745,"_330":746,"_332":747,"_334":748,"_336":-5,"_140":103},"1596–1639","Drawings","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[727,728,729,730,731],{"_220":300,"_221":301,"_42":302,"_303":304},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_294":724,"_296":725,"_298":726},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_290":378,"_292":379},{"_224":719,"_125":720,"_284":721},{"_275":717,"_277":491,"_279":718,"_281":493},48.992885600455324,24.992885600455324,{"_286":224,"_123":722,"_154":723,"_140":89},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_310":740,"_312":741},{"_310":738,"_312":739},{"_310":736,"_312":737},{"_310":734,"_312":735},{"_310":732,"_312":733},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht","margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":798,"_221":799,"_324":800,"_326":327,"_328":801,"_330":802,"_332":-5,"_334":-5,"_336":803,"_140":99},"1527","Painting","oil on panel","overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[783,784,785,786,787],{"_220":618,"_221":619,"_42":620,"_303":621},"1947.6.5.a","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_294":780,"_296":781,"_298":782},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_290":291,"_292":293},{"_224":775,"_125":776,"_284":777},{"_275":772,"_277":773,"_279":774,"_281":757},44.70947265625,58,29.70947265625,{"_286":224,"_123":778,"_154":779,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_310":796,"_312":797},{"_310":794,"_312":795},{"_310":792,"_312":793},{"_310":790,"_312":791},{"_310":788,"_312":789},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":526,"_221":527,"_324":528,"_326":529,"_328":530,"_330":531,"_332":-5,"_334":-5,"_336":532,"_140":99},"ca. 1596-99","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[835,836,837,838,839],{"_220":508,"_221":509,"_42":510,"_303":304},"1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":834,"_384":507},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_294":831,"_296":832,"_298":833},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_290":378,"_292":379},{"_224":828,"_125":829,"_284":830},{"_275":491,"_277":826,"_279":493,"_281":827},41.82435129740519,17.82435129740519,{"_286":224,"_123":501,"_154":502,"_140":99},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.",{"_310":848,"_312":849},{"_310":846,"_312":847},{"_310":844,"_312":845},{"_310":842,"_312":843},{"_310":840,"_312":841},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":897,"_221":898,"_324":899,"_326":327,"_328":900,"_330":901,"_332":-5,"_334":902,"_336":-5,"_140":103},"ca. 1511","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[882,883,884,885,886],{"_220":300,"_221":301,"_42":302,"_303":304},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_294":879,"_296":880,"_298":881},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_290":291,"_292":293},{"_224":874,"_125":875,"_284":876},{"_275":871,"_277":872,"_279":873,"_281":857},92.0171052631579,104.5,77.0171052631579,{"_286":224,"_123":877,"_154":878,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_310":895,"_312":896},{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},{"_310":887,"_312":888},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27",0.2116,"#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg","diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":950,"_221":951,"_324":952,"_326":408,"_328":953,"_330":954,"_332":955,"_334":956,"_336":-5,"_140":103},"ca. 1580–85","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[935,936,937,938,939],{"_220":300,"_221":301,"_42":302,"_303":304},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_294":932,"_296":933,"_298":934},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_290":378,"_292":379},{"_224":927,"_125":928,"_284":929},{"_275":924,"_277":925,"_279":926,"_281":910},56.24914893617021,65.3,32.24914893617021,{"_286":224,"_123":930,"_154":931,"_140":89},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":666,"_154":667,"_140":500},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_310":948,"_312":949},{"_310":946,"_312":947},{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},"#786a5a",0.0647,"#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Antwerp","Prague","trajan-nga-4262","Trajan",{"_42":1000,"_221":1001,"_324":1002,"_326":327,"_328":1003,"_330":1004,"_332":-5,"_334":-5,"_336":1005,"_140":99},"1546","engraving",1.0047909407665505,[986,987,988,989,990],{"_220":618,"_221":619,"_42":620,"_303":621},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_294":983,"_296":984,"_298":985},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_290":378,"_292":379},{"_224":978,"_125":979,"_284":980},{"_275":606,"_277":976,"_279":608,"_281":977},83.71391417425227,59.713914174252274,{"_286":224,"_123":981,"_154":982,"_140":99},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_310":998,"_312":999},{"_310":996,"_312":997},{"_310":994,"_312":995},{"_310":993,"_312":398},{"_310":991,"_312":992},"#655a51",0.0699,"#8b7d6d","#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","fish-market-met-679844","Fish Market",{"_42":1053,"_221":1054,"_324":1055,"_326":408,"_328":1056,"_330":201,"_332":955,"_334":955,"_336":-5,"_140":103},"1568","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[1038,1039,1040,1041,1042],{"_220":300,"_221":301,"_42":302,"_303":304},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_294":1035,"_296":1036,"_298":1037},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_290":291,"_292":293},{"_224":1030,"_125":1031,"_284":1032},{"_275":1027,"_277":1028,"_279":1012,"_281":1029},189.9,144.89257842387147,129.89257842387147,{"_286":224,"_123":1033,"_154":1034,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":666,"_154":667,"_140":500},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_310":1051,"_312":1052},{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,"the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":405,"_221":406,"_324":407,"_326":408,"_328":409,"_330":410,"_332":-5,"_334":411,"_336":412,"_140":99},"etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[1087,1088,1089,1090,1091],{"_220":618,"_221":619,"_42":620,"_303":621},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_294":1084,"_296":1085,"_298":1086},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_290":378,"_292":379},{"_224":1081,"_125":1082,"_284":1083},{"_275":1078,"_277":1079,"_279":1062,"_281":1080},53.2,45.63623046875,21.63623046875,{"_286":224,"_123":376,"_154":377,"_140":99},{"_286":125,"_123":373,"_154":374,"_140":375},{"_286":284,"_123":666,"_154":667,"_140":500},"https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":1150,"_221":1151,"_324":1152,"_326":408,"_328":1153,"_330":1154,"_332":955,"_334":1155,"_336":1156,"_140":99},"1578","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[1135,1136,1137,1138,1139],{"_220":618,"_221":619,"_42":620,"_303":621},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_294":1132,"_296":1133,"_298":1134},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_290":378,"_292":379},{"_224":1127,"_125":1128,"_284":1129},{"_275":1124,"_277":1125,"_279":1108,"_281":1126},53.3,42.9205322265625,18.9205322265625,{"_286":224,"_123":1130,"_154":1131,"_140":99},{"_286":125,"_123":498,"_154":499,"_140":500},{"_286":284,"_123":666,"_154":667,"_140":500},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_310":1148,"_312":1149},{"_310":1146,"_312":1147},{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.",{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","886da69558af4667d78f5e31d94c180738ecd205","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]