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It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_294":432,"_296":433,"_298":434},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_290":291,"_292":293},{"_226":427,"_125":428,"_285":429},{"_275":425,"_277":276,"_279":426,"_281":280},44.40656205420827,20.406562054208273,{"_287":226,"_123":430,"_154":431,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":505,"_223":506,"_324":507,"_326":327,"_328":508,"_329":509,"_331":455,"_333":510,"_335":-5,"_140":103},"ca. 1580–85","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[490,491,492,493,494],{"_222":300,"_223":301,"_42":302,"_303":304},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_290":291,"_292":293},{"_226":482,"_125":483,"_285":484},{"_275":479,"_277":480,"_279":481,"_281":465},56.24914893617021,65.3,32.24914893617021,{"_287":226,"_123":485,"_154":486,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},"#786a5a",0.0647,"#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Prague","plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":450,"_223":451,"_324":452,"_326":327,"_328":453,"_329":454,"_331":455,"_333":456,"_335":457,"_140":99},"c.1575/1590s","Drawing","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,14.3,1.2591454042422379,[542,543,544,545,546],{"_222":377,"_223":378,"_42":379,"_303":380},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_294":539,"_296":540,"_298":541},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_290":291,"_292":293},{"_226":536,"_125":537,"_285":538},{"_275":276,"_277":534,"_279":280,"_281":535},43.854736328125,19.854736328125,{"_287":226,"_123":430,"_154":431,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_310":555,"_312":556},{"_310":553,"_312":554},{"_310":551,"_312":552},{"_310":549,"_312":550},{"_310":547,"_312":548},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":450,"_223":451,"_324":452,"_326":327,"_328":453,"_329":454,"_331":455,"_333":456,"_335":457,"_140":99},"1578","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[588,589,590,591,592],{"_222":377,"_223":378,"_42":379,"_303":380},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_294":585,"_296":586,"_298":587},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_290":291,"_292":293},{"_226":582,"_125":583,"_285":584},{"_275":579,"_277":580,"_279":563,"_281":581},53.3,42.9205322265625,18.9205322265625,{"_287":226,"_123":430,"_154":431,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_310":601,"_312":602},{"_310":599,"_312":600},{"_310":597,"_312":598},{"_310":595,"_312":596},{"_310":593,"_312":594},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":654,"_223":655,"_324":656,"_326":399,"_328":657,"_329":658,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1553","etching",1.5103244837758112,[639,640,641,642,643],{"_222":377,"_223":378,"_42":379,"_303":380},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_294":636,"_296":637,"_298":638},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_290":291,"_292":293},{"_226":625,"_125":626,"_285":627},{"_275":621,"_277":622,"_279":623,"_281":624},84,63.7265625,60,39.7265625,{"_287":226,"_123":634,"_154":635,"_140":89},{"_287":125,"_123":631,"_154":632,"_140":633},{"_287":285,"_123":628,"_154":629,"_140":630},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_310":652,"_312":653},{"_310":650,"_312":651},{"_310":648,"_312":649},{"_310":646,"_312":647},{"_310":644,"_312":645},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":713,"_223":714,"_324":715,"_326":716,"_328":717,"_329":718,"_331":-5,"_333":-5,"_335":719,"_140":99},"c. 1598","flanders","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[698,699,700,701,702],{"_222":694,"_223":695,"_42":696,"_303":697},"Courtesy of the Art Institute of Chicago","2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":691,"_296":692,"_298":693},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_290":291,"_292":293},{"_226":683,"_125":684,"_285":685},{"_275":681,"_277":276,"_279":682,"_281":280},42.87946763979822,18.879467639798218,{"_287":226,"_123":689,"_154":690,"_140":99},{"_287":125,"_123":631,"_154":632,"_140":633},{"_287":285,"_123":686,"_154":687,"_140":688},"era/16-flanders","16th-century Flanders",17,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":711,"_312":712},{"_310":709,"_312":710},{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","the-entrance-hall-of-the-regensburg-synagogue-met-336256","The Entrance Hall of the Regensburg Synagogue",{"_42":767,"_223":768,"_324":769,"_326":399,"_328":770,"_329":771,"_331":772,"_333":772,"_335":-5,"_140":101},"1519","Prints","Etching","Sheet: 6 1/4 × 4 3/8 in. (15.9 × 11.1 cm)",11.1,15.9,0.7011019283746557,[752,753,754,755,756],{"_222":300,"_223":301,"_42":302,"_303":304},"26.72.68","Albrecht Altdorfer made this in 1519, aged 39. It is now at The Met in New York.","The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519",{"_294":749,"_296":750,"_298":751},"https://img.ochreeditions.com/m/1002.jpg?dl=1","/art/the-entrance-hall-of-the-regensburg-synagogue-met-336256","/galleries/style/northern-renaissance/the-entrance-hall-of-the-regensburg-synagogue-met-336256",{"_290":291,"_292":293},{"_226":744,"_125":745,"_285":746},{"_275":742,"_277":276,"_279":743,"_281":280},41.52754820936639,17.52754820936639,{"_287":226,"_123":747,"_154":748,"_140":89},{"_287":125,"_123":631,"_154":632,"_140":633},{"_287":285,"_123":628,"_154":629,"_140":630},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1002/480.jpg","https://img.ochreeditions.com/a/1002/960.jpg","https://img.ochreeditions.com/a/1002/1920.jpg",{"_310":765,"_312":766},{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},"#ede6d0",0.055,"#b5a897",0.1186,"#94897b",0.1928,"#797166",0.2965,"#645d55",0.3371,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","view-of-heidelberg-met-337489","View of Heidelberg",{"_42":820,"_223":821,"_324":822,"_326":327,"_328":823,"_329":824,"_331":825,"_333":455,"_335":-5,"_140":101},"ca. 1588–89","Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink","7 7/8 x 12 in. (20.0 x 30.5 cm)",30.5,20,1.5025125628140703,[805,806,807,808,809],{"_222":300,"_223":301,"_42":302,"_303":304},"1995.15","Jan Brueghel the Elder drew this in about 1588–89, aged about 15. It is now at The Met in New York.","View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89",{"_294":802,"_296":803,"_298":804},"https://img.ochreeditions.com/m/1017.jpg?dl=1","/art/view-of-heidelberg-met-337489","/galleries/style/northern-renaissance/view-of-heidelberg-met-337489",{"_290":291,"_292":293},{"_226":797,"_125":798,"_285":799},{"_275":794,"_277":795,"_279":779,"_281":796},54.5,44.29933110367893,20.29933110367893,{"_287":226,"_123":800,"_154":801,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/1017/480.jpg","https://img.ochreeditions.com/a/1017/960.jpg","https://img.ochreeditions.com/a/1017/1920.jpg",{"_310":818,"_312":819},{"_310":816,"_312":817},{"_310":814,"_312":815},{"_310":812,"_312":813},{"_310":810,"_312":811},"#9d8873",0.0476,"#bab3a1",0.167,"#c0ad94",0.1674,"#d5c3ab",0.2675,"#e7d2ba",0.3505,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"Brussels","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":880,"_223":881,"_324":882,"_326":399,"_328":883,"_329":401,"_331":-5,"_333":-5,"_335":884,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[865,866,867,868,869],{"_222":377,"_223":378,"_42":379,"_303":380},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_294":862,"_296":863,"_298":864},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_290":860,"_292":861},{"_226":852,"_125":853,"_285":854},{"_275":849,"_277":850,"_279":851,"_281":835},47.35498046875,58,32.35498046875,{"_287":226,"_123":858,"_154":859,"_140":99},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":628,"_154":629,"_140":630},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":933,"_223":934,"_324":935,"_326":399,"_328":936,"_329":937,"_331":938,"_333":939,"_335":940,"_140":97},"ca. 1475–80","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[918,919,920,921,922],{"_222":300,"_223":301,"_42":302,"_303":304},"35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_294":915,"_296":916,"_298":917},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_290":291,"_292":293},{"_226":910,"_125":911,"_285":912},{"_275":907,"_277":908,"_279":891,"_281":909},66.9,52.58468130690948,28.58468130690948,{"_287":226,"_123":913,"_154":914,"_140":97},{"_287":125,"_123":370,"_154":371,"_140":53},{"_287":285,"_123":368,"_154":369,"_140":91},"artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_310":931,"_312":932},{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":990,"_223":991,"_324":992,"_326":992,"_328":-5,"_329":993,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1536/1540","france","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",16.5,0.854736328125,[975,976,977,978,979],{"_222":377,"_223":378,"_42":379,"_303":380},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_294":972,"_296":973,"_298":974},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_290":860,"_292":861},{"_226":965,"_125":966,"_285":967},{"_275":962,"_277":963,"_279":964,"_281":280},36.368408203125,40,21.368408203125,{"_287":226,"_123":970,"_154":971,"_140":89},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":968,"_154":969,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":880,"_223":881,"_324":882,"_326":399,"_328":883,"_329":401,"_331":-5,"_333":-5,"_335":884,"_140":99},"overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",0.69091796875,[1019,1020,1021,1022,1023],{"_222":377,"_223":378,"_42":379,"_303":380},"1947.6.5.a","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_294":1016,"_296":1017,"_298":1018},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_290":860,"_292":861},{"_226":1013,"_125":1014,"_285":1015},{"_275":1011,"_277":850,"_279":1012,"_281":835},44.70947265625,29.70947265625,{"_287":226,"_123":858,"_154":859,"_140":99},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":628,"_154":629,"_140":630},"https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":1087,"_223":1088,"_324":1089,"_326":716,"_328":1090,"_329":1091,"_331":-5,"_333":-5,"_335":1092,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[1072,1073,1074,1075,1076],{"_222":1069,"_223":1070,"_42":1071,"_303":304},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1066,"_1067":1068},"TWO GALLEYS AT SEA",{"_294":1063,"_296":1064,"_298":1065},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_290":291,"_292":293},{"_226":1058,"_125":1059,"_285":1060},{"_275":276,"_277":1056,"_279":280,"_281":1057},41.86612497581737,17.86612497581737,{"_287":226,"_123":1061,"_154":1062,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":167},{"_287":285,"_123":686,"_154":687,"_140":688},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","saint-john-on-patmos-met-435600","Saint John on Patmos",{"_42":1141,"_223":1142,"_324":1143,"_326":399,"_328":1144,"_329":1145,"_331":-5,"_333":1146,"_335":-5,"_140":103},"ca. 1511","Paintings","Oil, gold, and white metal on spruce","Overall 35 1/4 x 30 1/4 in. (89.5 x 76.8 cm); painted surface 34 3/8 x 29 3/4 in. (87.3 x 75.6 cm)",76.8,89.5,0.8605263157894737,[1126,1127,1128,1129,1130],{"_222":300,"_223":301,"_42":302,"_303":304},"1983.451","Hans Baldung (called Hans Baldung Grien) painted this in about 1511, aged about 22. It is now at The Met in New York.","Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/1059.jpg?dl=1","/art/saint-john-on-patmos-met-435600","/galleries/style/northern-renaissance/saint-john-on-patmos-met-435600",{"_290":860,"_292":861},{"_226":1118,"_125":1119,"_285":1120},{"_275":1115,"_277":1116,"_279":1117,"_281":1101},92.0171052631579,104.5,77.0171052631579,{"_287":226,"_123":1121,"_154":1122,"_140":89},{"_287":125,"_123":855,"_154":856,"_140":857},{"_287":285,"_123":628,"_154":629,"_140":630},"artist/contemporaries-of-hans-baldung-called-hans-baldung-grien","Hans Baldung (called Hans Baldung Grien)'s contemporaries","https://img.ochreeditions.com/a/1059/480.jpg","https://img.ochreeditions.com/a/1059/960.jpg","https://img.ochreeditions.com/a/1059/1920.jpg",{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},{"_310":1135,"_312":1136},{"_310":1133,"_312":1134},{"_310":1131,"_312":1132},"#a29264",0.0835,"#6a2420",0.1318,"#4e3e27",0.2116,"#777c73",0.2571,"#202017",0.316,"Hans Baldung (called Hans Baldung Grien)","hans-baldung-called-hans-baldung-grien","German, 1484–1545",1484,1545,"Strasbourg",{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","c83abd0c2b86eb81f28b1a25508ae23f3e3a8076","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
