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They have driven two stags into a wide net.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","the-judgment-of-paris-met-436037","The Judgment of Paris",{"_42":518,"_224":519,"_326":520,"_328":521,"_330":522,"_332":523,"_334":524,"_335":525,"_336":526,"_140":97},"ca. 1528","germany","painting","Paintings","Oil on beech","40 1/8 x 28in. (101.9 x 71.1cm)",71.1,101.9,0.7136222910216719,[503,504,505,506,507],{"_223":373,"_224":374,"_42":375,"_305":376},"28.221","Lucas Cranach the Elder painted this in about 1528, aged about 51. It is now at The Met in New York.","Paris, dressed in the armour of a contemporary knight, sits beneath a tree as the three goddesses, Juno, Minerva and Venus, present themselves for his judgement, accompanied by Mercury, while Cupid appears above with his bow.","The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528",{"_296":500,"_298":501,"_300":502},"https://img.ochreeditions.com/m/1080.jpg?dl=1","/art/the-judgment-of-paris-met-436037","/galleries/style/northern-renaissance/the-judgment-of-paris-met-436037",{"_292":498,"_294":499},{"_227":487,"_125":488,"_286":489},{"_276":484,"_278":485,"_280":486,"_282":469},87.71811145510837,116.9,72.71811145510837,{"_288":227,"_123":496,"_154":497,"_140":97},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":490,"_154":491,"_140":492},"era/16-germany","16th-century Germany",28,"style/painting-16","More paintings of the 16th century",95,"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","natural","ivory","https://img.ochreeditions.com/a/1080/480.jpg","https://img.ochreeditions.com/a/1080/960.jpg","https://img.ochreeditions.com/a/1080/1920.jpg",{"_312":516,"_314":517},{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},"#6e695a",0.1021,"#9e8269",0.1132,"#5e4934",0.1569,"#403c30",0.2274,"#28231b",0.4004,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553","German",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":572,"_224":573,"_326":574,"_328":329,"_330":523,"_332":575,"_334":-5,"_335":-5,"_336":576,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[557,558,559,560,561],{"_223":302,"_224":303,"_42":304,"_305":306},"2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_296":554,"_298":555,"_300":556},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_292":293,"_294":295},{"_227":549,"_125":550,"_286":551},{"_276":547,"_278":279,"_280":548,"_282":283},42.87946763979822,18.879467639798218,{"_288":227,"_123":552,"_154":553,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_312":570,"_314":571},{"_312":568,"_314":569},{"_312":566,"_314":567},{"_312":564,"_314":565},{"_312":562,"_314":563},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","marcus-curtius-plunging-into-the-chasm-nga-6020","Marcus Curtius Plunging into the Chasm",{"_42":518,"_224":519,"_326":520,"_328":521,"_330":522,"_332":523,"_334":524,"_335":525,"_336":526,"_140":97},"woodcut",0.70068359375,[614,615,616,617,618],{"_223":610,"_224":611,"_42":612,"_305":613},"Courtesy National Gallery of Art, Washington","1943.3.2844","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","A Roman knight on horseback plunges into a dark chasm that has opened in the ground before a domed pavilion, while onlookers, some nude in the classical manner, crowd around.","This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.",{"_296":607,"_298":608,"_300":609},"https://img.ochreeditions.com/m/1342.jpg?dl=1","/art/marcus-curtius-plunging-into-the-chasm-nga-6020","/galleries/style/northern-renaissance/marcus-curtius-plunging-into-the-chasm-nga-6020",{"_292":293,"_294":295},{"_227":600,"_125":601,"_286":602},{"_276":596,"_278":597,"_280":598,"_282":599},66.041015625,84,42.041015625,60,{"_288":227,"_123":496,"_154":497,"_140":97},{"_288":125,"_123":605,"_154":606,"_140":53},{"_288":286,"_123":603,"_154":604,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1342/480.jpg","https://img.ochreeditions.com/a/1342/960.jpg","https://img.ochreeditions.com/a/1342/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},"#73675f",0.0663,"#968a7c",0.1736,"#b3a797",0.2257,"#d2c6b5",0.2337,"#f1e6d5",0.3007,"madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":675,"_224":676,"_326":521,"_328":521,"_330":-5,"_332":677,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[660,661,662,663,664],{"_223":610,"_224":611,"_42":612,"_305":613},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_296":657,"_298":658,"_300":659},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_292":293,"_294":295},{"_227":652,"_125":653,"_286":654},{"_276":650,"_278":279,"_280":651,"_282":283},44.2392578125,20.2392578125,{"_288":227,"_123":655,"_154":656,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_312":673,"_314":674},{"_312":671,"_314":672},{"_312":669,"_314":670},{"_312":667,"_314":668},{"_312":665,"_314":666},"#524a45",0.1163,"#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"the-agony-in-the-garden-nga-4365","The Agony in the Garden",{"_42":720,"_224":721,"_326":722,"_328":521,"_330":723,"_332":724,"_334":-5,"_335":-5,"_336":725,"_140":99},"1522",0.6953125,[705,706,707,708,709],{"_223":610,"_224":611,"_42":612,"_305":613},"1943.3.1147","Sebald Beham made this in 1522, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials \"I.SP\" in the top right corner.",{"_296":702,"_298":703,"_300":704},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_292":293,"_294":295},{"_227":697,"_125":698,"_286":699},{"_276":695,"_278":597,"_280":696,"_282":599},65.71875,41.71875,{"_288":227,"_123":700,"_154":701,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg",{"_312":718,"_314":719},{"_312":716,"_314":717},{"_312":714,"_314":715},{"_312":712,"_314":713},{"_312":710,"_314":711},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":777,"_224":778,"_326":779,"_328":780,"_330":781,"_332":782,"_334":783,"_335":784,"_336":785,"_140":99},"1578","netherlands","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[762,763,764,765,766],{"_223":610,"_224":611,"_42":612,"_305":613},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_296":759,"_298":760,"_300":761},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_292":293,"_294":295},{"_227":752,"_125":753,"_286":754},{"_276":749,"_278":750,"_280":733,"_282":751},53.3,42.9205322265625,18.9205322265625,{"_288":227,"_123":757,"_154":758,"_140":99},{"_288":125,"_123":365,"_154":366,"_140":367},{"_288":286,"_123":755,"_154":756,"_140":367},"era/16-netherlands","16th-century Netherlands","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},{"_312":767,"_314":768},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":834,"_224":835,"_326":836,"_328":780,"_330":837,"_332":838,"_334":-5,"_335":839,"_336":840,"_140":99},"1560","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[819,820,821,822,823],{"_223":610,"_224":611,"_42":612,"_305":613},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_296":816,"_298":817,"_300":818},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_292":293,"_294":295},{"_227":811,"_125":812,"_286":813},{"_276":808,"_278":809,"_280":792,"_282":810},53.2,45.63623046875,21.63623046875,{"_288":227,"_123":814,"_154":815,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":755,"_154":756,"_140":367},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_312":832,"_314":833},{"_312":830,"_314":831},{"_312":828,"_314":829},{"_312":826,"_314":827},{"_312":824,"_314":825},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":886,"_224":887,"_326":888,"_328":329,"_330":889,"_332":890,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[871,872,873,874,875],{"_223":302,"_224":303,"_42":304,"_305":306},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_296":868,"_298":869,"_300":870},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_292":293,"_294":295},{"_227":863,"_125":864,"_286":865},{"_276":279,"_278":861,"_280":283,"_282":862},42.58707865168539,18.587078651685392,{"_288":227,"_123":866,"_154":867,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_312":884,"_314":885},{"_312":882,"_314":883},{"_312":880,"_314":881},{"_312":878,"_314":879},{"_312":876,"_314":877},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"saint-andrew-nga-11916","Saint Andrew",{"_42":934,"_224":935,"_326":936,"_328":937,"_330":196,"_332":938,"_334":939,"_335":940,"_336":941,"_140":91},"probably 1589","engraving",0.678955078125,[920,921,922,923,924],{"_223":610,"_224":611,"_42":612,"_305":613},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_296":917,"_298":918,"_300":919},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_292":293,"_294":295},{"_227":912,"_125":913,"_286":914},{"_276":910,"_278":597,"_280":911,"_282":599},64.7373046875,40.7373046875,{"_288":227,"_123":915,"_154":916,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":755,"_154":756,"_140":367},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_312":932,"_314":933},{"_312":931,"_314":883},{"_312":929,"_314":930},{"_312":927,"_314":928},{"_312":925,"_314":926},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e","#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","portrait-of-alain-de-coetivy-1407-1474-met-337088","Portrait of Alain de Coëtivy (1407–1474)",{"_42":993,"_224":994,"_326":995,"_328":996,"_330":997,"_332":998,"_334":999,"_335":999,"_336":-5,"_140":103},"ca. 1451–55","france","Metalpoint, black chalk on white prepared paper","7 13/16 x 5 5/16 in. (19.8 x 13.5 cm.)",13.5,0.6919617762788083,[978,979,980,981,982],{"_223":373,"_224":374,"_42":375,"_305":376},"49.38","Jean Fouquet drew this in about 1451–55, aged about 21. It is now at The Met in New York.","Portrait of Alain de Coëtivy (1407–1474), by Jean Fouquet, ca. 1451–55",{"_296":975,"_298":976,"_300":977},"https://img.ochreeditions.com/m/1013.jpg?dl=1","/art/portrait-of-alain-de-coetivy-1407-1474-met-337088","/galleries/style/northern-renaissance/portrait-of-alain-de-coetivy-1407-1474-met-337088",{"_292":293,"_294":295},{"_227":965,"_125":966,"_286":967},{"_276":963,"_278":279,"_280":964,"_282":283},41.29904440697021,17.299044406970207,{"_288":227,"_123":973,"_154":974,"_140":89},{"_288":125,"_123":971,"_154":972,"_140":91},{"_288":286,"_123":968,"_154":969,"_140":970},"era/15","The 15th century",110,"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-jean-fouquet","Jean Fouquet's contemporaries","https://img.ochreeditions.com/a/1013/480.jpg","https://img.ochreeditions.com/a/1013/960.jpg","https://img.ochreeditions.com/a/1013/1920.jpg",{"_312":991,"_314":992},{"_312":989,"_314":990},{"_312":987,"_314":988},{"_312":985,"_314":986},{"_312":983,"_314":984},"#bfb1a1",0.0632,"#e9decb",0.0657,"#cfc2b4",0.2266,"#e1d4c9",0.2908,"#dacdbf",0.3537,"Jean Fouquet","jean-fouquet","French, 1425–1478","French",1425,1478,"Tours","spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":572,"_224":573,"_326":574,"_328":329,"_330":523,"_332":575,"_334":-5,"_335":-5,"_336":576,"_140":99},"Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7505114676429417,[1023,1024,1025,1026,1027],{"_223":302,"_224":303,"_42":304,"_305":306},"2023.3190.3",{"_296":1020,"_298":1021,"_300":1022},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_292":293,"_294":295},{"_227":1017,"_125":1018,"_286":1019},{"_276":1015,"_278":279,"_280":1016,"_282":283},42.76278669107354,18.762786691073543,{"_288":227,"_123":552,"_154":553,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg",{"_312":1035,"_314":1036},{"_312":1033,"_314":1034},{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1028,"_314":984},"#5c544b","#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":1085,"_224":1086,"_326":1087,"_328":329,"_330":331,"_332":575,"_334":-5,"_335":-5,"_336":-5,"_140":103},"probably 1590 and 1597","Painting","oil on panel","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[1070,1071,1072,1073,1074],{"_223":610,"_224":611,"_42":612,"_305":613},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_296":1067,"_298":1068,"_300":1069},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_292":498,"_294":499},{"_227":1062,"_125":1063,"_286":1064},{"_276":1059,"_278":1060,"_280":1044,"_282":1061},97.2,78.97792968750001,63.97792968750001,{"_288":227,"_123":1065,"_154":1066,"_140":89},{"_288":125,"_123":493,"_154":494,"_140":495},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_312":1083,"_314":1084},{"_312":1081,"_314":1082},{"_312":1079,"_314":1080},{"_312":1077,"_314":1078},{"_312":1075,"_314":1076},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619","crest-nga-11963","Crest",{"_42":1129,"_224":1130,"_326":1131,"_328":521,"_330":1132,"_332":1133,"_334":-5,"_335":-5,"_336":-5,"_140":103},0.656855151045701,[1114,1115,1116,1117,1118],{"_223":610,"_224":611,"_42":612,"_305":613},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_296":1111,"_298":1112,"_300":1113},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_292":293,"_294":295},{"_227":1106,"_125":1107,"_286":1108},{"_276":1104,"_278":597,"_280":1105,"_282":599},63.41130906274206,39.41130906274206,{"_288":227,"_123":1109,"_154":1110,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_312":1127,"_314":1128},{"_312":1125,"_314":1126},{"_312":1123,"_314":1124},{"_312":1121,"_314":1122},{"_312":1119,"_314":1120},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","dad48011b043e634ac77b85c79008e53c15f34e2","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]