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The horizon shows hills leading to a distant castle on a rocky formation on the right.",{"_290":434,"_292":435,"_294":436},"https://img.ochreeditions.com/m/1342.jpg?dl=1","/art/marcus-curtius-plunging-into-the-chasm-nga-6020","/galleries/style/northern-renaissance/marcus-curtius-plunging-into-the-chasm-nga-6020",{"_286":369,"_288":370},{"_220":425,"_125":426,"_280":427},{"_270":421,"_272":422,"_274":423,"_276":424},66.041015625,84,42.041015625,60,{"_282":220,"_123":432,"_154":433,"_140":97},{"_282":125,"_123":430,"_154":431,"_140":53},{"_282":280,"_123":428,"_154":429,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1342/480.jpg","https://img.ochreeditions.com/a/1342/960.jpg","https://img.ochreeditions.com/a/1342/1920.jpg",{"_306":450,"_308":451},{"_306":448,"_308":449},{"_306":446,"_308":447},{"_306":444,"_308":445},{"_306":442,"_308":443},"#73675f",0.0663,"#968a7c",0.1736,"#b3a797",0.2257,"#d2c6b5",0.2337,"#f1e6d5",0.3007,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","head-of-a-young-woman-met-459211","Head of a Young Woman",{"_42":516,"_217":517,"_320":518,"_322":323,"_324":519,"_326":327,"_328":520,"_329":520,"_330":521,"_140":89},"1522","drawing","Drawings","Black chalk highlighted with white chalk (abraded) on green prepared paper.","7 7/8 x 5 15/16 in. (20 x 15.1 cm)",15.1,20,0.7588313413014608,[501,502,503,504,505],{"_216":497,"_217":498,"_42":499,"_299":500},"Courtesy of The Metropolitan Museum of Art","1975.1.859","Albrecht Dürer drew this in 1522, aged 51. It is now at The Met in New York.","Head of a Young Woman, by Albrecht Dürer, 1522",{"_290":494,"_292":495,"_294":496},"https://img.ochreeditions.com/m/1272.jpg?dl=1","/art/head-of-a-young-woman-met-459211","/galleries/style/northern-renaissance/head-of-a-young-woman-met-459211",{"_286":369,"_288":370},{"_220":486,"_125":487,"_280":488},{"_270":484,"_272":356,"_274":485,"_276":277},42.970783532536515,18.97078353253652,{"_282":220,"_123":492,"_154":493,"_140":89},{"_282":125,"_123":489,"_154":490,"_140":491},{"_282":280,"_123":165,"_154":164,"_140":167},"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1272/480.jpg","https://img.ochreeditions.com/a/1272/960.jpg","https://img.ochreeditions.com/a/1272/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_306":514,"_308":515},{"_306":512,"_308":513},{"_306":510,"_308":511},{"_306":508,"_308":509},{"_306":506,"_308":507},"#d0d1c7",0.0716,"#708176",0.0837,"#7f9689",0.2386,"#75887d",0.2402,"#7a8f84",0.3659,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":569,"_217":570,"_320":571,"_322":323,"_324":572,"_326":573,"_328":-5,"_329":-5,"_330":574,"_140":99},"1540","engraving",0.6658470617162527,[554,555,556,557,558],{"_216":296,"_217":297,"_42":298,"_299":300},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_290":551,"_292":552,"_294":553},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_286":369,"_288":370},{"_220":543,"_125":544,"_280":545},{"_270":541,"_272":422,"_274":542,"_276":424},63.950823702975164,39.950823702975164,{"_282":220,"_123":549,"_154":550,"_140":99},{"_282":125,"_123":546,"_154":547,"_140":548},{"_282":280,"_123":165,"_154":164,"_140":167},"style/print-16","More prints of the 16th century",54,"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_306":567,"_308":568},{"_306":565,"_308":566},{"_306":563,"_308":564},{"_306":561,"_308":562},{"_306":559,"_308":560},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","the-agony-in-the-garden-nga-4365","The Agony in the Garden",{"_42":569,"_217":570,"_320":571,"_322":323,"_324":572,"_326":573,"_328":-5,"_329":-5,"_330":574,"_140":99},0.6953125,[599,600,601,602,603],{"_216":296,"_217":297,"_42":298,"_299":300},"1943.3.1147","Sebald Beham made this in 1522, aged 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a central person standing with both arms raised. They have a long beard, aged appearance, long hair, and wear a robe. Three other individuals are around them, reclining or lying on the ground. The setting is an outdoor scene with detailed trees and vegetation. There are initials \"I.SP\" in the top right corner.",{"_290":596,"_292":597,"_294":598},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_286":369,"_288":370},{"_220":593,"_125":594,"_280":595},{"_270":591,"_272":422,"_274":592,"_276":424},65.71875,41.71875,{"_282":220,"_123":549,"_154":550,"_140":99},{"_282":125,"_123":546,"_154":547,"_140":548},{"_282":280,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg",{"_306":612,"_308":613},{"_306":610,"_308":611},{"_306":608,"_308":609},{"_306":606,"_308":607},{"_306":604,"_308":605},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":663,"_217":664,"_320":665,"_322":665,"_324":-5,"_326":666,"_328":-5,"_329":-5,"_330":-5,"_140":103},"c. 1536/1540","france","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[648,649,650,651,652],{"_216":296,"_217":297,"_42":298,"_299":300},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_290":645,"_292":646,"_294":647},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_286":287,"_288":289},{"_220":638,"_125":639,"_280":640},{"_270":636,"_272":273,"_274":637,"_276":277},36.368408203125,21.368408203125,{"_282":220,"_123":643,"_154":644,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":641,"_154":642,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_306":661,"_308":662},{"_306":659,"_308":660},{"_306":657,"_308":658},{"_306":655,"_308":656},{"_306":653,"_308":654},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"music-making-angels-met-334816","Music-Making Angels",{"_42":516,"_217":517,"_320":518,"_322":323,"_324":519,"_326":327,"_328":520,"_329":520,"_330":521,"_140":89},"1521","Pen and brown ink","6 5/8 x 8 3/4 in. (16.9 x 22.3 cm)",22.3,16.9,1.3273231622746187,[696,697,698,699,700],{"_216":497,"_217":498,"_42":499,"_299":500},"61.257","Albrecht Dürer drew this in 1521, aged 50. It is now at The Met in New York.","Music-Making Angels, by Albrecht Dürer, 1521",{"_290":693,"_292":694,"_294":695},"https://img.ochreeditions.com/m/993.jpg?dl=1","/art/music-making-angels-met-334816","/galleries/style/northern-renaissance/music-making-angels-met-334816",{"_286":369,"_288":370},{"_220":690,"_125":691,"_280":692},{"_270":356,"_272":688,"_274":277,"_276":689},42.83490073145245,18.834900731452453,{"_282":220,"_123":492,"_154":493,"_140":89},{"_282":125,"_123":489,"_154":490,"_140":491},{"_282":280,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/993/480.jpg","https://img.ochreeditions.com/a/993/960.jpg","https://img.ochreeditions.com/a/993/1920.jpg",{"_306":709,"_308":710},{"_306":707,"_308":708},{"_306":705,"_308":706},{"_306":703,"_308":704},{"_306":701,"_308":702},"#e7e0cc",0.0674,"#baa890",0.0941,"#c9b8a1",0.2461,"#dacec0",0.2874,"#d2c4b1",0.305,"margarethe-vohlin-obverse-nga-33755","Margarethe Vöhlin [obverse]",{"_42":318,"_217":319,"_320":321,"_322":323,"_324":325,"_326":327,"_328":-5,"_329":-5,"_330":331,"_140":99},"overall (visible surface, greatest height): 43 × 30 cm (16 15/16 × 11 13/16 in.) framed: 50.01 × 37.62 × 5.08 cm (19 11/16 × 14 13/16 × 2 in.)",30,43,0.69091796875,[739,740,741,742,743],{"_216":296,"_217":297,"_42":298,"_299":300},"1947.6.5.a","Margarethe Vöhlin sits half-length in a high-necked dress of white, black and gold, a long gold chain falling to her waist and two jewelled rings on one finger of her folded hands. Her blond hair is gathered into a gold cap beneath a broad black hat.","Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.",{"_290":736,"_292":737,"_294":738},"https://img.ochreeditions.com/m/1486.jpg?dl=1","/art/margarethe-vohlin-obverse-nga-33755","/galleries/style/northern-renaissance/margarethe-vohlin-obverse-nga-33755",{"_286":287,"_288":289},{"_220":733,"_125":734,"_280":735},{"_270":730,"_272":731,"_274":732,"_276":716},44.70947265625,58,29.70947265625,{"_282":220,"_123":169,"_154":168,"_140":99},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1486/480.jpg","https://img.ochreeditions.com/a/1486/960.jpg","https://img.ochreeditions.com/a/1486/1920.jpg",{"_306":752,"_308":753},{"_306":750,"_308":751},{"_306":748,"_308":749},{"_306":746,"_308":747},{"_306":744,"_308":745},"#114d58",0.12,"#583b18",0.1431,"#d3b185",0.1442,"#983213",0.2795,"#19120b",0.3132,"bacchanal-met-335240","Bacchanal",{"_42":800,"_217":801,"_320":802,"_322":665,"_324":803,"_326":804,"_328":805,"_329":806,"_330":807,"_140":93},"ca. 1635–36","Pen and brown ink, brush and brown wash, over faint black chalk","5 1/4 x 8 1/8 in. (13.3 x 20.6 cm.)",20.6,13.3,1.5462485113140134,[785,786,787,788,789],{"_216":497,"_217":498,"_42":499,"_299":500},"1998.225","Nicolas Poussin drew this in about 1635–36. It is now at The Met in New York.","Bacchanal, by Nicolas Poussin, ca. 1635–36",{"_290":782,"_292":783,"_294":784},"https://img.ochreeditions.com/m/994.jpg?dl=1","/art/bacchanal-met-335240","/galleries/style/northern-renaissance/bacchanal-met-335240",{"_286":369,"_288":370},{"_220":777,"_125":778,"_280":779},{"_270":356,"_272":775,"_274":277,"_276":776},40.16816431322208,16.168164313222082,{"_282":220,"_123":780,"_154":781,"_140":93},{"_282":125,"_123":489,"_154":490,"_140":491},{"_282":280,"_123":641,"_154":642,"_140":89},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/994/480.jpg","https://img.ochreeditions.com/a/994/960.jpg","https://img.ochreeditions.com/a/994/1920.jpg",{"_306":798,"_308":799},{"_306":796,"_308":797},{"_306":794,"_308":795},{"_306":792,"_308":793},{"_306":790,"_308":791},"#5b4b42",0.1349,"#7d6755",0.1593,"#9b836c",0.1684,"#baa389",0.2622,"#d4c1a8",0.2752,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Rome","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","hermann-von-wedigh-iii-died-1560-met-436658","Hermann von Wedigh III (died 1560)",{"_42":856,"_217":857,"_320":858,"_322":323,"_324":859,"_326":860,"_328":861,"_329":862,"_330":-5,"_140":101},"1532","Paintings","Oil and gold on oak","16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom",32.4,42.2,0.7681615525832678,[841,842,843,844,845],{"_216":497,"_217":498,"_42":499,"_299":500},"50.135.4","Hans Holbein the Younger painted this in 1532, aged 35. It is now at The Met in New York.","Hermann von Wedigh III (died 1560), by Hans Holbein the Younger, 1532",{"_290":838,"_292":839,"_294":840},"https://img.ochreeditions.com/m/1103.jpg?dl=1","/art/hermann-von-wedigh-iii-died-1560-met-436658","/galleries/style/northern-renaissance/hermann-von-wedigh-iii-died-1560-met-436658",{"_286":287,"_288":289},{"_220":833,"_125":834,"_280":835},{"_270":830,"_272":831,"_274":832,"_276":816},47.416417519013905,57.2,32.416417519013905,{"_282":220,"_123":836,"_154":837,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-hans-holbein-the-younger","Hans Holbein the Younger's contemporaries","https://img.ochreeditions.com/a/1103/480.jpg","https://img.ochreeditions.com/a/1103/960.jpg","https://img.ochreeditions.com/a/1103/1920.jpg",{"_306":854,"_308":855},{"_306":852,"_308":853},{"_306":850,"_308":851},{"_306":848,"_308":849},{"_306":846,"_308":847},"#503725",0.0638,"#b2816e",0.0743,"#4c5a0f",0.1055,"#063b5d",0.3217,"#1a1816",0.4347,"Hans Holbein the Younger","hans-holbein-the-younger","German, 1497–1543",1497,1543,"Augsburg","London","the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":452,"_217":453,"_320":454,"_322":323,"_324":455,"_326":456,"_328":457,"_329":458,"_330":459,"_140":97},0.680419921875,[886,887,888,889,890],{"_216":296,"_217":297,"_42":298,"_299":300},"1943.3.2845","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_290":883,"_292":884,"_294":885},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_286":369,"_288":370},{"_220":880,"_125":881,"_280":882},{"_270":878,"_272":422,"_274":879,"_276":424},64.8251953125,40.8251953125,{"_282":220,"_123":432,"_154":433,"_140":97},{"_282":125,"_123":430,"_154":431,"_140":53},{"_282":280,"_123":428,"_154":429,"_140":91},"https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_306":899,"_308":900},{"_306":897,"_308":898},{"_306":895,"_308":896},{"_306":893,"_308":894},{"_306":891,"_308":892},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":516,"_217":517,"_320":518,"_322":323,"_324":519,"_326":327,"_328":520,"_329":520,"_330":521,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[931,932,933,934,935],{"_216":497,"_217":498,"_42":499,"_299":500},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_290":928,"_292":929,"_294":930},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_286":287,"_288":289},{"_220":925,"_125":926,"_280":927},{"_270":922,"_272":923,"_274":924,"_276":424},65.3160621761658,75,50.3160621761658,{"_282":220,"_123":492,"_154":493,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_306":944,"_308":945},{"_306":942,"_308":943},{"_306":940,"_308":941},{"_306":938,"_308":939},{"_306":936,"_308":937},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":990,"_217":991,"_320":992,"_322":993,"_324":456,"_326":994,"_328":-5,"_329":-5,"_330":995,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7505114676429417,[975,976,977,978,979],{"_216":374,"_217":375,"_42":376,"_299":377},"2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_290":972,"_292":973,"_294":974},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_286":369,"_288":370},{"_220":967,"_125":968,"_280":969},{"_270":965,"_272":356,"_274":966,"_276":277},42.76278669107354,18.762786691073543,{"_282":220,"_123":970,"_154":971,"_140":99},{"_282":125,"_123":546,"_154":547,"_140":548},{"_282":280,"_123":362,"_154":363,"_140":364},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg",{"_306":988,"_308":989},{"_306":986,"_308":987},{"_306":984,"_308":985},{"_306":982,"_308":983},{"_306":980,"_308":981},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":1045,"_217":1046,"_320":1047,"_322":323,"_324":1048,"_326":1049,"_328":1050,"_329":1051,"_330":1052,"_140":97},"ca. 1475–80","Prints","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[1030,1031,1032,1033,1034],{"_216":497,"_217":498,"_42":499,"_299":500},"35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_290":1027,"_292":1028,"_294":1029},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_286":369,"_288":370},{"_220":1022,"_125":1023,"_280":1024},{"_270":1019,"_272":1020,"_274":1003,"_276":1021},66.9,52.58468130690948,28.58468130690948,{"_282":220,"_123":1025,"_154":1026,"_140":97},{"_282":125,"_123":430,"_154":431,"_140":53},{"_282":280,"_123":428,"_154":429,"_140":91},"artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg",{"_306":1043,"_308":1044},{"_306":1041,"_308":1042},{"_306":1039,"_308":1040},{"_306":1037,"_308":1038},{"_306":1035,"_308":1036},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-rabbit-hunters-nga-53148","The Rabbit Hunters",{"_42":1104,"_217":1105,"_320":1106,"_322":396,"_324":1107,"_326":1108,"_328":-5,"_329":399,"_330":1109,"_140":99},"1560","netherlands","etching on laid paper","overall: 21.4 x 29.2 cm (8 7/16 x 11 1/2 in.)",29.2,21.4,1.3495881383855024,[1089,1090,1091,1092,1093],{"_216":296,"_217":297,"_42":298,"_299":300},"1972.16.1","Pieter Bruegel made this in 1560, aged 35. It is now at the National Gallery of Art in Washington, DC.","In a vast landscape that stretches from a castle on a cliff to a distant city and an estuary dotted with sailboats, a hunter creeps up on two rabbits, while behind him a second figure approaches, as if the hunter were himself being stalked.","The image shows a landscape with a city in the distance, a castle on a cliff, fields, forests, and two figures with a dog hunting. There are sailboats on water and houses on farmland. The style is detailed with etching lines in sepia tones.",{"_290":1086,"_292":1087,"_294":1088},"https://img.ochreeditions.com/m/1558.jpg?dl=1","/art/the-rabbit-hunters-nga-53148","/galleries/style/northern-renaissance/the-rabbit-hunters-nga-53148",{"_286":369,"_288":370},{"_220":1079,"_125":1080,"_280":1081},{"_270":1076,"_272":1077,"_274":1060,"_276":1078},53.2,45.63623046875,21.63623046875,{"_282":220,"_123":1084,"_154":1085,"_140":99},{"_282":125,"_123":546,"_154":547,"_140":548},{"_282":280,"_123":1082,"_154":1083,"_140":491},"era/16-netherlands","16th-century Netherlands","artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1558/480.jpg","https://img.ochreeditions.com/a/1558/960.jpg","https://img.ochreeditions.com/a/1558/1920.jpg",{"_306":1102,"_308":1103},{"_306":1100,"_308":1101},{"_306":1098,"_308":1099},{"_306":1096,"_308":1097},{"_306":1094,"_308":1095},"#5b4f44",0.0602,"#7e6e5d",0.1443,"#988670",0.2124,"#af9a81",0.2763,"#c5ad91",0.3068,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.",{"_1111":-5,"_1112":1113,"_1114":1115,"_1116":8,"_1117":1118,"_1119":8},"user","csrf","229483bc976c9a0a64745f3030d54bb0205d9a03","cartCount",0,"dropLive","legal",[1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130,1131],"uploadsEnabled",{"_217":1154,"_20":1155},{"_217":1152,"_20":1153},{"_217":1150,"_20":1151},{"_217":1148,"_20":1149},{"_217":1146,"_20":1147},{"_217":1144,"_20":1145},{"_217":1142,"_20":1143},{"_217":1140,"_20":1141},{"_217":1138,"_20":1139},{"_217":1136,"_20":1137},{"_217":1134,"_20":1135},{"_217":1132,"_20":1133},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]