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The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_297":435,"_299":436,"_301":437},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_293":294,"_295":296},{"_227":430,"_125":431,"_287":432},{"_277":427,"_279":428,"_281":429,"_283":412},47.35498046875,58,32.35498046875,{"_289":227,"_123":433,"_154":434,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":516,"_224":517,"_327":518,"_329":519,"_331":520,"_333":521,"_335":522,"_337":523,"_339":524,"_140":99},"1589","netherlands","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[501,502,503,504,505],{"_223":303,"_224":304,"_42":305,"_306":307},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_297":498,"_299":499,"_301":500},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_293":377,"_295":378},{"_227":488,"_125":489,"_287":490},{"_277":486,"_279":365,"_281":487,"_283":284},44.40656205420827,20.406562054208273,{"_289":227,"_123":496,"_154":497,"_140":99},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":491,"_154":492,"_140":493},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":583,"_224":584,"_327":585,"_329":586,"_331":587,"_333":588,"_335":-5,"_337":-5,"_339":589,"_140":99},"ca. 1587 – 1590","flanders","Drawing","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[568,569,570,571,572],{"_223":565,"_224":566,"_42":567,"_306":307},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":562,"_563":564},"TWO GALLEYS AT SEA",{"_297":559,"_299":560,"_301":561},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_293":377,"_295":378},{"_227":551,"_125":552,"_287":553},{"_277":365,"_279":549,"_281":284,"_283":550},41.86612497581737,17.86612497581737,{"_289":227,"_123":557,"_154":558,"_140":99},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":554,"_154":555,"_140":556},"era/16-flanders","16th-century Flanders",17,"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_313":581,"_315":582},{"_313":579,"_315":580},{"_313":577,"_315":578},{"_313":575,"_315":576},{"_313":573,"_315":574},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605","Flemish",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":634,"_224":635,"_327":636,"_329":519,"_331":637,"_333":638,"_335":639,"_337":640,"_339":-5,"_140":103},"Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[619,620,621,622,623],{"_223":303,"_224":304,"_42":305,"_306":307},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_297":616,"_299":617,"_301":618},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_293":377,"_295":378},{"_227":611,"_125":612,"_287":613},{"_277":365,"_279":609,"_281":284,"_283":610},42.1875,18.1875,{"_289":227,"_123":614,"_154":615,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":491,"_154":492,"_140":493},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_313":632,"_315":633},{"_313":630,"_315":631},{"_313":628,"_315":629},{"_313":626,"_315":627},{"_313":624,"_315":625},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1534,1593,"Mechelen","Amsterdam","diana-and-actaeon-met-337490","Diana and Actaeon",{"_42":688,"_224":689,"_327":690,"_329":519,"_331":691,"_333":692,"_335":522,"_337":693,"_339":-5,"_140":103},"ca. 1580–85","Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink","16 1/4 x 12 5/8in. (41.3 x 32.1cm)",32.1,41.3,0.7808510638297872,[673,674,675,676,677],{"_223":303,"_224":304,"_42":305,"_306":307},"1997.93","Bartholomeus Spranger drew this in about 1580–85, aged about 34. It is now at The Met in New York.","Diana and Actaeon, by Bartholomeus Spranger, ca. 1580–85",{"_297":670,"_299":671,"_301":672},"https://img.ochreeditions.com/m/1018.jpg?dl=1","/art/diana-and-actaeon-met-337490","/galleries/style/northern-renaissance/diana-and-actaeon-met-337490",{"_293":377,"_295":378},{"_227":665,"_125":666,"_287":667},{"_277":662,"_279":663,"_281":664,"_283":648},56.24914893617021,65.3,32.24914893617021,{"_289":227,"_123":668,"_154":669,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":491,"_154":492,"_140":493},"artist/contemporaries-of-bartholomeus-spranger","Bartholomeus Spranger's contemporaries","https://img.ochreeditions.com/a/1018/480.jpg","https://img.ochreeditions.com/a/1018/960.jpg","https://img.ochreeditions.com/a/1018/1920.jpg",{"_313":686,"_315":687},{"_313":684,"_315":685},{"_313":682,"_315":683},{"_313":680,"_315":681},{"_313":678,"_315":679},"#786a5a",0.0647,"#a99983",0.2066,"#a59075",0.2391,"#b9a88e",0.2438,"#92816b",0.2458,"Bartholomeus Spranger","bartholomeus-spranger","Netherlandish, 1546–1611",1546,1611,"Prague","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":749,"_224":750,"_327":751,"_329":586,"_331":691,"_333":692,"_335":-5,"_337":-5,"_339":-5,"_140":101},"c. 1590","print","Print","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[734,735,736,737,738],{"_223":730,"_224":731,"_42":732,"_306":733},"Courtesy of the Art Institute of Chicago","2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_297":727,"_299":728,"_301":729},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_293":377,"_295":378},{"_227":719,"_125":720,"_287":721},{"_277":365,"_279":717,"_281":284,"_283":718},42.58707865168539,18.587078651685392,{"_289":227,"_123":725,"_154":726,"_140":89},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":554,"_154":555,"_140":556},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":747,"_315":748},{"_313":745,"_315":746},{"_313":743,"_315":744},{"_313":741,"_315":742},{"_313":739,"_315":740},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611","interior-view-of-the-coliseum-aic-84972","Interior View of the Coliseum",{"_42":802,"_224":803,"_327":804,"_329":586,"_331":-5,"_333":-5,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1580","watercolour","Drawing and Watercolor","Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper","37 × 43 cm (14 5/8 × 16 15/16 in.)",37,1.1673617407071624,[787,788,789,790,791],{"_223":730,"_224":731,"_42":732,"_306":733},"1922.2422","Lodewijk Toeput painted this in about 1580. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_297":784,"_299":785,"_301":786},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_293":377,"_295":378},{"_227":777,"_125":778,"_287":779},{"_277":774,"_279":775,"_281":412,"_283":776},67,60.835197266231745,36.835197266231745,{"_289":227,"_123":782,"_154":783,"_140":89},{"_289":125,"_123":780,"_154":781,"_140":89},{"_289":287,"_123":554,"_154":555,"_140":556},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg",{"_313":800,"_315":801},{"_313":798,"_315":799},{"_313":796,"_315":797},{"_313":794,"_315":795},{"_313":792,"_315":793},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":850,"_224":851,"_327":852,"_329":586,"_331":853,"_333":854,"_335":-5,"_337":-5,"_339":855,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[835,836,837,838,839],{"_223":730,"_224":731,"_42":732,"_306":733},"2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_297":832,"_299":833,"_301":834},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_293":377,"_295":378},{"_227":827,"_125":828,"_287":829},{"_277":825,"_279":365,"_281":826,"_283":284},42.87946763979822,18.879467639798218,{"_289":227,"_123":830,"_154":831,"_140":99},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":554,"_154":555,"_140":556},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg",{"_313":848,"_315":849},{"_313":846,"_315":847},{"_313":844,"_315":845},{"_313":842,"_315":843},{"_313":840,"_315":841},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":908,"_224":909,"_327":910,"_329":330,"_331":911,"_333":461,"_335":912,"_337":912,"_339":913,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[893,894,895,896,897],{"_223":438,"_224":439,"_42":440,"_306":441},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_297":890,"_299":891,"_301":892},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_293":377,"_295":378},{"_227":881,"_125":882,"_287":883},{"_277":878,"_279":879,"_281":880,"_283":863},52.4771484375,63.3,28.4771484375,{"_289":227,"_123":888,"_154":889,"_140":89},{"_289":125,"_123":886,"_154":887,"_140":53},{"_289":287,"_123":884,"_154":885,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_313":906,"_315":907},{"_313":904,"_315":905},{"_313":902,"_315":903},{"_313":900,"_315":901},{"_313":898,"_315":899},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","crest-nga-11963","Crest",{"_42":958,"_224":959,"_327":960,"_329":330,"_331":961,"_333":962,"_335":-5,"_337":-5,"_339":-5,"_140":103},"engraving",0.656855151045701,[943,944,945,946,947],{"_223":438,"_224":439,"_42":440,"_306":441},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_297":940,"_299":941,"_301":942},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_293":377,"_295":378},{"_227":935,"_125":936,"_287":937},{"_277":931,"_279":932,"_281":933,"_283":934},63.41130906274206,84,39.41130906274206,60,{"_289":227,"_123":938,"_154":939,"_140":89},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_313":956,"_315":957},{"_313":954,"_315":955},{"_313":952,"_315":953},{"_313":950,"_315":951},{"_313":948,"_315":949},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":1006,"_224":1007,"_327":1008,"_329":1009,"_331":1010,"_333":1011,"_335":1012,"_337":1013,"_339":1014,"_140":91},"pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[991,992,993,994,995],{"_223":438,"_224":439,"_42":440,"_306":441},"1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_297":988,"_299":989,"_301":990},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_293":377,"_295":378},{"_227":983,"_125":984,"_287":985},{"_277":932,"_279":981,"_281":934,"_283":982},83.51529140219273,59.51529140219274,{"_289":227,"_123":986,"_154":987,"_140":91},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":491,"_154":492,"_140":493},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg",{"_313":1004,"_315":1005},{"_313":1002,"_315":1003},{"_313":1000,"_315":1001},{"_313":998,"_315":999},{"_313":996,"_315":997},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":1058,"_224":1059,"_327":1060,"_329":330,"_331":1061,"_333":1062,"_335":-5,"_337":-5,"_339":1063,"_140":99},"1540",0.6658470617162527,[1043,1044,1045,1046,1047],{"_223":438,"_224":439,"_42":440,"_306":441},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_297":1040,"_299":1041,"_301":1042},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_293":377,"_295":378},{"_227":1035,"_125":1036,"_287":1037},{"_277":1033,"_279":932,"_281":1034,"_283":934},63.950823702975164,39.950823702975164,{"_289":227,"_123":1038,"_154":1039,"_140":99},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_313":1056,"_315":1057},{"_313":1054,"_315":1055},{"_313":1052,"_315":1053},{"_313":1050,"_315":1051},{"_313":1048,"_315":1049},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","view-of-heidelberg-met-337489","View of Heidelberg",{"_42":1110,"_224":1111,"_327":1112,"_329":519,"_331":1113,"_333":1114,"_335":1115,"_337":522,"_339":-5,"_140":101},"ca. 1588–89","Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink","7 7/8 x 12 in. (20.0 x 30.5 cm)",30.5,1.5025125628140703,[1095,1096,1097,1098,1099],{"_223":303,"_224":304,"_42":305,"_306":307},"1995.15","Jan Brueghel the Elder drew this in about 1588–89, aged about 15. It is now at The Met in New York.","View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89",{"_297":1092,"_299":1093,"_301":1094},"https://img.ochreeditions.com/m/1017.jpg?dl=1","/art/view-of-heidelberg-met-337489","/galleries/style/northern-renaissance/view-of-heidelberg-met-337489",{"_293":377,"_295":378},{"_227":1087,"_125":1088,"_287":1089},{"_277":1084,"_279":1085,"_281":1070,"_283":1086},54.5,44.29933110367893,20.29933110367893,{"_289":227,"_123":1090,"_154":1091,"_140":89},{"_289":125,"_123":494,"_154":495,"_140":493},{"_289":287,"_123":491,"_154":492,"_140":493},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/1017/480.jpg","https://img.ochreeditions.com/a/1017/960.jpg","https://img.ochreeditions.com/a/1017/1920.jpg",{"_313":1108,"_315":1109},{"_313":1106,"_315":1107},{"_313":1104,"_315":1105},{"_313":1102,"_315":1103},{"_313":1100,"_315":1101},"#9d8873",0.0476,"#bab3a1",0.167,"#c0ad94",0.1674,"#d5c3ab",0.2675,"#e7d2ba",0.3505,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"Brussels","adam-and-eve-met-336222","Adam and Eve",{"_42":908,"_224":909,"_327":910,"_329":330,"_331":911,"_333":461,"_335":912,"_337":912,"_339":913,"_140":89},"1504","Prints","Engraving","9 7/8 x 7 7/8in. (25.1 x 20cm)",25.1,0.7901810202962151,[1147,1148,1149,1150,1151],{"_223":303,"_224":304,"_42":305,"_306":307},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_297":1144,"_299":1145,"_301":1146},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_293":377,"_295":378},{"_227":1141,"_125":1142,"_287":1143},{"_277":1138,"_279":1139,"_281":1140,"_283":1123},43.833543609435,49.1,19.833543609435,{"_289":227,"_123":888,"_154":889,"_140":89},{"_289":125,"_123":722,"_154":723,"_140":724},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_313":1160,"_315":1161},{"_313":1158,"_315":1159},{"_313":1156,"_315":1157},{"_313":1154,"_315":1155},{"_313":1152,"_315":1153},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,{"_1163":-5,"_1164":1165,"_1166":1167,"_1168":8,"_1169":1170,"_1171":8},"user","csrf","f8d0c52ba014b95691abd366efda17dca8999866","cartCount",0,"dropLive","legal",[1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183],"uploadsEnabled",{"_224":1206,"_20":1207},{"_224":1204,"_20":1205},{"_224":1202,"_20":1203},{"_224":1200,"_20":1201},{"_224":1198,"_20":1199},{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
