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It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper.",{"_298":439,"_300":440,"_302":441},"https://img.ochreeditions.com/m/232.jpg?dl=1","/art/interior-view-of-the-coliseum-aic-84972","/galleries/style/northern-renaissance/interior-view-of-the-coliseum-aic-84972",{"_294":295,"_296":297},{"_229":432,"_125":433,"_288":434},{"_279":429,"_281":430,"_283":414,"_285":431},67,60.835197266231745,36.835197266231745,{"_290":229,"_123":437,"_154":438,"_140":89},{"_290":125,"_123":435,"_154":436,"_140":89},{"_290":288,"_123":165,"_154":164,"_140":167},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-lodewijk-toeput","Lodewijk Toeput's contemporaries","https://img.ochreeditions.com/a/232/480.jpg","https://img.ochreeditions.com/a/232/960.jpg","https://img.ochreeditions.com/a/232/1920.jpg",{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},{"_314":449,"_316":450},{"_314":447,"_316":448},"#dbccb4",0.1105,"#655949",0.1638,"#b2a28c",0.1843,"#988974",0.2237,"#7e6f5c",0.3177,"Lodewijk Toeput","lodewijk-toeput","Flemish, c. 1550–c. 1605","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":515,"_226":516,"_328":517,"_330":518,"_332":519,"_333":520,"_334":521,"_335":522,"_336":-5,"_140":103},"late 16th–early 17th century","netherlands","drawing","Drawings","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[500,501,502,503,504],{"_225":380,"_226":381,"_42":382,"_307":383},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_298":497,"_300":498,"_302":499},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_294":295,"_296":297},{"_229":487,"_125":488,"_288":489},{"_279":484,"_281":485,"_283":486,"_285":470},47.47889004149378,55.8,23.478890041493777,{"_290":229,"_123":495,"_154":496,"_140":89},{"_290":125,"_123":493,"_154":494,"_140":492},{"_290":288,"_123":490,"_154":491,"_140":492},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629","Netherlandish",1565,1629,"Antwerp","The Hague","head-of-an-apostle-nga-56181","Head of an Apostle",{"_42":574,"_226":575,"_328":576,"_330":577,"_332":578,"_333":579,"_334":580,"_335":581,"_336":582,"_140":91},"Drawing","pen and brown ink with brown and gray wash on laid paper","overall (diameter): 12.4 cm (4 7/8 in.)",1.0081442699243746,[559,560,561,562,563],{"_225":555,"_226":556,"_42":557,"_307":558},"Courtesy National Gallery of Art, Washington","1976.74.1","Hendrick Goltzius drew this. It is now at the National Gallery of Art in Washington, DC.","The image features the upper body and head of a man in a circular frame. The man is facing slightly to the side and downward, with his body oriented to the left and his head turned towards the viewer. He has a prominent forehead, a defined nose, a furrowed brow, and a scrunched face. His hair is thinning on top, with longer strands curling around the back and sides of his head. The man has a beard with similar curled texture as his hair. He is wearing a garment that drapes over his shoulders, with visible folds and a texture that suggests a substantial fabric. No jewelry or objects are in his hands, as they are not visible in this image. The background is plain with a light, sketchy look, focusing attention on the man as the central figure in the circular composition.",{"_298":552,"_300":553,"_302":554},"https://img.ochreeditions.com/m/1582.jpg?dl=1","/art/head-of-an-apostle-nga-56181","/galleries/style/northern-renaissance/head-of-an-apostle-nga-56181",{"_294":295,"_296":297},{"_229":547,"_125":548,"_288":549},{"_279":543,"_281":544,"_283":545,"_285":546},84,83.51529140219273,60,59.51529140219274,{"_290":229,"_123":550,"_154":551,"_140":91},{"_290":125,"_123":493,"_154":494,"_140":492},{"_290":288,"_123":490,"_154":491,"_140":492},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1582/480.jpg","https://img.ochreeditions.com/a/1582/960.jpg","https://img.ochreeditions.com/a/1582/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":572,"_316":573},{"_314":570,"_316":571},{"_314":568,"_316":569},{"_314":566,"_316":567},{"_314":564,"_316":565},"#4f4439",0.1039,"#8d8372",0.1401,"#655849",0.15,"#7a6e5d",0.1637,"#e0dac1",0.4423,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":630,"_226":631,"_328":632,"_330":518,"_332":633,"_333":634,"_334":635,"_335":635,"_336":-5,"_140":103},"1530–35","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[615,616,617,618,619],{"_225":380,"_226":381,"_42":382,"_307":383},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_298":612,"_300":613,"_302":614},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_294":295,"_296":297},{"_229":607,"_125":608,"_288":609},{"_279":604,"_281":605,"_283":589,"_285":606},72.3,60.23450537916557,36.23450537916557,{"_290":229,"_123":610,"_154":611,"_140":89},{"_290":125,"_123":493,"_154":494,"_140":492},{"_290":288,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_314":628,"_316":629},{"_314":626,"_316":627},{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542",1492,1542,"Brussels","pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":680,"_226":681,"_328":682,"_330":402,"_332":683,"_333":684,"_334":-5,"_335":-5,"_336":685,"_140":99},"1540","engraving",0.6658470617162527,[665,666,667,668,669],{"_225":555,"_226":556,"_42":557,"_307":558},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_298":662,"_300":663,"_302":664},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_294":295,"_296":297},{"_229":657,"_125":658,"_288":659},{"_279":655,"_281":543,"_283":656,"_285":545},63.950823702975164,39.950823702975164,{"_290":229,"_123":660,"_154":661,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":368,"_154":369,"_140":247},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},"#e3d1b4",0.1756,"#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":741,"_226":742,"_328":743,"_330":331,"_332":744,"_333":745,"_334":-5,"_335":-5,"_336":746,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[726,727,728,729,730],{"_225":723,"_226":724,"_42":725,"_307":383},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":720,"_721":722},"TWO GALLEYS AT SEA",{"_298":717,"_300":718,"_302":719},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_294":295,"_296":297},{"_229":712,"_125":713,"_288":714},{"_279":708,"_281":709,"_283":710,"_285":711},49,41.86612497581737,25,17.86612497581737,{"_290":229,"_123":715,"_154":716,"_140":99},{"_290":125,"_123":493,"_154":494,"_140":492},{"_290":288,"_123":165,"_154":164,"_140":167},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":739,"_316":740},{"_314":737,"_316":738},{"_314":735,"_316":736},{"_314":733,"_316":734},{"_314":731,"_316":732},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","fish-market-met-679844","Fish Market",{"_42":794,"_226":795,"_328":796,"_330":518,"_332":797,"_333":798,"_334":521,"_335":521,"_336":-5,"_140":103},"1568","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[779,780,781,782,783],{"_225":380,"_226":381,"_42":382,"_307":383},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_298":776,"_300":777,"_302":778},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_294":375,"_296":376},{"_229":771,"_125":772,"_288":773},{"_279":768,"_281":769,"_283":753,"_285":770},189.9,144.89257842387147,129.89257842387147,{"_290":229,"_123":774,"_154":775,"_140":89},{"_290":125,"_123":370,"_154":371,"_140":372},{"_290":288,"_123":490,"_154":491,"_140":492},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_314":792,"_316":793},{"_314":790,"_316":791},{"_314":788,"_316":789},{"_314":786,"_316":787},{"_314":784,"_316":785},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"landscape-with-a-double-spruce-met-336259","Landscape with a Double Spruce",{"_42":844,"_226":845,"_328":846,"_330":402,"_332":847,"_333":848,"_334":849,"_335":849,"_336":-5,"_140":101},"ca. 1521–22","Prints","Etching","Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm)",1.4617750439367312,[829,830,831,832,833],{"_225":380,"_226":381,"_42":382,"_307":383},"1993.1097","Albrecht Altdorfer made this in about 1521–22, aged about 36. It is now at The Met in New York.","Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22",{"_298":826,"_300":827,"_302":828},"https://img.ochreeditions.com/m/1003.jpg?dl=1","/art/landscape-with-a-double-spruce-met-336259","/galleries/style/northern-renaissance/landscape-with-a-double-spruce-met-336259",{"_294":295,"_296":297},{"_229":821,"_125":822,"_288":823},{"_279":708,"_281":819,"_283":710,"_285":820},41.10249474000601,17.102494740006012,{"_290":229,"_123":824,"_154":825,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":368,"_154":369,"_140":247},"artist/contemporaries-of-albrecht-altdorfer","Albrecht Altdorfer's contemporaries","https://img.ochreeditions.com/a/1003/480.jpg","https://img.ochreeditions.com/a/1003/960.jpg","https://img.ochreeditions.com/a/1003/1920.jpg",{"_314":842,"_316":843},{"_314":840,"_316":841},{"_314":838,"_316":839},{"_314":836,"_316":837},{"_314":834,"_316":835},"#786e61",0.1286,"#928777",0.1974,"#e1d3ba",0.2219,"#aca08d",0.2227,"#c6b9a2",0.2294,"Albrecht Altdorfer","albrecht-altdorfer","German, 1480–1538",1480,1538,"Regensburg","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":892,"_226":893,"_328":894,"_330":402,"_332":895,"_333":896,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1553","etching",1.5103244837758112,[878,879,880,881,882],{"_225":555,"_226":556,"_42":557,"_307":558},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_298":875,"_300":876,"_302":877},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_294":295,"_296":297},{"_229":870,"_125":871,"_288":872},{"_279":543,"_281":868,"_283":545,"_285":869},63.7265625,39.7265625,{"_290":229,"_123":873,"_154":874,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":368,"_154":369,"_140":247},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_314":890,"_316":891},{"_314":888,"_316":889},{"_314":886,"_316":887},{"_314":884,"_316":885},{"_314":883,"_316":671},"#524943","#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"a-hilly-landscape-with-figures-near-a-ravine-aic-93281","A Hilly Landscape with Figures Near a Ravine",{"_42":942,"_226":943,"_328":944,"_330":518,"_332":945,"_333":946,"_334":635,"_335":521,"_336":-5,"_140":101},"1595","Pen and brush and brown ink and brush and brown wash on ivory laid paper","11.3 × 18.9 cm (4 1/2 × 7 1/2 in.)",18,1.6661931818181819,[927,928,929,930,931],{"_225":304,"_226":305,"_42":306,"_307":308},"1987.13","Jan Brueghel the Elder painted this in 1595, aged 27. It is now at the Art Institute of Chicago.","A work made of pen and brush and brown ink and brush and brown wash on ivory laid paper.",{"_298":924,"_300":925,"_302":926},"https://img.ochreeditions.com/m/251.jpg?dl=1","/art/a-hilly-landscape-with-figures-near-a-ravine-aic-93281","/galleries/style/northern-renaissance/a-hilly-landscape-with-figures-near-a-ravine-aic-93281",{"_294":295,"_296":297},{"_229":919,"_125":920,"_288":921},{"_279":708,"_281":917,"_283":710,"_285":918},39.00426257459505,15.004262574595055,{"_290":229,"_123":922,"_154":923,"_140":89},{"_290":125,"_123":435,"_154":436,"_140":89},{"_290":288,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/251/480.jpg","https://img.ochreeditions.com/a/251/960.jpg","https://img.ochreeditions.com/a/251/1920.jpg",{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":936,"_316":937},{"_314":934,"_316":935},{"_314":932,"_316":933},"#aba299",0.074,"#916f53",0.0773,"#b59170",0.1912,"#ccac8b",0.2582,"#dac2a7",0.3993,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"fides-plate-1-from-the-seven-virtues-aic-271116","Fides, plate 1 from The Seven Virtues",{"_42":991,"_226":992,"_328":993,"_330":331,"_332":994,"_333":995,"_334":-5,"_335":-5,"_336":996,"_140":99},"c. 1598","Engraving on ivory laid paper","Plate: 18.7 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",0.7534128775663764,[976,977,978,979,980],{"_225":304,"_226":305,"_42":306,"_307":308},"2023.3190.2","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_298":973,"_300":974,"_302":975},"https://img.ochreeditions.com/m/436.jpg?dl=1","/art/fides-plate-1-from-the-seven-virtues-aic-271116","/galleries/style/northern-renaissance/fides-plate-1-from-the-seven-virtues-aic-271116",{"_294":295,"_296":297},{"_229":968,"_125":969,"_288":970},{"_279":966,"_281":708,"_283":967,"_285":710},42.835321939159414,18.83532193915941,{"_290":229,"_123":971,"_154":972,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":165,"_154":164,"_140":167},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/436/480.jpg","https://img.ochreeditions.com/a/436/960.jpg","https://img.ochreeditions.com/a/436/1920.jpg",{"_314":989,"_316":990},{"_314":987,"_316":988},{"_314":985,"_316":986},{"_314":983,"_316":984},{"_314":981,"_316":982},"#60584e",0.0758,"#84786b",0.1038,"#c0ae9e",0.1201,"#a39385",0.1296,"#e8d0be",0.5707,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":1044,"_226":1045,"_328":1046,"_330":402,"_332":1047,"_333":1048,"_334":-5,"_335":-5,"_336":1049,"_140":99},"1527","Painting","oil on panel","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,0.75244140625,[1029,1030,1031,1032,1033],{"_225":555,"_226":556,"_42":557,"_307":558},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_298":1026,"_300":1027,"_302":1028},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_294":375,"_296":376},{"_229":1021,"_125":1022,"_288":1023},{"_279":1018,"_281":1019,"_283":1020,"_285":414},47.35498046875,58,32.35498046875,{"_290":229,"_123":1024,"_154":1025,"_140":99},{"_290":125,"_123":370,"_154":371,"_140":372},{"_290":288,"_123":368,"_154":369,"_140":247},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},{"_314":1036,"_316":1037},{"_314":1034,"_316":1035},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":1102,"_226":1103,"_328":1104,"_330":402,"_332":1105,"_333":1048,"_334":1106,"_335":1106,"_336":1107,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[1087,1088,1089,1090,1091],{"_225":555,"_226":556,"_42":557,"_307":558},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_298":1084,"_300":1085,"_302":1086},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_294":295,"_296":297},{"_229":1075,"_125":1076,"_288":1077},{"_279":1072,"_281":1073,"_283":1074,"_285":1057},52.4771484375,63.3,28.4771484375,{"_290":229,"_123":1082,"_154":1083,"_140":89},{"_290":125,"_123":1080,"_154":1081,"_140":53},{"_290":288,"_123":1078,"_154":1079,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)",{"_42":1155,"_226":1156,"_328":1157,"_330":518,"_332":634,"_333":1158,"_334":521,"_335":1159,"_336":1160,"_140":99},"c.1575/1590s","watercolor and gold paint on parchment","page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)",18.4,14.3,1.2591454042422379,[1140,1141,1142,1143,1144],{"_225":555,"_226":556,"_42":557,"_307":558},"1987.20.5.14","Joris Hoefnagel painted this in about 1575/1590s, aged about 28. It is now at the National Gallery of Art in Washington, DC.","A yellow swallowtail, a red admiral and a dragonfly are set out symmetrically on the parchment, painted in watercolour with touches of gold so precisely that they could almost be pinned specimens.","Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.",{"_298":1137,"_300":1138,"_302":1139},"https://img.ochreeditions.com/m/1616.jpg?dl=1","/art/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674","/galleries/style/northern-renaissance/plate-13-yellow-swallowtail-and-red-admiral-butterflies-with-nga-69674",{"_294":295,"_296":297},{"_229":1132,"_125":1133,"_288":1134},{"_279":708,"_281":1130,"_283":710,"_285":1131},43.854736328125,19.854736328125,{"_290":229,"_123":1135,"_154":1136,"_140":99},{"_290":125,"_123":493,"_154":494,"_140":492},{"_290":288,"_123":490,"_154":491,"_140":492},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1616/480.jpg","https://img.ochreeditions.com/a/1616/960.jpg","https://img.ochreeditions.com/a/1616/1920.jpg",{"_314":1153,"_316":1154},{"_314":1151,"_316":1152},{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},"#586068",0.0199,"#8d847b",0.0236,"#705447",0.0309,"#ccaf91",0.0518,"#ede0cc",0.8738,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.",{"_1162":-5,"_1163":1164,"_1165":1166,"_1167":8,"_1168":1169,"_1170":8},"user","csrf","834675eae54e5f15bc94a0595d3a1ee061065186","cartCount",0,"dropLive","legal",[1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182],"uploadsEnabled",{"_226":1205,"_20":1206},{"_226":1203,"_20":1204},{"_226":1201,"_20":1202},{"_226":1199,"_20":1200},{"_226":1197,"_20":1198},{"_226":1195,"_20":1196},{"_226":1193,"_20":1194},{"_226":1191,"_20":1192},{"_226":1189,"_20":1190},{"_226":1187,"_20":1188},{"_226":1185,"_20":1186},{"_226":1183,"_20":1184},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]