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Marketplace in Bergen op Zoom","artist",{"_42":324,"_224":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":103},"unrecorded","date","probably 1590 and 1597","century","place","flanders","movement","northern-renaissance","painting","classification","Painting","medium","oil on panel","dimensions","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)","width_cm",82.2,"height_cm",63.8,"aspect",1.2848180677540777,"palette",[307,308,309,310,311],"museum",{"_223":302,"_224":303,"_42":304,"_305":306},"credit","Courtesy National Gallery of Art, Washington","accession","1979.50.1","licence","CC0","story","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","note","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1590.jpg?dl=1","page_url","/art/the-marketplace-in-bergen-op-zoom-nga-57418","walk_url","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418","frame",{"_292":293,"_294":295},{"_227":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":245,"_282":283},"w",97.2,"h",78.97792968750001,"image_w","image_h",63.97792968750001,{"_288":227,"_123":170,"_154":169,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":166,"_154":165,"_140":168},"facet","style/painting-16","More paintings of the 16th century",95,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1590/480.jpg","960","https://img.ochreeditions.com/a/1590/960.jpg","1920","https://img.ochreeditions.com/a/1590/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#2b221c","weight",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","bio","Flemish, c. 1570–1618/1619","nationality","Flemish","birth_year",1570,"death_year",1619,"birth_place","death_place","about_excerpt","leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","Leaf from a Book of Hours: The Nativity (recto) and Text (verso)","Unrecorded French maker","c. 1430","france","manuscript","Manuscript","ink, tempera, and gold on vellum","Leaf: 17 x 12.5 cm (6 11/16 x 4 15/16 in.)",12.5,1.520572450805009,[388,389,390,391,392],{"_223":384,"_224":385,"_42":386,"_305":387},"Courtesy of the Cleveland Museum of Art","2014.23","An unrecorded Northeastern France, 15th century artist painted this in about 1430. It is now at the Cleveland Museum of Art.",{"_118":381,"_382":383},"Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430",{"_296":378,"_298":379,"_300":380},"https://img.ochreeditions.com/m/781.jpg?dl=1","/art/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423","/galleries/style/northern-renaissance/leaf-from-a-book-of-hours-the-nativity-recto-and-text-verso-cma-171423",{"_292":376,"_294":377},{"_227":366,"_125":367,"_286":368},{"_277":362,"_279":363,"_281":364,"_282":365},49,40.44117647058823,25,16.441176470588236,{"_288":227,"_123":374,"_154":375,"_140":87},{"_288":125,"_123":372,"_154":373,"_140":81},{"_288":286,"_123":369,"_154":370,"_140":371},"era/15","The 15th century",110,"style/manuscript-15","More manuscripts of the 15th century","artist/unrecorded-france","More by unrecorded makers of France","black","snow","https://img.ochreeditions.com/a/781/480.jpg","https://img.ochreeditions.com/a/781/960.jpg","https://img.ochreeditions.com/a/781/1920.jpg","Representing God's entry into the world, the Nativity remains one of medieval painting's most poignant Christian images. In the Gospels, only Matthew and Luke directly described this event.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":401,"_314":402},{"_312":399,"_314":400},{"_312":397,"_314":398},{"_312":395,"_314":396},{"_312":393,"_314":394},"#4c5e70",0.0443,"#8e6956",0.0647,"#c6b69f",0.2794,"#7b7566",0.2813,"#a39887",0.3303,"margarethe-vohlin-reverse-nga-33756","Margarethe Vöhlin [reverse]",{"_42":453,"_224":454,"_326":455,"_328":456,"_330":457,"_332":458,"_334":-5,"_335":-5,"_336":459,"_140":99},"1527","germany","overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",30,43,0.75244140625,[438,439,440,441,442],{"_223":302,"_224":303,"_42":304,"_305":306},"1947.6.5.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The image shows a pattern of vertical and horizontal wooden bars forming a grid-like design. In the center, there is a rectangular panel with a decorative emblem against a red background. The emblem features swirling shapes. The structured wooden grid and ornate emblem suggest a vintage heraldic shield or coat of arms.",{"_296":435,"_298":436,"_300":437},"https://img.ochreeditions.com/m/1487.jpg?dl=1","/art/margarethe-vohlin-reverse-nga-33756","/galleries/style/northern-renaissance/margarethe-vohlin-reverse-nga-33756",{"_292":293,"_294":295},{"_227":427,"_125":428,"_286":429},{"_277":424,"_279":425,"_281":426,"_282":410},47.35498046875,58,32.35498046875,{"_288":227,"_123":433,"_154":434,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":430,"_154":431,"_140":432},"era/16-germany","16th-century Germany",28,"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1487/480.jpg","https://img.ochreeditions.com/a/1487/960.jpg","https://img.ochreeditions.com/a/1487/1920.jpg",{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},"#a38e79",0.042,"#824e3d",0.1514,"#542f22",0.2044,"#49413b",0.2907,"#2c231d",0.3115,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528","German",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","title-page-from-the-seven-vices-aic-271107","Title page, from The Seven Vices",{"_42":515,"_224":516,"_326":517,"_328":329,"_330":518,"_332":333,"_334":-5,"_335":-5,"_336":519,"_140":99},"c. 1598","print","Print","Engraving on paper","Plate: 18.6 × 13.4 cm (7 3/8 × 5 5/16 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7551787055919287,[500,501,502,503,504],{"_223":496,"_224":497,"_42":498,"_305":499},"Courtesy of the Art Institute of Chicago","2023.3189.1","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_296":493,"_298":494,"_300":495},"https://img.ochreeditions.com/m/435.jpg?dl=1","/art/title-page-from-the-seven-vices-aic-271107","/galleries/style/northern-renaissance/title-page-from-the-seven-vices-aic-271107",{"_292":376,"_294":377},{"_227":485,"_125":486,"_286":487},{"_277":483,"_279":362,"_281":484,"_282":364},42.87946763979822,18.879467639798218,{"_288":227,"_123":491,"_154":492,"_140":99},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":166,"_154":165,"_140":168},"style/print-16","More prints of the 16th century",54,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/435/480.jpg","https://img.ochreeditions.com/a/435/960.jpg","https://img.ochreeditions.com/a/435/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":513,"_314":514},{"_312":511,"_314":512},{"_312":509,"_314":510},{"_312":507,"_314":508},{"_312":505,"_314":506},"#4f4a44",0.0882,"#9f9287",0.1097,"#7b7168",0.1126,"#c3b2a5",0.1305,"#e9d4c3",0.559,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","mountainous-landscape-with-a-village-nga-37129","Mountainous Landscape with a Village",{"_42":565,"_224":566,"_326":567,"_328":456,"_330":568,"_332":569,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1553","etching",1.5103244837758112,[550,551,552,553,554],{"_223":302,"_224":303,"_42":304,"_305":306},"1950.1.93","Hanns Lautensack made this in 1553, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.",{"_296":547,"_298":548,"_300":549},"https://img.ochreeditions.com/m/1496.jpg?dl=1","/art/mountainous-landscape-with-a-village-nga-37129","/galleries/style/northern-renaissance/mountainous-landscape-with-a-village-nga-37129",{"_292":376,"_294":377},{"_227":542,"_125":543,"_286":544},{"_277":538,"_279":539,"_281":540,"_282":541},84,63.7265625,60,39.7265625,{"_288":227,"_123":545,"_154":546,"_140":89},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-hanns-lautensack","Hanns Lautensack's contemporaries","https://img.ochreeditions.com/a/1496/480.jpg","https://img.ochreeditions.com/a/1496/960.jpg","https://img.ochreeditions.com/a/1496/1920.jpg",{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},"#524943",0.1756,"#baab95",0.1886,"#958775",0.2054,"#dfd0b9",0.2065,"#72665a",0.2239,"Hanns Lautensack","hanns-lautensack","German, 1524–1561/1566",1524,1566,"christ-carrying-the-cross-met-336162","Christ Carrying the Cross",{"_42":628,"_224":629,"_326":630,"_328":456,"_330":631,"_332":632,"_334":633,"_335":634,"_336":635,"_140":97},"ca. 1475–80","Prints","Engraving","Sheet: 11 3/8 × 16 7/8 in. (28.9 × 42.9 cm)",42.9,28.9,1.5008038585209003,[613,614,615,616,617],{"_223":609,"_224":610,"_42":611,"_305":612},"Courtesy of The Metropolitan Museum of Art","35.27","Martin Schongauer made this in about 1475–80, aged about 20. It is now at The Met in New York.","A great procession winds across the sheet towards Calvary, with soldiers on horseback, dogs and onlookers surrounding Christ, who has fallen beneath the weight of the cross.","Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80",{"_296":606,"_298":607,"_300":608},"https://img.ochreeditions.com/m/999.jpg?dl=1","/art/christ-carrying-the-cross-met-336162","/galleries/style/northern-renaissance/christ-carrying-the-cross-met-336162",{"_292":376,"_294":377},{"_227":597,"_125":598,"_286":599},{"_277":594,"_279":595,"_281":577,"_282":596},66.9,52.58468130690948,28.58468130690948,{"_288":227,"_123":604,"_154":605,"_140":97},{"_288":125,"_123":602,"_154":603,"_140":53},{"_288":286,"_123":600,"_154":601,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/999/480.jpg","https://img.ochreeditions.com/a/999/960.jpg","https://img.ochreeditions.com/a/999/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":626,"_314":627},{"_312":624,"_314":625},{"_312":622,"_314":623},{"_312":620,"_314":621},{"_312":618,"_314":619},"#676059",0.1094,"#dfd2bc",0.16,"#8a8075",0.2083,"#c2b4a3",0.2232,"#a69a8d",0.2991,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","Otto, Count of Nassau and his Wife Adelheid van Vianen",{"_42":691,"_224":692,"_326":693,"_328":694,"_330":695,"_332":696,"_334":697,"_335":697,"_336":-5,"_140":103},"1530–35","netherlands","drawing","Drawings","Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)","14 x 19 in. (35.6 x 48.3 cm)",48.3,35.6,1.3329835606855545,[676,677,678,679,680],{"_223":609,"_224":610,"_42":611,"_305":612},"1995.12","Bernard van Orley painted this in 1530–35, aged about 38. It is now at The Met in New York.","Otto, Count of Nassau and his Wife Adelheid van Vianen, by Bernard van Orley, 1530–35",{"_296":673,"_298":674,"_300":675},"https://img.ochreeditions.com/m/1016.jpg?dl=1","/art/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487","/galleries/style/northern-renaissance/otto-count-of-nassau-and-his-wife-adelheid-van-vianen-met-337487",{"_292":376,"_294":377},{"_227":663,"_125":664,"_286":665},{"_277":660,"_279":661,"_281":645,"_282":662},72.3,60.23450537916557,36.23450537916557,{"_288":227,"_123":671,"_154":672,"_140":89},{"_288":125,"_123":669,"_154":670,"_140":668},{"_288":286,"_123":666,"_154":667,"_140":668},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/contemporaries-of-bernard-van-orley","Bernard van Orley's contemporaries","https://img.ochreeditions.com/a/1016/480.jpg","https://img.ochreeditions.com/a/1016/960.jpg","https://img.ochreeditions.com/a/1016/1920.jpg",{"_312":689,"_314":690},{"_312":687,"_314":688},{"_312":685,"_314":686},{"_312":683,"_314":684},{"_312":681,"_314":682},"#817867",0.0895,"#a07e5b",0.0931,"#e0d3bc",0.1989,"#cdba9b",0.3018,"#b59f79",0.3167,"Bernard van Orley","bernard-van-orley","Netherlandish, 1492–1542","Netherlandish",1492,1542,"Brussels","hans-roth-reverse-nga-33754","Hans Roth [reverse]",{"_42":453,"_224":454,"_326":455,"_328":456,"_330":457,"_332":458,"_334":-5,"_335":-5,"_336":459,"_140":99},"overall (visible surface): 42.6 x 3 cm (16 3/4 x 1 3/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",42.6,0.759521484375,[725,726,727,728,729],{"_223":302,"_224":303,"_42":304,"_305":306},"1947.6.4.b","The back of Bernhard Strigel’s 1527 portrait of Hans Roth carries his coat of arms: a black and gold shield beneath a crest from which a unicorn-like creature emerges, all set on a deep red ground.","This is a painting depicting a heraldic coat of arms. The image features a detailed coat of arms with a central shield, adorned with black and gold sections, and additional decorative elements above it. There is a figure resembling a unicorn emerging from the crest. The background is a deep red hue. The artwork is displayed within a wooden frame with crossbars. This style is associated with displaying family crests and lineage.",{"_296":722,"_298":723,"_300":724},"https://img.ochreeditions.com/m/1485.jpg?dl=1","/art/hans-roth-reverse-nga-33754","/galleries/style/northern-renaissance/hans-roth-reverse-nga-33754",{"_292":293,"_294":295},{"_227":719,"_125":720,"_286":721},{"_277":716,"_279":717,"_281":718,"_282":364},33.988037109375,40,18.988037109375,{"_288":227,"_123":433,"_154":434,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":430,"_154":431,"_140":432},"https://img.ochreeditions.com/a/1485/480.jpg","https://img.ochreeditions.com/a/1485/960.jpg","https://img.ochreeditions.com/a/1485/1920.jpg",{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},{"_312":732,"_314":733},{"_312":730,"_314":731},"#a49f9d",0.0344,"#8a5643",0.1435,"#5a3022",0.2003,"#50463f",0.2643,"#2e251f",0.3575,"the-holy-family-aic-267846","The Holy Family",{"_42":785,"_224":786,"_326":787,"_328":329,"_330":331,"_332":788,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1585-1595","Engraving on laid paper","Sheet (trimmed): 23.2 × 16.7 cm (9 3/16 × 6 5/8 in.)",23,0.7218736930154747,[770,771,772,773,774],{"_223":496,"_224":497,"_42":498,"_305":499},"2023.218","Pieter de Jode, I made this in about 1585-1595, aged about 15. It is now at the Art Institute of Chicago.","A work made of engraving on laid paper.",{"_296":767,"_298":768,"_300":769},"https://img.ochreeditions.com/m/424.jpg?dl=1","/art/the-holy-family-aic-267846","/galleries/style/northern-renaissance/the-holy-family-aic-267846",{"_292":376,"_294":377},{"_227":762,"_125":763,"_286":764},{"_277":760,"_279":362,"_281":761,"_282":364},42.04684232538686,18.046842325386866,{"_288":227,"_123":765,"_154":766,"_140":89},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pieter-de-jode-i","Pieter de Jode, I's contemporaries","https://img.ochreeditions.com/a/424/480.jpg","https://img.ochreeditions.com/a/424/960.jpg","https://img.ochreeditions.com/a/424/1920.jpg",{"_312":783,"_314":784},{"_312":781,"_314":782},{"_312":779,"_314":780},{"_312":777,"_314":778},{"_312":775,"_314":776},"#585149",0.0958,"#c0b0a1",0.1987,"#e2d0c1",0.2007,"#786e65",0.2371,"#9e9084",0.2677,"Pieter de Jode, I","pieter-de-jode-i","Flemish, 1570–1634",1634,"saint-christopher-nga-6034","Saint Christopher",{"_42":833,"_224":834,"_326":835,"_328":456,"_330":836,"_332":518,"_334":837,"_335":838,"_336":839,"_140":97},"1506","chiaroscuro woodcut printed in brown-orange and black",0.703125,[818,819,820,821,822],{"_223":302,"_224":303,"_42":304,"_305":306},"1943.3.2858","Lucas Cranach the Elder made this in 1506, aged 34. It is now at the National Gallery of Art in Washington, DC.","The giant Christopher wades through a river with the Christ Child, leaning on his staff, while a village and mountains rise in the background.","This is a drawing of a wilderness setting by a river. The scene features rocky cliffs, lush vegetation, a large bearded figure holding a staff, and a small cherubic figure beside them. In the background, there is a village against a mountainous backdrop. The drawing has rich texture and intricate details, with a contrast of dark lines and lighter hues.",{"_296":815,"_298":816,"_300":817},"https://img.ochreeditions.com/m/1344.jpg?dl=1","/art/saint-christopher-nga-6034","/galleries/style/northern-renaissance/saint-christopher-nga-6034",{"_292":376,"_294":377},{"_227":810,"_125":811,"_286":812},{"_277":808,"_279":538,"_281":809,"_282":540},66.1875,42.1875,{"_288":227,"_123":813,"_154":814,"_140":97},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1344/480.jpg","https://img.ochreeditions.com/a/1344/960.jpg","https://img.ochreeditions.com/a/1344/1920.jpg",{"_312":831,"_314":832},{"_312":829,"_314":830},{"_312":827,"_314":828},{"_312":825,"_314":826},{"_312":823,"_314":824},"#af9577",0.0979,"#6e543c",0.1344,"#c48c4c",0.2344,"#8f6942",0.2615,"#aa7c49",0.2718,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":886,"_224":887,"_326":888,"_328":329,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[871,872,873,874,875],{"_223":496,"_224":497,"_42":498,"_305":499},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_296":868,"_298":869,"_300":870},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_292":376,"_294":377},{"_227":863,"_125":864,"_286":865},{"_277":860,"_279":861,"_281":862,"_282":846},52.650632426216944,66,28.65063242621694,{"_288":227,"_123":866,"_154":867,"_140":89},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_312":884,"_314":885},{"_312":882,"_314":883},{"_312":880,"_314":881},{"_312":878,"_314":879},{"_312":876,"_314":877},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","still-life-with-flowers-a-snail-and-insects-met-382608","Still Life with Flowers, a Snail and Insects",{"_42":936,"_224":937,"_326":938,"_328":694,"_330":696,"_332":939,"_334":940,"_335":941,"_336":942,"_140":99},"1589","Watercolor, gouache, and shell gold on vellum","Sheet: 4 5/8 x 3 11/16 in. (11.7 x 9.3 cm)",9.3,11.7,0.816262482168331,[921,922,923,924,925],{"_223":609,"_224":610,"_42":611,"_305":612},"2008.110","Joris Hoefnagel painted this in 1589, aged 47. It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_296":918,"_298":919,"_300":920},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_292":376,"_294":377},{"_227":913,"_125":914,"_286":915},{"_277":911,"_279":362,"_281":912,"_282":364},44.40656205420827,20.406562054208273,{"_288":227,"_123":916,"_154":917,"_140":99},{"_288":125,"_123":669,"_154":670,"_140":668},{"_288":286,"_123":666,"_154":667,"_140":668},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg",{"_312":934,"_314":935},{"_312":932,"_314":933},{"_312":930,"_314":931},{"_312":928,"_314":929},{"_312":926,"_314":927},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":991,"_224":992,"_326":993,"_328":993,"_330":-5,"_332":994,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1536/1540","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",14.3,16.5,0.854736328125,[976,977,978,979,980],{"_223":302,"_224":303,"_42":304,"_305":306},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_296":973,"_298":974,"_300":975},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_292":293,"_294":295},{"_227":966,"_125":967,"_286":968},{"_277":964,"_279":717,"_281":965,"_282":364},36.368408203125,21.368408203125,{"_288":227,"_123":971,"_154":972,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":969,"_154":970,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_312":989,"_314":990},{"_312":987,"_314":988},{"_312":985,"_314":986},{"_312":983,"_314":984},{"_312":981,"_314":982},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"pacientia-patience-nga-4290","Pacientia (Patience)",{"_42":1038,"_224":1039,"_326":1040,"_328":456,"_330":1041,"_332":1042,"_334":-5,"_335":-5,"_336":1043,"_140":99},"1540","engraving",0.6658470617162527,[1024,1025,1026,1027,1028],{"_223":302,"_224":303,"_42":304,"_305":306},"1943.3.1072","Sebald Beham made this in 1540, aged 40. It is now at the National Gallery of Art in Washington, DC.","Patience, personified as a winged woman, tenderly holds a lamb, an emblem of meek endurance, while a dragon-like monster lurks beside her and putti fly in with a laurel branch beneath her name, PACIENTIA.","This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word \"PACIENTIA.\" On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.",{"_296":1021,"_298":1022,"_300":1023},"https://img.ochreeditions.com/m/1339.jpg?dl=1","/art/pacientia-patience-nga-4290","/galleries/style/northern-renaissance/pacientia-patience-nga-4290",{"_292":376,"_294":377},{"_227":1016,"_125":1017,"_286":1018},{"_277":1014,"_279":538,"_281":1015,"_282":540},63.950823702975164,39.950823702975164,{"_288":227,"_123":1019,"_154":1020,"_140":99},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1339/480.jpg","https://img.ochreeditions.com/a/1339/960.jpg","https://img.ochreeditions.com/a/1339/1920.jpg",{"_312":1036,"_314":1037},{"_312":1034,"_314":1035},{"_312":1032,"_314":1033},{"_312":1030,"_314":1031},{"_312":1029,"_314":556},"#e3d1b4","#64584e",0.1778,"#c4b297",0.2016,"#a2927b",0.2143,"#827464",0.2307,"Sebald Beham","sebald-beham","German, 1500–1550",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","adam-and-eve-met-336222","Adam and Eve",{"_42":1091,"_224":1092,"_326":1093,"_328":456,"_330":1094,"_332":458,"_334":1095,"_335":1095,"_336":1096,"_140":89},"1504","9 7/8 x 7 7/8in. (25.1 x 20cm)",20,25.1,0.7901810202962151,[1076,1077,1078,1079,1080],{"_223":609,"_224":610,"_42":611,"_305":612},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_296":1073,"_298":1074,"_300":1075},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_292":376,"_294":377},{"_227":1068,"_125":1069,"_286":1070},{"_277":1065,"_279":1066,"_281":1067,"_282":1050},43.833543609435,49.1,19.833543609435,{"_288":227,"_123":1071,"_154":1072,"_140":89},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_312":1089,"_314":1090},{"_312":1087,"_314":1088},{"_312":1085,"_314":1086},{"_312":1083,"_314":1084},{"_312":1081,"_314":1082},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","saint-andrew-nga-11916","Saint Andrew",{"_42":1140,"_224":1141,"_326":1142,"_328":1143,"_330":1144,"_332":1145,"_334":1146,"_335":1147,"_336":1148,"_140":91},"probably 1589",0.678955078125,[1125,1126,1127,1128,1129],{"_223":302,"_224":303,"_42":304,"_305":306},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_296":1122,"_298":1123,"_300":1124},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_292":376,"_294":377},{"_227":1117,"_125":1118,"_286":1119},{"_277":1115,"_279":538,"_281":1116,"_282":540},64.7373046875,40.7373046875,{"_288":227,"_123":1120,"_154":1121,"_140":91},{"_288":125,"_123":488,"_154":489,"_140":490},{"_288":286,"_123":666,"_154":667,"_140":668},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_312":1138,"_314":1139},{"_312":1136,"_314":1137},{"_312":1134,"_314":1135},{"_312":1132,"_314":1133},{"_312":1130,"_314":1131},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.",{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","0e7f8bc3a7be63dbf7f5bdbad38d21079fc824b0","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]