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She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. 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It is now at The Met in New York.","A spray of flowers is laid out on the vellum alongside a snail, butterflies and other insects, each painted with microscopic care in watercolour and gouache and touched with shell gold, powdered gold bound in gum.","Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589",{"_293":432,"_295":433,"_297":434},"https://img.ochreeditions.com/m/1052.jpg?dl=1","/art/still-life-with-flowers-a-snail-and-insects-met-382608","/galleries/style/northern-renaissance/still-life-with-flowers-a-snail-and-insects-met-382608",{"_289":430,"_291":431},{"_223":420,"_125":421,"_283":422},{"_273":417,"_275":418,"_277":419,"_279":280},44.40656205420827,49,20.406562054208273,{"_285":223,"_123":428,"_154":429,"_140":99},{"_285":125,"_123":426,"_154":427,"_140":425},{"_285":283,"_123":423,"_154":424,"_140":425},"era/16-netherlands","16th-century Netherlands",35,"style/drawing-16","More drawings of the 16th century","artist/joris-hoefnagel","More by Joris Hoefnagel","black","snow","https://img.ochreeditions.com/a/1052/480.jpg","https://img.ochreeditions.com/a/1052/960.jpg","https://img.ochreeditions.com/a/1052/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},"#c6a780",0.1181,"#49423b",0.183,"#ab826d",0.1944,"#cab2a0",0.2356,"#d9d1ca",0.2689,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600","Netherlandish",1542,1600,"Antwerp","Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","the-judgment-of-paris-met-436037","The Judgment of Paris",{"_42":512,"_220":513,"_323":514,"_325":387,"_326":515,"_327":516,"_329":517,"_330":518,"_331":519,"_140":97},"ca. 1528","Paintings","Oil on beech","40 1/8 x 28in. (101.9 x 71.1cm)",71.1,101.9,0.7136222910216719,[497,498,499,500,501],{"_219":435,"_220":436,"_42":437,"_302":438},"28.221","Lucas Cranach the Elder painted this in about 1528, aged about 51. It is now at The Met in New York.","Paris, dressed in the armour of a contemporary knight, sits beneath a tree as the three goddesses, Juno, Minerva and Venus, present themselves for his judgement, accompanied by Mercury, while Cupid appears above with his bow.","The Judgment of Paris, by Lucas Cranach the Elder, ca. 1528",{"_293":494,"_295":495,"_297":496},"https://img.ochreeditions.com/m/1080.jpg?dl=1","/art/the-judgment-of-paris-met-436037","/galleries/style/northern-renaissance/the-judgment-of-paris-met-436037",{"_289":290,"_291":292},{"_223":489,"_125":490,"_283":491},{"_273":486,"_275":487,"_277":488,"_279":471},87.71811145510837,116.9,72.71811145510837,{"_285":223,"_123":492,"_154":493,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1080/480.jpg","https://img.ochreeditions.com/a/1080/960.jpg","https://img.ochreeditions.com/a/1080/1920.jpg",{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":502,"_311":503},"#6e695a",0.1021,"#9e8269",0.1132,"#5e4934",0.1569,"#403c30",0.2274,"#28231b",0.4004,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,1553,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","fides-plate-1-from-the-seven-virtues-aic-271116","Fides, plate 1 from The Seven Virtues",{"_42":579,"_220":580,"_323":581,"_325":582,"_326":516,"_327":583,"_329":-5,"_330":-5,"_331":584,"_140":99},"c. 1598","flanders","print","Print","Engraving on ivory laid paper","Plate: 18.7 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7534128775663764,[564,565,566,567,568],{"_219":560,"_220":561,"_42":562,"_302":563},"Courtesy of the Art Institute of Chicago","2023.3190.2","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_293":557,"_295":558,"_297":559},"https://img.ochreeditions.com/m/436.jpg?dl=1","/art/fides-plate-1-from-the-seven-virtues-aic-271116","/galleries/style/northern-renaissance/fides-plate-1-from-the-seven-virtues-aic-271116",{"_289":430,"_291":431},{"_223":546,"_125":547,"_283":548},{"_273":544,"_275":418,"_277":545,"_279":280},42.835321939159414,18.83532193915941,{"_285":223,"_123":555,"_154":556,"_140":99},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":549,"_154":550,"_140":551},"era/16-flanders","16th-century Flanders",17,"style/print-16","More prints of the 16th century",54,"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/436/480.jpg","https://img.ochreeditions.com/a/436/960.jpg","https://img.ochreeditions.com/a/436/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":577,"_311":578},{"_309":575,"_311":576},{"_309":573,"_311":574},{"_309":571,"_311":572},{"_309":569,"_311":570},"#60584e",0.0758,"#84786b",0.1038,"#c0ae9e",0.1201,"#a39385",0.1296,"#e8d0be",0.5707,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","adam-and-eve-met-336222","Adam and Eve",{"_42":634,"_220":635,"_323":636,"_325":387,"_326":637,"_327":389,"_329":638,"_330":638,"_331":639,"_140":89},"1504","Prints","Engraving","9 7/8 x 7 7/8in. (25.1 x 20cm)",20,25.1,0.7901810202962151,[619,620,621,622,623],{"_219":435,"_220":436,"_42":437,"_302":438},"19.73.1","Albrecht Dürer made this in 1504, aged 33. It is now at The Met in New York.","Adam and Eve stand in the Garden of Eden at the instant before the Fall, as the serpent offers the fruit and Eve reaches to take it. Dürer used the pair to set out his study of ideal human proportions, drawn from classical sculpture, and engraved them with extraordinary precision.","Adam and Eve, by Albrecht Dürer, 1504",{"_293":616,"_295":617,"_297":618},"https://img.ochreeditions.com/m/1000.jpg?dl=1","/art/adam-and-eve-met-336222","/galleries/style/northern-renaissance/adam-and-eve-met-336222",{"_289":430,"_291":431},{"_223":611,"_125":612,"_283":613},{"_273":608,"_275":609,"_277":610,"_279":593},43.833543609435,49.1,19.833543609435,{"_285":223,"_123":614,"_154":615,"_140":89},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1000/480.jpg","https://img.ochreeditions.com/a/1000/960.jpg","https://img.ochreeditions.com/a/1000/1920.jpg",{"_309":632,"_311":633},{"_309":630,"_311":631},{"_309":628,"_311":629},{"_309":626,"_311":627},{"_309":624,"_311":625},"#beb5a5",0.1375,"#928a7e",0.1859,"#e6dece",0.2031,"#6c675f",0.2125,"#4b4843",0.261,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","melencolia-i-met-336228","Melencolia I",{"_42":634,"_220":635,"_323":636,"_325":387,"_326":637,"_327":389,"_329":638,"_330":638,"_331":639,"_140":89},"1514","Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm)",18.7,24.1,0.7919123841617524,[669,670,671,672,673],{"_219":435,"_220":436,"_42":437,"_302":438},"43.106.1","Albrecht Dürer made this in 1514, aged 43. It is now at The Met in New York.","A winged figure sits slumped, chin on fist, surrounded by the tools of measurement and making: a compass in her lap, a plane and saw at her feet, an hourglass, scales and a bell on the wall behind, a ladder, a huge faceted stone and a sphere.","Melencolia I, by Albrecht Dürer, 1514",{"_293":666,"_295":667,"_297":668},"https://img.ochreeditions.com/m/1001.jpg?dl=1","/art/melencolia-i-met-336228","/galleries/style/northern-renaissance/melencolia-i-met-336228",{"_289":430,"_291":431},{"_223":663,"_125":664,"_283":665},{"_273":661,"_275":418,"_277":662,"_279":280},43.797809604043806,19.79780960404381,{"_285":223,"_123":614,"_154":615,"_140":89},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":361,"_154":362,"_140":363},"https://img.ochreeditions.com/a/1001/480.jpg","https://img.ochreeditions.com/a/1001/960.jpg","https://img.ochreeditions.com/a/1001/1920.jpg",{"_309":682,"_311":683},{"_309":680,"_311":681},{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},"#f9f1dc",0.1294,"#baab96",0.1419,"#554f48",0.2147,"#908475",0.2359,"#6f665c",0.2781,"crest-nga-11963","Crest",{"_42":728,"_220":729,"_323":730,"_325":387,"_326":731,"_327":732,"_329":-5,"_330":-5,"_331":-5,"_140":103},"engraving",0.656855151045701,[713,714,715,716,717],{"_219":299,"_220":300,"_42":301,"_302":303},"1943.3.9447","Michel Le Blon made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.",{"_293":710,"_295":711,"_297":712},"https://img.ochreeditions.com/m/1359.jpg?dl=1","/art/crest-nga-11963","/galleries/style/northern-renaissance/crest-nga-11963",{"_289":430,"_291":431},{"_223":705,"_125":706,"_283":707},{"_273":701,"_275":702,"_277":703,"_279":704},63.41130906274206,84,39.41130906274206,60,{"_285":223,"_123":708,"_154":709,"_140":89},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-michel-le-blon","Michel Le Blon's contemporaries","https://img.ochreeditions.com/a/1359/480.jpg","https://img.ochreeditions.com/a/1359/960.jpg","https://img.ochreeditions.com/a/1359/1920.jpg",{"_309":726,"_311":727},{"_309":724,"_311":725},{"_309":722,"_311":723},{"_309":720,"_311":721},{"_309":718,"_311":719},"#756759",0.1004,"#938470",0.135,"#ccb99d",0.1358,"#b19f86",0.1477,"#f3e2c5",0.4811,"Michel Le Blon","michel-le-blon","German, 1587–1656",1587,1656,"study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":780,"_220":781,"_323":782,"_325":457,"_326":783,"_327":784,"_329":460,"_330":785,"_331":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[765,766,767,768,769],{"_219":435,"_220":436,"_42":437,"_302":438},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_293":762,"_295":763,"_297":764},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_289":430,"_291":431},{"_223":757,"_125":758,"_283":759},{"_273":754,"_275":755,"_277":756,"_279":740},47.47889004149378,55.8,23.478890041493777,{"_285":223,"_123":760,"_154":761,"_140":89},{"_285":125,"_123":426,"_154":427,"_140":425},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_309":778,"_311":779},{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1565,1629,"The Hague","saint-andrew-nga-11916","Saint Andrew",{"_42":829,"_220":830,"_323":831,"_325":832,"_326":833,"_327":834,"_329":835,"_330":836,"_331":837,"_140":91},"probably 1589",0.678955078125,[814,815,816,817,818],{"_219":299,"_220":300,"_42":301,"_302":303},"1943.3.9401","Hendrick Goltzius made this (probably 1589), aged 31. It is now at the National Gallery of Art in Washington, DC.","Saint Andrew, his lined face resting on one hand and a book tucked under his arm, gazes out of the frame with a melancholy, inward look, set against a background of rugged rocks. Goltzius engraved the plate around 1589 as part of a series of the apostles, each a half-length figure with a Latin inscription below.","The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.",{"_293":811,"_295":812,"_297":813},"https://img.ochreeditions.com/m/1358.jpg?dl=1","/art/saint-andrew-nga-11916","/galleries/style/northern-renaissance/saint-andrew-nga-11916",{"_289":430,"_291":431},{"_223":806,"_125":807,"_283":808},{"_273":804,"_275":702,"_277":805,"_279":704},64.7373046875,40.7373046875,{"_285":223,"_123":809,"_154":810,"_140":91},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/1358/480.jpg","https://img.ochreeditions.com/a/1358/960.jpg","https://img.ochreeditions.com/a/1358/1920.jpg",{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},{"_309":819,"_311":820},"#948676",0.1545,"#6f6457",0.1687,"#b1a18d",0.1761,"#50473e",0.2191,"#cebca4",0.2816,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617","Dutch",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":512,"_220":513,"_323":514,"_325":387,"_326":515,"_327":516,"_329":517,"_330":518,"_331":519,"_140":97},"woodcut",0.680419921875,[867,868,869,870,871],{"_219":299,"_220":300,"_42":301,"_302":303},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_293":864,"_295":865,"_297":866},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_289":430,"_291":431},{"_223":857,"_125":858,"_283":859},{"_273":855,"_275":702,"_277":856,"_279":704},64.8251953125,40.8251953125,{"_285":223,"_123":492,"_154":493,"_140":97},{"_285":125,"_123":862,"_154":863,"_140":53},{"_285":283,"_123":860,"_154":861,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_309":880,"_311":881},{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"the-harvesters-met-435809","The Harvesters",{"_42":930,"_220":931,"_323":932,"_325":457,"_326":933,"_327":934,"_329":-5,"_330":935,"_331":936,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[915,916,917,918,919],{"_219":435,"_220":436,"_42":437,"_302":438},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_293":912,"_295":913,"_297":914},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_289":290,"_291":292},{"_223":907,"_125":908,"_283":909},{"_273":904,"_275":905,"_277":888,"_279":906},176.9,134.33274731041723,119.33274731041722,{"_285":223,"_123":910,"_154":911,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":423,"_154":424,"_140":425},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_309":928,"_311":929},{"_309":926,"_311":927},{"_309":924,"_311":925},{"_309":922,"_311":923},{"_309":920,"_311":921},"#794c20",0.1692,"#c6b6a3",0.1735,"#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Brussels","Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","virgin-and-child-with-saint-anne-met-436244","Virgin and Child with Saint Anne",{"_42":634,"_220":635,"_323":636,"_325":387,"_326":637,"_327":389,"_329":638,"_330":638,"_331":639,"_140":89},"probably 1519","Oil on linden","23 5/8 x 19 5/8 in. (60 x 49.8 cm)",49.8,0.8386010362694301,[967,968,969,970,971],{"_219":435,"_220":436,"_42":437,"_302":438},"14.40.633","Albrecht Dürer painted this (probably 1519), aged 48. It is now at The Met in New York.","Three generations fill this close, half-length panel: Saint Anne, wrapped in a white headcloth, rests a hand on the shoulder of her daughter Mary, who folds her hands in prayer over the sleeping Christ Child.","Virgin and Child with Saint Anne, by Albrecht Dürer, probably 1519",{"_293":964,"_295":965,"_297":966},"https://img.ochreeditions.com/m/1086.jpg?dl=1","/art/virgin-and-child-with-saint-anne-met-436244","/galleries/style/northern-renaissance/virgin-and-child-with-saint-anne-met-436244",{"_289":290,"_291":292},{"_223":961,"_125":962,"_283":963},{"_273":958,"_275":959,"_277":960,"_279":704},65.3160621761658,75,50.3160621761658,{"_285":223,"_123":614,"_154":615,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"https://img.ochreeditions.com/a/1086/480.jpg","https://img.ochreeditions.com/a/1086/960.jpg","https://img.ochreeditions.com/a/1086/1920.jpg",{"_309":980,"_311":981},{"_309":978,"_311":979},{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},"#4c2520",0.1011,"#7f785c",0.1365,"#49402f",0.1695,"#815940",0.1731,"#232517",0.4198,"madonna-and-child-at-a-fountain-nga-30810","Madonna and Child at a Fountain",{"_42":1027,"_220":1028,"_323":387,"_325":387,"_326":-5,"_327":1029,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1501","engraving on laid paper","sheet (trimmed within image at top and sides): 16.6 × 13.6 cm (6 9/16 × 5 3/8 in.)",13.6,16.6,0.8095703125,[1013,1014,1015,1016,1017],{"_219":299,"_220":300,"_42":301,"_302":303},"1945.5.34","Master MZ made this in 1501. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman sitting with a child on her lap. The woman has a gentle expression and long hair, wearing a flowing robe. The child is facing her, reaching up with one hand. In the background are trees, hills, a building, and a fountain with a lion's head spouting water into a basin. The illustration is detailed, capturing textures and elements in the scene.",{"_293":1010,"_295":1011,"_297":1012},"https://img.ochreeditions.com/m/1461.jpg?dl=1","/art/madonna-and-child-at-a-fountain-nga-30810","/galleries/style/northern-renaissance/madonna-and-child-at-a-fountain-nga-30810",{"_289":430,"_291":431},{"_223":1005,"_125":1006,"_283":1007},{"_273":1003,"_275":418,"_277":1004,"_279":280},44.2392578125,20.2392578125,{"_285":223,"_123":1008,"_154":1009,"_140":89},{"_285":125,"_123":552,"_154":553,"_140":554},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-master-mz","Master MZ's contemporaries","https://img.ochreeditions.com/a/1461/480.jpg","https://img.ochreeditions.com/a/1461/960.jpg","https://img.ochreeditions.com/a/1461/1920.jpg",{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},{"_309":1018,"_311":316},"#524a45","#7a6e62",0.1295,"#a2937f",0.1701,"#c5b59c",0.2194,"#e7d6ba",0.3647,"Master MZ","master-mz",1560,"a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":1075,"_220":1076,"_323":1077,"_325":582,"_326":1078,"_327":1079,"_329":1080,"_330":1081,"_331":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[1060,1061,1062,1063,1064],{"_219":435,"_220":436,"_42":437,"_302":438},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_293":1057,"_295":1058,"_297":1059},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_289":430,"_291":431},{"_223":1052,"_125":1053,"_283":1054},{"_273":1050,"_275":418,"_277":1051,"_279":280},48.992885600455324,24.992885600455324,{"_285":223,"_123":1055,"_154":1056,"_140":89},{"_285":125,"_123":426,"_154":427,"_140":425},{"_285":283,"_123":549,"_154":550,"_140":551},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},{"_309":1067,"_311":1068},{"_309":1065,"_311":1066},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":1136,"_220":1137,"_323":1138,"_325":582,"_326":1139,"_327":1140,"_329":-5,"_330":-5,"_331":1141,"_140":99},"ca. 1596-99","Drawing","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,1.402575587905935,[1121,1122,1123,1124,1125],{"_219":1118,"_220":1119,"_42":1120,"_302":438},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1115,"_1116":1117},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_293":1112,"_295":1113,"_297":1114},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_289":430,"_291":431},{"_223":1107,"_125":1108,"_283":1109},{"_273":418,"_275":1105,"_277":280,"_279":1106},41.82435129740519,17.82435129740519,{"_285":223,"_123":1110,"_154":1111,"_140":99},{"_285":125,"_123":426,"_154":427,"_140":425},{"_285":283,"_123":549,"_154":550,"_140":551},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_309":1134,"_311":1135},{"_309":1132,"_311":1133},{"_309":1130,"_311":1131},{"_309":1128,"_311":1129},{"_309":1126,"_311":1127},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.",{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","55635f935e025a942b7501350283ae1df76bfbf4","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]