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The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1338.jpg?dl=1","page_url","/art/trajan-nga-4262","walk_url","/galleries/style/northern-renaissance/trajan-nga-4262","frame",{"_291":292,"_293":294},{"_227":283,"_125":284,"_285":286},"size",{"_275":276,"_277":278,"_279":280,"_281":282},"w",84,"h",83.71391417425227,"image_w",60,"image_h",59.713914174252274,{"_287":227,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/print-16","More prints of the 16th century",54,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1338/480.jpg","960","https://img.ochreeditions.com/a/1338/960.jpg","1920","https://img.ochreeditions.com/a/1338/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#655a51","weight",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"Sebald Beham","sebald-beham","bio","German, 1500–1550","nationality","German","birth_year",1500,"death_year",1550,"birth_place","death_place","about_excerpt","Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","the-rabbit-hunt-cma-168193","The Rabbit Hunt",{"_42":396,"_224":397,"_325":398,"_327":399,"_329":400,"_331":401,"_333":-5,"_334":402,"_335":403,"_140":99},"1560","flanders","etching","Platemark: 22.1 x 29 cm (8 11/16 x 11 7/16 in.); Sheet: 24.3 x 31.8 cm (9 9/16 x 12 1/2 in.)",29,22.1,1.2908124525436597,[382,383,384,385,386],{"_223":378,"_224":379,"_42":380,"_304":381},"Courtesy of the Cleveland Museum of Art","2009.80","Pieter Bruegel made this in 1560, aged 35. 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In 1563 he moved to Brussels.","spes-plate-2-from-the-seven-virtues-aic-271117","Spes, plate 2 from The Seven Virtues",{"_42":456,"_224":457,"_325":458,"_327":459,"_329":460,"_331":461,"_333":-5,"_334":-5,"_335":462,"_140":99},"c. 1598","Engraving on paper","Plate: 18.6 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7505114676429417,[441,442,443,444,445],{"_223":437,"_224":438,"_42":439,"_304":440},"Courtesy of the Art Institute of Chicago","2023.3190.3","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/437.jpg?dl=1","/art/spes-plate-2-from-the-seven-virtues-aic-271117","/galleries/style/northern-renaissance/spes-plate-2-from-the-seven-virtues-aic-271117",{"_291":292,"_293":294},{"_227":429,"_125":430,"_285":431},{"_275":425,"_277":426,"_279":427,"_281":428},42.76278669107354,49,18.762786691073543,25,{"_287":227,"_123":432,"_154":433,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/437/480.jpg","https://img.ochreeditions.com/a/437/960.jpg","https://img.ochreeditions.com/a/437/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#5c544b",0.0632,"#82766a",0.1152,"#a29285",0.1224,"#c5b2a2",0.1341,"#ead4c2",0.5651,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619","Flemish",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","fish-market-met-679844","Fish Market",{"_42":526,"_224":527,"_325":528,"_327":399,"_329":529,"_331":195,"_333":530,"_334":530,"_335":-5,"_140":103},"1568","netherlands","painting","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[511,512,513,514,515],{"_223":507,"_224":508,"_42":509,"_304":510},"Courtesy of The Metropolitan Museum of Art","2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_295":504,"_297":505,"_299":506},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_291":502,"_293":503},{"_227":491,"_125":492,"_285":493},{"_275":488,"_277":489,"_279":472,"_281":490},189.9,144.89257842387147,129.89257842387147,{"_287":227,"_123":500,"_154":501,"_140":89},{"_287":125,"_123":497,"_154":498,"_140":499},{"_287":285,"_123":494,"_154":495,"_140":496},"era/16-netherlands","16th-century Netherlands",35,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":524,"_313":525},{"_311":522,"_313":523},{"_311":520,"_313":521},{"_311":518,"_313":519},{"_311":516,"_313":517},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,"Antwerp","a-hilly-landscape-with-figures-near-a-ravine-aic-93281","A Hilly Landscape with Figures Near a Ravine",{"_42":579,"_224":580,"_325":581,"_327":399,"_329":582,"_331":583,"_333":402,"_334":530,"_335":-5,"_140":101},"1595","watercolour","Drawing and Watercolor","Pen and brush and brown ink and brush and brown wash on ivory laid paper","11.3 × 18.9 cm (4 1/2 × 7 1/2 in.)",1.6661931818181819,[564,565,566,567,568],{"_223":437,"_224":438,"_42":439,"_304":440},"1987.13","Jan Brueghel the Elder painted this in 1595, aged 27. It is now at the Art Institute of Chicago.","A work made of pen and brush and brown ink and brush and brown wash on ivory laid paper.",{"_295":561,"_297":562,"_299":563},"https://img.ochreeditions.com/m/251.jpg?dl=1","/art/a-hilly-landscape-with-figures-near-a-ravine-aic-93281","/galleries/style/northern-renaissance/a-hilly-landscape-with-figures-near-a-ravine-aic-93281",{"_291":292,"_293":294},{"_227":554,"_125":555,"_285":556},{"_275":426,"_277":552,"_279":428,"_281":553},39.00426257459505,15.004262574595055,{"_287":227,"_123":559,"_154":560,"_140":89},{"_287":125,"_123":557,"_154":558,"_140":89},{"_287":285,"_123":367,"_154":368,"_140":369},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-jan-brueghel-the-elder","Jan Brueghel the Elder's contemporaries","https://img.ochreeditions.com/a/251/480.jpg","https://img.ochreeditions.com/a/251/960.jpg","https://img.ochreeditions.com/a/251/1920.jpg",{"_311":577,"_313":578},{"_311":575,"_313":576},{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},"#aba299",0.074,"#916f53",0.0773,"#b59170",0.1912,"#ccac8b",0.2582,"#dac2a7",0.3993,"Jan Brueghel the Elder","jan-brueghel-the-elder","Flemish, 1568–1625",1568,1625,"goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":641,"_224":642,"_325":643,"_327":459,"_329":644,"_331":645,"_333":-5,"_334":-5,"_335":646,"_140":99},"ca. 1596-99","drawing","Drawing","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[626,627,628,629,630],{"_223":623,"_224":624,"_42":625,"_304":510},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":621,"_376":622},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_295":618,"_297":619,"_299":620},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_291":292,"_293":294},{"_227":611,"_125":612,"_285":613},{"_275":426,"_277":609,"_279":428,"_281":610},41.82435129740519,17.82435129740519,{"_287":227,"_123":616,"_154":617,"_140":99},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":367,"_154":368,"_140":369},"style/drawing-16","More drawings of the 16th century","artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_311":639,"_313":640},{"_311":637,"_313":638},{"_311":635,"_313":636},{"_311":633,"_313":634},{"_311":631,"_313":632},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","two-galleys-at-sea-si-chndm-1901-39-2481","Two Galleys at Sea",{"_42":641,"_224":642,"_325":643,"_327":459,"_329":644,"_331":645,"_333":-5,"_334":-5,"_335":646,"_140":99},"ca. 1587 – 1590","Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash, with corrections by the artist in white opaque paint, over black chalk on laid paper","H x W: 10.7 × 15 cm (4 3/16 × 5 7/8 in.)",10.7,1.3992961559285328,[677,678,679,680,681],{"_223":623,"_224":624,"_42":625,"_304":510},"1901-39-2481","Jan van der Straet, called Stradanus painted this in about 1587 – 1590, aged about 64. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":676,"_376":622},"TWO GALLEYS AT SEA",{"_295":673,"_297":674,"_299":675},"https://img.ochreeditions.com/m/1706.jpg?dl=1","/art/two-galleys-at-sea-si-chndm-1901-39-2481","/galleries/style/northern-renaissance/two-galleys-at-sea-si-chndm-1901-39-2481",{"_291":292,"_293":294},{"_227":670,"_125":671,"_285":672},{"_275":426,"_277":668,"_279":428,"_281":669},41.86612497581737,17.86612497581737,{"_287":227,"_123":616,"_154":617,"_140":99},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1706/480.jpg","https://img.ochreeditions.com/a/1706/960.jpg","https://img.ochreeditions.com/a/1706/1920.jpg","Recto: Two galleys shown obliquely from the stern. Wind inflates the sails, one of which is decorated with an image of the sun.",{"_311":690,"_313":691},{"_311":688,"_313":689},{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},"#b7a18a",0.1035,"#f1e6d7",0.1135,"#dab383",0.1365,"#d4bfa7",0.2736,"#e4d2be",0.3729,"saint-john-before-god-and-the-elders-nga-52557","Saint John before God and the Elders",{"_42":744,"_224":745,"_325":746,"_327":328,"_329":747,"_331":748,"_333":749,"_334":749,"_335":750,"_140":89},"probably c. 1496/1498","woodcut on laid paper","sheet (trimmed to block): 39.3 × 28.1 cm (15 1/2 × 11 1/16 in.)",28.1,39.3,0.724609375,[729,730,731,732,733],{"_223":301,"_224":302,"_42":303,"_304":305},"1971.39.3","Albrecht Dürer made this (probably c. 1496/1498), aged about 25. It is now at the National Gallery of Art in Washington, DC.","In this woodcut from Dürer’s Apocalypse, Saint John, summoned through a door in heaven, comes before God enthroned among clouds, who holds the book sealed with seven seals.","The image features a celestial scene with multiple figures depicted from head to waist. Two central figures are engaged in a conversation amidst clouds. One figure appears seated, possibly on a throne, holding a book. Both figures have long hair and beards. The robes worn by the figures are detailed. Other figures surround them in a semi-circle, some wearing crowns, holding items like bowls. Heavenly hosts with wings are seen above. The background shows a detailed landscape with trees, a river, and castles nestled in hills.",{"_295":726,"_297":727,"_299":728},"https://img.ochreeditions.com/m/1557.jpg?dl=1","/art/saint-john-before-god-and-the-elders-nga-52557","/galleries/style/northern-renaissance/saint-john-before-god-and-the-elders-nga-52557",{"_291":292,"_293":294},{"_227":717,"_125":718,"_285":719},{"_275":714,"_277":715,"_279":716,"_281":699},52.4771484375,63.3,28.4771484375,{"_287":227,"_123":724,"_154":725,"_140":89},{"_287":125,"_123":722,"_154":723,"_140":53},{"_287":285,"_123":720,"_154":721,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/1557/480.jpg","https://img.ochreeditions.com/a/1557/960.jpg","https://img.ochreeditions.com/a/1557/1920.jpg",{"_311":742,"_313":743},{"_311":740,"_313":741},{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":734,"_313":735},"#d8cbb4",0.1478,"#72675b",0.1529,"#bcaf9a",0.2024,"#a39784",0.2323,"#8b7f6f",0.2646,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","Forum Vulcani: The Hot Springs at Pozzuoli",{"_42":799,"_224":800,"_325":801,"_327":399,"_329":802,"_331":803,"_333":530,"_334":804,"_335":805,"_140":99},"1578","pen and brown ink over traces of black chalk on laid paper","overall: 18.8 x 29.3 cm (7 3/8 x 11 9/16 in.)",29.3,18.8,1.5485822306238186,[784,785,786,787,788],{"_223":301,"_224":302,"_42":303,"_304":305},"1974.21.1","Joris Hoefnagel drew this in 1578, aged 36. It is now at the National Gallery of Art in Washington, DC.","From a high vantage point we look down into the steaming crater of the Solfatara at Pozzuoli near Naples, known in antiquity as the Forum of Vulcan, where plumes of smoke rise among steep cliffs and two figures and a horse give the scene its scale.","The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.",{"_295":781,"_297":782,"_299":783},"https://img.ochreeditions.com/m/1574.jpg?dl=1","/art/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196","/galleries/style/northern-renaissance/forum-vulcani-the-hot-springs-at-pozzuoli-nga-54196",{"_291":292,"_293":294},{"_227":776,"_125":777,"_285":778},{"_275":773,"_277":774,"_279":757,"_281":775},53.3,42.9205322265625,18.9205322265625,{"_287":227,"_123":779,"_154":780,"_140":99},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":494,"_154":495,"_140":496},"artist/joris-hoefnagel","More by Joris Hoefnagel","https://img.ochreeditions.com/a/1574/480.jpg","https://img.ochreeditions.com/a/1574/960.jpg","https://img.ochreeditions.com/a/1574/1920.jpg",{"_311":797,"_313":798},{"_311":795,"_313":796},{"_311":793,"_313":794},{"_311":791,"_313":792},{"_311":789,"_313":790},"#a68f71",0.0343,"#bba688",0.0941,"#cab79a",0.1791,"#d7c6aa",0.2809,"#e1d2b8",0.4116,"Joris Hoefnagel","joris-hoefnagel","Netherlandish, 1542–1600",1542,1600,"Vienna","Hoefnagel, the son of an Antwerp diamond merchant, travelled widely through Europe, making topographical drawings that were engraved for the city atlas Civitates orbis terrarum. He became court miniaturist first to Duke Albrecht V of Bavaria and later to Emperor Rudolf II.","ice-skaters-on-the-amstel-in-amsterdam-met-910730","Ice skaters on the Amstel in Amsterdam",{"_42":852,"_224":853,"_325":854,"_327":399,"_329":200,"_331":855,"_333":856,"_334":857,"_335":-5,"_140":103},"1589","Drawings","Pen and brown ink, brush and gray wash; framing lines in pen and brown ink","Sheet: 5 7/8 × 8 7/16 in. (15 × 21.5 cm)",21.5,1.3745704467353952,[837,838,839,840,841],{"_223":507,"_224":508,"_42":509,"_304":510},"2024.340","Hans Bol drew this in 1589, aged 55. It is now at The Met in New York.","Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589",{"_295":834,"_297":835,"_299":836},"https://img.ochreeditions.com/m/1299.jpg?dl=1","/art/ice-skaters-on-the-amstel-in-amsterdam-met-910730","/galleries/style/northern-renaissance/ice-skaters-on-the-amstel-in-amsterdam-met-910730",{"_291":292,"_293":294},{"_227":829,"_125":830,"_285":831},{"_275":426,"_277":827,"_279":428,"_281":828},42.1875,18.1875,{"_287":227,"_123":832,"_154":833,"_140":89},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":494,"_154":495,"_140":496},"artist/contemporaries-of-hans-bol","Hans Bol's contemporaries","https://img.ochreeditions.com/a/1299/480.jpg","https://img.ochreeditions.com/a/1299/960.jpg","https://img.ochreeditions.com/a/1299/1920.jpg",{"_311":850,"_313":851},{"_311":848,"_313":849},{"_311":846,"_313":847},{"_311":844,"_313":845},{"_311":842,"_313":843},"#a89479",0.0891,"#bdbaa8",0.1662,"#bead93",0.2021,"#cfc1ac",0.2467,"#ded4c4",0.2959,"Hans Bol","hans-bol","Netherlandish, 1534–1593",1593,"Mechelen","Amsterdam","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":903,"_224":904,"_325":905,"_327":459,"_329":906,"_331":907,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1590","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[888,889,890,891,892],{"_223":437,"_224":438,"_42":439,"_304":440},"2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":885,"_297":886,"_299":887},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_291":292,"_293":294},{"_227":880,"_125":881,"_285":882},{"_275":426,"_277":878,"_279":428,"_281":879},42.58707865168539,18.587078651685392,{"_287":227,"_123":883,"_154":884,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg",{"_311":901,"_313":902},{"_311":899,"_313":900},{"_311":897,"_313":898},{"_311":895,"_313":896},{"_311":893,"_313":894},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"portrait-of-a-man-nga-50293","Portrait of a Man",{"_42":958,"_224":959,"_325":960,"_327":960,"_329":-5,"_331":961,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1536/1540","france","Painting","oil on walnut","overall: 16.5 x 14.3 cm (6 1/2 x 5 5/8 in.) framed: 41.9 x 28.3 cm (16 1/2 x 11 1/8 in.)",16.5,0.854736328125,[943,944,945,946,947],{"_223":301,"_224":302,"_42":303,"_304":305},"1965.8.1","Corneille de Lyon painted this in about 1536/1540. It is now at the National Gallery of Art in Washington, DC.","This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.",{"_295":940,"_297":941,"_299":942},"https://img.ochreeditions.com/m/1534.jpg?dl=1","/art/portrait-of-a-man-nga-50293","/galleries/style/northern-renaissance/portrait-of-a-man-nga-50293",{"_291":502,"_293":503},{"_227":933,"_125":934,"_285":935},{"_275":930,"_277":931,"_279":932,"_281":428},36.368408203125,40,21.368408203125,{"_287":227,"_123":938,"_154":939,"_140":89},{"_287":125,"_123":497,"_154":498,"_140":499},{"_287":285,"_123":936,"_154":937,"_140":89},"era/16-france","16th-century France","artist/contemporaries-of-corneille-de-lyon","Corneille de Lyon's contemporaries","https://img.ochreeditions.com/a/1534/480.jpg","https://img.ochreeditions.com/a/1534/960.jpg","https://img.ochreeditions.com/a/1534/1920.jpg",{"_311":956,"_313":957},{"_311":954,"_313":955},{"_311":952,"_313":953},{"_311":950,"_313":951},{"_311":948,"_313":949},"#6f543b",0.0347,"#b08f72",0.053,"#0f3738",0.1163,"#1f5c70",0.2648,"#1f1913",0.5312,"Corneille de Lyon","corneille-de-lyon","French",1575,"the-martyrdom-of-saint-barbara-nga-6021","The Martyrdom of Saint Barbara",{"_42":1004,"_224":1005,"_325":1006,"_327":328,"_329":1007,"_331":460,"_333":1008,"_334":1009,"_335":1010,"_140":97},"woodcut",0.680419921875,[989,990,991,992,993],{"_223":301,"_224":302,"_42":303,"_304":305},"1943.3.2845","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a group of medieval figures and a tree. The image depicts a dense gathering of figures, all wearing elaborate period costumes, including helmets, robes, and armor. Their expressions vary. At the top, a leafy tree dominates the background alongside swirling clouds. The foreground hints at an interaction among the individuals, possibly a scene of discourse or judgment. Several personal items and tools are on the ground. The attention to detail and the use of line to create intricate patterns and textures are notable features of this work. This is in the style of Albrecht Dürer.",{"_295":986,"_297":987,"_299":988},"https://img.ochreeditions.com/m/1343.jpg?dl=1","/art/the-martyrdom-of-saint-barbara-nga-6021","/galleries/style/northern-renaissance/the-martyrdom-of-saint-barbara-nga-6021",{"_291":292,"_293":294},{"_227":981,"_125":982,"_285":983},{"_275":979,"_277":276,"_279":980,"_281":280},64.8251953125,40.8251953125,{"_287":227,"_123":984,"_154":985,"_140":97},{"_287":125,"_123":722,"_154":723,"_140":53},{"_287":285,"_123":720,"_154":721,"_140":91},"artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1343/480.jpg","https://img.ochreeditions.com/a/1343/960.jpg","https://img.ochreeditions.com/a/1343/1920.jpg",{"_311":1002,"_313":1003},{"_311":1000,"_313":1001},{"_311":998,"_313":999},{"_311":996,"_313":997},{"_311":994,"_313":995},"#615853",0.1214,"#e3d5c2",0.1818,"#82786e",0.2138,"#a19688",0.2362,"#c0b3a2",0.2468,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":641,"_224":642,"_325":643,"_327":459,"_329":644,"_331":645,"_333":-5,"_334":-5,"_335":646,"_140":99},"ca. 1590 – 1599","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[1041,1042,1043,1044,1045],{"_223":623,"_224":624,"_42":625,"_304":510},"1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1040,"_376":622},"DEER HUNT WITH NETS",{"_295":1037,"_297":1038,"_299":1039},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_291":292,"_293":294},{"_227":1034,"_125":1035,"_285":1036},{"_275":426,"_277":1032,"_279":428,"_281":1033},42.793557379588044,18.793557379588044,{"_287":227,"_123":616,"_154":617,"_140":99},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.",{"_311":1054,"_313":1055},{"_311":1052,"_313":1053},{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"the-raising-of-lazarus-met-336315","The Raising of Lazarus",{"_42":1102,"_224":1103,"_325":1104,"_327":960,"_329":961,"_331":1105,"_333":-5,"_334":1106,"_335":-5,"_140":103},"ca. 1606–8","Pen and brown ink, brown wash","7 7/8 x 12 3/4 in. (20 x 32.4 cm)",32.4,1.6194653299916457,[1087,1088,1089,1090,1091],{"_223":507,"_224":508,"_42":509,"_304":510},"1994.209","Jacques Bellange drew this in about 1606–8, aged about 20. It is now at The Met in New York.","The Raising of Lazarus, by Jacques Bellange, ca. 1606–8",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/1004.jpg?dl=1","/art/the-raising-of-lazarus-met-336315","/galleries/style/northern-renaissance/the-raising-of-lazarus-met-336315",{"_291":292,"_293":294},{"_227":1079,"_125":1080,"_285":1081},{"_275":1076,"_277":1077,"_279":1062,"_281":1078},56.4,44.0066030435904,20.006603043590406,{"_287":227,"_123":1082,"_154":1083,"_140":89},{"_287":125,"_123":614,"_154":615,"_140":496},{"_287":285,"_123":936,"_154":937,"_140":89},"artist/contemporaries-of-jacques-bellange","Jacques Bellange's contemporaries","https://img.ochreeditions.com/a/1004/480.jpg","https://img.ochreeditions.com/a/1004/960.jpg","https://img.ochreeditions.com/a/1004/1920.jpg",{"_311":1100,"_313":1101},{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},"#decdb6",0.1027,"#9e8972",0.1207,"#ccb79c",0.1891,"#af9a81",0.2762,"#bda88e",0.3113,"Jacques Bellange","jacques-bellange","French, 1575–1616",1616,"Nancy","hans-roth-reverse-nga-33754","Hans Roth [reverse]",{"_42":1153,"_224":1154,"_325":1155,"_327":328,"_329":1156,"_331":748,"_333":-5,"_334":-5,"_335":1157,"_140":99},"1527","oil on panel","overall (visible surface): 42.6 x 3 cm (16 3/4 x 1 3/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",42.6,0.759521484375,[1138,1139,1140,1141,1142],{"_223":301,"_224":302,"_42":303,"_304":305},"1947.6.4.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The back of Bernhard Strigel’s 1527 portrait of Hans Roth carries his coat of arms: a black and gold shield beneath a crest from which a unicorn-like creature emerges, all set on a deep red ground.","This is a painting depicting a heraldic coat of arms. The image features a detailed coat of arms with a central shield, adorned with black and gold sections, and additional decorative elements above it. There is a figure resembling a unicorn emerging from the crest. The background is a deep red hue. The artwork is displayed within a wooden frame with crossbars. This style is associated with displaying family crests and lineage.",{"_295":1135,"_297":1136,"_299":1137},"https://img.ochreeditions.com/m/1485.jpg?dl=1","/art/hans-roth-reverse-nga-33754","/galleries/style/northern-renaissance/hans-roth-reverse-nga-33754",{"_291":502,"_293":503},{"_227":1130,"_125":1131,"_285":1132},{"_275":1128,"_277":931,"_279":1129,"_281":428},33.988037109375,18.988037109375,{"_287":227,"_123":1133,"_154":1134,"_140":99},{"_287":125,"_123":497,"_154":498,"_140":499},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/bernhard-strigel","More by Bernhard Strigel","https://img.ochreeditions.com/a/1485/480.jpg","https://img.ochreeditions.com/a/1485/960.jpg","https://img.ochreeditions.com/a/1485/1920.jpg",{"_311":1151,"_313":1152},{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},{"_311":1145,"_313":1146},{"_311":1143,"_313":1144},"#a49f9d",0.0344,"#8a5643",0.1435,"#5a3022",0.2003,"#50463f",0.2643,"#2e251f",0.3575,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.",{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","f1d0b8753849316b6aa9f19cb6a38e1ccb007054","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_224":1202,"_20":1203},{"_224":1200,"_20":1201},{"_224":1198,"_20":1199},{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]