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There are initials \"I.SP\" in the top right corner.",{"_298":377,"_300":378,"_302":379},"https://img.ochreeditions.com/m/1340.jpg?dl=1","/art/the-agony-in-the-garden-nga-4365","/galleries/style/northern-renaissance/the-agony-in-the-garden-nga-4365",{"_294":295,"_296":297},{"_230":366,"_125":367,"_289":368},{"_280":362,"_282":363,"_284":364,"_285":365},65.71875,84,41.71875,60,{"_291":230,"_123":375,"_154":376,"_140":99},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":369,"_154":370,"_140":371},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/sebald-beham","More by Sebald Beham","https://img.ochreeditions.com/a/1340/480.jpg","https://img.ochreeditions.com/a/1340/960.jpg","https://img.ochreeditions.com/a/1340/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":397,"_316":398},{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},"#ddc8a9",0.0849,"#66584c",0.1925,"#b19e85",0.2053,"#95836e",0.2283,"#7e6e5c",0.289,"Sebald Beham","sebald-beham","German, 1500–1550","German",1500,1550,"Sebald Beham trained in Nuremberg in the orbit of Dürer and was one of the “Little Masters”, engravers known for tiny, finely worked plates of biblical, mythological and peasant subjects.","st-john-the-evangelist-aic-264832","St. John the Evangelist",{"_42":462,"_227":463,"_328":464,"_330":465,"_332":466,"_334":467,"_336":-5,"_338":-5,"_339":-5,"_140":101},"c. 1590","flanders","Etching on ivory laid paper","Sheet (trimmed): 15.3 × 20.5 cm (6 1/16 × 8 1/8 in.)",20,1.3450204019948617,[447,448,449,450,451],{"_226":443,"_227":444,"_42":445,"_307":446},"Courtesy of the Art Institute of Chicago","2023.480","Bartholomaeus Spranger made this in about 1590, aged 44. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_298":440,"_300":441,"_302":442},"https://img.ochreeditions.com/m/421.jpg?dl=1","/art/st-john-the-evangelist-aic-264832","/galleries/style/northern-renaissance/st-john-the-evangelist-aic-264832",{"_294":295,"_296":297},{"_230":432,"_125":433,"_289":434},{"_280":428,"_282":429,"_284":430,"_285":431},49,42.58707865168539,25,18.587078651685392,{"_291":230,"_123":438,"_154":439,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":435,"_154":436,"_140":437},"era/16-flanders","16th-century Flanders",17,"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/421/480.jpg","https://img.ochreeditions.com/a/421/960.jpg","https://img.ochreeditions.com/a/421/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":460,"_316":461},{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},"#7a6e63",0.123,"#958779",0.1882,"#b1a090",0.2068,"#e0cdbb",0.2191,"#c9b6a4",0.2629,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611","Flemish",1546,1611,"fides-plate-1-from-the-seven-virtues-aic-271116","Fides, plate 1 from The Seven Virtues",{"_42":513,"_227":514,"_328":515,"_330":465,"_332":516,"_334":517,"_336":-5,"_338":-5,"_339":518,"_140":99},"c. 1598","Engraving on ivory laid paper","Plate: 18.7 × 13.3 cm (7 3/8 × 5 1/4 in.); sheet: 26.2 × 19.5 cm (10 3/8 × 7 11/16 in.)",18,0.7534128775663764,[498,499,500,501,502],{"_226":443,"_227":444,"_42":445,"_307":446},"2023.3190.2","Hieronymous Wierix made this in about 1598, aged 45. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_298":495,"_300":496,"_302":497},"https://img.ochreeditions.com/m/436.jpg?dl=1","/art/fides-plate-1-from-the-seven-virtues-aic-271116","/galleries/style/northern-renaissance/fides-plate-1-from-the-seven-virtues-aic-271116",{"_294":295,"_296":297},{"_230":490,"_125":491,"_289":492},{"_280":488,"_282":428,"_284":489,"_285":430},42.835321939159414,18.83532193915941,{"_291":230,"_123":493,"_154":494,"_140":99},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/hieronymous-wierix","More by Hieronymous Wierix","https://img.ochreeditions.com/a/436/480.jpg","https://img.ochreeditions.com/a/436/960.jpg","https://img.ochreeditions.com/a/436/1920.jpg",{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},"#60584e",0.0758,"#84786b",0.1038,"#c0ae9e",0.1201,"#a39385",0.1296,"#e8d0be",0.5707,"Hieronymous Wierix","hieronymous-wierix","Flemish, 1553–1619",1553,1619,"Wierix belonged to a family of Antwerp engravers and worked alongside his brothers Johannes and Anton.","marcus-curtius-plunging-into-the-chasm-nga-6020","Marcus Curtius Plunging into the Chasm",{"_42":565,"_227":566,"_328":567,"_330":402,"_332":568,"_334":516,"_336":569,"_338":570,"_339":571,"_140":97},0.70068359375,[550,551,552,553,554],{"_226":380,"_227":381,"_42":382,"_307":383},"1943.3.2844","Lucas Cranach the Elder made this. It is now at the National Gallery of Art in Washington, DC.","A Roman knight on horseback plunges into a dark chasm that has opened in the ground before a domed pavilion, while onlookers, some nude in the classical manner, crowd around.","This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.",{"_298":547,"_300":548,"_302":549},"https://img.ochreeditions.com/m/1342.jpg?dl=1","/art/marcus-curtius-plunging-into-the-chasm-nga-6020","/galleries/style/northern-renaissance/marcus-curtius-plunging-into-the-chasm-nga-6020",{"_294":295,"_296":297},{"_230":538,"_125":539,"_289":540},{"_280":536,"_282":363,"_284":537,"_285":365},66.041015625,42.041015625,{"_291":230,"_123":545,"_154":546,"_140":97},{"_291":125,"_123":543,"_154":544,"_140":53},{"_291":289,"_123":541,"_154":542,"_140":91},"era/15-germany","15th-century Germany","style/print-15","More prints of the 15th century","artist/lucas-cranach-the-elder","More by Lucas Cranach the Elder","https://img.ochreeditions.com/a/1342/480.jpg","https://img.ochreeditions.com/a/1342/960.jpg","https://img.ochreeditions.com/a/1342/1920.jpg",{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},"#73675f",0.0663,"#968a7c",0.1736,"#b3a797",0.2257,"#d2c6b5",0.2337,"#f1e6d5",0.3007,"Lucas Cranach the Elder","lucas-cranach-the-elder","German, 1472–1553",1472,"Kronach","Weimar","Cranach worked in Vienna before becoming court painter to the Electors of Saxony at Wittenberg in 1505, a post he held for decades.","hans-roth-reverse-nga-33754","Hans Roth [reverse]",{"_42":626,"_227":627,"_328":628,"_330":402,"_332":629,"_334":630,"_336":-5,"_338":-5,"_339":631,"_140":99},"1527","painting","Painting","oil on panel","overall (visible surface): 42.6 x 3 cm (16 3/4 x 1 3/16 in.) framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)",42.6,0.759521484375,[611,612,613,614,615],{"_226":380,"_227":381,"_42":382,"_307":383},"1947.6.4.b","Bernhard Strigel painted this in 1527, aged 67. It is now at the National Gallery of Art in Washington, DC.","The back of Bernhard Strigel’s 1527 portrait of Hans Roth carries his coat of arms: a black and gold shield beneath a crest from which a unicorn-like creature emerges, all set on a deep red ground.","This is a painting depicting a heraldic coat of arms. The image features a detailed coat of arms with a central shield, adorned with black and gold sections, and additional decorative elements above it. There is a figure resembling a unicorn emerging from the crest. The background is a deep red hue. The artwork is displayed within a wooden frame with crossbars. This style is associated with displaying family crests and lineage.",{"_298":608,"_300":609,"_302":610},"https://img.ochreeditions.com/m/1485.jpg?dl=1","/art/hans-roth-reverse-nga-33754","/galleries/style/northern-renaissance/hans-roth-reverse-nga-33754",{"_294":606,"_296":607},{"_230":598,"_125":599,"_289":600},{"_280":595,"_282":596,"_284":597,"_285":430},33.988037109375,40,18.988037109375,{"_291":230,"_123":604,"_154":605,"_140":99},{"_291":125,"_123":601,"_154":602,"_140":603},{"_291":289,"_123":369,"_154":370,"_140":371},"style/painting-16","More paintings of the 16th century",95,"artist/bernhard-strigel","More by Bernhard Strigel","natural","ivory","https://img.ochreeditions.com/a/1485/480.jpg","https://img.ochreeditions.com/a/1485/960.jpg","https://img.ochreeditions.com/a/1485/1920.jpg",{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},"#a49f9d",0.0344,"#8a5643",0.1435,"#5a3022",0.2003,"#50463f",0.2643,"#2e251f",0.3575,"Bernhard Strigel","bernhard-strigel","German, 1460/1461–1528",1460,1528,"Strigel came from a family of painters in Memmingen in Swabia, where he worked for most of his life.","christ-on-the-cross-aic-273341","Christ on the Cross",{"_42":678,"_227":679,"_328":680,"_330":465,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_339":-5,"_140":103},"1590","Engraving in black on cream laid paper","42 × 28.5 cm (16 9/16 × 11 1/4 in.)",42,0.6821579149099272,[663,664,665,666,667],{"_226":443,"_227":444,"_42":445,"_307":446},"2024.160","Raphael Sadeler, I made this in 1590. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_298":660,"_300":661,"_302":662},"https://img.ochreeditions.com/m/446.jpg?dl=1","/art/christ-on-the-cross-aic-273341","/galleries/style/northern-renaissance/christ-on-the-cross-aic-273341",{"_294":295,"_296":297},{"_230":655,"_125":656,"_289":657},{"_280":652,"_282":653,"_284":654,"_285":638},52.650632426216944,66,28.65063242621694,{"_291":230,"_123":658,"_154":659,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-raphael-sadeler-i","Raphael Sadeler, I's contemporaries","https://img.ochreeditions.com/a/446/480.jpg","https://img.ochreeditions.com/a/446/960.jpg","https://img.ochreeditions.com/a/446/1920.jpg",{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},{"_314":668,"_316":669},"#f9e5d5",0.0756,"#5d544a",0.1417,"#c9b19a",0.1978,"#a4917e",0.2521,"#817464",0.3328,"Raphael Sadeler, I","raphael-sadeler-i","Flemish, 1561-c. 1632","goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","Goose and Duck Hunt with Falcons [above right]; Goose Hunt [below right]",{"_42":736,"_227":737,"_328":738,"_330":465,"_332":739,"_334":740,"_336":-5,"_338":-5,"_339":741,"_140":99},"ca. 1596-99","Drawing","Recto: pen and brown ink, brush and black wash over black chalk on laid paper Verso: pen and brown ink on paper","H x W: 14.3 × 10.3 cm (5 5/8 × 4 1/16 in.)",10.3,14.3,1.402575587905935,[721,722,723,724,725],{"_226":718,"_227":719,"_42":720,"_307":308},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1901-39-151-b","Jan van der Straet, called Stradanus drew this in about 1596-99, aged 73. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":715,"_716":717},"1901-39-151-a: DEER HUNT WITH HOUNDS [ABOVE]; SKYLARK HUNT WITH FALCONS [BELOW]; 1901-39-151-b: GOOSE AND DUCK HUNT WITH FALCONS [ABOVE RIGHT]; GOOSE HUNT [BELOW RIGHT]",{"_298":712,"_300":713,"_302":714},"https://img.ochreeditions.com/m/1704.jpg?dl=1","/art/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b","/galleries/style/northern-renaissance/goose-and-duck-hunt-with-falcons-above-right-goose-hunt-belo-si-chndm-1901-39-151-b",{"_294":295,"_296":297},{"_230":707,"_125":708,"_289":709},{"_280":428,"_282":705,"_284":430,"_285":706},41.82435129740519,17.82435129740519,{"_291":230,"_123":710,"_154":711,"_140":99},{"_291":125,"_123":292,"_154":293,"_140":168},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/jan-van-der-straet-called-stradanus","More by Jan van der Straet, called Stradanus","https://img.ochreeditions.com/a/1704/480.jpg","https://img.ochreeditions.com/a/1704/960.jpg","https://img.ochreeditions.com/a/1704/1920.jpg","Recto, above: View of a landscape with a duckpond in the foreground. In the background, hunters use falcons to catch ducks and geese.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},"#e4d1ac",0.0924,"#856d4f",0.1563,"#c8b089",0.1778,"#af9672",0.2615,"#9a8261",0.312,"Jan van der Straet, called Stradanus","jan-van-der-straet-called-stradanus","Flemish, 1523–1605",1523,1605,"Jan van der Straet, known as Stradanus, trained in Antwerp before settling in Florence around 1550, where he worked for the Medici under Giorgio Vasari on the decoration of the Palazzo Vecchio.","the-holy-family-aic-267846","The Holy Family",{"_42":787,"_227":788,"_328":789,"_330":465,"_332":790,"_334":791,"_336":-5,"_338":-5,"_339":-5,"_140":103},"c. 1585-1595","Engraving on laid paper","Sheet (trimmed): 23.2 × 16.7 cm (9 3/16 × 6 5/8 in.)",23,0.7218736930154747,[772,773,774,775,776],{"_226":443,"_227":444,"_42":445,"_307":446},"2023.218","Pieter de Jode, I made this in about 1585-1595, aged about 15. It is now at the Art Institute of Chicago.","A work made of engraving on laid paper.",{"_298":769,"_300":770,"_302":771},"https://img.ochreeditions.com/m/424.jpg?dl=1","/art/the-holy-family-aic-267846","/galleries/style/northern-renaissance/the-holy-family-aic-267846",{"_294":295,"_296":297},{"_230":764,"_125":765,"_289":766},{"_280":762,"_282":428,"_284":763,"_285":430},42.04684232538686,18.046842325386866,{"_291":230,"_123":767,"_154":768,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-pieter-de-jode-i","Pieter de Jode, I's contemporaries","https://img.ochreeditions.com/a/424/480.jpg","https://img.ochreeditions.com/a/424/960.jpg","https://img.ochreeditions.com/a/424/1920.jpg",{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},{"_314":777,"_316":778},"#585149",0.0958,"#c0b0a1",0.1987,"#e2d0c1",0.2007,"#786e65",0.2371,"#9e9084",0.2677,"Pieter de Jode, I","pieter-de-jode-i","Flemish, 1570–1634",1570,1634,"trajan-nga-4262","Trajan",{"_42":399,"_227":400,"_328":401,"_330":402,"_332":403,"_334":404,"_336":-5,"_338":-5,"_339":405,"_140":99},"1546","engraving",1.0047909407665505,[819,820,821,822,823],{"_226":380,"_227":381,"_42":382,"_307":383},"1943.3.1044","Sebald Beham made this in 1546, aged 46. It is now at the National Gallery of Art in Washington, DC.","The Roman emperor Trajan appears in profile, crowned with laurel, within a circular wreath and inscribed with his imperial titles in Latin, as if on an ancient coin or medal.","The image shows a profile of a person's head and partial neck within a circular laurel wreath. The individual has distinct facial features, including a prominent nose and chin. The hairstyle is tight, wavy locks pulled back, and a laurel wreath crowns the head. The background is plain, with an inscription reading \"IMP. CAESAR. TRAIANVS. AVG.\" Below the portrait are the initials \"ISB\" and the year \"1546\". The overall style resembles a classical engraving, featuring detailed line work and traditional iconography.",{"_298":816,"_300":817,"_302":818},"https://img.ochreeditions.com/m/1338.jpg?dl=1","/art/trajan-nga-4262","/galleries/style/northern-renaissance/trajan-nga-4262",{"_294":295,"_296":297},{"_230":813,"_125":814,"_289":815},{"_280":363,"_282":811,"_284":365,"_285":812},83.71391417425227,59.713914174252274,{"_291":230,"_123":375,"_154":376,"_140":99},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1338/480.jpg","https://img.ochreeditions.com/a/1338/960.jpg","https://img.ochreeditions.com/a/1338/1920.jpg",{"_314":832,"_316":833},{"_314":830,"_316":831},{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},"#655a51",0.0699,"#8b7d6d",0.1158,"#ad9e89",0.1617,"#d2c1a7",0.1687,"#f0e0c5",0.4839,"the-marketplace-in-bergen-op-zoom-nga-57418","The Marketplace in Bergen op Zoom",{"_42":880,"_227":881,"_328":882,"_330":465,"_332":790,"_334":517,"_336":-5,"_338":-5,"_339":-5,"_140":103},"probably 1590 and 1597","overall: 63.8 x 82.2 cm (25 1/8 x 32 3/8 in.)",82.2,63.8,1.2848180677540777,[865,866,867,868,869],{"_226":380,"_227":381,"_42":382,"_307":383},"1979.50.1","Abel Grimmer painted this (probably 1590 and 1597), aged about 20. It is now at the National Gallery of Art in Washington, DC.","We look slightly down onto a scene with people gathering in small groups in a cobblestone town square lined with rows of brick, wood, and stone buildings, many with stepped rooflines, in this horizontal painting. Singly or in pairs or trios, men, women, and children walk across the square, move goods around, or talk to merchants. All the people have light skin. Many of the men have mustaches and wear hats, and some carry swords. In tones of black, olive green, brick red, and plum purple, they wear hip-length cloaks over jackets, with white collars or ruffs and brass buttons, and knee-length breeches over yellow or black stockings. The women all wear long dresses in salmon pink, coral red, or golden yellow, with white collars or ruffs, and many wear black, ankle-length cloaks, some with hoods. Closest to us, a sumptuously dressed man and woman walk toward us while another similarly elegant couple walks away. Also facing away from us, to our left, a man wearing a large drum strapped around his waist raises one drumstick as he looks over his left shoulder. Nearby, a woman peers up out of a cellar door that opens on an angle to the street. More couples gather around a well across the square, and two women and a child talk to a third woman selling wares at a wooden table to our right. A pair of hooded priests or monks walk near a man blowing on a trumpet on horseback. The buildings are mostly shades of brick red and brown, and most have three or four stories with steeply pitched roofs. More people walk along side streets leading off the main square. One gap in the buildings across from us leads to a nickel-gray stone church with a pointed spire and square tower. A grassy, green hill rises steeply beyond the buildings to our right, leading down to a waterway that extends up and away into the distance. A few boats float in the water, which reflects the leaden-gray sky. Beyond the town square, a brown stone structure like a fortress with turret towers and crenellated walls looms along the ridge of the hill to our right. Tiny in scale, people on horseback and tending sheep dot the hillside below. The date “1590” is painted on the front of one of the buildings across from us while another date, “1597,” is painted on the end of a short wall near the lower left corner.",{"_298":862,"_300":863,"_302":864},"https://img.ochreeditions.com/m/1590.jpg?dl=1","/art/the-marketplace-in-bergen-op-zoom-nga-57418","/galleries/style/northern-renaissance/the-marketplace-in-bergen-op-zoom-nga-57418",{"_294":606,"_296":607},{"_230":857,"_125":858,"_289":859},{"_280":854,"_282":855,"_284":839,"_285":856},97.2,78.97792968750001,63.97792968750001,{"_291":230,"_123":860,"_154":861,"_140":89},{"_291":125,"_123":601,"_154":602,"_140":603},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-abel-grimmer","Abel Grimmer's contemporaries","https://img.ochreeditions.com/a/1590/480.jpg","https://img.ochreeditions.com/a/1590/960.jpg","https://img.ochreeditions.com/a/1590/1920.jpg",{"_314":878,"_316":879},{"_314":876,"_316":877},{"_314":874,"_316":875},{"_314":872,"_316":873},{"_314":870,"_316":871},"#2b221c",0.1323,"#a9a391",0.1735,"#724934",0.1741,"#4d3627",0.2484,"#726454",0.2717,"Abel Grimmer","abel-grimmer","Flemish, c. 1570–1618/1619","study-of-eleven-heads-met-371145","Study of Eleven Heads",{"_42":930,"_227":931,"_328":932,"_330":331,"_332":933,"_334":934,"_336":935,"_338":936,"_339":-5,"_140":103},"late 16th–early 17th century","Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite","sheet: 12 1/2 x 9 3/16 in. (31.8 x 23.3 cm)",23.3,31.8,0.7383298755186722,[915,916,917,918,919],{"_226":304,"_227":305,"_42":306,"_307":308},"2006.101","Jacques de Gheyn II drew this in the late 16th–early 17th century, aged about 10. It is now at The Met in New York.","Study of Eleven Heads, by Jacques de Gheyn II, late 16th–early 17th century",{"_298":912,"_300":913,"_302":914},"https://img.ochreeditions.com/m/1050.jpg?dl=1","/art/study-of-eleven-heads-met-371145","/galleries/style/northern-renaissance/study-of-eleven-heads-met-371145",{"_294":295,"_296":297},{"_230":907,"_125":908,"_289":909},{"_280":904,"_282":905,"_284":906,"_285":890},47.47889004149378,55.8,23.478890041493777,{"_291":230,"_123":910,"_154":911,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":168},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacques-de-gheyn-ii","Jacques de Gheyn II's contemporaries","https://img.ochreeditions.com/a/1050/480.jpg","https://img.ochreeditions.com/a/1050/960.jpg","https://img.ochreeditions.com/a/1050/1920.jpg",{"_314":928,"_316":929},{"_314":926,"_316":927},{"_314":924,"_316":925},{"_314":922,"_316":923},{"_314":920,"_316":921},"#63574d",0.113,"#7f6d5d",0.1489,"#95826d",0.1792,"#b8a48b",0.2404,"#a9957d",0.3185,"Jacques de Gheyn II","jacques-de-gheyn-ii","Netherlandish, 1565–1629",1565,1629,"Antwerp","The Hague","deer-hunt-with-nets-si-chndm-1901-39-128","Deer Hunt with Nets",{"_42":736,"_227":737,"_328":738,"_330":465,"_332":739,"_334":740,"_336":-5,"_338":-5,"_339":741,"_140":99},"ca. 1590 – 1599","Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper","H x W: 11 × 14.9 cm (4 5/16 × 5 7/8 in.)",14.9,1.330243098475484,[967,968,969,970,971],{"_226":718,"_227":719,"_42":720,"_307":308},"1901-39-128","Jan van der Straet, called Stradanus drew this in about 1590 – 1599, aged about 67. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":966,"_716":717},"DEER HUNT WITH NETS",{"_298":963,"_300":964,"_302":965},"https://img.ochreeditions.com/m/1702.jpg?dl=1","/art/deer-hunt-with-nets-si-chndm-1901-39-128","/galleries/style/northern-renaissance/deer-hunt-with-nets-si-chndm-1901-39-128",{"_294":295,"_296":297},{"_230":960,"_125":961,"_289":962},{"_280":428,"_282":958,"_284":430,"_285":959},42.793557379588044,18.793557379588044,{"_291":230,"_123":710,"_154":711,"_140":99},{"_291":125,"_123":292,"_154":293,"_140":168},{"_291":289,"_123":435,"_154":436,"_140":437},"https://img.ochreeditions.com/a/1702/480.jpg","https://img.ochreeditions.com/a/1702/960.jpg","https://img.ochreeditions.com/a/1702/1920.jpg","Recto: Landscape with hunters on horseback, accompanied by their hounds. They have driven two stags into a wide net.",{"_314":980,"_316":981},{"_314":978,"_316":979},{"_314":976,"_316":977},{"_314":974,"_316":975},{"_314":972,"_316":973},"#f8ebd4",0.1029,"#7f573f",0.1413,"#dabd99",0.2269,"#a27655",0.2633,"#bd9671",0.2656,"fish-market-met-679844","Fish Market",{"_42":1030,"_227":1031,"_328":1032,"_330":331,"_332":1033,"_334":1034,"_336":935,"_338":935,"_339":-5,"_140":103},"1568","Paintings","Oil on Baltic oak","50 5/8 × 68 7/8 in. (128.6 × 174.9 cm)",174.9,128.6,1.3464972527472527,[1015,1016,1017,1018,1019],{"_226":304,"_227":305,"_42":306,"_307":308},"2015.146","Joachim Beuckelaer painted this in 1568, aged 35. It is now at The Met in New York.","Fish Market, by Joachim Beuckelaer, 1568",{"_298":1012,"_300":1013,"_302":1014},"https://img.ochreeditions.com/m/1279.jpg?dl=1","/art/fish-market-met-679844","/galleries/style/northern-renaissance/fish-market-met-679844",{"_294":606,"_296":607},{"_230":1007,"_125":1008,"_289":1009},{"_280":1004,"_282":1005,"_284":989,"_285":1006},189.9,144.89257842387147,129.89257842387147,{"_291":230,"_123":1010,"_154":1011,"_140":89},{"_291":125,"_123":601,"_154":602,"_140":603},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joachim-beuckelaer","Joachim Beuckelaer's contemporaries","https://img.ochreeditions.com/a/1279/480.jpg","https://img.ochreeditions.com/a/1279/960.jpg","https://img.ochreeditions.com/a/1279/1920.jpg",{"_314":1028,"_316":1029},{"_314":1026,"_316":1027},{"_314":1024,"_316":1025},{"_314":1022,"_316":1023},{"_314":1020,"_316":1021},"#974223",0.0436,"#846347",0.109,"#5b2f1a",0.1686,"#372318",0.3005,"#17110e",0.3783,"Joachim Beuckelaer","joachim-beuckelaer","Netherlandish, 1533–1574",1533,1574,"the-harvesters-met-435809","The Harvesters",{"_42":1082,"_227":1083,"_328":1084,"_330":331,"_332":1085,"_334":1086,"_336":-5,"_338":337,"_339":1087,"_140":99},"1565","Oil on oak","Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)",161.9,119.1,1.3567105731577074,[1068,1069,1070,1071,1072],{"_226":304,"_227":305,"_42":306,"_307":308},"19.164","Pieter Bruegel painted this in 1565, aged 40. It is now at The Met in New York.","In the heat of late summer, peasants break for a midday meal under a pear tree, sharing bread and fruit, while one man sprawls asleep and others go on scything and binding the golden wheat. Beyond, the landscape opens onto a village, a church and a distant harbour.","The Harvesters, by Pieter Bruegel, 1565",{"_298":1065,"_300":1066,"_302":1067},"https://img.ochreeditions.com/m/1066.jpg?dl=1","/art/the-harvesters-met-435809","/galleries/style/northern-renaissance/the-harvesters-met-435809",{"_294":606,"_296":607},{"_230":1060,"_125":1061,"_289":1062},{"_280":1057,"_282":1058,"_284":1041,"_285":1059},176.9,134.33274731041723,119.33274731041722,{"_291":230,"_123":1063,"_154":1064,"_140":99},{"_291":125,"_123":601,"_154":602,"_140":603},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/pieter-bruegel","More by Pieter Bruegel","https://img.ochreeditions.com/a/1066/480.jpg","https://img.ochreeditions.com/a/1066/960.jpg","https://img.ochreeditions.com/a/1066/1920.jpg",{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},{"_314":1075,"_316":873},{"_314":1073,"_316":1074},"#794c20",0.1692,"#c6b6a3","#796e58",0.1802,"#3c301f",0.2015,"#af7d3c",0.2756,"Pieter Bruegel","pieter-bruegel","Netherlandish, c. 1525/30–1569",1525,1569,"Bruegel trained in Antwerp, travelled through Italy in the early 1550s, and on his return made drawings for the publisher Hieronymus Cock, many in the manner of Hieronymus Bosch. In 1563 he moved to Brussels.","a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground",{"_42":1133,"_227":1134,"_328":1135,"_330":465,"_332":1136,"_334":1137,"_336":1138,"_338":1139,"_339":-5,"_140":103},"1596–1639","Pen and brown ink; framing lines in pen and brown ink","Sheet: 7 13/16 × 7 13/16 in. (19.8 × 19.8 cm)",19.8,0.9997154240182129,[1118,1119,1120,1121,1122],{"_226":304,"_227":305,"_42":306,"_307":308},"2024.629.15","Roelandt Savery drew this in 1596–1639, aged about 20. It is now at The Met in New York.","A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639",{"_298":1115,"_300":1116,"_302":1117},"https://img.ochreeditions.com/m/1287.jpg?dl=1","/art/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758","/galleries/style/northern-renaissance/a-mill-with-a-fortified-bridge-a-rowing-boat-in-the-foregrou-met-820758",{"_294":295,"_296":297},{"_230":1110,"_125":1111,"_289":1112},{"_280":1108,"_282":428,"_284":1109,"_285":430},48.992885600455324,24.992885600455324,{"_291":230,"_123":1113,"_154":1114,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":168},{"_291":289,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-roelandt-savery","Roelandt Savery's contemporaries","https://img.ochreeditions.com/a/1287/480.jpg","https://img.ochreeditions.com/a/1287/960.jpg","https://img.ochreeditions.com/a/1287/1920.jpg",{"_314":1131,"_316":1132},{"_314":1129,"_316":1130},{"_314":1127,"_316":1128},{"_314":1125,"_316":1126},{"_314":1123,"_316":1124},"#f1e7dd",0.085,"#b39c89",0.0908,"#c4af9c",0.2056,"#deccbd",0.2939,"#d1beac",0.3247,"Roelandt Savery","roelandt-savery","Flemish, 1576–1639",1576,1639,"Kortrijk","Utrecht",{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","096f597604c6732460bbe5504152498d5829c48a","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_227":1184,"_20":1185},{"_227":1182,"_20":1183},{"_227":1180,"_20":1181},{"_227":1178,"_20":1179},{"_227":1176,"_20":1177},{"_227":1174,"_20":1175},{"_227":1172,"_20":1173},{"_227":1170,"_20":1171},{"_227":1168,"_20":1169},{"_227":1166,"_20":1167},{"_227":1164,"_20":1165},{"_227":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]