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It is now at the Art Institute of Chicago.",{"_118":439,"_440":441},"Four women with musical instruments lounge in a massive garden courtyard.",{"_298":436,"_300":437,"_302":438},"https://img.ochreeditions.com/m/325.jpg?dl=1","/art/the-interior-of-the-palm-house-on-the-pfaueninsel-near-potsd-aic-144969","/galleries/style/painting-19/the-interior-of-the-palm-house-on-the-pfaueninsel-near-potsd-aic-144969",{"_294":295,"_296":297},{"_228":426,"_125":427,"_288":428},{"_279":423,"_281":424,"_283":425,"_285":407},140.71186701554564,150,125.71186701554564,{"_290":228,"_123":434,"_154":435,"_140":89},{"_290":125,"_123":431,"_154":432,"_140":433},{"_290":288,"_123":429,"_154":430,"_140":77},"era/19-germany","19th-century Germany","style/romanticism","More Romanticism",32,"artist/contemporaries-of-carl-blechen","Carl Blechen's contemporaries","https://img.ochreeditions.com/a/325/480.jpg","https://img.ochreeditions.com/a/325/960.jpg","https://img.ochreeditions.com/a/325/1920.jpg","The work of Carl Blechen, a pivotal figure in 19th-century German painting, marks a transition from Romanticism to a more realistic view of nature.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#794f35",0.0487,"#607361",0.0549,"#988c63",0.2599,"#505029",0.3122,"#292a13",0.3243,"Carl Blechen","carl-blechen","German, 1798–1840","German",1798,1840,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":526,"_225":527,"_328":528,"_330":529,"_332":530,"_333":531,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1830-1880","britain","georgian-britain","oil on canvas","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[511,512,513,514,515],{"_224":508,"_225":509,"_42":510,"_307":378},"Courtesy National Gallery of Art, Washington","1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_298":505,"_300":506,"_302":507},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/painting-19/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_294":295,"_296":297},{"_228":494,"_125":495,"_288":496},{"_279":491,"_281":492,"_283":493,"_285":476},113.11484375,138.2,98.11484375,{"_290":228,"_123":503,"_154":504,"_140":89},{"_290":125,"_123":500,"_154":501,"_140":502},{"_290":288,"_123":497,"_154":498,"_140":499},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":524,"_316":525},{"_314":522,"_316":523},{"_314":520,"_316":521},{"_314":518,"_316":519},{"_314":516,"_316":517},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887","British",1804,1887,"the-vase-of-tulips-aic-14561","The Vase of Tulips",{"_42":588,"_225":589,"_328":590,"_330":591,"_332":592,"_333":593,"_335":594,"_336":594,"_337":595,"_140":79},"c. 1890","france","post-impressionism","59.6 × 42.3 cm (23 1/2 × 16 5/8 in.); Framed: 84.5 × 67 × 10.2 cm (33 1/4 × 26 3/8 × 4 in.)",42,59,0.7053355282269779,[573,574,575,576,577],{"_224":442,"_225":443,"_42":444,"_307":445},"1933.423","Paul Cézanne painted this in about 1890, aged about 46. It is now at the Art Institute of Chicago.",{"_118":572,"_440":441},"A work made of oil on canvas.",{"_298":569,"_300":570,"_302":571},"https://img.ochreeditions.com/m/30.jpg?dl=1","/art/the-vase-of-tulips-aic-14561","/galleries/style/painting-19/the-vase-of-tulips-aic-14561",{"_294":295,"_296":297},{"_228":558,"_125":559,"_288":560},{"_279":555,"_281":556,"_283":557,"_285":540},56.614796165391695,74,41.614796165391695,{"_290":228,"_123":567,"_154":568,"_140":79},{"_290":125,"_123":564,"_154":565,"_140":566},{"_290":288,"_123":561,"_154":562,"_140":563},"era/19-france","19th-century France",237,"style/post-impressionism","More Post-Impressionism",62,"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/30/480.jpg","https://img.ochreeditions.com/a/30/960.jpg","https://img.ochreeditions.com/a/30/1920.jpg","Typical of Cezanne’s work, this painting is carefully considered and the composition hard-won: the traces of at least three other pieces of fruit at lower left attest to Cezanne's struggles to make the arrangement work.",{"_314":586,"_316":587},{"_314":584,"_316":585},{"_314":582,"_316":583},{"_314":580,"_316":581},{"_314":578,"_316":579},"#8c8155",0.033,"#684b3f",0.1378,"#325047",0.1694,"#6c726f",0.2642,"#789396",0.3956,"Paul Cézanne","paul-cezanne","French, 1839–1906","French",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","west-family-in-the-studio-garden-si-npg-npg-77-34","West Family in the Studio Garden",{"_42":646,"_225":647,"_328":648,"_330":331,"_332":649,"_333":650,"_335":-5,"_336":-5,"_337":651,"_140":101},"1808-09","american-colonial-and-federal","Stretcher: 34.3 × 41.3 × 1.6 cm (13 1/2 × 16 1/4 × 5/8\")",41.3,34.3,1.189767995240928,[631,632,633,634,635],{"_224":375,"_225":376,"_42":377,"_307":378},"NPG.77.34","Benjamin West painted this in 1808-09, aged 70. It is now at the National Portrait Gallery in Washington, DC.","Artist: Benjamin West, Sitter: Benjamin West, Current owner: National Portrait Gallery, Smithsonian Institution",{"_298":628,"_300":629,"_302":630},"https://img.ochreeditions.com/m/1850.jpg?dl=1","/art/west-family-in-the-studio-garden-si-npg-npg-77-34","/galleries/style/painting-19/west-family-in-the-studio-garden-si-npg-npg-77-34",{"_294":295,"_296":297},{"_228":620,"_125":621,"_288":622},{"_279":617,"_281":618,"_283":602,"_285":619},56.3,49.712650000000004,34.712650000000004,{"_290":228,"_123":626,"_154":627,"_140":89},{"_290":125,"_123":623,"_154":624,"_140":625},{"_290":288,"_123":167,"_154":166,"_140":169},"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/contemporaries-of-benjamin-west","Benjamin West's contemporaries","https://img.ochreeditions.com/a/1850/480.jpg","https://img.ochreeditions.com/a/1850/960.jpg","https://img.ochreeditions.com/a/1850/1920.jpg",{"_314":644,"_316":645},{"_314":642,"_316":643},{"_314":640,"_316":641},{"_314":638,"_316":639},{"_314":636,"_316":637},"#bba97b",0.0874,"#584a29",0.1123,"#8c8062",0.1461,"#382c1c",0.2824,"#281e17",0.3718,"Benjamin West","benjamin-west","American, born The Thirteen Colonies, 1738–1820",1738,1820,"West grew up in Pennsylvania and, after three years in Italy, settled in London in 1763, never returning to America. He became history painter to George III and, in 1792, succeeded Joshua Reynolds as President of the Royal Academy.","portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","Portrait of Mrs. Thomas Eakins",{"_42":666,"_225":703,"_328":704,"_330":331,"_332":705,"_333":706,"_335":707,"_336":707,"_337":708,"_140":87},"(c. 1899)","american-gilded-age","20 1/8 x 16 1/8 in. (51 x 40.8 cm)",40.8,51,0.8036666666666666,[688,689,690,691,692],{"_224":375,"_225":376,"_42":377,"_307":378},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.1522","Thomas Eakins painted this ((c. 1899)), aged 55. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_298":685,"_300":686,"_302":687},"https://img.ochreeditions.com/m/1822.jpg?dl=1","/art/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522","/galleries/style/painting-19/portrait-of-mrs-thomas-eakins-si-hmsg-66-1522",{"_294":295,"_296":297},{"_228":677,"_125":678,"_288":679},{"_279":674,"_281":675,"_283":676,"_285":659},55.987,66,40.987,{"_290":228,"_123":683,"_154":684,"_140":87},{"_290":125,"_123":680,"_154":681,"_140":682},{"_290":288,"_123":167,"_154":166,"_140":169},"style/american-gilded-age","More American Gilded Age",67,"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1822/480.jpg","https://img.ochreeditions.com/a/1822/960.jpg","https://img.ochreeditions.com/a/1822/1920.jpg",{"_314":701,"_316":702},{"_314":699,"_316":700},{"_314":697,"_316":698},{"_314":695,"_316":696},{"_314":693,"_316":694},"#684b39",0.0374,"#a1765b",0.038,"#3a312a",0.091,"#26211e",0.3349,"#1b1816",0.4987,"thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","boats-at-berck-sur-mer-cma-119697","Boats at Berck-sur-Mer",{"_42":768,"_225":769,"_328":770,"_330":591,"_332":771,"_333":772,"_335":773,"_336":773,"_337":774,"_140":53},"1873","paris-salon-painting","oil on fabric","Framed: 52.5 x 74 x 7 cm (20 11/16 x 29 1/8 x 2 3/4 in.); Unframed: 34 x 55.8 cm (13 3/8 x 21 15/16 in.)",55.8,34,1.662591687041565,[753,754,755,756,757],{"_224":749,"_225":750,"_42":751,"_307":752},"Courtesy of the Cleveland Museum of Art","1940.534","Édouard Manet painted this in 1873, aged 41. It is now at the Cleveland Museum of Art.",{"_118":747,"_440":748},"Boats at Berck-sur-Mer, by Édouard Manet, 1873",{"_298":744,"_300":745,"_302":746},"https://img.ochreeditions.com/m/540.jpg?dl=1","/art/boats-at-berck-sur-mer-cma-119697","/galleries/style/painting-19/boats-at-berck-sur-mer-cma-119697",{"_294":295,"_296":297},{"_228":736,"_125":737,"_288":738},{"_279":733,"_281":734,"_283":716,"_285":735},70.8,48.562058823529405,33.562058823529405,{"_290":228,"_123":742,"_154":743,"_140":53},{"_290":125,"_123":739,"_154":740,"_140":741},{"_290":288,"_123":561,"_154":562,"_140":563},"style/paris-salon-painting","More Paris Salon painting",79,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/540/480.jpg","https://img.ochreeditions.com/a/540/960.jpg","https://img.ochreeditions.com/a/540/1920.jpg","Ever since his childhood, Manet spent almost every summer at the seashore. At age 16, after failing the entrance exam for the naval academy, he embarked as an apprentice on a training ship, traveling as far away as Rio de Janeiro. The sea would always capture his imagination, and in 1864 he painted several seascapes.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":766,"_316":767},{"_314":764,"_316":765},{"_314":762,"_316":763},{"_314":760,"_316":761},{"_314":758,"_316":759},"#3e3c2c",0.0417,"#7b7b76",0.1751,"#908e87",0.1839,"#45594b",0.1911,"#546a59",0.4082,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-brook-greenwich-connecticut-si-saam-1929-6-144","The Brook, Greenwich, Connecticut",{"_42":822,"_225":823,"_328":824,"_330":-5,"_332":825,"_333":334,"_335":-5,"_336":-5,"_337":-5,"_140":101},"ca. 1890-1900","25 1/8 x 34 7/8 in. (63.7 x 88.5 cm)",88.5,63.7,1.3850415512465375,[807,808,809,810,811],{"_224":375,"_225":376,"_42":377,"_307":378},"Courtesy of the Smithsonian American Art Museum","1929.6.144","John Henry Twachtman painted this in about 1890-1900, aged about 37. It is now at the Smithsonian American Art Museum in Washington, DC.","The Brook, Greenwich, Connecticut, by John Henry Twachtman, ca. 1890-1900",{"_298":804,"_300":805,"_302":806},"https://img.ochreeditions.com/m/1875.jpg?dl=1","/art/the-brook-greenwich-connecticut-si-saam-1929-6-144","/galleries/style/painting-19/the-brook-greenwich-connecticut-si-saam-1929-6-144",{"_294":295,"_296":297},{"_228":799,"_125":800,"_288":801},{"_279":796,"_281":797,"_283":780,"_285":798},103.5,78.89699999999999,63.897,{"_290":228,"_123":802,"_154":803,"_140":89},{"_290":125,"_123":367,"_154":368,"_140":369},{"_290":288,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-john-henry-twachtman","John Henry Twachtman's contemporaries","https://img.ochreeditions.com/a/1875/480.jpg","https://img.ochreeditions.com/a/1875/960.jpg","https://img.ochreeditions.com/a/1875/1920.jpg",{"_314":820,"_316":821},{"_314":818,"_316":819},{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},"#beb18b",0.1036,"#c7c2af",0.1141,"#d4c4a5",0.1566,"#e3d5be",0.2683,"#ebe0cf",0.3574,"John Henry Twachtman","john-henry-twachtman","born Cincinnati, OH 1853-died Gloucester, MA 1902",1853,"the-horse-fair-met-435702","The Horse Fair",{"_42":875,"_225":876,"_328":877,"_330":591,"_332":191,"_333":878,"_335":879,"_336":880,"_337":881,"_140":99},"1852–55","Paintings","96 1/4 x 199 1/2 in. (244.5 x 506.7 cm)",506.7,244.5,1.9579050416054822,[860,861,862,863,864],{"_224":304,"_225":305,"_42":306,"_307":308},"87.25","Rosa Bonheur painted this in 1852–55, aged about 30. It is now at The Met in New York.","Powerful Percheron horses rear, plunge and trot as their handlers struggle to control them at the Paris horse market, held on a tree-lined boulevard near the Salpêtrière hospital, whose dome appears in the distance.","The Horse Fair, by Rosa Bonheur, 1852–55",{"_298":857,"_300":858,"_302":859},"https://img.ochreeditions.com/m/1062.jpg?dl=1","/art/the-horse-fair-met-435702","/galleries/style/painting-19/the-horse-fair-met-435702",{"_294":295,"_296":297},{"_228":852,"_125":853,"_288":854},{"_279":848,"_281":849,"_283":850,"_285":851},255,137.57999999999998,240,122.58,{"_290":228,"_123":855,"_154":856,"_140":99},{"_290":125,"_123":739,"_154":740,"_140":741},{"_290":288,"_123":561,"_154":562,"_140":563},"artist/rosa-bonheur","More by Rosa Bonheur","https://img.ochreeditions.com/a/1062/480.jpg","https://img.ochreeditions.com/a/1062/960.jpg","https://img.ochreeditions.com/a/1062/1920.jpg",{"_314":873,"_316":874},{"_314":871,"_316":872},{"_314":869,"_316":870},{"_314":867,"_316":868},{"_314":865,"_316":866},"#aca28d",0.0313,"#716e69",0.1473,"#504534",0.2188,"#81653a",0.2486,"#302a21",0.354,"Rosa Bonheur","rosa-bonheur","French, 1822–1899",1899,"Bordeaux","Thomery","Bonheur trained with her father, the painter Raymond Bonheur, and studied animals closely in fields, markets and slaughterhouses, obtaining police permission to wear trousers for the purpose.","the-old-oak-nga-35089","The Old Oak",{"_42":928,"_225":929,"_328":930,"_330":591,"_332":931,"_333":932,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1870","overall: 32.1 x 41.5 cm (12 5/8 x 16 5/16 in.) framed: 55.3 x 64.8 x 8.3 cm (21 3/4 x 25 1/2 x 3 1/4 in.)",41.5,32.1,1.2966128521684077,[913,914,915,916,917],{"_224":508,"_225":509,"_42":510,"_307":378},"1949.1.5","Jules Dupré painted this in about 1870, aged 59. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition. Below the trees, there is a small shape that could be a person looking up. Farther back, there are some small triangular structures that might be houses. The brushstrokes are expressive and not much detail is visible in the smaller shapes. The grass and foliage are painted in earthy tones of brown, orange, and green, while the sky is blue with areas of thick gray and white clouds.",{"_298":910,"_300":911,"_302":912},"https://img.ochreeditions.com/m/1495.jpg?dl=1","/art/the-old-oak-nga-35089","/galleries/style/painting-19/the-old-oak-nga-35089",{"_294":295,"_296":297},{"_228":905,"_125":906,"_288":907},{"_279":902,"_281":903,"_283":887,"_285":904},56.5,47.0064697265625,32.0064697265625,{"_290":228,"_123":908,"_154":909,"_140":89},{"_290":125,"_123":739,"_154":740,"_140":741},{"_290":288,"_123":561,"_154":562,"_140":563},"artist/contemporaries-of-jules-dupre","Jules Dupré's contemporaries","https://img.ochreeditions.com/a/1495/480.jpg","https://img.ochreeditions.com/a/1495/960.jpg","https://img.ochreeditions.com/a/1495/1920.jpg",{"_314":926,"_316":927},{"_314":924,"_316":925},{"_314":922,"_316":923},{"_314":920,"_316":921},{"_314":918,"_316":919},"#aba487",0.1218,"#798070",0.1429,"#5f5d4b",0.2347,"#75582e",0.2379,"#433422",0.2627,"Jules Dupré","jules-dupre","French, 1811–1889",1811,1889,"self-portrait-si-saam-2019-6-3","Self-Portrait",{"_42":981,"_225":982,"_328":983,"_330":331,"_332":984,"_333":398,"_335":-5,"_336":-5,"_337":-5,"_140":99},"ca. 1850","antebellum-america","oil on tin","4 1/2 x 3 1/8 in.",0.771,[966,967,968,969,970],{"_224":375,"_225":376,"_42":377,"_307":378},"2019.6.3","Oliver Tarbell Eddy painted this in about 1850, aged 51. It is now at the Smithsonian American Art Museum in Washington, DC.","Self-Portrait, by Oliver Tarbell Eddy, ca. 1850",{"_298":963,"_300":964,"_302":965},"https://img.ochreeditions.com/m/1998.jpg?dl=1","/art/self-portrait-si-saam-2019-6-3","/galleries/style/painting-19/self-portrait-si-saam-2019-6-3",{"_294":295,"_296":297},{"_228":955,"_125":956,"_288":957},{"_279":953,"_281":358,"_283":954,"_285":360},61.26,46.26,{"_290":228,"_123":961,"_154":962,"_140":99},{"_290":125,"_123":958,"_154":959,"_140":960},{"_290":288,"_123":167,"_154":166,"_140":169},"style/antebellum-america","More Antebellum America",33,"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1998/480.jpg","https://img.ochreeditions.com/a/1998/960.jpg","https://img.ochreeditions.com/a/1998/1920.jpg",{"_314":979,"_316":980},{"_314":977,"_316":978},{"_314":975,"_316":976},{"_314":973,"_316":974},{"_314":971,"_316":972},"#7b6358",0.0538,"#d0aca0",0.07,"#9f5e41",0.2159,"#723e2a",0.285,"#392924",0.3753,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":1036,"_225":1037,"_328":1038,"_330":591,"_332":1039,"_333":1040,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1877","impressionism","212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[1021,1022,1023,1024,1025],{"_224":442,"_225":443,"_42":444,"_307":445},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":1020,"_440":441},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_298":1017,"_300":1018,"_302":1019},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/painting-19/paris-street-rainy-day-aic-20684",{"_294":295,"_296":297},{"_228":1009,"_125":1010,"_288":1011},{"_279":848,"_281":1007,"_283":850,"_285":1008},201.3622709522379,186.3622709522379,{"_290":228,"_123":1015,"_154":1016,"_140":89},{"_290":125,"_123":1012,"_154":1013,"_140":1014},{"_290":288,"_123":561,"_154":562,"_140":563},"style/impressionism","More Impressionism",53,"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_314":1034,"_316":1035},{"_314":1032,"_316":1033},{"_314":1030,"_316":1031},{"_314":1028,"_316":1029},{"_314":1026,"_316":1027},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358","Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the Moon",{"_42":1094,"_225":1095,"_328":1096,"_330":1097,"_332":592,"_333":1098,"_335":-5,"_336":-5,"_337":1099,"_140":91},"1885/92","japan","japanese-painting","Hanging scroll; ink and colors on silk","105.5 × 40.7 cm (41 9/16 × 16 in.)",105,0.385663082437276,[1079,1080,1081,1082,1083],{"_224":442,"_225":443,"_42":444,"_307":445},"2018.558","Tsukioka Yoshitoshi painted this in 1885/92, aged about 46. It is now at the Art Institute of Chicago.","A work made of hanging scroll; ink and colors on silk.",{"_298":1076,"_300":1077,"_302":1078},"https://img.ochreeditions.com/m/359.jpg?dl=1","/art/frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358","/galleries/style/painting-19/frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358",{"_294":295,"_296":297},{"_228":1066,"_125":1067,"_288":1068},{"_279":1063,"_281":1064,"_283":1065,"_285":1049},55.494623655913976,120,40.494623655913976,{"_290":228,"_123":1074,"_154":1075,"_140":91},{"_290":125,"_123":1071,"_154":1072,"_140":1073},{"_290":288,"_123":1069,"_154":1070,"_140":475},"era/19-japan","19th-century Japan","style/japanese-painting","More Japanese painting",76,"artist/tsukioka-yoshitoshi","More by Tsukioka Yoshitoshi","https://img.ochreeditions.com/a/359/480.jpg","https://img.ochreeditions.com/a/359/960.jpg","https://img.ochreeditions.com/a/359/1920.jpg",{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},{"_314":1088,"_316":1089},{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},"#403f42",0.0244,"#775b46",0.0475,"#60574a",0.0725,"#998667",0.2238,"#87785e",0.6318,"Tsukioka Yoshitoshi","tsukioka-yoshitoshi","Japanese, 1839–1892","Japanese",1892,"Yoshitoshi trained under Utagawa Kuniyoshi and became one of the last great designers of ukiyo-e, working through Japan’s rapid modernisation after 1868.","edouard-blau-nga-46556","Edouard Blau",{"_42":1146,"_225":1147,"_328":1148,"_330":591,"_332":1149,"_333":1150,"_335":-5,"_336":-5,"_337":-5,"_140":101},"probably 1869","overall: 59.5 x 43.2 cm (23 7/16 x 17 in.) framed: 69.5 x 53 x 5.1 cm (27 3/8 x 20 7/8 x 2 in.)",43.2,59.5,0.7275390625,[1131,1132,1133,1134,1135],{"_224":508,"_225":509,"_42":510,"_307":378},"1963.10.81","Frédéric Bazille painted this (probably 1869), aged 28. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a pale-skinned man in a suit sits in a high-backed chair, looking slightly to our right in this vertical portrait painting. His eyes and head are both turned slightly to our right, with only one ear visible on our left. His shoulder on our right and the right side of the chair are slightly cut off by the edge of the painting. He has a straight nose, high cheekbones, and pale pink closed lips. His eyes are dark, with small shadows beneath them. His black, wavy hair is parted on our right and cropped short on the sides of his head, with thick, defined waves on top. He has a light brown mustache that extends past the edge of his lips and flips up at the ends and a small, thin goatee. Beneath his chin, the collar of his white shirt is visible. The man wears an open suit jacket with a black vest, which folds slightly just below his chest, revealing a glimpse of his white shirt beneath it in a gap between buttons. The chair is only visible from the man’s shoulders up and ends at his forehead. It has a curved, round top back with a red frame and dark green upholstery. The part of the red frame on the right side of the painting has white and yellow highlights. The background is dark gray with visible brushstrokes. The artist signed and dated the painting at the top left, “F. Bazille. 1866.”",{"_298":1128,"_300":1129,"_302":1130},"https://img.ochreeditions.com/m/1523.jpg?dl=1","/art/edouard-blau-nga-46556","/galleries/style/painting-19/edouard-blau-nga-46556",{"_294":295,"_296":297},{"_228":1123,"_125":1124,"_288":1125},{"_279":1120,"_281":1121,"_283":1122,"_285":1106},58.28857421875,74.5,43.28857421875,{"_290":228,"_123":1126,"_154":1127,"_140":89},{"_290":125,"_123":1012,"_154":1013,"_140":1014},{"_290":288,"_123":561,"_154":562,"_140":563},"artist/contemporaries-of-frederic-bazille","Frédéric Bazille's contemporaries","https://img.ochreeditions.com/a/1523/480.jpg","https://img.ochreeditions.com/a/1523/960.jpg","https://img.ochreeditions.com/a/1523/1920.jpg",{"_314":1144,"_316":1145},{"_314":1142,"_316":1143},{"_314":1140,"_316":1141},{"_314":1138,"_316":1139},{"_314":1136,"_316":1137},"#592f1e",0.0635,"#0b2815",0.071,"#a3785b",0.0747,"#28231e",0.3132,"#12100d",0.4776,"Frédéric Bazille","frederic-bazille","French, 1841–1870",1841,1870,"the-race-track-nga-66416","The Race Track",{"_42":1199,"_225":1200,"_328":1201,"_330":591,"_332":1202,"_333":1203,"_335":-5,"_336":-5,"_337":1204,"_140":99},"c. 1891","gouache on canvas","overall: 80.5 x 114.9 cm (31 11/16 x 45 1/4 in.) framed: 97.8 x 134 x 6.9 cm (38 1/2 x 52 3/4 x 2 11/16 in.)",114.9,80.5,1.4371929824561402,[1184,1185,1186,1187,1188],{"_224":508,"_225":509,"_42":510,"_307":378},"1985.64.18","Jean Louis Forain painted this in about 1891, aged 39. It is now at the National Gallery of Art in Washington, DC.","At the edge of a racecourse, a man in a top hat and long coat talks with a woman in pink and a man in riding boots and breeches, while riders gallop away across the green turf and spectators watch under parasols.","This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.",{"_298":1181,"_300":1182,"_302":1183},"https://img.ochreeditions.com/m/1607.jpg?dl=1","/art/the-race-track-nga-66416","/galleries/style/painting-19/the-race-track-nga-66416",{"_294":295,"_296":297},{"_228":1176,"_125":1177,"_288":1178},{"_279":1173,"_281":1174,"_283":1157,"_285":1175},129.9,94.94750976562501,79.94750976562501,{"_290":228,"_123":1179,"_154":1180,"_140":99},{"_290":125,"_123":739,"_154":740,"_140":741},{"_290":288,"_123":561,"_154":562,"_140":563},"artist/jean-louis-forain","More by Jean Louis Forain","https://img.ochreeditions.com/a/1607/480.jpg","https://img.ochreeditions.com/a/1607/960.jpg","https://img.ochreeditions.com/a/1607/1920.jpg",{"_314":1197,"_316":1198},{"_314":1195,"_316":1196},{"_314":1193,"_316":1194},{"_314":1191,"_316":1192},{"_314":1189,"_316":1190},"#897d6c",0.0866,"#89936a",0.1179,"#91c1e8",0.1296,"#b8c2c2",0.2287,"#aeb281",0.4372,"Jean Louis Forain","jean-louis-forain","French, 1852–1931",1852,1931,"Forain was a friend and follower of Degas and showed in four of the Impressionist exhibitions. He became best known as a caricaturist, contributing incisive drawings to the Paris press that mocked the bourgeoisie, the courts and politics, often with sharp captions.",{"_1206":-5,"_1207":1208,"_1209":1210,"_1211":8,"_1212":1213,"_1214":8},"user","csrf","c6b1ab5a74db14469bee81566fb8da54793490bb","cartCount",0,"dropLive","legal",[1215,1216,1217,1218,1219,1220,1221,1222,1223,1224,1225,1226],"uploadsEnabled",{"_225":1249,"_20":1250},{"_225":1247,"_20":1248},{"_225":1245,"_20":1246},{"_225":1243,"_20":1244},{"_225":1241,"_20":1242},{"_225":1239,"_20":1240},{"_225":1237,"_20":1238},{"_225":1235,"_20":1236},{"_225":1233,"_20":1234},{"_225":1231,"_20":1232},{"_225":1229,"_20":1230},{"_225":1227,"_20":1228},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]