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In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","a-sunday-on-la-grande-jatte-1884-aic-27992","A Sunday on La Grande Jatte — 1884",{"_42":454,"_220":455,"_327":456,"_329":330,"_331":457,"_333":458,"_335":399,"_337":399,"_339":459,"_140":89},"1884–86, border added 1888–89","post-impressionism","207.5 × 308.1 cm (81 3/4 × 121 1/4 in.)",308,207,1.4927048260381595,[439,440,441,442,443],{"_219":303,"_220":304,"_42":305,"_306":307},"1926.224","Georges Seurat painted this in 1884–86, border added 1888–89, aged about 25. It is now at the Art Institute of Chicago.",{"_118":438,"_301":302},"Large painting of people in a crowded park, brushstrokes are dots.",{"_294":435,"_296":436,"_298":437},"https://img.ochreeditions.com/m/118.jpg?dl=1","/art/a-sunday-on-la-grande-jatte-1884-aic-27992","/galleries/style/painting-19/a-sunday-on-la-grande-jatte-1884-aic-27992",{"_290":291,"_292":293},{"_223":427,"_125":428,"_284":429},{"_275":423,"_277":424,"_279":425,"_281":426},255,175.78195488721803,240,160.78195488721803,{"_286":223,"_123":433,"_154":434,"_140":89},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":166,"_154":165,"_140":168},"style/post-impressionism","More Post-Impressionism",62,"artist/georges-seurat","More by Georges Seurat","https://img.ochreeditions.com/a/118/480.jpg","https://img.ochreeditions.com/a/118/960.jpg","https://img.ochreeditions.com/a/118/1920.jpg","For his largest and best-known painting, Georges Seurat depicted Parisians enjoying all sorts of leisurely activities—strolling, lounging, sailing, and fishing—in the park called La Grande Jatte on the River Seine.",{"_313":452,"_315":453},{"_313":450,"_315":451},{"_313":448,"_315":449},{"_313":446,"_315":447},{"_313":444,"_315":445},"#939595",0.1265,"#928e66",0.1657,"#80766b",0.177,"#526054",0.2544,"#5f5960",0.2764,"Georges Seurat","georges-seurat","French, 1859–1891",1859,1891,"Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye.","west-family-in-the-studio-garden-si-npg-npg-77-34","West Family in the Studio Garden",{"_42":518,"_220":519,"_327":520,"_329":521,"_331":522,"_333":523,"_335":-5,"_337":-5,"_339":524,"_140":101},"1808-09","united-states","american-colonial-and-federal","Stretcher: 34.3 × 41.3 × 1.6 cm (13 1/2 × 16 1/4 × 5/8\")",41.3,34.3,1.189767995240928,[503,504,505,506,507],{"_219":499,"_220":500,"_42":501,"_306":502},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.77.34","Benjamin West painted this in 1808-09, aged 70. It is now at the National Portrait Gallery in Washington, DC.","Artist: Benjamin West, Sitter: Benjamin West, Current owner: National Portrait Gallery, Smithsonian Institution",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1850.jpg?dl=1","/art/west-family-in-the-studio-garden-si-npg-npg-77-34","/galleries/style/painting-19/west-family-in-the-studio-garden-si-npg-npg-77-34",{"_290":291,"_292":293},{"_223":486,"_125":487,"_284":488},{"_275":483,"_277":484,"_279":467,"_281":485},56.3,49.712650000000004,34.712650000000004,{"_286":223,"_123":494,"_154":495,"_140":89},{"_286":125,"_123":492,"_154":493,"_140":196},{"_286":284,"_123":489,"_154":490,"_140":491},"era/19-united-states","19th-century United States",198,"style/american-colonial-and-federal","More American colonial and Federal art","artist/contemporaries-of-benjamin-west","Benjamin West's contemporaries","https://img.ochreeditions.com/a/1850/480.jpg","https://img.ochreeditions.com/a/1850/960.jpg","https://img.ochreeditions.com/a/1850/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},"#bba97b",0.0874,"#584a29",0.1123,"#8c8062",0.1461,"#382c1c",0.2824,"#281e17",0.3718,"Benjamin West","benjamin-west","American, born The Thirteen Colonies, 1738–1820","American",1738,1820,"West grew up in Pennsylvania and, after three years in Italy, settled in London in 1763, never returning to America. He became history painter to George III and, in 1792, succeeded Joshua Reynolds as President of the Royal Academy.","low-tide-riverside-yacht-club-met-19523","Low Tide, Riverside Yacht Club",{"_42":575,"_220":576,"_327":577,"_329":521,"_331":578,"_333":579,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1894","american-gilded-age","18 x 24 in. (45.7 x 61 cm)",61,45.7,1.326026443980515,[560,561,562,563,564],{"_219":375,"_220":376,"_42":377,"_306":378},"2007.281.3","Theodore Robinson painted this in 1894, aged 42. It is now at The Met in New York.","Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894",{"_294":557,"_296":558,"_298":559},"https://img.ochreeditions.com/m/869.jpg?dl=1","/art/low-tide-riverside-yacht-club-met-19523","/galleries/style/painting-19/low-tide-riverside-yacht-club-met-19523",{"_290":291,"_292":293},{"_223":549,"_125":550,"_284":551},{"_275":546,"_277":547,"_279":531,"_281":548},76,61.002099186565204,46.002099186565204,{"_286":223,"_123":555,"_154":556,"_140":89},{"_286":125,"_123":552,"_154":553,"_140":554},{"_286":284,"_123":489,"_154":490,"_140":491},"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-theodore-robinson","Theodore Robinson's contemporaries","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/869/960.jpg","https://img.ochreeditions.com/a/869/1920.jpg",{"_313":573,"_315":574},{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},"#382d21",0.016,"#91a6b4",0.125,"#887c60",0.1807,"#b0b0b1",0.2367,"#948c87",0.4416,"Theodore Robinson","theodore-robinson","1852–1896",1852,1896,"the-old-oak-nga-35089","The Old Oak",{"_42":631,"_220":632,"_327":633,"_329":330,"_331":634,"_333":635,"_335":-5,"_337":-5,"_339":-5,"_140":101},"c. 1870","oil on canvas","overall: 32.1 x 41.5 cm (12 5/8 x 16 5/16 in.) framed: 55.3 x 64.8 x 8.3 cm (21 3/4 x 25 1/2 x 3 1/4 in.)",41.5,32.1,1.2966128521684077,[616,617,618,619,620],{"_219":613,"_220":614,"_42":615,"_306":502},"Courtesy National Gallery of Art, Washington","1949.1.5","Jules Dupré painted this in about 1870, aged 59. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition. Below the trees, there is a small shape that could be a person looking up. Farther back, there are some small triangular structures that might be houses. The brushstrokes are expressive and not much detail is visible in the smaller shapes. The grass and foliage are painted in earthy tones of brown, orange, and green, while the sky is blue with areas of thick gray and white clouds.",{"_294":610,"_296":611,"_298":612},"https://img.ochreeditions.com/m/1495.jpg?dl=1","/art/the-old-oak-nga-35089","/galleries/style/painting-19/the-old-oak-nga-35089",{"_290":291,"_292":293},{"_223":605,"_125":606,"_284":607},{"_275":602,"_277":603,"_279":586,"_281":604},56.5,47.0064697265625,32.0064697265625,{"_286":223,"_123":608,"_154":609,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jules-dupre","Jules Dupré's contemporaries","https://img.ochreeditions.com/a/1495/480.jpg","https://img.ochreeditions.com/a/1495/960.jpg","https://img.ochreeditions.com/a/1495/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":629,"_315":630},{"_313":627,"_315":628},{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},"#aba487",0.1218,"#798070",0.1429,"#5f5d4b",0.2347,"#75582e",0.2379,"#433422",0.2627,"Jules Dupré","jules-dupre","French, 1811–1889",1811,1889,"a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre)",{"_42":684,"_220":685,"_327":686,"_329":330,"_331":687,"_333":688,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1888","90.5 × 72 cm (35 5/8 × 28 3/8 in.)",72,90,0.7875838926174497,[669,670,671,672,673],{"_219":303,"_220":304,"_42":305,"_306":307},"2014.645","Louis Anquetin painted this in 1888, aged 27. It is now at the Art Institute of Chicago.",{"_118":668,"_301":302},"A work made of oil on canvas.",{"_294":665,"_296":666,"_298":667},"https://img.ochreeditions.com/m/363.jpg?dl=1","/art/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002","/galleries/style/painting-19/a-woman-at-the-elysee-montmartre-femme-a-l-elysee-montmartre-aic-222002",{"_290":291,"_292":293},{"_223":660,"_125":661,"_284":662},{"_275":657,"_277":658,"_279":659,"_281":642},85.88255033557047,105,70.88255033557047,{"_286":223,"_123":663,"_154":664,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-louis-anquetin","Louis Anquetin's contemporaries","https://img.ochreeditions.com/a/363/480.jpg","https://img.ochreeditions.com/a/363/960.jpg","https://img.ochreeditions.com/a/363/1920.jpg","Like Henri de Toulouse-Lautrec, Anquetin's work focused on modern life, particularly Parisian nightlife. This painting depicts an unescorted woman—unusual at that time—walking through the garden of the Élysée Montmartre, a dance hall in Montmartre.",{"_313":682,"_315":683},{"_313":680,"_315":681},{"_313":678,"_315":679},{"_313":676,"_315":677},{"_313":674,"_315":675},"#7e3522",0.085,"#795d38",0.1109,"#9d9c7f",0.2147,"#5c7263",0.265,"#323028",0.3244,"Louis Anquetin","louis-anquetin","French, 1861–1932",1861,1932,"frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358","Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the Moon",{"_42":742,"_220":743,"_327":744,"_329":745,"_331":746,"_333":747,"_335":-5,"_337":-5,"_339":748,"_140":91},"1885/92","japan","japanese-painting","Hanging scroll; ink and colors on silk","105.5 × 40.7 cm (41 9/16 × 16 in.)",40,0.385663082437276,[727,728,729,730,731],{"_219":303,"_220":304,"_42":305,"_306":307},"2018.558","Tsukioka Yoshitoshi painted this in 1885/92, aged about 46. It is now at the Art Institute of Chicago.","A work made of hanging scroll; ink and colors on silk.",{"_294":724,"_296":725,"_298":726},"https://img.ochreeditions.com/m/359.jpg?dl=1","/art/frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358","/galleries/style/painting-19/frost-fills-the-air-and-the-autumn-air-is-still-lines-of-ret-aic-212358",{"_290":291,"_292":293},{"_223":714,"_125":715,"_284":716},{"_275":711,"_277":712,"_279":713,"_281":658},55.494623655913976,120,40.494623655913976,{"_286":223,"_123":722,"_154":723,"_140":91},{"_286":125,"_123":720,"_154":721,"_140":546},{"_286":284,"_123":717,"_154":718,"_140":719},"era/19-japan","19th-century Japan",99,"style/japanese-painting","More Japanese painting","artist/tsukioka-yoshitoshi","More by Tsukioka Yoshitoshi","https://img.ochreeditions.com/a/359/480.jpg","https://img.ochreeditions.com/a/359/960.jpg","https://img.ochreeditions.com/a/359/1920.jpg",{"_313":740,"_315":741},{"_313":738,"_315":739},{"_313":736,"_315":737},{"_313":734,"_315":735},{"_313":732,"_315":733},"#403f42",0.0244,"#775b46",0.0475,"#60574a",0.0725,"#998667",0.2238,"#87785e",0.6318,"Tsukioka Yoshitoshi","tsukioka-yoshitoshi","Japanese, 1839–1892","Japanese",1839,1892,"Yoshitoshi trained under Utagawa Kuniyoshi and became one of the last great designers of ukiyo-e, working through Japan’s rapid modernisation after 1868.","melanesian-man-si-saam-1985-66-165-728","Melanesian Man",{"_42":802,"_220":803,"_327":804,"_329":-5,"_331":805,"_333":806,"_335":-5,"_337":-5,"_339":-5,"_140":101},"ca. 1890-1899","42 x 28 3/4 in. (106.7 x 73.0 cm.)",73,106.7,0.667,[787,788,789,790,791],{"_219":499,"_220":500,"_42":501,"_306":502},"Courtesy of the Smithsonian American Art Museum","1985.66.165,728","Antonion Zeno Shindler painted this in about 1890-1899, aged about 77. It is now at the Smithsonian American Art Museum in Washington, DC.","Melanesian Man, by Antonion Zeno Shindler, ca. 1890-1899",{"_294":784,"_296":785,"_298":786},"https://img.ochreeditions.com/m/1977.jpg?dl=1","/art/melanesian-man-si-saam-1985-66-165-728","/galleries/style/painting-19/melanesian-man-si-saam-1985-66-165-728",{"_290":291,"_292":293},{"_223":773,"_125":774,"_284":775},{"_275":770,"_277":771,"_279":772,"_281":755},86.16890000000001,121.7,71.16890000000001,{"_286":223,"_123":782,"_154":783,"_140":89},{"_286":125,"_123":779,"_154":780,"_140":781},{"_286":284,"_123":776,"_154":777,"_140":778},"era/19","The 19th century",731,"style/painting","More paintings",1127,"artist/contemporaries-of-antonion-zeno-shindler","Antonion Zeno Shindler's contemporaries","https://img.ochreeditions.com/a/1977/480.jpg","https://img.ochreeditions.com/a/1977/960.jpg","https://img.ochreeditions.com/a/1977/1920.jpg",{"_313":800,"_315":801},{"_313":798,"_315":799},{"_313":796,"_315":797},{"_313":794,"_315":795},{"_313":792,"_315":793},"#7d4224",0.1086,"#453221",0.1563,"#8b694a",0.2128,"#bea38c",0.2396,"#848584",0.2827,"Antonion Zeno Shindler","antonion-zeno-shindler","1813 Bulgaria-died Washington, DC 1899",1813,1899,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":858,"_220":859,"_327":860,"_329":330,"_331":861,"_333":862,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1877","impressionism","212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[843,844,845,846,847],{"_219":303,"_220":304,"_42":305,"_306":307},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":842,"_301":302},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_294":839,"_296":840,"_298":841},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/painting-19/paris-street-rainy-day-aic-20684",{"_290":291,"_292":293},{"_223":831,"_125":832,"_284":833},{"_275":423,"_277":829,"_279":425,"_281":830},201.3622709522379,186.3622709522379,{"_286":223,"_123":837,"_154":838,"_140":89},{"_286":125,"_123":834,"_154":835,"_140":836},{"_286":284,"_123":166,"_154":165,"_140":168},"style/impressionism","More Impressionism",53,"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_313":856,"_315":857},{"_313":854,"_315":855},{"_313":852,"_315":853},{"_313":850,"_315":851},{"_313":848,"_315":849},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"portrait-of-a-woman-nga-46440","Portrait of a Woman",{"_42":909,"_220":910,"_327":911,"_329":330,"_331":912,"_333":913,"_335":-5,"_337":-5,"_339":914,"_140":95},"1875","overall: 53.4 x 43.8 cm (21 x 17 1/4 in.) framed: 62.9 x 53.7 x 4.4 cm (24 3/4 x 21 1/8 x 1 3/4 in.)",43.8,53.4,0.822998046875,[894,895,896,897,898],{"_219":613,"_220":614,"_42":615,"_306":502},"1963.1.2","Alphonse Legros painted this in 1875, aged 38. It is now at the National Gallery of Art in Washington, DC.","The image portrays a woman in a profile view, with her head turned towards the left. She has medium-length dark hair styled back, wearing a high-collared garment with ruffled edges. She has a sharp nose, defined cheekbones, and a firm chin. The background is a plain, light-colored canvas, and the artist's signature \"A. Legros\" and the year \"1875\" are seen in the upper right corner.",{"_294":891,"_296":892,"_298":893},"https://img.ochreeditions.com/m/1514.jpg?dl=1","/art/portrait-of-a-woman-nga-46440","/galleries/style/painting-19/portrait-of-a-woman-nga-46440",{"_290":291,"_292":293},{"_223":886,"_125":887,"_284":888},{"_275":883,"_277":884,"_279":885,"_281":869},58.948095703125,68.4,43.948095703125,{"_286":223,"_123":889,"_154":890,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/alphonse-legros","More by Alphonse Legros","https://img.ochreeditions.com/a/1514/480.jpg","https://img.ochreeditions.com/a/1514/960.jpg","https://img.ochreeditions.com/a/1514/1920.jpg",{"_313":907,"_315":908},{"_313":905,"_315":906},{"_313":903,"_315":904},{"_313":901,"_315":902},{"_313":899,"_315":900},"#9c855e",0.0505,"#624936",0.0538,"#a4714a",0.0562,"#342925",0.1088,"#d3b782",0.7307,"Alphonse Legros","alphonse-legros","French, 1837–1911",1837,1911,"Legros trained in Dijon and Paris, where he befriended Whistler and Fantin-Latour, and in 1863 he settled in London at Whistler’s suggestion. His etchings and paintings of peasants, beggars, monks and forests carry the sober realism of his French training.","auvers-panoramic-view-aic-14556","Auvers, Panoramic View",{"_42":963,"_220":964,"_327":965,"_329":330,"_331":746,"_333":966,"_335":967,"_337":967,"_339":968,"_140":79},"1873–75","65.2 × 81.3 cm (25 5/8 × 32 in.); Framed: 79.7 × 97.5 × 7.7 cm (31 3/8 × 38 3/8 × 3 in.)",81,65,1.2596577518188339,[948,949,950,951,952],{"_219":303,"_220":304,"_42":305,"_306":307},"1933.422","Paul Cézanne painted this in 1873–75, aged about 34. It is now at the Art Institute of Chicago.",{"_118":947,"_301":302},"View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.",{"_294":944,"_296":945,"_298":946},"https://img.ochreeditions.com/m/29.jpg?dl=1","/art/auvers-panoramic-view-aic-14556","/galleries/style/painting-19/auvers-panoramic-view-aic-14556",{"_290":291,"_292":293},{"_223":939,"_125":940,"_284":941},{"_275":936,"_277":937,"_279":920,"_281":938},96,79.30318067192711,64.30318067192711,{"_286":223,"_123":942,"_154":943,"_140":79},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/29/480.jpg","https://img.ochreeditions.com/a/29/960.jpg","https://img.ochreeditions.com/a/29/1920.jpg","Paul Cezanne made this work while being mentored by Impressionist Camille Pissarro. He rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—with blocky, energetic patches of color and areas of ragged brushwork that might seem unfinished.",{"_313":961,"_315":962},{"_313":959,"_315":960},{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},"#87904e",0.0542,"#8f9994",0.1994,"#8a846c",0.2007,"#5c6759",0.2675,"#67795b",0.2782,"Paul Cézanne","paul-cezanne","French, 1839–1906",1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","the-rocky-mountains-lander-s-peak-met-10154","The Rocky Mountains, Lander's Peak",{"_42":1018,"_220":1019,"_327":1020,"_329":521,"_331":1021,"_333":1022,"_335":1023,"_337":378,"_339":-5,"_140":101},"1863","hudson-river-school","73 1/2 x 120 3/4 in. (186.7 x 306.7 cm)",306.7,186.7,1.6685639229422067,[1003,1004,1005,1006,1007],{"_219":375,"_220":376,"_42":377,"_306":378},"07.123","Albert Bierstadt painted this in 1863, aged 33. It is now at The Met in New York.","The Rocky Mountains, Lander's Peak, by Albert Bierstadt, 1863",{"_294":1000,"_296":1001,"_298":1002},"https://img.ochreeditions.com/m/804.jpg?dl=1","/art/the-rocky-mountains-lander-s-peak-met-10154","/galleries/style/painting-19/the-rocky-mountains-lander-s-peak-met-10154",{"_290":291,"_292":293},{"_223":992,"_125":993,"_284":994},{"_275":423,"_277":990,"_279":425,"_281":991},158.83626344791392,143.83626344791392,{"_286":223,"_123":998,"_154":999,"_140":89},{"_286":125,"_123":995,"_154":996,"_140":997},{"_286":284,"_123":489,"_154":490,"_140":491},"style/hudson-river-school","More Hudson River School",27,"artist/contemporaries-of-albert-bierstadt","Albert Bierstadt's contemporaries","https://img.ochreeditions.com/a/804/480.jpg","https://img.ochreeditions.com/a/804/960.jpg","https://img.ochreeditions.com/a/804/1920.jpg",{"_313":1016,"_315":1017},{"_313":1014,"_315":1015},{"_313":1012,"_315":1013},{"_313":1010,"_315":1011},{"_313":1008,"_315":1009},"#92bed5",0.0855,"#8b816f",0.0966,"#61532a",0.2233,"#373624",0.2566,"#c7d0d0",0.338,"Albert Bierstadt","albert-bierstadt","American, 1830–1902",1830,1902,"Solingen","the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":1071,"_220":1072,"_327":1073,"_329":1074,"_331":1075,"_333":1076,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1881","watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[1056,1057,1058,1059,1060],{"_219":499,"_220":500,"_42":501,"_306":502},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_294":1053,"_296":1054,"_298":1055},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/painting-19/the-witch-s-daughter-si-saam-1929-6-18",{"_290":291,"_292":293},{"_223":1048,"_125":1049,"_284":1050},{"_275":1045,"_277":1046,"_279":1047,"_281":1031},45.8953,67.1,30.8953,{"_286":223,"_123":1051,"_154":1052,"_140":89},{"_286":125,"_123":552,"_154":553,"_140":554},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_313":1069,"_315":1070},{"_313":1067,"_315":1068},{"_313":1065,"_315":1066},{"_313":1063,"_315":1064},{"_313":1061,"_315":1062},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"robert-coleman-nga-33962","Robert Coleman",{"_42":1123,"_220":1124,"_327":1125,"_329":521,"_331":1126,"_333":1075,"_335":-5,"_337":-5,"_339":-5,"_140":101},"c. 1820","oil on canvas transferred to wood","overall: 91.7 x 71 cm (36 1/8 x 27 15/16 in.) framed: 126.7 x 106 x 10.8 cm (49 7/8 x 41 3/4 x 4 1/4 in.)",71,91.7,0.773681640625,[1108,1109,1110,1111,1112],{"_219":613,"_220":614,"_42":615,"_306":502},"1947.9.2","Jacob Eichholtz painted this in about 1820, aged 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.",{"_294":1105,"_296":1106,"_298":1107},"https://img.ochreeditions.com/m/1489.jpg?dl=1","/art/robert-coleman-nga-33962","/galleries/style/painting-19/robert-coleman-nga-33962",{"_290":291,"_292":293},{"_223":1100,"_125":1101,"_284":1102},{"_275":1098,"_277":755,"_279":1099,"_281":1084},85.9466064453125,70.9466064453125,{"_286":223,"_123":1103,"_154":1104,"_140":89},{"_286":125,"_123":492,"_154":493,"_140":196},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-jacob-eichholtz","Jacob Eichholtz's contemporaries","https://img.ochreeditions.com/a/1489/480.jpg","https://img.ochreeditions.com/a/1489/960.jpg","https://img.ochreeditions.com/a/1489/1920.jpg",{"_313":1121,"_315":1122},{"_313":1119,"_315":1120},{"_313":1117,"_315":1118},{"_313":1115,"_315":1116},{"_313":1113,"_315":1114},"#deb354",0.0373,"#b57b28",0.0424,"#352b12",0.17,"#6b5514",0.1834,"#10140b",0.5669,"Jacob Eichholtz","jacob-eichholtz","American, 1776–1842",1776,"in-the-heather-aic-29395","In the Heather",{"_42":1171,"_220":1172,"_327":1173,"_329":330,"_331":1174,"_333":1175,"_335":1176,"_337":399,"_339":1177,"_140":101},"1896","80.6 × 99.7 cm (31 3/4 × 39 1/4 in.); Framed: 97.5 × 116.6 × 8 cm (38 3/8 × 45 7/8 × 3 1/8 in.)",80,1.2451970969119113,[1156,1157,1158,1159,1160],{"_219":303,"_220":304,"_42":305,"_306":307},"1968.304","Pierre Puvis de Chavannes painted this in 1896, aged 72. It is now at the Art Institute of Chicago.",{"_294":1153,"_296":1154,"_298":1155},"https://img.ochreeditions.com/m/121.jpg?dl=1","/art/in-the-heather-aic-29395","/galleries/style/painting-19/in-the-heather-aic-29395",{"_290":291,"_292":293},{"_223":1148,"_125":1149,"_284":1150},{"_275":1145,"_277":1146,"_279":719,"_281":1147},114,94.50548571428571,79.50548571428571,{"_286":223,"_123":1151,"_154":1152,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pierre-puvis-de-chavannes","Pierre Puvis de Chavannes's contemporaries","https://img.ochreeditions.com/a/121/480.jpg","https://img.ochreeditions.com/a/121/960.jpg","https://img.ochreeditions.com/a/121/1920.jpg",{"_313":1169,"_315":1170},{"_313":1167,"_315":1168},{"_313":1165,"_315":1166},{"_313":1163,"_315":1164},{"_313":1161,"_315":1162},"#ab8e81",0.1036,"#737371",0.185,"#575952",0.1893,"#cec3a8",0.2102,"#88937b",0.3119,"Pierre Puvis de Chavannes","pierre-puvis-de-chavannes","French, 1824–1898",1824,1898,"Lyons","Puvis de Chavannes was the leading French mural painter of the later nineteenth century, decorating public buildings such as the Panthéon and the Sorbonne in Paris, the Musée des Beaux-Arts in his native Lyon and the Boston Public Library.",{"_1179":-5,"_1180":1181,"_1182":1183,"_1184":8,"_1185":1186,"_1187":8},"user","csrf","30dd4d40253f69158a0b8510e4e364858e4998cf","cartCount",0,"dropLive","legal",[1188,1189,1190,1191,1192,1193,1194,1195,1196,1197,1198,1199],"uploadsEnabled",{"_220":1222,"_20":1223},{"_220":1220,"_20":1221},{"_220":1218,"_20":1219},{"_220":1216,"_20":1217},{"_220":1214,"_20":1215},{"_220":1212,"_20":1213},{"_220":1210,"_20":1211},{"_220":1208,"_20":1209},{"_220":1206,"_20":1207},{"_220":1204,"_20":1205},{"_220":1202,"_20":1203},{"_220":1200,"_20":1201},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]