[{"_1":2,"_3":4},"root",{"_5":1191},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Paintings of the 19th century, in the galleries · Ochre Editions","description","Paintings made in the 19th century, from every museum. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/painting-19","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/painting-19.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Paintings of the 19th century, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/stoke-by-nayland-aic-4758",15,"https://www.ochreeditions.com/art/whalers-met-437854",14,"https://www.ochreeditions.com/art/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b",13,"https://www.ochreeditions.com/art/landscape-cma-110952",12,"https://www.ochreeditions.com/art/fish-still-life-aic-44892",11,"https://www.ochreeditions.com/art/a-forest-with-apollo-and-daphne-cma-148364",10,"https://www.ochreeditions.com/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",9,"https://www.ochreeditions.com/art/the-lackawanna-valley-nga-30776",8,"https://www.ochreeditions.com/art/the-conversation-aic-21165",7,"https://www.ochreeditions.com/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",6,"https://www.ochreeditions.com/art/the-towpath-nga-136018",5,"https://www.ochreeditions.com/art/untitled-lady-with-a-parakeet-aic-263516",4,"https://www.ochreeditions.com/art/hemlock-pool-si-saam-1929-6-140",3,"https://www.ochreeditions.com/art/the-laundress-aic-59944",2,"https://www.ochreeditions.com/art/hunting-in-the-pontine-marshes-nga-70970",1,"https://www.ochreeditions.com/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~painting-19.dea77219d0.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~painting-19.dea77219d0.jpg","alt","Paintings of the 19th century, a room in the galleries: three of its 432 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Paintings of the 19th century: 432 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~painting-19.jpg","key","style/painting-19","style","Paintings of the 19th century","intro","Paintings made in the 19th century, from every museum.","wing","Style galleries","floor","layout","enfilade","hang",755,"/galleries/style/painting-19","total",432,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[171,172,173,174,175,176],"doors",[162,163],"next_cursor","eyJvIjoxNiwiaCI6NzU1LCJpIjpudWxsLCJnIjoiTEp2Rmk4eFYifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/painting-19?hang=755&cursor=eyJvIjoxNiwiaCI6NzU1LCJpIjpudWxsLCJnIjoiTEp2Rmk4eFYifQ&via=continue","label","Paintings of the 19th century, room 2","move","doorway","first_wall_images",[160,161],"https://img.ochreeditions.com/a/1125/480.jpg","https://img.ochreeditions.com/a/812/480.jpg",{"_154":168,"_123":169,"_44":170,"_140":99},{"_154":164,"_123":165,"_44":166,"_140":167},"19th-century Britain","era/19-britain","/galleries/era/19-britain?hang=755&via=continue",40,"More by John Constable","artist/john-constable","/galleries/artist/john-constable?hang=755&via=continue",{"_42":201,"_178":202},{"_42":195,"_178":196},{"_42":190,"_178":191},{"_42":185,"_178":186},{"_42":181,"_178":182},{"_42":177,"_178":179},"Third room, south wall","work_ids",[180,91],1170,"Third room, north wall",[183,184],523,1827,"Second room, north wall",[187,188,189],862,692,150,"Second room, south wall",[192,193,194],1328,81,1460,"First room, south wall",[197,198,199,200],174,1874,417,1664,"First room, north wall",[203,204],1655,1617,{"_221":203,"_222":1141,"_20":1142,"_225":1143,"_227":-5,"_228":1144,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":477,"_241":1145,"_243":1146,"_245":189,"_247":1147,"_249":1148,"_251":1149,"_253":721,"_255":1150,"_257":258,"_259":1151,"_154":-5,"_262":-5,"_111":1152,"_264":1153,"_266":1154,"_268":1155,"_270":1156,"_272":1157,"_144":1158,"_275":1159},{"_221":204,"_222":1090,"_20":1091,"_225":1092,"_227":-5,"_228":1093,"_230":231,"_232":540,"_234":-5,"_125":541,"_28":236,"_237":238,"_239":477,"_241":1094,"_243":1095,"_245":1096,"_247":1097,"_249":1098,"_251":1099,"_253":721,"_255":1100,"_257":258,"_259":1101,"_154":-5,"_262":-5,"_111":1102,"_264":1103,"_266":1104,"_268":1105,"_270":1106,"_272":1107,"_144":1108,"_275":1109},{"_221":197,"_222":1034,"_20":1035,"_225":1036,"_227":-5,"_228":1037,"_230":231,"_232":540,"_234":1038,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":1039,"_243":1040,"_245":622,"_247":1041,"_249":1042,"_251":1043,"_253":254,"_255":1044,"_257":258,"_259":1045,"_154":-5,"_262":-5,"_111":775,"_264":1046,"_266":1047,"_268":1048,"_270":1049,"_272":1050,"_144":1051,"_275":1052},{"_221":198,"_222":977,"_20":978,"_225":979,"_227":-5,"_228":980,"_230":231,"_232":-5,"_234":-5,"_125":-5,"_28":236,"_237":238,"_239":477,"_241":981,"_243":982,"_245":983,"_247":984,"_249":985,"_251":986,"_253":987,"_255":988,"_257":258,"_259":989,"_154":990,"_262":-5,"_111":991,"_264":992,"_266":993,"_268":994,"_270":995,"_272":996,"_144":997,"_275":998},{"_221":199,"_222":924,"_20":925,"_225":926,"_227":-5,"_228":927,"_230":231,"_232":928,"_234":-5,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":929,"_243":570,"_245":930,"_247":931,"_249":932,"_251":933,"_253":254,"_255":934,"_257":258,"_259":935,"_154":-5,"_262":-5,"_111":775,"_264":936,"_266":937,"_268":938,"_270":939,"_272":940,"_144":941,"_275":942},{"_221":200,"_222":866,"_20":867,"_225":868,"_227":-5,"_228":539,"_230":231,"_232":869,"_234":-5,"_125":-5,"_28":236,"_237":238,"_239":477,"_241":870,"_243":871,"_245":872,"_247":873,"_249":874,"_251":875,"_253":721,"_255":876,"_257":258,"_259":877,"_154":-5,"_262":-5,"_111":878,"_264":879,"_266":880,"_268":881,"_270":882,"_272":883,"_144":884,"_275":885},{"_221":192,"_222":813,"_20":814,"_225":815,"_227":-5,"_228":816,"_230":231,"_232":540,"_234":-5,"_125":541,"_28":236,"_237":238,"_239":817,"_241":818,"_243":167,"_245":819,"_247":820,"_249":821,"_251":822,"_253":721,"_255":823,"_257":258,"_259":824,"_154":-5,"_262":825,"_111":826,"_264":827,"_266":828,"_268":829,"_270":830,"_272":831,"_144":832,"_275":833},{"_221":193,"_222":763,"_20":764,"_225":765,"_227":-5,"_228":766,"_230":231,"_232":540,"_234":-5,"_125":541,"_28":236,"_237":238,"_239":240,"_241":767,"_243":768,"_245":769,"_247":770,"_249":771,"_251":772,"_253":254,"_255":773,"_257":258,"_259":774,"_154":-5,"_262":-5,"_111":775,"_264":776,"_266":777,"_268":778,"_270":779,"_272":780,"_144":781,"_275":782},{"_221":194,"_222":710,"_20":711,"_225":712,"_227":-5,"_228":713,"_230":231,"_232":409,"_234":-5,"_125":714,"_28":236,"_237":238,"_239":477,"_241":715,"_243":716,"_245":717,"_247":718,"_249":719,"_251":720,"_253":721,"_255":722,"_257":258,"_259":723,"_154":-5,"_262":724,"_111":725,"_264":726,"_266":727,"_268":728,"_270":729,"_272":730,"_144":731,"_275":732},{"_221":187,"_222":656,"_20":657,"_225":658,"_227":-5,"_228":659,"_230":231,"_232":409,"_234":410,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":660,"_243":661,"_245":662,"_247":663,"_249":664,"_251":665,"_253":353,"_255":666,"_257":258,"_259":667,"_154":-5,"_262":668,"_111":669,"_264":670,"_266":671,"_268":672,"_270":673,"_272":674,"_144":675,"_275":676},{"_221":188,"_222":600,"_20":601,"_225":602,"_227":-5,"_228":603,"_230":231,"_232":540,"_234":-5,"_125":604,"_28":236,"_237":238,"_239":605,"_241":606,"_243":607,"_245":608,"_247":609,"_249":610,"_251":611,"_253":484,"_255":612,"_257":258,"_259":613,"_154":-5,"_262":-5,"_111":614,"_264":615,"_266":616,"_268":617,"_270":618,"_272":619,"_144":620,"_275":621},{"_221":189,"_222":536,"_20":537,"_225":538,"_227":-5,"_228":539,"_230":231,"_232":540,"_234":-5,"_125":541,"_28":236,"_237":238,"_239":240,"_241":542,"_243":543,"_245":544,"_247":545,"_249":546,"_251":547,"_253":254,"_255":548,"_257":258,"_259":549,"_154":550,"_262":-5,"_111":551,"_264":552,"_266":553,"_268":554,"_270":555,"_272":556,"_144":557,"_275":558},{"_221":183,"_222":472,"_20":473,"_225":474,"_227":-5,"_228":475,"_230":231,"_232":409,"_234":-5,"_125":476,"_28":236,"_237":238,"_239":477,"_241":478,"_243":479,"_245":480,"_247":481,"_249":482,"_251":483,"_253":484,"_255":485,"_257":258,"_259":486,"_154":-5,"_262":-5,"_111":487,"_264":488,"_266":489,"_268":490,"_270":491,"_272":492,"_144":493,"_275":494},{"_221":184,"_222":405,"_20":406,"_225":407,"_227":-5,"_228":408,"_230":231,"_232":409,"_234":410,"_125":-5,"_28":236,"_237":238,"_239":411,"_241":412,"_243":413,"_245":414,"_247":415,"_249":416,"_251":417,"_253":418,"_255":419,"_257":258,"_259":420,"_154":-5,"_262":-5,"_111":421,"_264":422,"_266":423,"_268":424,"_270":425,"_272":426,"_144":427,"_275":428},{"_221":180,"_222":341,"_20":342,"_225":343,"_227":-5,"_228":344,"_230":231,"_232":233,"_234":-5,"_125":345,"_28":236,"_237":346,"_239":240,"_241":347,"_243":348,"_245":349,"_247":350,"_249":351,"_251":352,"_253":353,"_255":354,"_257":258,"_259":355,"_154":-5,"_262":356,"_111":357,"_264":358,"_266":359,"_268":360,"_270":361,"_272":362,"_144":363,"_275":364},{"_221":91,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":261,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","stoke-by-nayland-aic-4758","Stoke-by-Nayland","artist",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":340,"_140":99},"unrecorded","date","1836","century",19,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","Oil on canvas","dimensions","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)","width_cm",169,"height_cm",126,"aspect",1.358449273096764,"palette",[310,311,312,313,314],"museum",{"_221":305,"_222":306,"_42":307,"_308":309},"credit","Courtesy of the Art Institute of Chicago","accession","1922.4453","licence","CC0","story","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":302,"_303":304},"note","Large English country landscape painting, farmers with horses, green trees.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/7.jpg?dl=1","page_url","/art/stoke-by-nayland-aic-4758","walk_url","/galleries/style/painting-19/stoke-by-nayland-aic-4758","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":244,"_282":283},"w",184,"h",139.40655926352127,"image_w","image_h",124.40655926352129,{"_288":225,"_123":169,"_154":168,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":165,"_154":164,"_140":167},"facet","style/georgian-britain","More Georgian Britain",63,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/7/480.jpg","960","https://img.ochreeditions.com/a/7/960.jpg","1920","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#a8b3b4","weight",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","bio","English, 1776–1837","nationality","English","birth_year",1776,"death_year",1837,"birth_place","death_place","about_excerpt","Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","whalers-met-437854","Whalers",{"_42":398,"_222":399,"_329":400,"_331":332,"_333":401,"_335":402,"_337":403,"_338":403,"_339":404,"_140":97},"ca. 1845","victorian-art","Paintings","36 1/8 x 48 1/4 in. (91.8 x 122.6 cm)",122.6,91.8,1.3340074148972025,[383,384,385,386,387],{"_221":379,"_222":380,"_42":381,"_308":382},"Courtesy of The Metropolitan Museum of Art","96.29","Joseph Mallord William Turner painted this in about 1845, aged about 65. It is now at The Met in New York.","A harpooned whale thrashes in a welter of spray, its shape almost lost in a vortex of white, grey and gold, while the whalers close in and a ship waits in the haze.","Whalers, by Joseph Mallord William Turner, ca. 1845",{"_296":376,"_298":377,"_300":378},"https://img.ochreeditions.com/m/1170.jpg?dl=1","/art/whalers-met-437854","/galleries/style/painting-19/whalers-met-437854",{"_292":293,"_294":295},{"_225":368,"_125":369,"_286":370},{"_277":365,"_279":366,"_281":348,"_282":367},137.6,106.90353713996969,91.90353713996969,{"_288":225,"_123":374,"_154":375,"_140":97},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":165,"_154":164,"_140":167},"style/victorian-art","More Victorian art",20,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/1170/480.jpg","https://img.ochreeditions.com/a/1170/960.jpg","https://img.ochreeditions.com/a/1170/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":396,"_317":397},{"_315":394,"_317":395},{"_315":392,"_317":393},{"_315":390,"_317":391},{"_315":388,"_317":389},"#2e2616",0.0306,"#574b2a",0.0531,"#897a4c",0.1035,"#a5976d",0.1624,"#c2b897",0.6504,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","Factory--Study for \"Ironworkers, Noontime\"/Verso: Still Life with Orange",{"_42":421,"_222":465,"_329":466,"_331":467,"_333":402,"_335":468,"_337":469,"_338":470,"_339":471,"_140":99},"(1880)","united-states","realism","Oil on paperboard","8 1/2 x 12 7/8 in. (21.4 x 32.7 cm)",32.7,21.4,1.5440041173443129,[450,451,452,453,454],{"_221":446,"_222":447,"_42":448,"_308":449},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.55.A-B","Thomas Anshutz painted this ((1880)), aged 29. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Anshutz",{"_296":443,"_298":444,"_300":445},"https://img.ochreeditions.com/m/1827.jpg?dl=1","/art/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","/galleries/style/painting-19/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b",{"_292":293,"_294":295},{"_225":432,"_125":433,"_286":434},{"_277":429,"_279":430,"_281":413,"_282":431},47.7,36.178700000000006,21.178700000000003,{"_288":225,"_123":441,"_154":442,"_140":99},{"_288":125,"_123":438,"_154":439,"_140":440},{"_288":286,"_123":435,"_154":436,"_140":437},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1827/480.jpg","https://img.ochreeditions.com/a/1827/960.jpg","https://img.ochreeditions.com/a/1827/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_315":463,"_317":464},{"_315":461,"_317":462},{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},"#55524b",0.0278,"#483623",0.0617,"#261f17",0.1425,"#393427",0.2611,"#0a090a",0.5069,"thomas-anshutz","American, 1851–1912","American",1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","landscape-cma-110952","Landscape",{"_42":528,"_222":529,"_329":530,"_331":467,"_333":531,"_335":532,"_337":533,"_338":534,"_339":535,"_140":95},"1888","american-gilded-age","oil on canvas","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,56.2,1.2151536812008576,[513,514,515,516,517],{"_221":509,"_222":510,"_42":511,"_308":512},"Courtesy of the Cleveland Museum of Art","1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_296":506,"_298":507,"_300":508},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/painting-19/landscape-cma-110952",{"_292":293,"_294":295},{"_225":498,"_125":499,"_286":500},{"_277":495,"_279":496,"_281":479,"_282":497},85,72.60588235294118,57.60588235294118,{"_288":225,"_123":504,"_154":505,"_140":95},{"_288":125,"_123":501,"_154":502,"_140":503},{"_288":286,"_123":435,"_154":436,"_140":437},"style/american-gilded-age","More American Gilded Age",67,"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":526,"_317":527},{"_315":524,"_317":525},{"_315":522,"_317":523},{"_315":520,"_317":521},{"_315":518,"_317":519},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","fish-still-life-aic-44892","Fish (Still Life)",{"_42":592,"_222":593,"_329":594,"_331":595,"_333":596,"_335":597,"_337":598,"_338":598,"_339":599,"_140":53},"1864","france","paris-salon-painting","73.5 × 92.4 cm (28 15/16 × 36 3/8 in.); Framed: 108.6 × 127 × 12.7 cm (42 3/4 × 50 × 5 in.)",92,73,1.2622034154450656,[577,578,579,580,581],{"_221":305,"_222":306,"_42":307,"_308":309},"1942.311","Édouard Manet painted this in 1864, aged 32. It is now at the Art Institute of Chicago.",{"_118":576,"_303":304},"Still-life painting, fish, open oysters, eel, lemon on tablecloth.",{"_296":573,"_298":574,"_300":575},"https://img.ochreeditions.com/m/150.jpg?dl=1","/art/fish-still-life-aic-44892","/galleries/style/painting-19/fish-still-life-aic-44892",{"_292":293,"_294":295},{"_225":562,"_125":563,"_286":564},{"_277":559,"_279":560,"_281":543,"_282":561},107,87.88840996168582,72.88840996168582,{"_288":225,"_123":571,"_154":572,"_140":53},{"_288":125,"_123":568,"_154":569,"_140":570},{"_288":286,"_123":565,"_154":566,"_140":567},"era/19-france","19th-century France",237,"style/paris-salon-painting","More Paris Salon painting",79,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/150/480.jpg","https://img.ochreeditions.com/a/150/960.jpg","https://img.ochreeditions.com/a/150/1920.jpg","This painting, like many of Manet’s still lifes, recalls 17th-century Dutch models. The directness of execution, bold brushwork, and immediacy of vision, however, suggest why the public found Manet’s work so unorthodox and confrontational.",{"_315":590,"_317":591},{"_315":588,"_317":589},{"_315":586,"_317":587},{"_315":584,"_317":585},{"_315":582,"_317":583},"#b6a435",0.0089,"#6b5241",0.1403,"#bdb29a",0.2047,"#938771",0.2105,"#32281f",0.4356,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","a-forest-with-apollo-and-daphne-cma-148364","A Forest with Apollo and Daphne",{"_42":651,"_222":652,"_329":653,"_331":595,"_333":654,"_335":655,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1810","neoclassicism","oil on fabric","Framed: 67.5 x 78.5 x 7 cm (26 9/16 x 30 7/8 x 2 3/4 in.); Unframed: 54 x 65 cm (21 1/4 x 25 9/16 in.)",65,54,1.2125534950071326,[636,637,638,639,640],{"_221":509,"_222":510,"_42":511,"_308":512},"1975.77","Jean-Victor Bertin painted this in 1810, aged 43. It is now at the Cleveland Museum of Art.","A Forest with Apollo and Daphne, by Jean-Victor Bertin, 1810",{"_296":633,"_298":634,"_300":635},"https://img.ochreeditions.com/m/692.jpg?dl=1","/art/a-forest-with-apollo-and-daphne-cma-148364","/galleries/style/painting-19/a-forest-with-apollo-and-daphne-cma-148364",{"_292":293,"_294":295},{"_225":625,"_125":626,"_286":627},{"_277":622,"_279":623,"_281":607,"_282":624},80,68.60588235294118,53.60588235294118,{"_288":225,"_123":631,"_154":632,"_140":89},{"_288":125,"_123":628,"_154":629,"_140":630},{"_288":286,"_123":565,"_154":566,"_140":567},"style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-jean-victor-bertin","Jean-Victor Bertin's contemporaries","https://img.ochreeditions.com/a/692/480.jpg","https://img.ochreeditions.com/a/692/960.jpg","https://img.ochreeditions.com/a/692/1920.jpg",{"_315":649,"_317":650},{"_315":647,"_317":648},{"_315":645,"_317":646},{"_315":643,"_317":644},{"_315":641,"_317":642},"#a09d8d",0.0451,"#606148",0.0787,"#434230",0.2052,"#22211a",0.3264,"#312f22",0.3446,"Jean-Victor Bertin","jean-victor-bertin","French, 1767–1842",1767,1842,"arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":703,"_222":704,"_329":705,"_331":467,"_333":706,"_335":707,"_337":708,"_338":403,"_339":709,"_140":231},"1883","76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[688,689,690,691,692],{"_221":379,"_222":380,"_42":381,"_308":382},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_296":685,"_298":686,"_300":687},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/painting-19/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_292":293,"_294":295},{"_225":680,"_125":681,"_286":682},{"_277":677,"_279":678,"_281":679,"_282":662},106.76367544331005,208.4,91.76367544331005,{"_288":225,"_123":683,"_154":684,"_140":231},{"_288":125,"_123":438,"_154":439,"_140":440},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_315":701,"_317":702},{"_315":699,"_317":700},{"_315":697,"_317":698},{"_315":695,"_317":696},{"_315":693,"_317":694},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":528,"_222":529,"_329":530,"_331":467,"_333":531,"_335":532,"_337":533,"_338":534,"_339":535,"_140":95},"c. 1856","antebellum-america","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[748,749,750,751,752],{"_221":745,"_222":746,"_42":747,"_308":449},"Courtesy National Gallery of Art, Washington","1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_296":742,"_298":743,"_300":744},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/painting-19/the-lackawanna-valley-nga-30776",{"_292":293,"_294":295},{"_225":736,"_125":737,"_286":738},{"_277":733,"_279":734,"_281":716,"_282":735},142.5,100.53955078125,85.53955078125,{"_288":225,"_123":504,"_154":505,"_140":95},{"_288":125,"_123":739,"_154":740,"_140":741},{"_288":286,"_123":435,"_154":436,"_140":437},"style/antebellum-america","More Antebellum America",33,"https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":761,"_317":762},{"_315":759,"_317":760},{"_315":757,"_317":758},{"_315":755,"_317":756},{"_315":753,"_317":754},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"the-conversation-aic-21165","The Conversation",{"_42":808,"_222":809,"_329":810,"_331":595,"_333":811,"_335":812,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1875–79","55.5 × 38 cm (21 13/16 × 14 15/16 in.); Framed: 69.5 × 52.1 × 8.9 cm (27 3/8 × 20 1/2 × 3 1/2 in.)",38,55,0.6761757902852737,[793,794,795,796,797],{"_221":305,"_222":306,"_42":307,"_308":309},"1935.71","Marcellin Gilbert Desboutin painted this in 1875–79, aged about 52. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":790,"_298":791,"_300":792},"https://img.ochreeditions.com/m/81.jpg?dl=1","/art/the-conversation-aic-21165","/galleries/style/painting-19/the-conversation-aic-21165",{"_292":293,"_294":295},{"_225":785,"_125":786,"_286":787},{"_277":783,"_279":479,"_281":784,"_282":769},52.189668465690055,37.189668465690055,{"_288":225,"_123":788,"_154":789,"_140":89},{"_288":125,"_123":568,"_154":569,"_140":570},{"_288":286,"_123":565,"_154":566,"_140":567},"artist/contemporaries-of-marcellin-gilbert-desboutin","Marcellin Gilbert Desboutin's contemporaries","https://img.ochreeditions.com/a/81/480.jpg","https://img.ochreeditions.com/a/81/960.jpg","https://img.ochreeditions.com/a/81/1920.jpg",{"_315":806,"_317":807},{"_315":804,"_317":805},{"_315":802,"_317":803},{"_315":800,"_317":801},{"_315":798,"_317":799},"#827d6c",0.1039,"#614427",0.1305,"#5d5746",0.1475,"#3f392b",0.214,"#22221b",0.4041,"Marcellin Gilbert Desboutin","marcellin-gilbert-desboutin","French, 1823–1902",1823,1902,"corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand",{"_42":860,"_222":861,"_329":862,"_331":595,"_333":863,"_335":864,"_337":598,"_338":598,"_339":865,"_140":87},"c. 1868","oil on wood","overall: 61.8 x 40 cm (24 5/16 x 15 3/4 in.) framed: 78.4 x 56.5 cm (30 7/8 x 22 1/4 in.)",61.8,0.64990234375,[845,846,847,848,849],{"_221":745,"_222":746,"_42":747,"_308":449},"1942.9.11","Jean Baptiste Camille Corot painted this in about 1868, aged 72. It is now at the National Gallery of Art in Washington, DC.","A young model in a green bodice and olive skirt sits with her back half turned, a mandolin resting at her side, and reaches out to touch a landscape on the easel before her, while a black and white dog looks up at her. Small paintings and plaster casts hang on the wall above a stove.","A young, pale-skinned woman sits with her back to us as she looks at a painting on an easel in a studio in this vertical painting. She sits in a ladder-back wood chair so her knees angle away from us, toward the back right corner of the studio. We look onto the side of her right cheek as she leans forward. Her brown hair is combed back and twisted into a bun wrapped with a raspberry-red ribbon that trails down her back. Touches of pearl white, pale pink, and silvery gray suggest flowers by the ear we can see. A cream-white chemise falls off the shoulder closer to us, under a grass-green bodice. She holds a mandolin down by her right side, which is closer to us, to nestle in the folds of her voluminous, olive-green skirt. She reaches forward with her other hand to touch the lower left corner of the painting resting on the easel. That vertically-oriented scene is loosely painted and shows a few people gathered in a landscape. A white and black dog stands with one front leg lifted to the left of the woman's chair, looking at her. The wall opposite us is parchment white over a strip of molding, like a high chair rail, and muted mauve pink below. An L-shaped pipe leads to an iron stove to our left of center. A narrow shelf tucked into the L of the pipe holds three hand-sized sculptures or casts. Small paintings and plaster casts hang around it on the wall above the molding. The artist signed the painting in the lower right: “COROT.”",{"_296":842,"_298":843,"_300":844},"https://img.ochreeditions.com/m/1328.jpg?dl=1","/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","/galleries/style/painting-19/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",{"_292":293,"_294":295},{"_225":837,"_125":838,"_286":839},{"_277":834,"_279":835,"_281":836,"_282":819},55.16396484375,76.8,40.16396484375,{"_288":225,"_123":840,"_154":841,"_140":87},{"_288":125,"_123":568,"_154":569,"_140":570},{"_288":286,"_123":565,"_154":566,"_140":567},"artist/jean-baptiste-camille-corot","More by Jean Baptiste Camille Corot","https://img.ochreeditions.com/a/1328/480.jpg","https://img.ochreeditions.com/a/1328/960.jpg","https://img.ochreeditions.com/a/1328/1920.jpg",{"_315":858,"_317":859},{"_315":856,"_317":857},{"_315":854,"_317":855},{"_315":852,"_317":853},{"_315":850,"_317":851},"#a9936b",0.0469,"#836e50",0.1749,"#4a3d2d",0.2411,"#68543c",0.2626,"#2f251d",0.2745,"Jean Baptiste Camille Corot","jean-baptiste-camille-corot","French, 1796–1875",1796,1875,"Corot trained with the landscape painters Achille-Etna Michallon and Jean-Victor Bertin, then spent 1825–28 in Italy, where his small oil sketches of Rome and the Campagna caught its clear light with great economy. He returned to Italy twice and travelled widely in France.","the-towpath-nga-136018","The Towpath",{"_42":918,"_222":919,"_329":920,"_331":921,"_333":922,"_335":923,"_337":-5,"_338":-5,"_339":-5,"_140":101},"netherlands","overall: 34.3 x 47 cm (13 1/2 x 18 1/2 in.) framed: 50.8 x 63.18 x 7.94 cm (20 x 24 7/8 x 3 1/8 in.)",47,34.3,1.3870640027091095,[903,904,905,906,907],{"_221":745,"_222":746,"_42":747,"_308":449},"2006.128.22","Johan Barthold Jongkind painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal. In the center is a dirt path on the other edge of the canal, with a person riding a donkey who looks over their shoulder towards us. On the right side, there are white buildings in the distance, with a grassy field leading towards them. The light blue sky is filled with fluffy clouds, and the water of the canal reflects the sky and trees. The brushstrokes of the painting are thick and visible, especially in the sky.",{"_296":900,"_298":901,"_300":902},"https://img.ochreeditions.com/m/1664.jpg?dl=1","/art/the-towpath-nga-136018","/galleries/style/painting-19/the-towpath-nga-136018",{"_292":293,"_294":295},{"_225":889,"_125":890,"_286":891},{"_277":886,"_279":887,"_281":871,"_282":888},62,48.884521484375,33.884521484375,{"_288":225,"_123":898,"_154":899,"_140":89},{"_288":125,"_123":895,"_154":896,"_140":897},{"_288":286,"_123":892,"_154":893,"_140":894},"era/19-netherlands","19th-century Netherlands",21,"style/painting","More paintings",1127,"artist/contemporaries-of-johan-barthold-jongkind","Johan Barthold Jongkind's contemporaries","https://img.ochreeditions.com/a/1664/480.jpg","https://img.ochreeditions.com/a/1664/960.jpg","https://img.ochreeditions.com/a/1664/1920.jpg",{"_315":916,"_317":917},{"_315":914,"_317":915},{"_315":912,"_317":913},{"_315":910,"_317":911},{"_315":908,"_317":909},"#465643",0.1046,"#78949f",0.1165,"#bbb79e",0.1797,"#7c7f65",0.2038,"#a3ada4",0.3954,"Johan Barthold Jongkind","johan-barthold-jongkind","Dutch, 1819–1891","Dutch",1819,1891,"untitled-lady-with-a-parakeet-aic-263516","Untitled (Lady with a Parakeet)",{"_42":971,"_222":972,"_329":973,"_331":974,"_333":975,"_335":976,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1856","central-europe","99.5 × 79.5 cm (39 × 31 3/8 in.); Framed: 130.9 × 109.9 × 9.6 cm (51 1/2 × 43 1/4 × 3 3/4 in.)",99,0.7887666473653735,[956,957,958,959,960],{"_221":305,"_222":306,"_42":307,"_308":309},"2022.367","August (Ágost) Canzi painted this in 1856, aged 48. It is now at the Art Institute of Chicago.",{"_296":953,"_298":954,"_300":955},"https://img.ochreeditions.com/m/417.jpg?dl=1","/art/untitled-lady-with-a-parakeet-aic-263516","/galleries/style/painting-19/untitled-lady-with-a-parakeet-aic-263516",{"_292":293,"_294":295},{"_225":946,"_125":947,"_286":948},{"_277":943,"_279":944,"_281":945,"_282":930},93.08789808917197,114,78.08789808917197,{"_288":225,"_123":951,"_154":952,"_140":89},{"_288":125,"_123":895,"_154":896,"_140":897},{"_288":286,"_123":949,"_154":950,"_140":95},"era/19-central-europe","19th-century Central Europe","artist/contemporaries-of-august-agost-canzi","August (Ágost) Canzi's contemporaries","https://img.ochreeditions.com/a/417/480.jpg","https://img.ochreeditions.com/a/417/960.jpg","https://img.ochreeditions.com/a/417/1920.jpg",{"_315":969,"_317":970},{"_315":967,"_317":968},{"_315":965,"_317":966},{"_315":963,"_317":964},{"_315":961,"_317":962},"#6a3724",0.0378,"#8f7d60",0.1066,"#615037",0.1969,"#423623",0.255,"#29201a",0.4037,"August (Ágost) Canzi","august-agost-canzi","Austrian, 1808–1866","Austrian",1808,1866,"hemlock-pool-si-saam-1929-6-140","Hemlock Pool",{"_42":1030,"_222":1031,"_329":1032,"_331":-5,"_333":1033,"_335":812,"_337":-5,"_338":-5,"_339":-5,"_140":101},"ca. 1890-1900","22 1/4 x 30 1/4 in. (56.5 x 76.7 cm)",76.7,56.5,1.3704888076747372,[1015,1016,1017,1018,1019],{"_221":446,"_222":447,"_42":448,"_308":449},"Courtesy of the Smithsonian American Art Museum","1929.6.140","John Henry Twachtman painted this in about 1890-1900, aged about 37. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1013,"_303":1014},"Hemlock Pool, by John Henry Twachtman, ca. 1890-1900",{"_296":1010,"_298":1011,"_300":1012},"https://img.ochreeditions.com/m/1874.jpg?dl=1","/art/hemlock-pool-si-saam-1929-6-140","/galleries/style/painting-19/hemlock-pool-si-saam-1929-6-140",{"_292":293,"_294":295},{"_225":1002,"_125":1003,"_286":1004},{"_277":999,"_279":1000,"_281":982,"_282":1001},91.7,70.96543333333334,55.96543333333334,{"_288":225,"_123":1008,"_154":1009,"_140":89},{"_288":125,"_123":895,"_154":896,"_140":897},{"_288":286,"_123":1005,"_154":1006,"_140":1007},"era/19","The 19th century",731,"artist/contemporaries-of-john-henry-twachtman","John Henry Twachtman's contemporaries","https://img.ochreeditions.com/a/1874/480.jpg","https://img.ochreeditions.com/a/1874/960.jpg","https://img.ochreeditions.com/a/1874/1920.jpg","John Twachtman painted this scene in all different seasons. He drew inspiration from his seventeen acres of land in Greenwich, Connecticut, and his paintings of the property express the emotional and spiritual comfort he found there.","Text from the Smithsonian American Art Museum.",{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},{"_315":1024,"_317":1025},{"_315":1022,"_317":1023},{"_315":1020,"_317":1021},"#827a6e",0.1024,"#968564",0.1652,"#b3ada3",0.2055,"#a19284",0.2616,"#ad9a7f",0.2653,"John Henry Twachtman","john-henry-twachtman","born Cincinnati, OH 1853-died Gloucester, MA 1902",1853,"the-laundress-aic-59944","The Laundress",{"_42":1082,"_222":1083,"_329":1084,"_331":595,"_333":1085,"_335":1086,"_337":1087,"_338":1088,"_339":1089,"_140":81},"1877–79","impressionism","80.8 × 56.5 cm (31 13/16 × 22 1/4 in.); Framed: 100.4 × 79.4 × 9.6 cm (39 1/2 × 31 1/4 × 3 3/4 in.)",56,0.6789700462025645,[1067,1068,1069,1070,1071],{"_221":305,"_222":306,"_42":307,"_308":309},"1947.102","Pierre-Auguste Renoir painted this in 1877–79, aged about 36. It is now at the Art Institute of Chicago.",{"_296":1064,"_298":1065,"_300":1066},"https://img.ochreeditions.com/m/174.jpg?dl=1","/art/the-laundress-aic-59944","/galleries/style/painting-19/the-laundress-aic-59944",{"_292":293,"_294":295},{"_225":1056,"_125":1057,"_286":1058},{"_277":1053,"_279":1054,"_281":1055,"_282":622},69.31760369620517,95,54.31760369620516,{"_288":225,"_123":1062,"_154":1063,"_140":81},{"_288":125,"_123":1059,"_154":1060,"_140":1061},{"_288":286,"_123":565,"_154":566,"_140":567},"style/impressionism","More Impressionism",53,"artist/pierre-auguste-renoir","More by Pierre-Auguste Renoir","https://img.ochreeditions.com/a/174/480.jpg","https://img.ochreeditions.com/a/174/960.jpg","https://img.ochreeditions.com/a/174/1920.jpg",{"_315":1080,"_317":1081},{"_315":1078,"_317":1079},{"_315":1076,"_317":1077},{"_315":1074,"_317":1075},{"_315":1072,"_317":1073},"#86655b",0.0458,"#aab0a6",0.1665,"#7a8267",0.2305,"#3f4f55",0.2536,"#5b7474",0.3036,"Pierre-Auguste Renoir","pierre-auguste-renoir","French, 1841–1919",1841,1919,"Limoges","Cagnes-sur-Mer","Renoir began as a painter of porcelain in Paris, then studied in Gleyre’s studio, where he met Monet, Sisley and Bazille. In the 1870s he was a central figure of Impressionism, painting Parisians at leisure in dappled light.","hunting-in-the-pontine-marshes-nga-70970","Hunting in the Pontine Marshes",{"_42":1136,"_222":1137,"_329":1138,"_331":595,"_333":1139,"_335":1140,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1833","overall: 100 × 137 cm (39 3/8 × 53 15/16 in.) framed: 136.53 × 173.36 × 16.51 cm (53 3/4 × 68 1/4 × 6 1/2 in.)",137,100,1.3795890872347591,[1121,1122,1123,1124,1125],{"_221":745,"_222":746,"_42":747,"_308":449},"1989.3.1","Horace Vernet painted this in 1833, aged 44. It is now at the National Gallery of Art in Washington, DC.","A leafless, ash-white tree trunk has fallen from a broken stump into the wide V of a neighboring tree at the edge of a body of water near a verdant forest in this horizontal landscape painting. The fallen trunk creates a diagonal from near the lower left corner to the upper right. As it fell, it sheared off a substantial branch from a neighboring tree with a dark trunk. The bark where the damaged branch has pulled away is honey-orange, the same color as the leaves at the canopy, which has been pinned under the fallen trunk. Trees, vines, and other vegetation fill the space around and beyond this pair. In the lower right corner of the painting, vines grow over a broken stump, which deep in shadow. Between the stump and fallen tree, the peanut-brown surface of the water is smooth. Tiny in scale beneath the fallen tree and easily overlooked, there are two men and a dog in a boat. One man stands at the back of the boat and pushes it along with a long pole. He wears a tall, brown, cloth hat, a white shirt rolled up to the elbows under a blue vest, and loose-fitting pants. A second man wears a flat-topped, white hat with a black brim, a long, forest-green jacket, and tight-fitting slate-blue pants. He braces a rifle against one shoulder and shoots into the forest. The dog is white with brown spots, and it stands with its front paws on the edge of the boat, presumably ready to spring after the target. A patch of blue sky with puffy white clouds is seen above the trees in the upper left corner. The artist signed and dated the work in the lower right corner: “H. Vernet Rome 1833.”",{"_296":1118,"_298":1119,"_300":1120},"https://img.ochreeditions.com/m/1617.jpg?dl=1","/art/hunting-in-the-pontine-marshes-nga-70970","/galleries/style/painting-19/hunting-in-the-pontine-marshes-nga-70970",{"_292":293,"_294":295},{"_225":1113,"_125":1114,"_286":1115},{"_277":1110,"_279":1111,"_281":1095,"_282":1112},152,114.304931640625,99.304931640625,{"_288":225,"_123":1116,"_154":1117,"_140":89},{"_288":125,"_123":568,"_154":569,"_140":570},{"_288":286,"_123":565,"_154":566,"_140":567},"artist/contemporaries-of-horace-vernet","Horace Vernet's contemporaries","https://img.ochreeditions.com/a/1617/480.jpg","https://img.ochreeditions.com/a/1617/960.jpg","https://img.ochreeditions.com/a/1617/1920.jpg",{"_315":1134,"_317":1135},{"_315":1132,"_317":1133},{"_315":1130,"_317":1131},{"_315":1128,"_317":1129},{"_315":1126,"_317":1127},"#bab79d",0.0649,"#6b492c",0.0676,"#696141",0.1498,"#443d2e",0.3108,"#282623",0.4069,"Horace Vernet","horace-vernet","French, 1789–1863",1789,1863,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1186,"_222":1187,"_329":1188,"_331":1189,"_333":1139,"_335":1190,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,1.522110739502044,[1171,1172,1173,1174,1175],{"_221":745,"_222":746,"_42":747,"_308":449},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":1168,"_298":1169,"_300":1170},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/painting-19/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_225":1163,"_125":1164,"_286":1165},{"_277":1160,"_279":1161,"_281":1146,"_282":1162},246,166.762939453125,151.762939453125,{"_288":225,"_123":1166,"_154":1167,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_315":1184,"_317":1185},{"_315":1182,"_317":1183},{"_315":1180,"_317":1181},{"_315":1178,"_317":1179},{"_315":1176,"_317":1177},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854","British",1854,{"_1192":-5,"_1193":1194,"_1195":1196,"_1197":8,"_1198":1199,"_1200":8},"user","csrf","4b0d5671b0862df9c61d8e5f9e6bf9d7afe37844","cartCount",0,"dropLive","legal",[1201,1202,1203,1204,1205,1206,1207,1208,1209,1210,1211,1212],"uploadsEnabled",{"_222":1235,"_20":1236},{"_222":1233,"_20":1234},{"_222":1231,"_20":1232},{"_222":1229,"_20":1230},{"_222":1227,"_20":1228},{"_222":1225,"_20":1226},{"_222":1223,"_20":1224},{"_222":1221,"_20":1222},{"_222":1219,"_20":1220},{"_222":1217,"_20":1218},{"_222":1215,"_20":1216},{"_222":1213,"_20":1214},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]