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It is now at the Smithsonian American Art Museum in Washington, DC.","Study of a Courtier, by Carlo Randanini, 1877",{"_297":377,"_299":378,"_301":379},"https://img.ochreeditions.com/m/1887.jpg?dl=1","/art/study-of-a-courtier-si-saam-1930-12-45","/galleries/style/painting-19/study-of-a-courtier-si-saam-1930-12-45",{"_293":294,"_295":296},{"_226":367,"_125":368,"_287":369},{"_278":364,"_280":365,"_282":366,"_284":349},39.742000000000004,50.6,24.742,{"_289":226,"_123":375,"_154":376,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":370,"_154":371,"_140":79},"era/19-italy","19th-century Italy","style/painting","More paintings",1127,"artist/contemporaries-of-carlo-randanini","Carlo Randanini's contemporaries","https://img.ochreeditions.com/a/1887/480.jpg","https://img.ochreeditions.com/a/1887/960.jpg","https://img.ochreeditions.com/a/1887/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":396,"_315":397},{"_313":394,"_315":395},{"_313":392,"_315":393},{"_313":390,"_315":391},{"_313":388,"_315":389},"#4f4830",0.0984,"#c2a87b",0.1868,"#ccc299",0.2216,"#9a885c",0.2358,"#76623f",0.2574,"Carlo Randanini","carlo-randanini","Italian","joseph-delaplaine-si-npg-npg-72-16","Joseph Delaplaine",{"_42":451,"_223":452,"_327":453,"_329":-5,"_331":454,"_333":455,"_335":-5,"_337":-5,"_339":-5,"_140":101},"January 1819","Oil on canvas","83.8cm x 66cm (33\" x 26\"), Accurate",0.78075,[436,437,438,439,440],{"_222":380,"_223":381,"_42":382,"_306":307},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.72.16","John Wesley Jarvis painted this (January 1819), aged 39. It is now at the National Portrait Gallery in Washington, DC.","Artist: John Wesley Jarvis, Sitter: Joseph Delaplaine, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":433,"_299":434,"_301":435},"https://img.ochreeditions.com/m/1842.jpg?dl=1","/art/joseph-delaplaine-si-npg-npg-72-16","/galleries/style/painting-19/joseph-delaplaine-si-npg-npg-72-16",{"_293":294,"_295":296},{"_226":425,"_125":426,"_287":427},{"_278":421,"_280":422,"_282":423,"_284":424},61.845000000000006,75,46.845000000000006,60,{"_289":226,"_123":431,"_154":432,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":428,"_154":429,"_140":430},"era/19","The 19th century",731,"artist/contemporaries-of-john-wesley-jarvis","John Wesley Jarvis's contemporaries","https://img.ochreeditions.com/a/1842/480.jpg","https://img.ochreeditions.com/a/1842/960.jpg","https://img.ochreeditions.com/a/1842/1920.jpg",{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},"#c09260",0.0709,"#88754f",0.1163,"#814f2a",0.13,"#4e3820",0.3013,"#2a1f18",0.3815,"John Wesley Jarvis","john-wesley-jarvis","1780 - 14 Jan 1840",1780,1840,"ruined-church-cma-168352","Ruined Church",{"_42":512,"_223":513,"_327":514,"_329":330,"_331":515,"_333":516,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1840","paris-salon-painting","oil on panel","Unframed: 46.6 x 33.2 cm (18 3/8 x 13 1/16 in.)",33.2,46.6,0.7773529411764706,[497,498,499,500,501],{"_222":493,"_223":494,"_42":495,"_306":496},"Courtesy of the Cleveland Museum of Art","2010.18","Adrien Dauzats painted this in about 1840, aged about 31. It is now at the Cleveland Museum of Art.","Ruined Church, by Adrien Dauzats, c. 1840",{"_297":490,"_299":491,"_301":492},"https://img.ochreeditions.com/m/772.jpg?dl=1","/art/ruined-church-cma-168352","/galleries/style/painting-19/ruined-church-cma-168352",{"_293":294,"_295":296},{"_226":482,"_125":483,"_287":484},{"_278":479,"_280":480,"_282":481,"_284":464},51.22464705882353,61.6,36.22464705882353,{"_289":226,"_123":488,"_154":489,"_140":89},{"_289":125,"_123":485,"_154":486,"_140":487},{"_289":287,"_123":165,"_154":164,"_140":167},"style/paris-salon-painting","More Paris Salon painting",79,"artist/contemporaries-of-adrien-dauzats","Adrien Dauzats's contemporaries","https://img.ochreeditions.com/a/772/480.jpg","https://img.ochreeditions.com/a/772/960.jpg","https://img.ochreeditions.com/a/772/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},{"_313":502,"_315":503},"#d8b173",0.1003,"#efeeef",0.1066,"#4f3520",0.1763,"#a0794b",0.2556,"#7a522e",0.3612,"Adrien Dauzats","adrien-dauzats","French, 1804–1868",1804,1868,"the-large-tree-cma-148297","The Large Tree",{"_42":325,"_223":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":85},"1891","Framed: 92.4 x 112.7 x 6.4 cm (36 3/8 x 44 3/8 x 2 1/2 in.); Unframed: 74 x 92.8 cm (29 1/8 x 36 9/16 in.)",92.8,74,1.261595547309833,[550,551,552,553,554],{"_222":493,"_223":494,"_42":495,"_306":496},"1975.263","Paul Gauguin painted this in 1891, aged 43. It is now at the Cleveland Museum of Art.",{"_118":547,"_548":549},"The Large Tree, by Paul Gauguin, 1891",{"_297":544,"_299":545,"_301":546},"https://img.ochreeditions.com/m/685.jpg?dl=1","/art/the-large-tree-cma-148297","/galleries/style/painting-19/the-large-tree-cma-148297",{"_293":294,"_295":296},{"_226":541,"_125":542,"_287":543},{"_278":538,"_280":539,"_282":522,"_284":540},107.8,88.55764705882352,73.55764705882352,{"_289":226,"_123":169,"_154":168,"_140":85},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/685/480.jpg","https://img.ochreeditions.com/a/685/960.jpg","https://img.ochreeditions.com/a/685/1920.jpg","Disgusted with the materialism of European society, Gauguin abandoned his family and career as a stockbroker and departed for Tahiti in 1891. This canvas is among the first paintings he completed on the island.","source","Text from the Cleveland Museum of Art.",{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},{"_313":555,"_315":556},"#907b60",0.1327,"#5f5b4f",0.1906,"#3e472d",0.2019,"#6c462f",0.2068,"#322e27",0.268,"two-poplars-in-the-alpilles-near-saint-remy-cma-135310","Two Poplars in the Alpilles near Saint-Rémy",{"_42":617,"_223":618,"_327":619,"_329":620,"_331":621,"_333":622,"_335":623,"_337":624,"_339":625,"_140":77},"1889","netherlands","oil on fabric","Framed: 81 x 66.7 x 7.3 cm (31 7/8 x 26 1/4 x 2 7/8 in.); Unframed: 61.6 x 45.7 cm (24 1/4 x 18 in.)",45.7,0.7479411764705882,[602,603,604,605,606],{"_222":493,"_223":494,"_42":495,"_306":496},"1958.32","Vincent van Gogh painted this in 1889, aged 36. It is now at the Cleveland Museum of Art.",{"_118":601,"_548":549},"Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889",{"_297":598,"_299":599,"_301":600},"https://img.ochreeditions.com/m/623.jpg?dl=1","/art/two-poplars-in-the-alpilles-near-saint-remy-cma-135310","/galleries/style/painting-19/two-poplars-in-the-alpilles-near-saint-remy-cma-135310",{"_293":294,"_295":296},{"_226":590,"_125":591,"_287":592},{"_278":587,"_280":588,"_282":589,"_284":480},61.07317647058824,76.6,46.07317647058824,{"_289":226,"_123":596,"_154":597,"_140":77},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":593,"_154":594,"_140":595},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/623/480.jpg","https://img.ochreeditions.com/a/623/960.jpg","https://img.ochreeditions.com/a/623/1920.jpg","Vincent van Gogh painted this autumnal landscape while interned at a psychiatric hospital near Saint-Rémy in southern France. Although initially restricted to painting in his room, he soon resumed working outdoors. This painting reveals the full power of his mature style.",{"_313":615,"_315":616},{"_313":613,"_315":614},{"_313":611,"_315":612},{"_313":609,"_315":610},{"_313":607,"_315":608},"#566a47",0.1611,"#658d90",0.1816,"#7e7722",0.2018,"#3776a5",0.2223,"#99aa88",0.2332,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","thomas-alva-edison-si-npg-npg-65-23","Thomas Alva Edison",{"_42":675,"_223":676,"_327":677,"_329":-5,"_331":678,"_333":679,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1890","Stretcher: 114.3 x 138.7 x 2.5cm (45 x 54 5/8 x 1\")",138.7,114.3,1.2243648607284972,[660,661,662,663,664],{"_222":380,"_223":381,"_42":382,"_306":307},"NPG.65.23","Abraham Archibald Anderson painted this in 1890, aged 43. It is now at the National Portrait Gallery in Washington, DC.",{"_118":658,"_548":659},"Artist: Abraham Archibald Anderson, Sitter: Thomas Alva Edison, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":655,"_299":656,"_301":657},"https://img.ochreeditions.com/m/1838.jpg?dl=1","/art/thomas-alva-edison-si-npg-npg-65-23","/galleries/style/painting-19/thomas-alva-edison-si-npg-npg-65-23",{"_293":294,"_295":296},{"_226":650,"_125":651,"_287":652},{"_278":647,"_280":648,"_282":631,"_284":649},153.7,128.283225,113.28322499999999,{"_289":226,"_123":653,"_154":654,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-abraham-archibald-anderson","Abraham Archibald Anderson's contemporaries","https://img.ochreeditions.com/a/1838/480.jpg","https://img.ochreeditions.com/a/1838/960.jpg","https://img.ochreeditions.com/a/1838/1920.jpg","Born Milan, Ohio","Text from the National Portrait Gallery.",{"_313":673,"_315":674},{"_313":671,"_315":672},{"_313":669,"_315":670},{"_313":667,"_315":668},{"_313":665,"_315":666},"#b7905c",0.0246,"#6a4e26",0.0361,"#444c2f",0.1214,"#342005",0.2446,"#1e1a08",0.5733,"Abraham Archibald Anderson","abraham-archibald-anderson","1847–1940",1847,1940,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":742,"_223":743,"_327":744,"_329":745,"_331":746,"_333":678,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1827","britain","georgian-britain","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[727,728,729,730,731],{"_222":723,"_223":724,"_42":725,"_306":726},"Courtesy of the Art Institute of Chicago","2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":721,"_548":722},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_297":718,"_299":719,"_301":720},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/painting-19/the-captive-slave-ira-aldridge-aic-193664",{"_293":294,"_295":296},{"_226":707,"_125":708,"_287":709},{"_278":704,"_280":705,"_282":706,"_284":688},115.83991565971941,142,100.83991565971941,{"_289":226,"_123":716,"_154":717,"_140":89},{"_289":125,"_123":713,"_154":714,"_140":715},{"_289":287,"_123":710,"_154":711,"_140":712},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":740,"_315":741},{"_313":738,"_315":739},{"_313":736,"_315":737},{"_313":734,"_315":735},{"_313":732,"_315":733},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847","English",1782,"dans-la-tranchee-aic-111729","Dans la Tranchée",{"_42":793,"_223":794,"_327":795,"_329":330,"_331":190,"_333":796,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1875","92.7 × 138.4 cm (36 1/2 × 54 1/2 in.); Framed: 150.5 × 193.9 × 17.8 cm (59 1/4 × 76 3/8 × 7 in.)",138,92,1.4755921730175077,[778,779,780,781,782],{"_222":723,"_223":724,"_42":725,"_306":726},"2019.1419","Etienne Prosper Berne-Bellecour painted this in about 1875, aged about 32. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":775,"_299":776,"_301":777},"https://img.ochreeditions.com/m/288.jpg?dl=1","/art/dans-la-tranchee-aic-111729","/galleries/style/painting-19/dans-la-tranchee-aic-111729",{"_293":294,"_295":296},{"_226":770,"_125":771,"_287":772},{"_278":767,"_280":768,"_282":752,"_284":769},153,108.52177554438862,93.52177554438862,{"_289":226,"_123":773,"_154":774,"_140":89},{"_289":125,"_123":485,"_154":486,"_140":487},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-etienne-prosper-berne-bellecour","Etienne Prosper Berne-Bellecour's contemporaries","https://img.ochreeditions.com/a/288/480.jpg","https://img.ochreeditions.com/a/288/960.jpg","https://img.ochreeditions.com/a/288/1920.jpg",{"_313":791,"_315":792},{"_313":789,"_315":790},{"_313":787,"_315":788},{"_313":785,"_315":786},{"_313":783,"_315":784},"#5d4616",0.1544,"#211b0d",0.1548,"#4c350d",0.2009,"#3d290a",0.2293,"#30210c",0.2606,"Etienne Prosper Berne-Bellecour","etienne-prosper-berne-bellecour","French, 1838–1910",1910,"the-hanged-monk-aic-22808","The Hanged Monk",{"_42":852,"_223":853,"_327":854,"_329":855,"_331":856,"_333":857,"_335":858,"_337":859,"_339":860,"_140":81},"c. 1810","spain","neoclassicism","Oil on panel","31 × 39.2 cm (12 3/16 × 15 5/16 in.); Framed: 48.3 × 56.2 × 6.7 cm (19 × 22 1/8 × 2 5/8 in.)",39,31,1.254309427537774,[837,838,839,840,841],{"_222":723,"_223":724,"_42":725,"_306":726},"1936.225","Francisco Goya painted this in about 1810, aged about 59. It is now at the Art Institute of Chicago.","A monk hangs lifeless in a desolate mountain setting in this small panel, painted around 1810, when the Peninsular War was tearing Spain apart. In these years Goya made a number of small pictures for himself, alongside the etchings later published as The Disasters of War, recording cruelty committed by all sides.","A work made of oil on panel.",{"_297":834,"_299":835,"_301":836},"https://img.ochreeditions.com/m/96.jpg?dl=1","/art/the-hanged-monk-aic-22808","/galleries/style/painting-19/the-hanged-monk-aic-22808",{"_293":294,"_295":296},{"_226":824,"_125":825,"_287":826},{"_278":821,"_280":822,"_282":805,"_284":823},54,46.0928062436376,31.092806243637597,{"_289":226,"_123":832,"_154":833,"_140":81},{"_289":125,"_123":829,"_154":830,"_140":831},{"_289":287,"_123":827,"_154":828,"_140":87},"era/19-spain","19th-century Spain","style/neoclassicism","More Neoclassicism",109,"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/96/480.jpg","https://img.ochreeditions.com/a/96/960.jpg","https://img.ochreeditions.com/a/96/1920.jpg",{"_313":850,"_315":851},{"_313":848,"_315":849},{"_313":846,"_315":847},{"_313":844,"_315":845},{"_313":842,"_315":843},"#b19265",0.0322,"#77491e",0.038,"#614f34",0.1945,"#392916",0.22,"#1f170d",0.5153,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","the-dance-class-met-438817","The Dance Class",{"_42":918,"_223":919,"_327":920,"_329":330,"_331":921,"_333":922,"_335":336,"_337":336,"_339":923,"_140":75},"1874","impressionism","Paintings","32 7/8 x 30 3/8 in. (83.5 x 77.2 cm)",77.2,83.5,0.9275,[903,904,905,906,907],{"_222":899,"_223":900,"_42":901,"_306":902},"Courtesy of The Metropolitan Museum of Art","1987.47.1","Edgar Degas painted this in 1874, aged 40. It is now at The Met in New York.","Dancers stretch, wait and fidget while the veteran ballet master Jules Perrot, leaning on a tall staff, takes a class in a rehearsal room of the Paris Opéra. Degas pushes him off-centre and lets the eye drift through the room instead, to dancers stretching, resting or simply waiting their turn.","The Dance Class, by Edgar Degas, 1874",{"_297":896,"_299":897,"_301":898},"https://img.ochreeditions.com/m/1193.jpg?dl=1","/art/the-dance-class-met-438817","/galleries/style/painting-19/the-dance-class-met-438817",{"_293":294,"_295":296},{"_226":888,"_125":889,"_287":890},{"_278":885,"_280":886,"_282":887,"_284":869},92.44625,98.5,77.44625,{"_289":226,"_123":894,"_154":895,"_140":75},{"_289":125,"_123":891,"_154":892,"_140":893},{"_289":287,"_123":165,"_154":164,"_140":167},"style/impressionism","More Impressionism",53,"artist/edgar-degas","More by Edgar Degas","https://img.ochreeditions.com/a/1193/480.jpg","https://img.ochreeditions.com/a/1193/960.jpg","https://img.ochreeditions.com/a/1193/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":916,"_315":917},{"_313":914,"_315":915},{"_313":912,"_315":913},{"_313":910,"_315":911},{"_313":908,"_315":909},"#1c150f",0.1165,"#88826b",0.1253,"#43392a",0.1626,"#5b654e",0.2595,"#64573f",0.3361,"Edgar Degas","edgar-degas","French, 1834–1917",1834,1917,"Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers.","circus-sideshow-parade-de-cirque-met-437654","Circus Sideshow (Parade de cirque)",{"_42":971,"_223":972,"_327":973,"_329":330,"_331":974,"_333":975,"_335":336,"_337":336,"_339":976,"_140":89},"1887–88","39 1/4 x 59 in. (99.7 x 149.9 cm)",149.9,99.7,1.49561236169401,[956,957,958,959,960],{"_222":899,"_223":900,"_42":901,"_306":902},"61.101.17","Georges Seurat painted this in 1887–88, aged about 28. It is now at The Met in New York.","Under the glow of gas lamps, a trombonist stands on a platform outside a travelling circus in Paris, flanked by musicians and a ringmaster, while spectators line up in silhouette along the bottom edge. The scene is a parade, the free sample of entertainment staged to lure passers-by into a paid show.","Circus Sideshow (Parade de cirque), by Georges Seurat, 1887–88",{"_297":953,"_299":954,"_301":955},"https://img.ochreeditions.com/m/1155.jpg?dl=1","/art/circus-sideshow-parade-de-cirque-met-437654","/galleries/style/painting-19/circus-sideshow-parade-de-cirque-met-437654",{"_293":294,"_295":296},{"_226":948,"_125":949,"_287":950},{"_278":945,"_280":946,"_282":929,"_284":947},164.9,115.22650510204082,100.22650510204082,{"_289":226,"_123":951,"_154":952,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/georges-seurat","More by Georges Seurat","https://img.ochreeditions.com/a/1155/480.jpg","https://img.ochreeditions.com/a/1155/960.jpg","https://img.ochreeditions.com/a/1155/1920.jpg",{"_313":969,"_315":970},{"_313":967,"_315":968},{"_313":965,"_315":966},{"_313":963,"_315":964},{"_313":961,"_315":962},"#7c6256",0.1097,"#5a4d3c",0.1145,"#5e5151",0.2129,"#2d2b35",0.2362,"#483e43",0.3267,"Georges Seurat","georges-seurat","French, 1859–1891",1859,1891,"Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye.","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":1032,"_223":1033,"_327":1034,"_329":1035,"_331":1036,"_333":1037,"_335":1038,"_337":1039,"_339":1040,"_140":97},"1883–84","united-states","realism","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[1017,1018,1019,1020,1021],{"_222":899,"_223":900,"_42":901,"_306":902},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_297":1014,"_299":1015,"_301":1016},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/painting-19/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_293":294,"_295":296},{"_226":1003,"_125":1004,"_287":1005},{"_278":1000,"_280":1001,"_282":1002,"_284":985},136.8224,223.6,121.82239999999999,{"_289":226,"_123":1012,"_154":1013,"_140":97},{"_289":125,"_123":1009,"_154":1010,"_140":1011},{"_289":287,"_123":1006,"_154":1007,"_140":1008},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_313":1030,"_315":1031},{"_313":1028,"_315":1029},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"John Singer Sargent","john-singer-sargent","American, 1856–1925","American",1856,1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","queen-victoria-met-14826","Queen Victoria",{"_42":1092,"_223":1093,"_327":1094,"_329":1035,"_331":1095,"_333":1096,"_335":1097,"_337":1098,"_339":1099,"_140":91},"1838","romanticism","94 x 58 in. (238.8 x 147.3 cm)",147.3,238.8,0.6469428007889546,[1077,1078,1079,1080,1081],{"_222":899,"_223":900,"_42":901,"_306":902},"2021.140","Thomas Sully painted this in 1838, aged 55. It is now at The Met in New York.","The young Queen Victoria looks back over her shoulder with a fresh, girlish face, painted from life by the American artist Thomas Sully in London in 1838, the year of her coronation. Sully had been commissioned by the Society of the Sons of St.","Queen Victoria, by Thomas Sully, 1838",{"_297":1074,"_299":1075,"_301":1076},"https://img.ochreeditions.com/m/864.jpg?dl=1","/art/queen-victoria-met-14826","/galleries/style/painting-19/queen-victoria-met-14826",{"_293":294,"_295":296},{"_226":1066,"_125":1067,"_287":1068},{"_278":1063,"_280":1064,"_282":1065,"_284":1048},169.48994082840235,253.8,154.48994082840235,{"_289":226,"_123":1072,"_154":1073,"_140":91},{"_289":125,"_123":1069,"_154":1070,"_140":1071},{"_289":287,"_123":1006,"_154":1007,"_140":1008},"style/romanticism","More Romanticism",32,"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/864/480.jpg","https://img.ochreeditions.com/a/864/960.jpg","https://img.ochreeditions.com/a/864/1920.jpg",{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},{"_313":1086,"_315":1087},{"_313":1084,"_315":1085},{"_313":1082,"_315":1083},"#c8b18a",0.0774,"#9e7a46",0.1395,"#733b25",0.226,"#432018",0.2782,"#1a0d0d",0.2789,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","grover-cleveland-si-npg-npg-71-58","Grover Cleveland",{"_42":1149,"_223":1150,"_327":1151,"_329":-5,"_331":1152,"_333":1153,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1884","Oil on artist board","Frame: 74.9 x 64.5 x 6.4 cm (29 1/2 x 25 3/8 x 2 1/2\")",64.5,74.9,0.78575,[1134,1135,1136,1137,1138],{"_222":380,"_223":381,"_42":382,"_306":307},"NPG.71.58","Eastman Johnson painted this in 1884, aged 60. It is now at the National Portrait Gallery in Washington, DC.",{"_118":1133,"_548":659},"Artist: Eastman Johnson, Sitter: Grover Cleveland, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":1130,"_299":1131,"_301":1132},"https://img.ochreeditions.com/m/1841.jpg?dl=1","/art/grover-cleveland-si-npg-npg-71-58","/galleries/style/painting-19/grover-cleveland-si-npg-npg-71-58",{"_293":294,"_295":296},{"_226":1125,"_125":1126,"_287":1127},{"_278":1122,"_280":1123,"_282":1124,"_284":1107},73.852675,89.9,58.852675,{"_289":226,"_123":1128,"_154":1129,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":374},{"_289":287,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-eastman-johnson","Eastman Johnson's contemporaries","https://img.ochreeditions.com/a/1841/480.jpg","https://img.ochreeditions.com/a/1841/960.jpg","https://img.ochreeditions.com/a/1841/1920.jpg","Twenty-fourth president, 1893–1897",{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},"#b58a58",0.03,"#91633b",0.0569,"#644429",0.085,"#31241b",0.4088,"#402c18",0.4193,"Eastman Johnson","eastman-johnson","29 Jul 1824 - 5 Apr 1906",1824,1906,"the-races-at-longchamp-aic-81533","The Races at Longchamp",{"_42":1201,"_223":1202,"_327":1203,"_329":330,"_331":1204,"_333":1205,"_335":336,"_337":336,"_339":1206,"_140":53},"1866","44 × 84.2 cm (17 5/16 × 33 1/8 in.); Framed: 69.6 × 109.9 × 10.2 cm (27 3/8 × 43 1/4 × 4 in.)",84,44,1.9217635617030473,[1186,1187,1188,1189,1190],{"_222":723,"_223":724,"_42":725,"_306":726},"1922.424","Édouard Manet painted this in 1866, aged 34. It is now at the Art Institute of Chicago.",{"_118":1185,"_548":722},{"_297":1182,"_299":1183,"_301":1184},"https://img.ochreeditions.com/m/219.jpg?dl=1","/art/the-races-at-longchamp-aic-81533","/galleries/style/painting-19/the-races-at-longchamp-aic-81533",{"_293":294,"_295":296},{"_226":1177,"_125":1178,"_287":1179},{"_278":1174,"_280":1175,"_282":1159,"_284":1176},99,58.70985155195682,43.70985155195682,{"_289":226,"_123":1180,"_154":1181,"_140":53},{"_289":125,"_123":485,"_154":486,"_140":487},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/219/480.jpg","https://img.ochreeditions.com/a/219/960.jpg","https://img.ochreeditions.com/a/219/1920.jpg","Édouard Manet composed this scene of a racetrack so that the throng of horses and jockeys thunders straight toward the viewer. In contrast to traditional sporting artists, who always showed races from the side with the horses in profile, Manet achieved a sense of expansive space with this thrilling perspective.",{"_313":1199,"_315":1200},{"_313":1197,"_315":1198},{"_313":1195,"_315":1196},{"_313":1193,"_315":1194},{"_313":1191,"_315":1192},"#6e7d5f",0.1496,"#5e5540",0.1714,"#2e4536",0.1723,"#2e2c24",0.215,"#acae9e",0.2917,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.",{"_1208":-5,"_1209":1210,"_1211":1212,"_1213":8,"_1214":1215,"_1216":8},"user","csrf","ce097049c5c470b9f8f4e6b913a6882ea39cab1f","cartCount",0,"dropLive","legal",[1217,1218,1219,1220,1221,1222,1223,1224,1225,1226,1227,1228],"uploadsEnabled",{"_223":1251,"_20":1252},{"_223":1249,"_20":1250},{"_223":1247,"_20":1248},{"_223":1245,"_20":1246},{"_223":1243,"_20":1244},{"_223":1241,"_20":1242},{"_223":1239,"_20":1240},{"_223":1237,"_20":1238},{"_223":1235,"_20":1236},{"_223":1233,"_20":1234},{"_223":1231,"_20":1232},{"_223":1229,"_20":1230},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]