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He painted it during his exile in Switzerland, where he had fled after being condemned for subversive activities in the Paris Commune of 1871.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#d2dace","weight",0.1766,"#5e6855",0.1776,"#a4c0c0",0.1858,"#364645",0.2249,"#333631",0.2351,"Gustave Courbet","gustave-courbet","bio","French, 1819–1877","nationality","French","birth_year",1819,"death_year",1877,"birth_place","Ornans","death_place","La Tour-de-Peilz","about_excerpt","Courbet left his native Ornans for Paris and became the standard-bearer of Realism, painting ordinary people and his own region on the scale reserved for history painting, as in A Burial at Ornans.","diana-and-actaeon-diana-surprised-in-her-bath-met-459093","Diana and Actaeon (Diana Surprised in Her Bath)",{"_42":394,"_219":395,"_326":396,"_328":329,"_330":397,"_332":398,"_334":399,"_336":399,"_338":400,"_140":87},"1836","Paintings","Oil on canvas","61 5/8 x 44 3/8 in. (156.5 x 112.7 cm)",112.7,156.5,0.7297152068780226,[379,380,381,382,383],{"_218":375,"_219":376,"_42":377,"_305":378},"Courtesy of The Metropolitan Museum of Art","1975.1.162","Jean Baptiste Camille Corot painted this in 1836, aged 40. 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He returned to Italy twice and travelled widely in France.","corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand",{"_42":394,"_219":395,"_326":396,"_328":329,"_330":397,"_332":398,"_334":399,"_336":399,"_338":400,"_140":87},"c. 1868","oil on wood","overall: 61.8 x 40 cm (24 5/16 x 15 3/4 in.) framed: 78.4 x 56.5 cm (30 7/8 x 22 1/4 in.)",40,61.8,0.64990234375,[437,438,439,440,441],{"_218":433,"_219":434,"_42":435,"_305":436},"Courtesy National Gallery of Art, Washington","1942.9.11","Jean Baptiste Camille Corot painted this in about 1868, aged 72. It is now at the National Gallery of Art in Washington, DC.","A young model in a green bodice and olive skirt sits with her back half turned, a mandolin resting at her side, and reaches out to touch a landscape on the easel before her, while a black and white dog looks up at her. 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That vertically-oriented scene is loosely painted and shows a few people gathered in a landscape. A white and black dog stands with one front leg lifted to the left of the woman's chair, looking at her. The wall opposite us is parchment white over a strip of molding, like a high chair rail, and muted mauve pink below. An L-shaped pipe leads to an iron stove to our left of center. A narrow shelf tucked into the L of the pipe holds three hand-sized sculptures or casts. Small paintings and plaster casts hang around it on the wall above the molding. The artist signed the painting in the lower right: “COROT.”",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/1328.jpg?dl=1","/art/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148","/galleries/style/paris-salon-painting/corot-s-studio-woman-seated-before-an-easel-a-mandolin-in-he-nga-1148",{"_289":290,"_291":292},{"_222":427,"_125":428,"_283":429},{"_274":424,"_276":425,"_278":426,"_279":408},55.16396484375,76.8,40.16396484375,{"_285":222,"_123":370,"_154":371,"_140":87},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1328/480.jpg","https://img.ochreeditions.com/a/1328/960.jpg","https://img.ochreeditions.com/a/1328/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},{"_312":442,"_314":443},"#a9936b",0.0469,"#836e50",0.1749,"#4a3d2d",0.2411,"#68543c",0.2626,"#2f251d",0.2745,"bashi-bazouk-met-440723","Bashi-Bazouk",{"_42":498,"_219":499,"_326":500,"_328":329,"_330":501,"_332":502,"_334":503,"_336":399,"_338":-5,"_140":103},"1868–69","31 3/4 x 26 in. (80.6 x 66 cm)",66,80.6,0.8156872896712399,[483,484,485,486,487],{"_218":375,"_219":376,"_42":377,"_305":378},"2008.547.1","Jean-Léon Gérôme painted this in 1868–69, aged about 44. It is now at The Met in New York.","Bashi-Bazouk, by Jean-Léon Gérôme, 1868–69",{"_293":480,"_295":481,"_297":482},"https://img.ochreeditions.com/m/1201.jpg?dl=1","/art/bashi-bazouk-met-440723","/galleries/style/paris-salon-painting/bashi-bazouk-met-440723",{"_289":290,"_291":292},{"_222":475,"_125":476,"_283":477},{"_274":472,"_276":473,"_278":474,"_279":458},80.74439554750194,95.6,65.74439554750194,{"_285":222,"_123":478,"_154":479,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-leon-gerome","Jean-Léon Gérôme's contemporaries","https://img.ochreeditions.com/a/1201/480.jpg","https://img.ochreeditions.com/a/1201/960.jpg","https://img.ochreeditions.com/a/1201/1920.jpg",{"_312":496,"_314":497},{"_312":494,"_314":495},{"_312":492,"_314":493},{"_312":490,"_314":491},{"_312":488,"_314":489},"#9b5841",0.0727,"#ea9572",0.0802,"#644f36",0.0925,"#613228",0.1064,"#362e23",0.6482,"Jean-Léon Gérôme","jean-leon-gerome","French, 1824–1904",1824,1904,"Vesoul","ruined-church-cma-168352","Ruined Church",{"_42":551,"_219":552,"_326":553,"_328":329,"_330":554,"_332":555,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1840","oil on panel","Unframed: 46.6 x 33.2 cm (18 3/8 x 13 1/16 in.)",33.2,46.6,0.7773529411764706,[536,537,538,539,540],{"_218":302,"_219":303,"_42":304,"_305":306},"2010.18","Adrien Dauzats painted this in about 1840, aged about 31. It is now at the Cleveland Museum of Art.","Ruined Church, by Adrien Dauzats, c. 1840",{"_293":533,"_295":534,"_297":535},"https://img.ochreeditions.com/m/772.jpg?dl=1","/art/ruined-church-cma-168352","/galleries/style/paris-salon-painting/ruined-church-cma-168352",{"_289":290,"_291":292},{"_222":528,"_125":529,"_283":530},{"_274":525,"_276":526,"_278":527,"_279":511},51.22464705882353,61.6,36.22464705882353,{"_285":222,"_123":531,"_154":532,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-adrien-dauzats","Adrien Dauzats's contemporaries","https://img.ochreeditions.com/a/772/480.jpg","https://img.ochreeditions.com/a/772/960.jpg","https://img.ochreeditions.com/a/772/1920.jpg",{"_312":549,"_314":550},{"_312":547,"_314":548},{"_312":545,"_314":546},{"_312":543,"_314":544},{"_312":541,"_314":542},"#d8b173",0.1003,"#efeeef",0.1066,"#4f3520",0.1763,"#a0794b",0.2556,"#7a522e",0.3612,"Adrien Dauzats","adrien-dauzats","French, 1804–1868",1804,1868,"view-near-epernon-nga-1150","View near Epernon",{"_42":394,"_219":395,"_326":396,"_328":329,"_330":397,"_332":398,"_334":399,"_336":399,"_338":400,"_140":87},"1850/1860","oil on canvas","overall: 33.8 x 55.3 cm (13 5/16 x 21 3/4 in.)",55.3,33.8,1.6643640796424217,[587,588,589,590,591],{"_218":433,"_219":434,"_42":435,"_305":436},"1942.9.13","Jean Baptiste Camille Corot painted this in 1850/1860, aged about 54. It is now at the National Gallery of Art in Washington, DC.","A ploughman works a field behind his horse while a rider in a red cap crosses the meadow, and a row of houses with tan walls and red roofs lines the far side beyond a small arched bridge.","A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow. The field is carpeted with muted and gold-shaded green, and a grove of trees in the right third of the composition are painted in fern, olive, and dark green. A patch of darker green near us and to left of center is dotted with red and yellow to suggest flowers. The men and horses are small in relation to the composition. The people have brown skin and are painted with a few strokes in dark gray and muted green for the man behind the plow to the left and pale yellow and white and a red cap for the person on horseback. A band of houses with tan or light yellow walls and gray or terracotta red roofs line the far side of the field to the left, and an arched bridge crosses what appears to be a shallow, grassy ravine near the center. The horizon comes about a third of the way up this composition and a few smoke-gray clouds line the upper edge of the otherwise milk-white sky. The artist signed the lower left corner, “COROT.”",{"_293":584,"_295":585,"_297":586},"https://img.ochreeditions.com/m/1330.jpg?dl=1","/art/view-near-epernon-nga-1150","/galleries/style/paris-salon-painting/view-near-epernon-nga-1150",{"_289":290,"_291":292},{"_222":581,"_125":582,"_283":583},{"_274":578,"_276":579,"_278":562,"_279":580},70.3,48.2259033203125,33.2259033203125,{"_285":222,"_123":370,"_154":371,"_140":87},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1330/480.jpg","https://img.ochreeditions.com/a/1330/960.jpg","https://img.ochreeditions.com/a/1330/1920.jpg",{"_312":600,"_314":601},{"_312":598,"_314":599},{"_312":596,"_314":597},{"_312":594,"_314":595},{"_312":592,"_314":593},"#5a512b",0.0913,"#373627",0.0917,"#7b6a2d",0.1168,"#988333",0.1447,"#dcd6be",0.5555,"colonnade-and-gardens-of-the-medici-palace-aic-30368","Colonnade and Gardens of the Medici Palace",{"_42":654,"_219":655,"_326":656,"_328":329,"_330":657,"_332":658,"_334":-5,"_336":-5,"_338":-5,"_140":103},"After 1870","Oil on panel","31.4 × 26.5 cm (12 3/8 × 10 3/8 in.); Framed: 44.5 × 39.4 × 4.5 cm (17 1/2 × 15 1/2 × 1 3/4 in.)",26,31,0.8345502336448598,[639,640,641,642,643],{"_218":635,"_219":636,"_42":637,"_305":638},"Courtesy of the Art Institute of Chicago","1968.616","Style of Hubert Robert painted this (After 1870). It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":632,"_295":633,"_297":634},"https://img.ochreeditions.com/m/124.jpg?dl=1","/art/colonnade-and-gardens-of-the-medici-palace-aic-30368","/galleries/style/paris-salon-painting/colonnade-and-gardens-of-the-medici-palace-aic-30368",{"_289":290,"_291":292},{"_222":627,"_125":628,"_283":629},{"_274":624,"_276":625,"_278":626,"_279":609},40.87105724299066,46,25.871057242990656,{"_285":222,"_123":630,"_154":631,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-style-of-hubert-robert","Style of Hubert Robert's contemporaries","https://img.ochreeditions.com/a/124/480.jpg","https://img.ochreeditions.com/a/124/960.jpg","https://img.ochreeditions.com/a/124/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":652,"_314":653},{"_312":650,"_314":651},{"_312":648,"_314":649},{"_312":646,"_314":647},{"_312":644,"_314":645},"#999383",0.0587,"#7f7563",0.0811,"#655641",0.2491,"#372b20",0.2677,"#4e3f2d",0.3434,"Style of Hubert Robert","style-of-hubert-robert","French, 1733–1808",1733,1808,"woman-meditating-cma-126773","Woman Meditating",{"_42":394,"_219":395,"_326":396,"_328":329,"_330":397,"_332":398,"_334":399,"_336":399,"_338":400,"_140":87},"after 1868","Unframed: 59.4 x 42.9 cm (23 3/8 x 16 7/8 in.)",42.9,59.4,0.7235294117647059,[690,691,692,693,694],{"_218":302,"_219":303,"_42":304,"_305":306},"1949.189","Jean Baptiste Camille Corot painted this (after 1868), aged about 72. It is now at the Cleveland Museum of Art.",{"_118":689,"_300":301},"Woman Meditating, by Jean Baptiste Camille Corot, after 1868",{"_293":686,"_295":687,"_297":688},"https://img.ochreeditions.com/m/584.jpg?dl=1","/art/woman-meditating-cma-126773","/galleries/style/paris-salon-painting/woman-meditating-cma-126773",{"_289":290,"_291":292},{"_222":683,"_125":684,"_283":685},{"_274":680,"_276":681,"_278":682,"_279":665},57.97764705882353,74.4,42.97764705882353,{"_285":222,"_123":370,"_154":371,"_140":87},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/584/480.jpg","https://img.ochreeditions.com/a/584/960.jpg","https://img.ochreeditions.com/a/584/1920.jpg","This painting, acquired by the Cleveland Museum of Art in 1949, as a work by Corot, proved to be a copy when the signed original reappeared at a public auction in New York in 1981.",{"_312":703,"_314":704},{"_312":701,"_314":702},{"_312":699,"_314":700},{"_312":697,"_314":698},{"_312":695,"_314":696},"#916c33",0.0343,"#532e1b",0.0985,"#54472a",0.1681,"#392f1e",0.2683,"#28241a",0.4308,"fish-still-life-aic-44892","Fish (Still Life)",{"_42":754,"_219":755,"_326":756,"_328":329,"_330":757,"_332":758,"_334":399,"_336":399,"_338":759,"_140":53},"1864","73.5 × 92.4 cm (28 15/16 × 36 3/8 in.); Framed: 108.6 × 127 × 12.7 cm (42 3/4 × 50 × 5 in.)",92,73,1.2622034154450656,[739,740,741,742,743],{"_218":635,"_219":636,"_42":637,"_305":638},"1942.311","Édouard Manet painted this in 1864, aged 32. It is now at the Art Institute of Chicago.",{"_118":737,"_300":738},"Still-life painting, fish, open oysters, eel, lemon on tablecloth.",{"_293":734,"_295":735,"_297":736},"https://img.ochreeditions.com/m/150.jpg?dl=1","/art/fish-still-life-aic-44892","/galleries/style/paris-salon-painting/fish-still-life-aic-44892",{"_289":290,"_291":292},{"_222":729,"_125":730,"_283":731},{"_274":726,"_276":727,"_278":710,"_279":728},107,87.88840996168582,72.88840996168582,{"_285":222,"_123":732,"_154":733,"_140":53},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/150/480.jpg","https://img.ochreeditions.com/a/150/960.jpg","https://img.ochreeditions.com/a/150/1920.jpg","This painting, like many of Manet’s still lifes, recalls 17th-century Dutch models. The directness of execution, bold brushwork, and immediacy of vision, however, suggest why the public found Manet’s work so unorthodox and confrontational.","Text from the Art Institute of Chicago.",{"_312":752,"_314":753},{"_312":750,"_314":751},{"_312":748,"_314":749},{"_312":746,"_314":747},{"_312":744,"_314":745},"#b6a435",0.0089,"#6b5241",0.1403,"#bdb29a",0.2047,"#938771",0.2105,"#32281f",0.4356,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","mere-gregoire-aic-4428","Mère Grégoire",{"_42":324,"_219":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":91},"1855, reworked 1857–59","129 × 97.5 cm (50 3/4 × 38 3/8 in.); Framed: 168 × 137.2 × 16.2 cm (66 1/8 × 54 × 6 3/8 in.)",97,129,0.7471264367816092,[791,792,793,794,795],{"_218":635,"_219":636,"_42":637,"_305":638},"1930.78","Gustave Courbet painted this in 1855, reworked 1857–59, aged about 36. It is now at the Art Institute of Chicago.",{"_118":790,"_300":738},"Dark portrait of older woman in black dress with lace collar, flowers.",{"_293":787,"_295":788,"_297":789},"https://img.ochreeditions.com/m/5.jpg?dl=1","/art/mere-gregoire-aic-4428","/galleries/style/paris-salon-painting/mere-gregoire-aic-4428",{"_289":290,"_291":292},{"_222":784,"_125":785,"_283":786},{"_274":781,"_276":782,"_278":783,"_279":766},111.37931034482759,144,96.37931034482759,{"_285":222,"_123":170,"_154":169,"_140":91},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/5/480.jpg","https://img.ochreeditions.com/a/5/960.jpg","https://img.ochreeditions.com/a/5/1920.jpg","Gustave Courbet played a crucial role in the development of modern French Realism. Critics and the public, however, did not easily accept his large, naturalistic, and unsentimental depictions of commonplace, often rural subjects. They called him the “apostle of ugliness.”",{"_312":804,"_314":805},{"_312":802,"_314":803},{"_312":800,"_314":801},{"_312":798,"_314":799},{"_312":796,"_314":797},"#927b62",0.0257,"#4d402a",0.0924,"#3e220a",0.167,"#1b1507",0.2334,"#342a16",0.4815,"descent-of-cattle-from-the-pyrenees-aic-4800","Descent of Cattle from the Pyrenees",{"_42":852,"_219":853,"_326":854,"_328":329,"_330":855,"_332":856,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1880","99.2 × 66.1 cm (39 × 26 in.); Framed: 94.9 × 127.9 × 11.5 cm (37 3/8 × 50 3/8 × 4 1/2 in.)",99,1.4479043100039541,[837,838,839,840,841],{"_218":635,"_219":636,"_42":637,"_305":638},"1922.4473","Emile van Marcke de Lummen painted this in about 1880, aged about 48. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":834,"_295":835,"_297":836},"https://img.ochreeditions.com/m/10.jpg?dl=1","/art/descent-of-cattle-from-the-pyrenees-aic-4800","/galleries/style/paris-salon-painting/descent-of-cattle-from-the-pyrenees-aic-4800",{"_289":290,"_291":292},{"_222":829,"_125":830,"_283":831},{"_274":825,"_276":826,"_278":827,"_279":828},112.26565047109816,82.17684987817498,97.26565047109816,67.17684987817498,{"_285":222,"_123":832,"_154":833,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emile-van-marcke-de-lummen","Emile van Marcke de Lummen's contemporaries","https://img.ochreeditions.com/a/10/480.jpg","https://img.ochreeditions.com/a/10/960.jpg","https://img.ochreeditions.com/a/10/1920.jpg",{"_312":850,"_314":851},{"_312":848,"_314":849},{"_312":846,"_314":847},{"_312":844,"_314":845},{"_312":842,"_314":843},"#232323",0.1143,"#4c4c4c",0.1388,"#6f6f6f",0.206,"#929292",0.2699,"#b8b8b8",0.271,"Emile van Marcke de Lummen","emile-van-marcke-de-lummen","French, 1827–1890",1827,1890,"aglaida-and-boniface-cma-165425","Aglaida and Boniface",{"_42":903,"_219":904,"_326":905,"_328":329,"_330":906,"_332":907,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1857","Unframed: 62.2 x 68 cm (24 1/2 x 26 3/4 in.)",68,62.2,1.1003236245954693,[888,889,890,891,892],{"_218":302,"_219":303,"_42":304,"_305":306},"2007.275","Alexandre Cabanel painted this in about 1857, aged about 29. It is now at the Cleveland Museum of Art.",{"_118":887,"_300":301},"Aglaida and Boniface, by Alexandre Cabanel, c. 1857",{"_293":884,"_295":885,"_297":886},"https://img.ochreeditions.com/m/768.jpg?dl=1","/art/aglaida-and-boniface-cma-165425","/galleries/style/paris-salon-painting/aglaida-and-boniface-cma-165425",{"_289":290,"_291":292},{"_222":879,"_125":880,"_283":881},{"_274":878,"_276":425,"_278":862,"_279":408},83,{"_285":222,"_123":882,"_154":883,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alexandre-cabanel","Alexandre Cabanel's contemporaries","https://img.ochreeditions.com/a/768/480.jpg","https://img.ochreeditions.com/a/768/960.jpg","https://img.ochreeditions.com/a/768/1920.jpg","The French painter Alexandre Cabanel was a favorite of Emperor Napoleon III and a leader of the academic style that emphasized precise drawing and smoothly modeled forms. This painting depicts the wealthy Roman woman Aglaida and her concubine slave Boniface, here living as pagan sinners in Rome around 290 CE.",{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},{"_312":893,"_314":894},"#ae9d87",0.1336,"#735c44",0.1406,"#3d2d1d",0.2193,"#643c17",0.2487,"#7f8475",0.2578,"Alexandre Cabanel","alexandre-cabanel","French, 1823–1889",1823,1889,"landscape-near-paris-cma-148365","Landscape Near Paris",{"_42":955,"_219":956,"_326":957,"_328":329,"_330":958,"_332":959,"_334":-5,"_336":-5,"_338":-5,"_140":103},"Framed: 105.6 x 146.4 x 9.6 cm (41 9/16 x 57 5/8 x 3 3/4 in.); Unframed: 88.8 x 129.5 cm (34 15/16 x 51 in.)",129.5,88.8,1.4737754659731253,[940,941,942,943,944],{"_218":302,"_219":303,"_42":304,"_305":306},"1975.78","Georges Michel painted this in about 1840, aged about 72. It is now at the Cleveland Museum of Art.",{"_118":939,"_300":301},"Landscape Near Paris, by Georges Michel, c. 1840",{"_293":936,"_295":937,"_297":938},"https://img.ochreeditions.com/m/693.jpg?dl=1","/art/landscape-near-paris-cma-148365","/galleries/style/paris-salon-painting/landscape-near-paris-cma-148365",{"_289":290,"_291":292},{"_222":931,"_125":932,"_283":933},{"_274":928,"_276":929,"_278":912,"_279":930},144.5,102.86955882352942,87.86955882352942,{"_285":222,"_123":934,"_154":935,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-georges-michel","Georges Michel's contemporaries","https://img.ochreeditions.com/a/693/480.jpg","https://img.ochreeditions.com/a/693/960.jpg","https://img.ochreeditions.com/a/693/1920.jpg","The location of this scene, probably near Paris, has not been identified with certainty. Unlike most painters of this time, Michel never traveled to Italy and focused only on depicting locations in France.",{"_312":953,"_314":954},{"_312":951,"_314":952},{"_312":949,"_314":950},{"_312":947,"_314":948},{"_312":945,"_314":946},"#888a86",0.1484,"#5e5f60",0.1548,"#614d2d",0.1577,"#bdbeb5",0.185,"#312b21",0.3541,"Georges Michel","georges-michel","French, 1763–1843",1763,1843,"haystacks-autumn-met-437097","Haystacks: Autumn",{"_42":1006,"_219":1007,"_326":1008,"_328":329,"_330":1009,"_332":398,"_334":1010,"_336":1011,"_338":-5,"_140":103},"ca. 1874","33 1/2 x 43 3/8 in. (85.1 x 110.2 cm)",110.2,85.1,1.2804635761589405,[991,992,993,994,995],{"_218":375,"_219":376,"_42":377,"_305":378},"60.71.12","Jean-François Millet painted this in about 1874, aged about 55. It is now at The Met in New York.","Haystacks: Autumn, by Jean-François Millet, ca. 1874",{"_293":988,"_295":989,"_297":990},"https://img.ochreeditions.com/m/1130.jpg?dl=1","/art/haystacks-autumn-met-437097","/galleries/style/paris-salon-painting/haystacks-autumn-met-437097",{"_289":290,"_291":292},{"_222":983,"_125":984,"_283":985},{"_274":980,"_276":981,"_278":965,"_279":982},125.2,101.06258081199897,86.06258081199897,{"_285":222,"_123":986,"_154":987,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-francois-millet","Jean-François Millet's contemporaries","https://img.ochreeditions.com/a/1130/480.jpg","https://img.ochreeditions.com/a/1130/960.jpg","https://img.ochreeditions.com/a/1130/1920.jpg",{"_312":1004,"_314":1005},{"_312":1002,"_314":1003},{"_312":1000,"_314":1001},{"_312":998,"_314":999},{"_312":996,"_314":997},"#b9af93",0.0944,"#7c7e71",0.1419,"#5b6056",0.1825,"#ab8b56",0.2316,"#785f36",0.3496,"Jean-François Millet","jean-francois-millet","French, 1814–1875",1814,"Gruchy","Barbizon","the-roll-call-of-the-last-victims-of-the-terror-aic-111730","The Roll Call of the Last Victims of the Terror",{"_42":1057,"_219":1058,"_326":1059,"_328":329,"_330":1060,"_332":1061,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1850","76.2 × 132 cm (30 × 52 in.); Framed: 115.6 × 172.8 × 12.1 cm (45 1/2 × 68 × 4 3/4 in.)",132,76,1.7930250189537529,[1042,1043,1044,1045,1046],{"_218":635,"_219":636,"_42":637,"_305":638},"2019.1421","Charles Louis-Lucien Muller painted this in about 1850, aged about 30. It is now at the Art Institute of Chicago.",{"_293":1039,"_295":1040,"_297":1041},"https://img.ochreeditions.com/m/289.jpg?dl=1","/art/the-roll-call-of-the-last-victims-of-the-terror-aic-111730","/galleries/style/paris-salon-painting/the-roll-call-of-the-last-victims-of-the-terror-aic-111730",{"_289":290,"_291":292},{"_222":1034,"_125":1035,"_283":1036},{"_274":1031,"_276":1032,"_278":1017,"_279":1033},147,88.61860465116278,73.61860465116278,{"_285":222,"_123":1037,"_154":1038,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-louis-lucien-muller","Charles Louis-Lucien Muller's contemporaries","https://img.ochreeditions.com/a/289/480.jpg","https://img.ochreeditions.com/a/289/960.jpg","https://img.ochreeditions.com/a/289/1920.jpg",{"_312":1055,"_314":1056},{"_312":1053,"_314":1054},{"_312":1051,"_314":1052},{"_312":1049,"_314":1050},{"_312":1047,"_314":1048},"#8c7856",0.0375,"#6d532e",0.1174,"#4e3616",0.1598,"#312109",0.2714,"#211908",0.4139,"Charles Louis-Lucien Muller","charles-louis-lucien-muller","French, 1815–1892",1815,1892,"view-on-the-outskirts-of-caen-nga-66421","View on the Outskirts of Caen",{"_42":1108,"_219":1109,"_326":1110,"_328":329,"_330":1111,"_332":1061,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1872/1875","overall: 17.6 x 28.1 cm (6 15/16 x 11 1/16 in.) framed: 38.4 x 27.9 cm (15 1/8 x 11 in.)",28.1,17.6,1.7202855942881143,[1093,1094,1095,1096,1097],{"_218":433,"_219":434,"_42":435,"_305":436},"1985.64.23","Stanislas Lépine painted this in 1872/1875, aged about 37. It is now at the National Gallery of Art in Washington, DC.","The painting shows an elevated perspective overlooking a landscape with green hills and leafy trees. Closest to us, there are cream-colored buildings among dense foliage. These buildings have roofs in shades of pale blue-gray and reddish-brown, and the one in the center has wispy white smoke coming out of a chimney. In the distance on the left, a large, low structure sits atop a hill, with faint paths winding towards it through the green landscape. Beyond the trees, the distant landscape on the right is painted in shades of pale blue and green. The sky above is filled with puffy clouds in shades of gray.",{"_293":1090,"_295":1091,"_297":1092},"https://img.ochreeditions.com/m/1612.jpg?dl=1","/art/view-on-the-outskirts-of-caen-nga-66421","/galleries/style/paris-salon-painting/view-on-the-outskirts-of-caen-nga-66421",{"_289":290,"_291":292},{"_222":1085,"_125":1086,"_283":1087},{"_274":1082,"_276":1083,"_278":1067,"_279":1084},43.1,31.3344970703125,16.3344970703125,{"_285":222,"_123":1088,"_154":1089,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-stanislas-lepine","Stanislas Lépine's contemporaries","https://img.ochreeditions.com/a/1612/480.jpg","https://img.ochreeditions.com/a/1612/960.jpg","https://img.ochreeditions.com/a/1612/1920.jpg",{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1098,"_314":1099},"#817947",0.1309,"#99968a",0.1651,"#cfc4b5",0.1655,"#36362e",0.2247,"#535535",0.3138,"Stanislas Lépine","stanislas-lepine","French, 1835–1892",1835,{"_1113":-5,"_1114":1115,"_1116":1117,"_1118":8,"_1119":1120,"_1121":8},"user","csrf","2590ea65570929d355062b99f77f55c045ba5b15","cartCount",0,"dropLive","legal",[1122,1123,1124,1125,1126,1127,1128,1129,1130,1131,1132,1133],"uploadsEnabled",{"_219":1156,"_20":1157},{"_219":1154,"_20":1155},{"_219":1152,"_20":1153},{"_219":1150,"_20":1151},{"_219":1148,"_20":1149},{"_219":1146,"_20":1147},{"_219":1144,"_20":1145},{"_219":1142,"_20":1143},{"_219":1140,"_20":1141},{"_219":1138,"_20":1139},{"_219":1136,"_20":1137},{"_219":1134,"_20":1135},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]