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It is now at The Met in New York.","Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century",{"_296":433,"_298":434,"_300":435},"https://img.ochreeditions.com/m/934.jpg?dl=1","/art/screen-and-utensils-for-the-incense-ceremony-met-54723","/galleries/style/print-18/screen-and-utensils-for-the-incense-ceremony-met-54723",{"_292":293,"_294":295},{"_226":422,"_125":423,"_286":424},{"_276":420,"_278":277,"_280":421,"_282":281},46.375,22.375,{"_288":226,"_123":431,"_154":432,"_140":95},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"era/18-japan","18th-century Japan",92,"style/ukiyo-e","More Ukiyo-e",172,"artist/kubo-shunman","More by Kubo Shunman","https://img.ochreeditions.com/a/934/480.jpg","https://img.ochreeditions.com/a/934/960.jpg","https://img.ochreeditions.com/a/934/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":453,"_314":454},{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},"#56514d",0.0164,"#a88e79",0.051,"#dfaf93",0.0699,"#e5d2bb",0.273,"#f8eddd",0.5897,"Kubo Shunman","kubo-shunman","Japanese, 1757–1820","Japanese",1757,1820,"Shunman was both an artist and a writer of kyōka, or comic verse, and much of his work served the poetry circles of Edo. Their members commissioned surimono, privately issued woodblock sheets pairing poems with images and often finished with metallic pigments and embossing.","chushingura-act-i-from-the-series-perspective-pictures-for-t-cma-152519","Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty)",{"_42":514,"_223":515,"_326":516,"_328":458,"_330":517,"_332":518,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1790s","color woodblock print","Image: 30.5 x 43 cm (12 x 16 15/16 in.); with margins: 33.7 x 46.2 cm (13 1/4 x 18 3/16 in.)",43,30.5,1.3513513513513513,[499,500,501,502,503],{"_222":495,"_223":496,"_42":497,"_305":498},"Courtesy of the Cleveland Museum of Art","1985.338.1","Kitao Masayoshi designed this in about 1790s, aged about 29. It is now at the Cleveland Museum of Art.","Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s",{"_296":492,"_298":493,"_300":494},"https://img.ochreeditions.com/m/736.jpg?dl=1","/art/chushingura-act-i-from-the-series-perspective-pictures-for-t-cma-152519","/galleries/style/print-18/chushingura-act-i-from-the-series-perspective-pictures-for-t-cma-152519",{"_292":293,"_294":295},{"_226":487,"_125":488,"_286":489},{"_276":484,"_278":485,"_280":468,"_282":486},67,55.82,31.82,{"_288":226,"_123":490,"_154":491,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/contemporaries-of-kitao-masayoshi","Kitao Masayoshi's contemporaries","https://img.ochreeditions.com/a/736/480.jpg","https://img.ochreeditions.com/a/736/960.jpg","https://img.ochreeditions.com/a/736/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},"#d5d0c4",0.0725,"#595a4d",0.143,"#84796a",0.1632,"#a1917e",0.2839,"#b6a997",0.3374,"Kitao Masayoshi","kitao-masayoshi","Japanese, 1761–1824",1761,1824,"the-fortunate-rescue-nga-57440","The Fortunate Rescue",{"_42":569,"_223":570,"_326":571,"_328":572,"_330":573,"_332":574,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1791","germany","neoclassicism","etching",0.62646484375,[554,555,556,557,558],{"_222":302,"_223":303,"_42":304,"_305":306},"1979.59.4","Daniel Nikolaus Chodowiecki made this in 1791, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image shows three figures. Two of them are embracing in the foreground, kneeling on the ground and facing each other in a kiss. The person on the left has curly hair and appears to be wearing a coat-like garment, while the person on the right has long hair tied back and is dressed in a long robe. The third figure emerges from the bushes in the background, with shoulder-length hair, wearing a dress with a sash and a light shawl or scarf over their head. The setting includes tall trees, shrubs, and a structure with columns and arches on the right side, suggesting a garden or courtyard. Rolling hills and cloudy skies are in the distant background.",{"_296":551,"_298":552,"_300":553},"https://img.ochreeditions.com/m/1592.jpg?dl=1","/art/the-fortunate-rescue-nga-57440","/galleries/style/print-18/the-fortunate-rescue-nga-57440",{"_292":293,"_294":295},{"_226":541,"_125":542,"_286":543},{"_276":539,"_278":357,"_280":540,"_282":359},61.587890625,37.587890625,{"_288":226,"_123":549,"_154":550,"_140":89},{"_288":125,"_123":546,"_154":547,"_140":548},{"_288":286,"_123":544,"_154":545,"_140":85},"era/18-germany","18th-century Germany","style/neoclassicism","More Neoclassicism",109,"artist/contemporaries-of-daniel-nikolaus-chodowiecki","Daniel Nikolaus Chodowiecki's contemporaries","https://img.ochreeditions.com/a/1592/480.jpg","https://img.ochreeditions.com/a/1592/960.jpg","https://img.ochreeditions.com/a/1592/1920.jpg",{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},"#6d635a",0.1609,"#877c6f",0.1781,"#a39686",0.1836,"#c1b4a2",0.202,"#f3e6cf",0.2754,"Daniel Nikolaus Chodowiecki","daniel-nikolaus-chodowiecki","German, 1726–1801","German",1726,1801,"the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons)",{"_42":629,"_223":630,"_326":631,"_328":632,"_330":633,"_332":634,"_334":635,"_335":636,"_336":637,"_140":97},"ca. 1749–50","italy","italian-settecento","Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)","Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm) Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm)",41.5,54.5,0.7688,[614,615,616,617,618],{"_222":436,"_223":437,"_42":438,"_305":439},"37.45.3(27)","Giovanni Battista Piranesi made this in about 1749–50, aged about 24. It is now at The Met in New York.","A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. This impression is of the first state, printed around 1749–50, when Piranesi’s Imaginary Prisons were still airy and sketch-like, etched with a free, rapid line that owes much to stage design.","The Round Tower, from \"Carceri d'invenzione\" (Imaginary Prisons), by Giovanni Battista Piranesi, ca. 1749–50",{"_296":611,"_298":612,"_300":613},"https://img.ochreeditions.com/m/1030.jpg?dl=1","/art/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725","/galleries/style/print-18/the-round-tower-from-carceri-d-invenzione-imaginary-prisons-met-337725",{"_292":293,"_294":295},{"_226":602,"_125":603,"_286":604},{"_276":599,"_278":600,"_280":601,"_282":584},65.89959999999999,78.5,41.8996,{"_288":226,"_123":609,"_154":610,"_140":97},{"_288":125,"_123":607,"_154":608,"_140":281},{"_288":286,"_123":605,"_154":606,"_140":277},"era/18-italy","18th-century Italy","style/italian-settecento","More Italian Settecento","artist/giovanni-battista-piranesi","More by Giovanni Battista Piranesi","https://img.ochreeditions.com/a/1030/480.jpg","https://img.ochreeditions.com/a/1030/960.jpg","https://img.ochreeditions.com/a/1030/1920.jpg",{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},"#e5dac2",0.0804,"#b4a994",0.1754,"#5d574d",0.2028,"#766e60",0.2685,"#938978",0.2729,"Giovanni Battista Piranesi","giovanni-battista-piranesi","Italian, 1720–1778","Italian",1720,1778,"Mogliano Veneto","Rome","Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life.","view-of-futami-beach-at-ise-met-55234","View of Futami Beach at Ise",{"_42":685,"_223":686,"_326":458,"_328":458,"_330":-5,"_332":460,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1810–1820","Woodblock print; ink and color on paper","Oban 9 5/8 x 14 1/4 in. (24.4 x 36.2 cm)",36.2,24.4,1.4792626728110598,[670,671,672,673,674],{"_222":436,"_223":437,"_42":438,"_305":439},"JP1292","Shōtei Hokuju designed this in about 1810–1820. It is now at The Met in New York.","View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820",{"_296":667,"_298":668,"_300":669},"https://img.ochreeditions.com/m/940.jpg?dl=1","/art/view-of-futami-beach-at-ise-met-55234","/galleries/style/print-18/view-of-futami-beach-at-ise-met-55234",{"_292":293,"_294":295},{"_226":662,"_125":663,"_286":664},{"_276":659,"_278":660,"_280":644,"_282":661},60.2,48.47165109034268,24.471651090342682,{"_288":226,"_123":665,"_154":666,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/contemporaries-of-shotei-hokuju","Shōtei Hokuju's contemporaries","https://img.ochreeditions.com/a/940/480.jpg","https://img.ochreeditions.com/a/940/960.jpg","https://img.ochreeditions.com/a/940/1920.jpg",{"_312":683,"_314":684},{"_312":681,"_314":682},{"_312":679,"_314":680},{"_312":677,"_314":678},{"_312":675,"_314":676},"#818680",0.1101,"#8e6d5f",0.1326,"#59636d",0.1791,"#ae9f86",0.2093,"#d3c1a0",0.3689,"Shōtei Hokuju","shotei-hokuju","the-old-shepherd-aic-55557","The Old Shepherd",{"_42":740,"_223":741,"_326":742,"_328":632,"_330":743,"_332":744,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1722","rococo","Chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper","Image: 17 × 11.3 cm (6 3/4 × 4 1/2 in.); Sheet: 17.3 × 11.6 cm (6 13/16 × 4 5/8 in.)",0.6735376645801856,[725,726,727,728,729],{"_222":721,"_223":722,"_42":723,"_305":724},"Courtesy of the Art Institute of Chicago","1946.359","Conte Antonio Maria Zanetti, the Elder made this in 1722, aged 42. It is now at the Art Institute of Chicago.","A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.",{"_296":718,"_298":719,"_300":720},"https://img.ochreeditions.com/m/168.jpg?dl=1","/art/the-old-shepherd-aic-55557","/galleries/style/print-18/the-old-shepherd-aic-55557",{"_292":293,"_294":295},{"_226":710,"_125":711,"_286":712},{"_276":708,"_278":277,"_280":709,"_282":281},40.83844161450464,16.83844161450464,{"_288":226,"_123":716,"_154":717,"_140":89},{"_288":125,"_123":713,"_154":714,"_140":715},{"_288":286,"_123":605,"_154":606,"_140":277},"style/rococo","More Rococo",21,"artist/contemporaries-of-conte-antonio-maria-zanetti-the-elder","Conte Antonio Maria Zanetti, the Elder's contemporaries","https://img.ochreeditions.com/a/168/480.jpg","https://img.ochreeditions.com/a/168/960.jpg","https://img.ochreeditions.com/a/168/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},{"_312":732,"_314":733},{"_312":730,"_314":731},"#5b767f",0.0763,"#808e8c",0.1639,"#bcae9d",0.1693,"#9f9f96",0.2336,"#ddbea6",0.3569,"Conte Antonio Maria Zanetti, the Elder","conte-antonio-maria-zanetti-the-elder","Italian, 1680–1767",1680,1767,"courting-komachi-kayoi-komachi-from-the-series-seven-fashion-aic-89474","Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)",{"_42":793,"_223":794,"_326":795,"_328":458,"_330":796,"_332":797,"_334":-5,"_335":-5,"_336":798,"_140":89},"Edo period (1615–1868), about 1792","Color woodblock print; oban","37.5 × 26 cm (14 3/4 × 10 1/4 in.)",26,37,0.7013927576601672,[778,779,780,781,782],{"_222":721,"_223":722,"_42":723,"_305":724},"1928.1077","Utagawa Toyokuni designed this in the Edo period (1615–1868), about 1792, aged about 18. It is now at the Art Institute of Chicago.","Ono no Komachi, the ninth-century poet famed for her beauty, was the subject of seven legendary episodes; in Courting Komachi her suitor, Fukakusa no Shōshō, is told he must visit her for a hundred nights to win her, and he dies before the last.","A work made of color woodblock print; oban.",{"_296":775,"_298":776,"_300":777},"https://img.ochreeditions.com/m/245.jpg?dl=1","/art/courting-komachi-kayoi-komachi-from-the-series-seven-fashion-aic-89474","/galleries/style/print-18/courting-komachi-kayoi-komachi-from-the-series-seven-fashion-aic-89474",{"_292":293,"_294":295},{"_226":770,"_125":771,"_286":772},{"_276":767,"_278":768,"_280":769,"_282":752},49.95153203342619,61,25.951532033426187,{"_288":226,"_123":773,"_154":774,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/utagawa-toyokuni","More by Utagawa Toyokuni","https://img.ochreeditions.com/a/245/480.jpg","https://img.ochreeditions.com/a/245/960.jpg","https://img.ochreeditions.com/a/245/1920.jpg",{"_312":791,"_314":792},{"_312":789,"_314":790},{"_312":787,"_314":788},{"_312":785,"_314":786},{"_312":783,"_314":784},"#817a63",0.0646,"#35342b",0.0747,"#c2b39d",0.2569,"#a99983",0.2833,"#e0d2ba",0.3205,"Utagawa Toyokuni","utagawa-toyokuni","Japanese, 1769–1825",1769,1825,"Toyokuni studied with Utagawa Toyoharu, founder of the Utagawa school, and made his name in the 1790s with vivid portraits of kabuki actors and pictures of fashionable women.","two-young-women-playing-cat-s-cradle-aic-21311","Two Young Women Playing Cat's Cradle",{"_42":845,"_223":846,"_326":847,"_328":458,"_330":848,"_332":849,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1769","Color woodblock print; chuban","26.1 × 19.7 cm (10 1/4 × 7 3/4 in.)",19,0.7548780487804878,[830,831,832,833,834],{"_222":721,"_223":722,"_42":723,"_305":724},"1925.2211","Isoda Koryusai designed this in about 1769, aged about 29. It is now at the Art Institute of Chicago.","A work made of color woodblock print; chuban.",{"_296":827,"_298":828,"_300":829},"https://img.ochreeditions.com/m/82.jpg?dl=1","/art/two-young-women-playing-cat-s-cradle-aic-21311","/galleries/style/print-18/two-young-women-playing-cat-s-cradle-aic-21311",{"_292":293,"_294":295},{"_226":822,"_125":823,"_286":824},{"_276":819,"_278":820,"_280":821,"_282":751},43.62682926829268,50,19.62682926829268,{"_288":226,"_123":825,"_154":826,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/contemporaries-of-isoda-koryusai","Isoda Koryusai's contemporaries","https://img.ochreeditions.com/a/82/480.jpg","https://img.ochreeditions.com/a/82/960.jpg","https://img.ochreeditions.com/a/82/1920.jpg",{"_312":843,"_314":844},{"_312":841,"_314":842},{"_312":839,"_314":840},{"_312":837,"_314":838},{"_312":835,"_314":836},"#64584a",0.0876,"#dbbb7c",0.1038,"#c1825d",0.1204,"#ac977f",0.2767,"#ddd0b4",0.4115,"Isoda Koryusai","isoda-koryusai","Japanese, 1735–1790",1735,1790,"a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","A Fisherman and Two Children in a Landscape with Thatched Cottages",{"_42":899,"_223":900,"_326":901,"_328":902,"_330":903,"_332":331,"_334":-5,"_335":-5,"_336":904,"_140":99},"1764","switzerland","etching on laid paper","plate: 21.4 x 18.9 cm (8 7/16 x 7 7/16 in.) sheet: 29.5 x 26 cm (11 5/8 x 10 1/4 in.)",18.9,21.4,0.8924433249370277,[884,885,886,887,888],{"_222":302,"_223":303,"_42":304,"_305":306},"1996.12.2","Salomon Gessner made this in 1764, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a rustic scene with a house, trees, and a figure washing near a stream. Two children stand in the middle distance next to a ladder. In the background are two thatched houses among trees. The drawing style is detailed with fine lines and cross-hatching, creating texture. The color palette is monochromatic in shades of black and gray, emphasizing light and shadow.",{"_296":881,"_298":882,"_300":883},"https://img.ochreeditions.com/m/1630.jpg?dl=1","/art/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134","/galleries/style/print-18/a-fisherman-and-two-children-in-a-landscape-with-thatched-co-nga-94134",{"_292":293,"_294":295},{"_226":874,"_125":875,"_286":876},{"_276":872,"_278":277,"_280":873,"_282":281},46.31108312342569,22.311083123425693,{"_288":226,"_123":879,"_154":880,"_140":99},{"_288":125,"_123":546,"_154":547,"_140":548},{"_288":286,"_123":877,"_154":878,"_140":89},"era/18-switzerland","18th-century Switzerland","artist/salomon-gessner","More by Salomon Gessner","https://img.ochreeditions.com/a/1630/480.jpg","https://img.ochreeditions.com/a/1630/960.jpg","https://img.ochreeditions.com/a/1630/1920.jpg",{"_312":897,"_314":898},{"_312":895,"_314":896},{"_312":893,"_314":894},{"_312":891,"_314":892},{"_312":889,"_314":890},"#ac9b84",0.1357,"#8e7f6d",0.1664,"#76695a",0.1848,"#5e5448",0.1861,"#d7c3a5",0.327,"Salomon Gessner","salomon-gessner","Swiss, 1730–1788","Swiss",1730,"Gessner was a Zurich poet, painter and etcher whose prose Idylls, gentle pastoral scenes of shepherds and nymphs, were translated across Europe and made him one of the most widely read writers of his day.","viewing-the-moon-aic-88997","Viewing the Moon",{"_42":949,"_223":950,"_326":951,"_328":458,"_330":952,"_332":953,"_334":-5,"_335":-5,"_336":954,"_140":77},"c. 1767/68","28 × 21.3 cm (11 × 8 3/8 in.)",28,0.7726302956415727,[934,935,936,937,938],{"_222":721,"_223":722,"_42":723,"_305":724},"1928.910","Suzuki Harunobu designed this in about 1767/68, aged about 37. It is now at the Art Institute of Chicago.",{"_296":931,"_298":932,"_300":933},"https://img.ochreeditions.com/m/242.jpg?dl=1","/art/viewing-the-moon-aic-88997","/galleries/style/print-18/viewing-the-moon-aic-88997",{"_292":293,"_294":295},{"_226":926,"_125":927,"_286":928},{"_276":923,"_278":924,"_280":925,"_282":910},45.633648277964035,52,21.633648277964035,{"_288":226,"_123":929,"_154":930,"_140":77},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/suzuki-harunobu","More by Suzuki Harunobu","https://img.ochreeditions.com/a/242/480.jpg","https://img.ochreeditions.com/a/242/960.jpg","https://img.ochreeditions.com/a/242/1920.jpg",{"_312":947,"_314":948},{"_312":945,"_314":946},{"_312":943,"_314":944},{"_312":941,"_314":942},{"_312":939,"_314":940},"#9a896d",0.0366,"#c4b08e",0.1594,"#d4a47c",0.1756,"#e1d4be",0.2134,"#e2c998",0.415,"Suzuki Harunobu","suzuki-harunobu","Japanese, 1725–1770",1725,1770,"Harunobu was the first great master of the full-colour woodblock picture, or nishiki-e, which developed in Edo around 1765 out of privately commissioned calendar designs.","actor-nakamura-nakazo-i-as-osada-no-taro-in-the-genji-clan-n-aic-88267","Actor Nakamura Nakazô I as Osada no Tarô in The Genji Clan Now at Its Zenith (Ima o sakari suehiro Genji)",{"_42":1001,"_223":1002,"_326":1003,"_328":458,"_330":573,"_332":1004,"_334":-5,"_335":-5,"_336":1005,"_140":93},"About 1768","Color woodblock print; hosoban","30.5 × 14.4 cm (12 × 5 11/16 in.)",30,0.4732510288065844,[986,987,988,989,990],{"_222":721,"_223":722,"_42":723,"_305":724},"1938.479","Katsukawa Shunshō designed this in about 1768, aged about 37. It is now at the Art Institute of Chicago.","A work made of color woodblock print; hosoban.",{"_296":983,"_298":984,"_300":985},"https://img.ochreeditions.com/m/239.jpg?dl=1","/art/actor-nakamura-nakazo-i-as-osada-no-taro-in-the-genji-clan-n-aic-88267","/galleries/style/print-18/actor-nakamura-nakazo-i-as-osada-no-taro-in-the-genji-clan-n-aic-88267",{"_292":293,"_294":295},{"_226":978,"_125":979,"_286":980},{"_276":975,"_278":976,"_280":977,"_282":961},38.19753086419753,54,14.197530864197532,{"_288":226,"_123":981,"_154":982,"_140":93},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/katsukawa-shunsho","More by Katsukawa Shunshō","https://img.ochreeditions.com/a/239/480.jpg","https://img.ochreeditions.com/a/239/960.jpg","https://img.ochreeditions.com/a/239/1920.jpg",{"_312":999,"_314":1000},{"_312":997,"_314":998},{"_312":995,"_314":996},{"_312":993,"_314":994},{"_312":991,"_314":992},"#e1a881",0.0396,"#a89175",0.1375,"#d9d3c1",0.1901,"#c8af91",0.2167,"#a6b4ac",0.4161,"Katsukawa Shunshō","katsukawa-shunsho","Japanese, 1726–1792",1792,"Shunshō founded the Katsukawa school and changed the way kabuki actors were portrayed, giving them recognisable individual features rather than standard types. From the late 1760s his actor designs, often in the narrow hosoban format, dominated the field.","le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":1051,"_223":1052,"_326":1053,"_328":392,"_330":1054,"_332":1055,"_334":-5,"_335":-5,"_336":-5,"_140":103},"in or after 1756","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[1037,1038,1039,1040,1041],{"_222":302,"_223":303,"_42":304,"_305":306},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_296":1034,"_298":1035,"_300":1036},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/print-18/le-duel-the-duel-nga-45777",{"_292":293,"_294":295},{"_226":1029,"_125":1030,"_286":1031},{"_276":1026,"_278":1027,"_280":1028,"_282":1012},47.831030273437506,57.1,23.831030273437502,{"_288":226,"_123":1032,"_154":1033,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_312":1049,"_314":1050},{"_312":1047,"_314":1048},{"_312":1046,"_314":892},{"_312":1044,"_314":1045},{"_312":1042,"_314":1043},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599","#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1721,1786,"the-shika-teahouse-cma-95352","The Shika Teahouse",{"_42":793,"_223":794,"_326":795,"_328":458,"_330":796,"_332":797,"_334":-5,"_335":-5,"_336":798,"_140":89},"early 1790s","Triptych of color woodblock prints","Each: 39.2 x 26.4 cm (15 7/16 x 10 3/8 in.)",26.4,39.2,1.9101123595505618,[1091,1092,1093,1094,1095],{"_222":495,"_223":496,"_42":497,"_305":498},"1916.1113","Utagawa Toyokuni designed this in the early 1790s, aged about 21. It is now at the Cleveland Museum of Art.",{"_118":1088,"_1089":1090},"The Shika Teahouse, by Utagawa Toyokuni, early 1790s",{"_296":1085,"_298":1086,"_300":1087},"https://img.ochreeditions.com/m/464.jpg?dl=1","/art/the-shika-teahouse-cma-95352","/galleries/style/print-18/the-shika-teahouse-cma-95352",{"_292":293,"_294":295},{"_226":1082,"_125":1083,"_286":1084},{"_276":1078,"_278":1079,"_280":1080,"_282":1081},68.46051145288013,47.2763854076843,44.460511452880134,23.276385407684305,{"_288":226,"_123":773,"_154":774,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"https://img.ochreeditions.com/a/464/480.jpg","https://img.ochreeditions.com/a/464/960.jpg","https://img.ochreeditions.com/a/464/1920.jpg","Exotic birds and tobacco—Western imports—feature in this composition. Peacocks and parrots were brought to Japan by Dutch traders in the 1700s. Many of the visitors to this teahouse, which specialized in displays of foreign birds, admire the unusual fowl while sipping tea and smoking long pipes.","source","Text from the Cleveland Museum of Art.",{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1098,"_314":1099},{"_312":1096,"_314":1097},"#5d5449",0.0331,"#ba9a75",0.1671,"#95856e",0.1738,"#cab599",0.2462,"#b19e7f",0.3798,"the-actor-onoe-kikugoro-i-holding-a-puppet-of-the-actor-sano-aic-8195","The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu I",{"_42":1153,"_223":1154,"_326":1155,"_328":458,"_330":1156,"_332":1157,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1740s","Hand-colored woodblock print; vertical oban diptych, sumizuri-e","66.3 × 23.1 cm (26 1/8 × 9 1/4 in.)",23,66,0.3658854166666667,[1138,1139,1140,1141,1142],{"_222":721,"_223":722,"_42":723,"_305":724},"1931.245","Ishikawa Toyonobu designed this in about 1740s, aged about 29. It is now at the Art Institute of Chicago.","A work made of hand-colored woodblock print; vertical oban diptych, sumizuri-e.",{"_296":1135,"_298":1136,"_300":1137},"https://img.ochreeditions.com/m/15.jpg?dl=1","/art/the-actor-onoe-kikugoro-i-holding-a-puppet-of-the-actor-sano-aic-8195","/galleries/style/print-18/the-actor-onoe-kikugoro-i-holding-a-puppet-of-the-actor-sano-aic-8195",{"_292":293,"_294":295},{"_226":1130,"_125":1131,"_286":1132},{"_276":1127,"_278":1128,"_280":1129,"_282":1113},48.1484375,90,24.1484375,{"_288":226,"_123":1133,"_154":1134,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":425,"_154":426,"_140":427},"artist/contemporaries-of-ishikawa-toyonobu","Ishikawa Toyonobu's contemporaries","https://img.ochreeditions.com/a/15/480.jpg","https://img.ochreeditions.com/a/15/960.jpg","https://img.ochreeditions.com/a/15/1920.jpg",{"_312":1151,"_314":1152},{"_312":1149,"_314":1150},{"_312":1147,"_314":1148},{"_312":1145,"_314":1146},{"_312":1143,"_314":1144},"#5f4d3c",0.0755,"#dccbb2",0.0918,"#8a6445",0.1654,"#a67c52",0.3294,"#ba9264",0.3379,"Ishikawa Toyonobu","ishikawa-toyonobu","Japanese, 1711–1785",1711,1785,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","cd5f5cbf1d2a98981c71042adc992de81423a814","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_223":1202,"_20":1203},{"_223":1200,"_20":1201},{"_223":1198,"_20":1199},{"_223":1196,"_20":1197},{"_223":1194,"_20":1195},{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
