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It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on ivory wove paper.",{"_300":441,"_302":442,"_304":443},"https://img.ochreeditions.com/m/403.jpg?dl=1","/art/ajax-front-view-from-oeuvre-de-canova-aic-260561","/galleries/style/print-19/ajax-front-view-from-oeuvre-de-canova-aic-260561",{"_296":297,"_298":299},{"_230":434,"_125":435,"_290":436},{"_281":431,"_283":432,"_285":433,"_287":417},67.3937118723604,84,43.3937118723604,{"_292":230,"_123":439,"_154":440,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":437,"_154":438,"_140":79},"era/19-italy","19th-century Italy","artist/antonio-canova","More by Antonio Canova","https://img.ochreeditions.com/a/403/480.jpg","https://img.ochreeditions.com/a/403/960.jpg","https://img.ochreeditions.com/a/403/1920.jpg",{"_316":457,"_318":458},{"_316":455,"_318":456},{"_316":453,"_318":454},{"_316":451,"_318":452},{"_316":449,"_318":450},"#867e74",0.0187,"#afa79e",0.0435,"#e6dad3",0.0445,"#d1c8c1",0.0904,"#faede6",0.8029,"Antonio Canova","antonio-canova","Italian, 1765–1820","Italian",1765,1820,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":520,"_227":521,"_330":522,"_332":523,"_334":524,"_335":525,"_336":526,"_337":526,"_338":527,"_140":53},"1875","france","etching-revival","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,1.3974116161616161,[505,506,507,508,509],{"_226":306,"_227":307,"_42":308,"_309":310},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_300":502,"_302":503,"_304":504},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/print-19/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_296":297,"_298":299},{"_230":491,"_125":492,"_290":493},{"_281":488,"_283":489,"_285":473,"_287":490},62,51.193133047210296,27.1931330472103,{"_292":230,"_123":500,"_154":501,"_140":53},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":494,"_154":495,"_140":496},"era/19-france","19th-century France",237,"style/etching-revival","More Etching Revival",50,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_316":518,"_318":519},{"_316":516,"_318":517},{"_316":514,"_318":515},{"_316":512,"_318":513},{"_316":510,"_318":511},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","one-person-six-expressions-hitori-rokumenso-aic-152841","One Person, Six Expressions (Hitori rokumenso)",{"_42":575,"_227":576,"_330":577,"_332":405,"_334":578,"_335":579,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1884","Color woodblock print; oban","35.9 × 24.2 cm (14 1/8 × 9 1/2 in.)",24,35,0.6838888888888889,[560,561,562,563,564],{"_226":306,"_227":307,"_42":308,"_309":310},"1999.255","Kobayashi Kiyochika designed this in 1884, aged 37. It is now at the Art Institute of Chicago.","A work made of color woodblock print; oban.",{"_300":557,"_302":558,"_304":559},"https://img.ochreeditions.com/m/334.jpg?dl=1","/art/one-person-six-expressions-hitori-rokumenso-aic-152841","/galleries/style/print-19/one-person-six-expressions-hitori-rokumenso-aic-152841",{"_296":297,"_298":299},{"_230":552,"_125":553,"_290":554},{"_281":549,"_283":550,"_285":551,"_287":535},47.93611111111111,59,23.93611111111111,{"_292":230,"_123":555,"_154":556,"_140":89},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-kobayashi-kiyochika","Kobayashi Kiyochika's contemporaries","https://img.ochreeditions.com/a/334/480.jpg","https://img.ochreeditions.com/a/334/960.jpg","https://img.ochreeditions.com/a/334/1920.jpg",{"_316":573,"_318":574},{"_316":571,"_318":572},{"_316":569,"_318":570},{"_316":567,"_318":568},{"_316":565,"_318":566},"#a4937e",0.1172,"#e5cdad",0.142,"#655e4f",0.1509,"#8dafa4",0.196,"#303c35",0.3939,"Kobayashi Kiyochika","kobayashi-kiyochika","Japanese, 1847–1915",1847,1915,"thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504","Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province",{"_42":634,"_227":635,"_330":636,"_332":405,"_334":637,"_335":638,"_336":-5,"_337":-5,"_338":639,"_140":611},"early 1830s","color woodblock print","Overall: 25.6 x 37.6 cm (10 1/16 x 14 13/16 in.)",37.6,25.6,1.370415155179363,[619,620,621,622,623],{"_226":615,"_227":616,"_42":617,"_309":618},"Courtesy of the Cleveland Museum of Art","1985.325","Katsushika Hokusai designed this in the early 1830s, aged about 70. It is now at the Cleveland Museum of Art.","Mount Fuji rises beyond the still waters of Lake Kawaguchi in Kai Province, and its reflection appears in the lake below, but look closely: the reflected peak is capped with snow while the real one is not, and it sits where no true reflection could fall.","Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai Province, by Katsushika Hokusai, early 1830s",{"_300":612,"_302":613,"_304":614},"https://img.ochreeditions.com/m/731.jpg?dl=1","/art/thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504","/galleries/style/print-19/thirty-six-views-of-mt-fuji-the-surface-of-lake-misaka-in-ka-cma-152504",{"_296":297,"_298":299},{"_230":606,"_125":607,"_290":608},{"_281":603,"_283":604,"_285":586,"_287":605},61.6,51.43694117647059,27.43694117647059,{"_292":230,"_123":609,"_154":610,"_140":611},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/katsushika-hokusai","More by Katsushika Hokusai",20,"https://img.ochreeditions.com/a/731/480.jpg","https://img.ochreeditions.com/a/731/960.jpg","https://img.ochreeditions.com/a/731/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":632,"_318":633},{"_316":630,"_318":631},{"_316":628,"_318":629},{"_316":626,"_318":627},{"_316":624,"_318":625},"#cdaf81",0.0363,"#3d3a43",0.1219,"#8c9a83",0.1681,"#677771",0.2082,"#bebdae",0.4655,"Katsushika Hokusai","katsushika-hokusai","Japanese, 1760–1849",1760,1849,"Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years.","children-playing-in-the-snow-under-plum-trees-in-bloom-secch-met-55500","Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu)",{"_42":687,"_227":688,"_330":689,"_332":405,"_334":690,"_335":691,"_336":-5,"_337":-5,"_338":-5,"_140":101},"November 1887","Triptych of woodblock prints; ink and color on paper","Image: 14 x 28 3/4 in. (35.6 x 73 cm)",73,35.6,1.9703410776075136,[672,673,674,675,676],{"_226":383,"_227":384,"_42":385,"_309":386},"JP3341","Yōshū (Hashimoto) Chikanobu designed this (November 1887), aged 49. It is now at The Met in New York.","Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu), by Yōshū (Hashimoto) Chikanobu, November 1887",{"_300":669,"_302":670,"_304":671},"https://img.ochreeditions.com/m/946.jpg?dl=1","/art/children-playing-in-the-snow-under-plum-trees-in-bloom-secch-met-55500","/galleries/style/print-19/children-playing-in-the-snow-under-plum-trees-in-bloom-secch-met-55500",{"_296":297,"_298":299},{"_230":664,"_125":665,"_290":666},{"_281":661,"_283":662,"_285":646,"_287":663},97,61.04942298043151,37.04942298043151,{"_292":230,"_123":667,"_154":668,"_140":89},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-yoshu-hashimoto-chikanobu","Yōshū (Hashimoto) Chikanobu's contemporaries","https://img.ochreeditions.com/a/946/480.jpg","https://img.ochreeditions.com/a/946/960.jpg","https://img.ochreeditions.com/a/946/1920.jpg",{"_316":685,"_318":686},{"_316":683,"_318":684},{"_316":681,"_318":682},{"_316":679,"_318":680},{"_316":677,"_318":678},"#ae5b5c",0.0739,"#f3e9d1",0.1705,"#8b7567",0.1752,"#e1c5a0",0.2585,"#b8a692",0.3219,"Yōshū (Hashimoto) Chikanobu","yoshu-hashimoto-chikanobu","Japanese, 1838–1912",1838,1912,"in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":742,"_227":743,"_330":744,"_332":745,"_334":746,"_335":747,"_336":748,"_337":749,"_338":-5,"_140":103},"ca. 1890–96","latin-america","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[727,728,729,730,731],{"_226":383,"_227":384,"_42":385,"_309":386},"46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_300":724,"_302":725,"_304":726},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/print-19/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_296":297,"_298":299},{"_230":717,"_125":718,"_290":719},{"_281":714,"_283":715,"_285":716,"_287":700},54.41883383520394,64,30.41883383520394,{"_292":230,"_123":722,"_154":723,"_140":89},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":720,"_154":721,"_140":192},"era/19","The 19th century","artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg",{"_316":740,"_318":741},{"_316":738,"_318":739},{"_316":736,"_318":737},{"_316":734,"_318":735},{"_316":732,"_318":733},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","three-kabuki-actors-playing-hanetsuki-met-63358","Three Kabuki Actors Playing Hanetsuki",{"_42":798,"_227":799,"_330":800,"_332":405,"_334":801,"_335":802,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1823","Triptych of woodblock prints (surimono); ink and color on paper","Triptych, each: 7 1/4 x 8 3/8 in. (18.4 x 21.3 cm)",21.3,18.4,2.506265664160401,[783,784,785,786,787],{"_226":383,"_227":384,"_42":385,"_309":386},"2001.715.4a–c","Utagawa Kuniyasu designed this in about 1823, aged about 19. It is now at The Met in New York.","Three Kabuki Actors Playing Hanetsuki, by Utagawa Kuniyasu, ca. 1823",{"_300":780,"_302":781,"_304":782},"https://img.ochreeditions.com/m/962.jpg?dl=1","/art/three-kabuki-actors-playing-hanetsuki-met-63358","/galleries/style/print-19/three-kabuki-actors-playing-hanetsuki-met-63358",{"_296":297,"_298":299},{"_230":775,"_125":776,"_290":777},{"_281":771,"_283":772,"_285":773,"_287":774},55.340957852269675,36.5050421830556,31.340957852269675,12.5050421830556,{"_292":230,"_123":778,"_154":779,"_140":89},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-utagawa-kuniyasu","Utagawa Kuniyasu's contemporaries","https://img.ochreeditions.com/a/962/480.jpg","https://img.ochreeditions.com/a/962/960.jpg","https://img.ochreeditions.com/a/962/1920.jpg",{"_316":796,"_318":797},{"_316":794,"_318":795},{"_316":792,"_318":793},{"_316":790,"_318":791},{"_316":788,"_318":789},"#939e93",0.0306,"#685d5b",0.0463,"#a78c7e",0.1338,"#f4e2cd",0.39,"#dac2ab",0.3993,"Utagawa Kuniyasu","utagawa-kuniyasu","Japanese, 1794–1834",1794,1834,"street-in-saverne-nga-133448","Street in Saverne",{"_42":861,"_227":862,"_330":863,"_332":864,"_334":802,"_335":865,"_336":866,"_337":867,"_338":868,"_140":236},"1858","united-states","etching and open bite or sandpaper ground on laid paper","plate: 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.) sheet: 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.)",15.8,20.9,0.763916015625,[846,847,848,849,850],{"_226":842,"_227":843,"_42":844,"_309":845},"Courtesy National Gallery of Art, Washington","2005.99.38","James McNeill Whistler made this in 1858, aged 24. It is now at the National Gallery of Art in Washington, DC.","A narrow street in the Alsatian town of Saverne stretches away at night, its worn house fronts in deep shadow and a single figure in the distance.","The image shows a street scene from a close perspective down a narrow alleyway. The horizon is not visible, with buildings on both sides. The style features detailed etching with fine lines and shading for depth and texture. The color palette is monochromatic with black, gray, and off-white tones. The houses have worn facades, and there is a distant figure. The sky is dark and overcast, enhancing the shadow-filled scene.",{"_300":839,"_302":840,"_304":841},"https://img.ochreeditions.com/m/1657.jpg?dl=1","/art/street-in-saverne-nga-133448","/galleries/style/print-19/street-in-saverne-nga-133448",{"_296":297,"_298":299},{"_230":831,"_125":832,"_290":833},{"_281":827,"_283":828,"_285":829,"_287":830},43.097900390625,49,19.097900390625,25,{"_292":230,"_123":837,"_154":838,"_140":236},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":834,"_154":835,"_140":836},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1657/960.jpg","https://img.ochreeditions.com/a/1657/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":859,"_318":860},{"_316":857,"_318":858},{"_316":855,"_318":856},{"_316":853,"_318":854},{"_316":851,"_318":852},"#bda983",0.1119,"#9a8a6e",0.1607,"#726755",0.1964,"#403c3a",0.2194,"#585046",0.3116,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372","Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)",{"_42":916,"_227":917,"_330":918,"_332":405,"_334":919,"_335":920,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1861","Color woodblock print; oban triptych","36.6 × 72.5 cm (14 7/16 × 28 9/16 in.)",72,36,1.9770547945205479,[901,902,903,904,905],{"_226":306,"_227":307,"_42":308,"_309":310},"1926.1764","Utagawa Yoshiiku designed this in 1861, aged 28. It is now at the Art Institute of Chicago.","A work made of color woodblock print; oban triptych.",{"_300":898,"_302":899,"_304":900},"https://img.ochreeditions.com/m/128.jpg?dl=1","/art/picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372","/galleries/style/print-19/picture-of-men-and-women-from-many-countries-bankoku-danjo-j-aic-32372",{"_296":297,"_298":299},{"_230":893,"_125":894,"_290":895},{"_281":890,"_283":891,"_285":875,"_287":892},96,60.417807032738615,36.417807032738615,{"_292":230,"_123":896,"_154":897,"_140":89},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-utagawa-yoshiiku","Utagawa Yoshiiku's contemporaries","https://img.ochreeditions.com/a/128/480.jpg","https://img.ochreeditions.com/a/128/960.jpg","https://img.ochreeditions.com/a/128/1920.jpg",{"_316":914,"_318":915},{"_316":912,"_318":913},{"_316":910,"_318":911},{"_316":908,"_318":909},{"_316":906,"_318":907},"#58504c",0.0884,"#3c5a5e",0.1621,"#a78a78",0.2124,"#7c867d",0.2588,"#c8b396",0.2783,"Utagawa Yoshiiku","utagawa-yoshiiku","Japanese, 1833–1904",1833,1904,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":861,"_227":862,"_330":863,"_332":864,"_334":802,"_335":865,"_336":866,"_337":867,"_338":868,"_140":236},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[949,950,951,952,953],{"_226":306,"_227":307,"_42":308,"_309":310},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_300":946,"_302":947,"_304":948},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/print-19/la-belle-jardiniere-aic-73398",{"_296":297,"_298":299},{"_230":943,"_125":944,"_290":945},{"_281":941,"_283":828,"_285":942,"_287":830},40.22557726465364,16.22557726465364,{"_292":230,"_123":837,"_154":838,"_140":236},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":834,"_154":835,"_140":836},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_316":962,"_318":963},{"_316":960,"_318":961},{"_316":958,"_318":959},{"_316":956,"_318":957},{"_316":954,"_318":955},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"a-pine-tree-and-camellias-aic-57703","A Pine Tree and Camellias",{"_42":1011,"_227":1012,"_330":1013,"_332":405,"_334":637,"_335":1014,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1840","Color woodblock print; surimono","54.8 × 40.7 cm (21 5/8 × 16 1/16 in.)",54,1.3727907932593506,[996,997,998,999,1000],{"_226":306,"_227":307,"_42":308,"_309":310},"1972.1324","Niwa Tokei designed this in 1840, aged about 50. It is now at the Art Institute of Chicago.","A work made of color woodblock print; surimono.",{"_300":993,"_302":994,"_304":995},"https://img.ochreeditions.com/m/170.jpg?dl=1","/art/a-pine-tree-and-camellias-aic-57703","/galleries/style/print-19/a-pine-tree-and-camellias-aic-57703",{"_296":297,"_298":299},{"_230":988,"_125":989,"_290":990},{"_281":984,"_283":985,"_285":986,"_287":987},78.45390815579904,63.66657441408954,54.45390815579904,39.66657441408954,{"_292":230,"_123":991,"_154":992,"_140":89},{"_292":125,"_123":375,"_154":376,"_140":377},{"_292":290,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-niwa-tokei","Niwa Tokei's contemporaries","https://img.ochreeditions.com/a/170/480.jpg","https://img.ochreeditions.com/a/170/960.jpg","https://img.ochreeditions.com/a/170/1920.jpg",{"_316":1009,"_318":1010},{"_316":1007,"_318":1008},{"_316":1005,"_318":1006},{"_316":1003,"_318":1004},{"_316":1001,"_318":1002},"#cd7d5f",0.0156,"#8f7a63",0.1011,"#647768",0.1117,"#b9a98f",0.2084,"#dcceb1",0.5632,"Niwa Tokei","niwa-tokei","Japanese, 1760–1822",1822,"groton-monument-nga-145246","Groton Monument",{"_42":1063,"_227":1064,"_330":1065,"_332":864,"_334":1066,"_335":1067,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1830-1840","american-colonial-and-federal","lithograph","Image: 259 x 335 mm Sheet: 353 x 452 mm",1.2363416842740718,[1048,1049,1050,1051,1052],{"_226":842,"_227":843,"_42":844,"_309":845},"2008.115.1134","J.R. Butts made this in about 1830-1840, aged about 30. It is now at the National Gallery of Art in Washington, DC.","The image shows a scene from a slightly elevated point of view. The horizon is low, highlighting the vast sky above. On the right, there are buildings surrounded by trees. In the center, there is a tall monument with a small structure at its base, slightly to the left. To the right of the monument, a person is standing. The drawing features detailed linework and delicate shading for the sky. The color palette is monochromatic with shades of gray. Rocks and grass in the foreground lead towards the monument and buildings in the distance.",{"_300":1045,"_302":1046,"_304":1047},"https://img.ochreeditions.com/m/1676.jpg?dl=1","/art/groton-monument-nga-145246","/galleries/style/print-19/groton-monument-nga-145246",{"_296":297,"_298":299},{"_230":1037,"_125":1038,"_290":1039},{"_281":432,"_283":1035,"_285":417,"_287":1036},72.5302734375,48.5302734375,{"_292":230,"_123":1043,"_154":1044,"_140":89},{"_292":125,"_123":1040,"_154":1041,"_140":1042},{"_292":290,"_123":834,"_154":835,"_140":836},"style/american-colonial-and-federal","More American colonial and Federal art",29,"artist/contemporaries-of-j-r-butts","J.R. Butts's contemporaries","https://img.ochreeditions.com/a/1676/480.jpg","https://img.ochreeditions.com/a/1676/960.jpg","https://img.ochreeditions.com/a/1676/1920.jpg",{"_316":1061,"_318":1062},{"_316":1059,"_318":1060},{"_316":1057,"_318":1058},{"_316":1055,"_318":1056},{"_316":1053,"_318":1054},"#6e6966",0.0502,"#908b87",0.0664,"#bfb9b3",0.1223,"#d7d3cb",0.2716,"#e8e4dc",0.4895,"J.R. Butts","j-r-butts","American, active 1830s - 1840s",1800,1900,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":1114,"_227":1115,"_330":1116,"_332":523,"_334":1117,"_335":1118,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1893","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",0.7197901591895803,[1099,1100,1101,1102,1103],{"_226":306,"_227":307,"_42":308,"_309":310},"1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_300":1096,"_302":1097,"_304":1098},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/print-19/mevisto-from-le-cafe-concert-aic-125988",{"_296":297,"_298":299},{"_230":1091,"_125":1092,"_290":1093},{"_281":1087,"_283":1088,"_285":1089,"_287":1090},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_292":230,"_123":1094,"_154":1095,"_140":89},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":494,"_154":495,"_140":496},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_316":1112,"_318":1113},{"_316":1110,"_318":1111},{"_316":1108,"_318":1109},{"_316":1106,"_318":1107},{"_316":1104,"_318":1105},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":1163,"_227":1164,"_330":1165,"_332":864,"_334":1014,"_335":1166,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1887","etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[1148,1149,1150,1151,1152],{"_226":842,"_227":843,"_42":844,"_309":845},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_300":1145,"_302":1146,"_304":1147},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/print-19/shrewsbury-river-nga-148431",{"_296":297,"_298":299},{"_230":1140,"_125":1141,"_290":1142},{"_281":432,"_283":1138,"_285":417,"_287":1139},67.36633663366337,43.366336633663366,{"_292":230,"_123":1143,"_154":1144,"_140":89},{"_292":125,"_123":497,"_154":498,"_140":499},{"_292":290,"_123":834,"_154":835,"_140":836},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_316":1161,"_318":1162},{"_316":1159,"_318":1160},{"_316":1157,"_318":1158},{"_316":1155,"_318":1156},{"_316":1153,"_318":1154},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1894,{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","5ce8f50abb9e301da7fd7a3885f9d9e6db20d849","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_227":1211,"_20":1212},{"_227":1209,"_20":1210},{"_227":1207,"_20":1208},{"_227":1205,"_20":1206},{"_227":1203,"_20":1204},{"_227":1201,"_20":1202},{"_227":1199,"_20":1200},{"_227":1197,"_20":1198},{"_227":1195,"_20":1196},{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]