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(208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[500,501,502,503,504],{"_222":384,"_223":385,"_42":386,"_308":309},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_296":497,"_298":498,"_300":499},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_292":379,"_294":380},{"_226":494,"_125":495,"_286":496},{"_277":491,"_279":492,"_281":493,"_282":476},136.8224,223.6,121.82239999999999,{"_288":226,"_123":377,"_154":378,"_140":97},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},{"_315":505,"_317":506},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":561,"_223":562,"_329":563,"_331":405,"_332":466,"_334":564,"_336":565,"_337":409,"_338":566,"_140":232},"Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[546,547,548,549,550],{"_222":384,"_223":385,"_42":386,"_308":309},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_296":543,"_298":544,"_300":545},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/realism/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_292":293,"_294":295},{"_226":538,"_125":539,"_286":540},{"_277":536,"_279":434,"_281":537,"_282":436},38.8374529822676,14.8374529822676,{"_288":226,"_123":541,"_154":542,"_140":232},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_315":559,"_317":560},{"_315":557,"_317":558},{"_315":555,"_317":556},{"_315":553,"_317":554},{"_315":551,"_317":552},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","The Champion Single Sculls (Max Schmitt in a Single Scull)",{"_42":614,"_223":615,"_329":616,"_331":405,"_332":617,"_334":618,"_336":619,"_337":619,"_338":620,"_140":87},"1871","32 1/4 x 46 1/4 in. (81.9 x 117.5 cm)",117.5,81.9,1.4289463817022872,[599,600,601,602,603],{"_222":384,"_223":385,"_42":386,"_308":309},"34.92","Thomas Eakins painted this in 1871, aged 27. It is now at The Met in New York.","Max Schmitt, a champion rower and boyhood friend of the painter, rests on his oars on the Schuylkill River in Philadelphia, turning towards us in low autumn light, while behind him Eakins himself pulls away in another scull, his name inscribed on its stern. Bridges span the river in the distance.","The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871",{"_296":596,"_298":597,"_300":598},"https://img.ochreeditions.com/m/821.jpg?dl=1","/art/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819","/galleries/style/realism/the-champion-single-sculls-max-schmitt-in-a-single-scull-met-10819",{"_292":379,"_294":380},{"_226":591,"_125":592,"_286":593},{"_277":588,"_279":589,"_281":572,"_282":590},132.5,97.22841773812648,82.22841773812648,{"_288":226,"_123":594,"_154":595,"_140":87},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/821/480.jpg","https://img.ochreeditions.com/a/821/960.jpg","https://img.ochreeditions.com/a/821/1920.jpg",{"_315":612,"_317":613},{"_315":610,"_317":611},{"_315":608,"_317":609},{"_315":606,"_317":607},{"_315":604,"_317":605},"#866941",0.0733,"#39302c",0.1323,"#5f4a38",0.1701,"#758499",0.3024,"#5a5e64",0.3219,"Thomas Eakins","thomas-eakins","American, 1844–1916",1844,1916,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","still-life-violin-and-music-met-10997","Still Life—Violin and Music",{"_42":667,"_223":668,"_329":669,"_331":670,"_332":671,"_334":672,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1888","40 x 30 in. (101.6 x 76.2 cm)",76.2,101.6,0.7608812466415905,[652,653,654,655,656],{"_222":384,"_223":385,"_42":386,"_308":309},"63.85","William Michael Harnett painted this in 1888, aged 40. It is now at The Met in New York.","Still Life—Violin and Music, by William Michael Harnett, 1888",{"_296":649,"_298":650,"_300":651},"https://img.ochreeditions.com/m/826.jpg?dl=1","/art/still-life-violin-and-music-met-10997","/galleries/style/realism/still-life-violin-and-music-met-10997",{"_292":379,"_294":380},{"_226":644,"_125":645,"_286":646},{"_277":641,"_279":642,"_281":643,"_282":627},92.30553465878559,116.6,77.30553465878559,{"_288":226,"_123":647,"_154":648,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/826/480.jpg","https://img.ochreeditions.com/a/826/960.jpg","https://img.ochreeditions.com/a/826/1920.jpg",{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},{"_315":657,"_317":658},"#74441e",0.0345,"#2d2a1e",0.1087,"#786546",0.1764,"#9b8662",0.3063,"#55452c",0.3741,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"untitled-cracked-watermelon-met-677910","Untitled (Cracked Watermelon)",{"_42":719,"_223":720,"_329":721,"_331":405,"_332":722,"_334":467,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1890","19 1/8 × 28 3/16 in. (48.6 × 71.6 cm)",71.6,48.6,1.4444035346097202,[704,705,706,707,708],{"_222":384,"_223":385,"_42":386,"_308":309},"2015.118","Charles Ethan Porter painted this in about 1890, aged about 38. It is now at The Met in New York.","Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890",{"_296":701,"_298":702,"_300":703},"https://img.ochreeditions.com/m/1278.jpg?dl=1","/art/untitled-cracked-watermelon-met-677910","/galleries/style/realism/untitled-cracked-watermelon-met-677910",{"_292":379,"_294":380},{"_226":696,"_125":697,"_286":698},{"_277":693,"_279":694,"_281":678,"_282":695},86.6,64.57063471832781,49.57063471832781,{"_288":226,"_123":699,"_154":700,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-charles-ethan-porter","Charles Ethan Porter's contemporaries","https://img.ochreeditions.com/a/1278/480.jpg","https://img.ochreeditions.com/a/1278/960.jpg","https://img.ochreeditions.com/a/1278/1920.jpg",{"_315":717,"_317":718},{"_315":715,"_317":716},{"_315":713,"_317":714},{"_315":711,"_317":712},{"_315":709,"_317":710},"#9b5046",0.065,"#5e302d",0.103,"#191811",0.1779,"#7e6a4a",0.2955,"#3a3c26",0.3586,"Charles Ethan Porter","charles-ethan-porter","1847–1923",1847,"the-dancing-lesson-met-10821","The Dancing Lesson",{"_42":614,"_223":615,"_329":616,"_331":405,"_332":617,"_334":618,"_336":619,"_337":619,"_338":620,"_140":87},"1878","Watercolor on off-white wove paper","18 1/16 x 22 9/16 in. (45.9 x 57.3 cm)",57.3,45.9,1.2442050277505714,[754,755,756,757,758],{"_222":384,"_223":385,"_42":386,"_308":309},"25.97.1","Thomas Eakins painted this in 1878, aged 34. It is now at The Met in New York.","In a plain interior, an elderly man sits watching as a young man plays the banjo and a small boy dances, his face set in concentration.","The Dancing Lesson, by Thomas Eakins, 1878",{"_296":751,"_298":752,"_300":753},"https://img.ochreeditions.com/m/822.jpg?dl=1","/art/the-dancing-lesson-met-10821","/galleries/style/realism/the-dancing-lesson-met-10821",{"_292":293,"_294":295},{"_226":748,"_125":749,"_286":750},{"_277":745,"_279":746,"_281":729,"_282":747},81.3,70.05350301758068,46.05350301758068,{"_288":226,"_123":594,"_154":595,"_140":87},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/822/480.jpg","https://img.ochreeditions.com/a/822/960.jpg","https://img.ochreeditions.com/a/822/1920.jpg",{"_315":767,"_317":768},{"_315":765,"_317":766},{"_315":763,"_317":764},{"_315":761,"_317":762},{"_315":759,"_317":760},"#8d603d",0.0539,"#4d3c30",0.1605,"#766148",0.2402,"#d5c3a9",0.2687,"#ab9474",0.2767,"newburyport-meadows-met-11053","Newburyport Meadows",{"_42":816,"_223":817,"_329":818,"_331":405,"_332":819,"_334":820,"_336":-5,"_337":-5,"_338":821,"_140":97},"ca. 1876–81","10 1/2 x 22 in. (26.7 x 55.9 cm)",55.9,26.7,2.1579841449603623,[801,802,803,804,805],{"_222":384,"_223":385,"_42":386,"_308":309},"1985.117","Martin Johnson Heade painted this in about 1876–81, aged about 54. It is now at The Met in New York.","Haystacks dot the flat salt marshes near Newburyport, Massachusetts, beneath a broad sky. Martin Johnson Heade painted the marshes of the northeastern coast more than a hundred times, fascinated by the way light and weather transformed their level horizons from hour to hour.","Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81",{"_296":798,"_298":799,"_300":800},"https://img.ochreeditions.com/m/828.jpg?dl=1","/art/newburyport-meadows-met-11053","/galleries/style/realism/newburyport-meadows-met-11053",{"_292":379,"_294":380},{"_226":793,"_125":794,"_286":795},{"_277":790,"_279":791,"_281":774,"_282":792},70.9,40.903804775649434,25.903804775649437,{"_288":226,"_123":796,"_154":797,"_140":97},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/828/480.jpg","https://img.ochreeditions.com/a/828/960.jpg","https://img.ochreeditions.com/a/828/1920.jpg",{"_315":814,"_317":815},{"_315":812,"_317":813},{"_315":810,"_317":811},{"_315":808,"_317":809},{"_315":806,"_317":807},"#2f2e1d",0.1018,"#54512a",0.1169,"#897d38",0.1428,"#5f6250",0.2446,"#a49f85",0.3939,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":561,"_223":562,"_329":563,"_331":405,"_332":466,"_334":564,"_336":565,"_337":409,"_338":566,"_140":232},"1883","76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[852,853,854,855,856],{"_222":384,"_223":385,"_42":386,"_308":309},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_296":849,"_298":850,"_300":851},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/realism/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_292":379,"_294":380},{"_226":846,"_125":847,"_286":848},{"_277":843,"_279":844,"_281":845,"_282":828},106.76367544331005,208.4,91.76367544331005,{"_288":226,"_123":541,"_154":542,"_140":232},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_315":865,"_317":866},{"_315":863,"_317":864},{"_315":861,"_317":862},{"_315":859,"_317":860},{"_315":857,"_317":858},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"john-quincy-adams-ward-met-11448","John Quincy Adams Ward",{"_42":913,"_223":914,"_329":915,"_331":-5,"_332":916,"_334":917,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1863","Oil on panel","7 3/8 × 6 1/8 in. (18.7 × 15.6 cm)",15.6,18.7,0.8183663115169965,[898,899,900,901,902],{"_222":384,"_223":385,"_42":386,"_308":309},"1992.407","Henry Augustus Loop painted this in 1863, aged 32. It is now at The Met in New York.","John Quincy Adams Ward, by Henry Augustus Loop, 1863",{"_296":895,"_298":896,"_300":897},"https://img.ochreeditions.com/m/847.jpg?dl=1","/art/john-quincy-adams-ward-met-11448","/galleries/style/realism/john-quincy-adams-ward-met-11448",{"_292":379,"_294":380},{"_226":890,"_125":891,"_286":892},{"_277":888,"_279":442,"_281":889,"_282":436},35.45915778792491,20.459157787924912,{"_288":226,"_123":893,"_154":894,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-henry-augustus-loop","Henry Augustus Loop's contemporaries","https://img.ochreeditions.com/a/847/480.jpg","https://img.ochreeditions.com/a/847/960.jpg","https://img.ochreeditions.com/a/847/1920.jpg",{"_315":911,"_317":912},{"_315":909,"_317":910},{"_315":907,"_317":908},{"_315":905,"_317":906},{"_315":903,"_317":904},"#ddc4a1",0.0355,"#815032",0.0418,"#aa7f4c",0.0655,"#3b352f",0.3657,"#6a5a41",0.4915,"Henry Augustus Loop","henry-augustus-loop","1831–1895",1831,1895,"dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","Dance in a Subterranean Roundhouse at Clear Lake, California",{"_42":963,"_223":964,"_329":965,"_331":966,"_332":617,"_334":967,"_336":968,"_337":969,"_338":970,"_140":103},"48 × 72 1/4 in. (121.9 × 183.5 cm)",183.5,121.9,1.6585852823730747,[948,949,950,951,952],{"_222":384,"_223":385,"_42":386,"_308":309},"2016.135","Jules Tavernier painted this in 1878, aged 34. It is now at The Met in New York.","Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878",{"_296":945,"_298":946,"_300":947},"https://img.ochreeditions.com/m/1281.jpg?dl=1","/art/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529","/galleries/style/realism/dance-in-a-subterranean-roundhouse-at-clear-lake-california-met-698529",{"_292":379,"_294":380},{"_226":940,"_125":941,"_286":942},{"_277":937,"_279":938,"_281":922,"_282":939},198.5,125.63645743766122,110.63645743766122,{"_288":226,"_123":943,"_154":944,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-jules-tavernier","Jules Tavernier's contemporaries","https://img.ochreeditions.com/a/1281/480.jpg","https://img.ochreeditions.com/a/1281/960.jpg","https://img.ochreeditions.com/a/1281/1920.jpg",{"_315":961,"_317":962},{"_315":959,"_317":960},{"_315":957,"_317":958},{"_315":955,"_317":956},{"_315":953,"_317":954},"#bd9865",0.0204,"#825132",0.0337,"#4f3925",0.1374,"#342516",0.3205,"#201f12",0.488,"Jules Tavernier","jules-tavernier","American, born France, 1844–1889","American, born France",1889,"Paris","Honolulu, Hawaii","Tavernier trained in Paris and moved to the United States in the early 1870s, travelling west for Harper’s Weekly to record frontier life. Settling in San Francisco, he painted the landscapes of California and Native American ceremonies, and was a member of the Bohemian Club.","the-pleiades-met-13070","The Pleiades",{"_42":1016,"_223":1017,"_329":1018,"_331":405,"_332":1019,"_334":467,"_336":309,"_337":1020,"_338":-5,"_140":101},"24 1/8 x 37 5/8 in. (61.3 x 95.6 cm)",95.6,61.3,1.5268429487179487,[1001,1002,1003,1004,1005],{"_222":384,"_223":385,"_42":386,"_308":309},"10.64.13","Elihu Vedder painted this in 1885, aged 49. It is now at The Met in New York.","The Pleiades, by Elihu Vedder, 1885",{"_296":998,"_298":999,"_300":1000},"https://img.ochreeditions.com/m/860.jpg?dl=1","/art/the-pleiades-met-13070","/galleries/style/realism/the-pleiades-met-13070",{"_292":379,"_294":380},{"_226":993,"_125":994,"_286":995},{"_277":990,"_279":991,"_281":975,"_282":992},110.6,77.61285751771189,62.61285751771189,{"_288":226,"_123":996,"_154":997,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/860/480.jpg","https://img.ochreeditions.com/a/860/960.jpg","https://img.ochreeditions.com/a/860/1920.jpg",{"_315":1014,"_317":1015},{"_315":1012,"_317":1013},{"_315":1010,"_317":1011},{"_315":1008,"_317":1009},{"_315":1006,"_317":1007},"#3c3023",0.1711,"#6e5c4e",0.1823,"#634b32",0.1927,"#ae977a",0.1975,"#8c7259",0.2564,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,"Rome","wild-roses-and-irises-met-11376","Wild Roses and Irises",{"_42":1068,"_223":1069,"_329":1070,"_331":405,"_332":1071,"_334":1072,"_336":309,"_337":1073,"_338":-5,"_140":101},"1887","Gouache and watercolor on white wove paper","14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)",26.5,36.8,0.746031746031746,[1053,1054,1055,1056,1057],{"_222":384,"_223":385,"_42":386,"_308":309},"50.113.3","John La Farge painted this in 1887, aged 52. It is now at The Met in New York.","Wild Roses and Irises, by John La Farge, 1887",{"_296":1050,"_298":1051,"_300":1052},"https://img.ochreeditions.com/m/843.jpg?dl=1","/art/wild-roses-and-irises-met-11376","/galleries/style/realism/wild-roses-and-irises-met-11376",{"_292":293,"_294":295},{"_226":1045,"_125":1046,"_286":1047},{"_277":1042,"_279":1043,"_281":1044,"_282":1028},51.453968253968256,60.8,27.453968253968252,{"_288":226,"_123":1048,"_154":1049,"_140":89},{"_288":125,"_123":440,"_154":441,"_140":442},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-john-la-farge","John La Farge's contemporaries","https://img.ochreeditions.com/a/843/480.jpg","https://img.ochreeditions.com/a/843/960.jpg","https://img.ochreeditions.com/a/843/1920.jpg",{"_315":1066,"_317":1067},{"_315":1064,"_317":1065},{"_315":1062,"_317":1063},{"_315":1060,"_317":1061},{"_315":1058,"_317":1059},"#596484",0.0531,"#a89c8d",0.1038,"#f2eade",0.2269,"#5d6a4b",0.2874,"#4e554c",0.3288,"John La Farge","john-la-farge","American, 1835–1910",1835,1910,"Providence, Rhode Island","stage-fort-across-gloucester-harbor-met-11396","Stage Fort across Gloucester Harbor",{"_42":1120,"_223":1121,"_329":1122,"_331":405,"_332":1123,"_334":1124,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1862","38 x 60 in. (96.5 x 152.4 cm)",152.4,96.5,1.670758439281017,[1105,1106,1107,1108,1109],{"_222":384,"_223":385,"_42":386,"_308":309},"1978.203","Fitz Henry Lane painted this in 1862, aged 58. It is now at The Met in New York.","Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862",{"_296":1102,"_298":1103,"_300":1104},"https://img.ochreeditions.com/m/845.jpg?dl=1","/art/stage-fort-across-gloucester-harbor-met-11396","/galleries/style/realism/stage-fort-across-gloucester-harbor-met-11396",{"_292":379,"_294":380},{"_226":1097,"_125":1098,"_286":1099},{"_277":1094,"_279":1095,"_281":1079,"_282":1096},167.4,106.21605877722384,91.21605877722384,{"_288":226,"_123":1100,"_154":1101,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/845/480.jpg","https://img.ochreeditions.com/a/845/960.jpg","https://img.ochreeditions.com/a/845/1920.jpg",{"_315":1118,"_317":1119},{"_315":1116,"_317":1117},{"_315":1114,"_317":1115},{"_315":1112,"_317":1113},{"_315":1110,"_317":1111},"#7b747b",0.116,"#27160c",0.1188,"#744b24",0.1583,"#b0997a",0.2418,"#d5ad6d",0.3651,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","a11564389c674c75a363f49355f34364b6fb13aa","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},{"_223":1157,"_20":1158},{"_223":1155,"_20":1156},{"_223":1153,"_20":1154},{"_223":1151,"_20":1152},{"_223":1149,"_20":1150},{"_223":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]