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It is now at The Met in New York.","Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890",{"_296":439,"_298":440,"_300":441},"https://img.ochreeditions.com/m/1278.jpg?dl=1","/art/untitled-cracked-watermelon-met-677910","/galleries/style/realism/untitled-cracked-watermelon-met-677910",{"_292":376,"_294":377},{"_225":434,"_125":435,"_286":436},{"_277":431,"_279":432,"_281":416,"_282":433},86.6,64.57063471832781,49.57063471832781,{"_288":225,"_123":437,"_154":438,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-charles-ethan-porter","Charles Ethan Porter's contemporaries","https://img.ochreeditions.com/a/1278/480.jpg","https://img.ochreeditions.com/a/1278/960.jpg","https://img.ochreeditions.com/a/1278/1920.jpg",{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},"#9b5046",0.065,"#5e302d",0.103,"#191811",0.1779,"#7e6a4a",0.2955,"#3a3c26",0.3586,"Charles Ethan Porter","charles-ethan-porter","1847–1923",1847,1923,"a-village-square-si-chndm-1912-16-118","A Village Square",{"_42":521,"_222":522,"_326":523,"_328":-5,"_330":524,"_332":525,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1875–80","drawing","Drawing","Graphite and black crayon on rough grey paper","22.5 × 38.3 cm (8 7/8 × 15 1/16 in.)",38.3,22.5,1.6611830591529577,[506,507,508,509,510],{"_221":384,"_222":385,"_42":386,"_305":306},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1912-16-118","Walter Shirlaw drew this in 1875–80, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":504,"_382":505},"A VILLAGE SQUARE",{"_296":501,"_298":502,"_300":503},"https://img.ochreeditions.com/m/1716.jpg?dl=1","/art/a-village-square-si-chndm-1912-16-118","/galleries/style/realism/a-village-square-si-chndm-1912-16-118",{"_292":293,"_294":295},{"_225":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":470,"_282":489},62.3,47.05585756426464,23.05585756426464,{"_288":225,"_123":499,"_154":500,"_140":89},{"_288":125,"_123":496,"_154":497,"_140":498},{"_288":286,"_123":493,"_154":494,"_140":495},"era/19","The 19th century",731,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-walter-shirlaw","Walter Shirlaw's contemporaries","https://img.ochreeditions.com/a/1716/480.jpg","https://img.ochreeditions.com/a/1716/960.jpg","https://img.ochreeditions.com/a/1716/1920.jpg","A square is bordered at left and at the back by houses, at right by a garden wall. A tree is shown in the center. An oxcart and a plain wagon are near it.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_312":519,"_314":520},{"_312":517,"_314":518},{"_312":515,"_314":516},{"_312":513,"_314":514},{"_312":511,"_314":512},"#878275",0.0687,"#e1d6bf",0.0765,"#9c9685",0.1501,"#b0a894",0.16,"#c1b8a2",0.5447,"Walter Shirlaw","walter-shirlaw","1838–1909",1838,1909,"garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":573,"_222":574,"_326":575,"_328":329,"_330":406,"_332":461,"_334":576,"_336":577,"_338":-5,"_140":101},"ca. 1867","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[558,559,560,561,562],{"_221":302,"_222":303,"_42":304,"_305":306},"2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_296":555,"_298":556,"_300":557},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/realism/garden-view-brooklyn-met-853646",{"_292":293,"_294":295},{"_225":550,"_125":551,"_286":552},{"_277":546,"_279":547,"_281":548,"_282":549},40.425,49,16.425,25,{"_288":225,"_123":553,"_154":554,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg",{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923","Salem, Massachusetts","Canaan, Connecticut","at-the-seaside-met-10464","At the Seaside",{"_42":625,"_222":626,"_326":627,"_328":329,"_330":628,"_332":629,"_334":630,"_336":306,"_338":631,"_140":93},"ca. 1892","20 × 34 in. (50.8 × 86.4 cm)",86.4,50.8,1.6656468531468531,[610,611,612,613,614],{"_221":302,"_222":303,"_42":304,"_305":306},"67.187.123","William Merritt Chase painted this in about 1892, aged about 40. It is now at The Met in New York.","Figures in summer dress relax on the sand beside a wide, glittering sea in one of the beach scenes William Merritt Chase painted in the early 1890s.","At the Seaside, by William Merritt Chase, ca. 1892",{"_296":607,"_298":608,"_300":609},"https://img.ochreeditions.com/m/808.jpg?dl=1","/art/at-the-seaside-met-10464","/galleries/style/realism/at-the-seaside-met-10464",{"_292":376,"_294":377},{"_225":602,"_125":603,"_286":604},{"_277":599,"_279":600,"_281":583,"_282":601},101.4,66.87173970086592,51.871739700865916,{"_288":225,"_123":605,"_154":606,"_140":93},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/808/480.jpg","https://img.ochreeditions.com/a/808/960.jpg","https://img.ochreeditions.com/a/808/1920.jpg",{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},{"_312":615,"_314":616},"#9e5744",0.0292,"#62647a",0.1345,"#7d9dc7",0.1941,"#9c8f89",0.2734,"#babdc6",0.3688,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","stage-fort-across-gloucester-harbor-met-11396","Stage Fort across Gloucester Harbor",{"_42":678,"_222":679,"_326":680,"_328":329,"_330":681,"_332":682,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1862","38 x 60 in. (96.5 x 152.4 cm)",152.4,96.5,1.670758439281017,[663,664,665,666,667],{"_221":302,"_222":303,"_42":304,"_305":306},"1978.203","Fitz Henry Lane painted this in 1862, aged 58. It is now at The Met in New York.","Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862",{"_296":660,"_298":661,"_300":662},"https://img.ochreeditions.com/m/845.jpg?dl=1","/art/stage-fort-across-gloucester-harbor-met-11396","/galleries/style/realism/stage-fort-across-gloucester-harbor-met-11396",{"_292":376,"_294":377},{"_225":655,"_125":656,"_286":657},{"_277":652,"_279":653,"_281":637,"_282":654},167.4,106.21605877722384,91.21605877722384,{"_288":225,"_123":658,"_154":659,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/845/480.jpg","https://img.ochreeditions.com/a/845/960.jpg","https://img.ochreeditions.com/a/845/1920.jpg",{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},{"_312":670,"_314":671},{"_312":668,"_314":669},"#7b747b",0.116,"#27160c",0.1188,"#744b24",0.1583,"#b0997a",0.2418,"#d5ad6d",0.3651,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,"factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","Factory--Study for \"Ironworkers, Noontime\"/Verso: Still Life with Orange",{"_42":697,"_222":731,"_326":732,"_328":329,"_330":733,"_332":734,"_334":735,"_336":736,"_338":737,"_140":99},"(1880)","Oil on paperboard","8 1/2 x 12 7/8 in. (21.4 x 32.7 cm)",32.7,21.4,1.5440041173443129,[716,717,718,719,720],{"_221":384,"_222":385,"_42":386,"_305":387},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.55.A-B","Thomas Anshutz painted this ((1880)), aged 29. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Anshutz",{"_296":713,"_298":714,"_300":715},"https://img.ochreeditions.com/m/1827.jpg?dl=1","/art/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b","/galleries/style/realism/factory-study-for-ironworkers-noontime-verso-still-life-with-si-hmsg-66-55-a-b",{"_292":376,"_294":377},{"_225":708,"_125":709,"_286":710},{"_277":705,"_279":706,"_281":689,"_282":707},47.7,36.178700000000006,21.178700000000003,{"_288":225,"_123":711,"_154":712,"_140":99},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1827/480.jpg","https://img.ochreeditions.com/a/1827/960.jpg","https://img.ochreeditions.com/a/1827/1920.jpg",{"_312":729,"_314":730},{"_312":727,"_314":728},{"_312":725,"_314":726},{"_312":723,"_314":724},{"_312":721,"_314":722},"#55524b",0.0278,"#483623",0.0617,"#261f17",0.1425,"#393427",0.2611,"#0a090a",0.5069,"thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","madame-x-virginie-amelie-avegno-gautreau-met-12127","Madame X (Virginie Amélie Avegno Gautreau)",{"_42":785,"_222":786,"_326":787,"_328":329,"_330":788,"_332":789,"_334":790,"_336":409,"_338":791,"_140":97},"1883–84","82 1/8 × 43 1/4 in. (208.6 × 109.9 cm) Framed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)",109.9,208.6,0.584,[770,771,772,773,774],{"_221":302,"_222":303,"_42":304,"_305":306},"16.53","John Singer Sargent painted this in 1883–84, aged about 27. It is now at The Met in New York.","Virginie Amélie Avegno Gautreau, an American-born beauty married to a French banker, stands in profile in a sleek black satin gown, one hand resting on a table, her skin powdered to a pale lavender.","Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84",{"_296":767,"_298":768,"_300":769},"https://img.ochreeditions.com/m/853.jpg?dl=1","/art/madame-x-virginie-amelie-avegno-gautreau-met-12127","/galleries/style/realism/madame-x-virginie-amelie-avegno-gautreau-met-12127",{"_292":376,"_294":377},{"_225":762,"_125":763,"_286":764},{"_277":759,"_279":760,"_281":761,"_282":744},136.8224,223.6,121.82239999999999,{"_288":225,"_123":765,"_154":766,"_140":97},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/853/480.jpg","https://img.ochreeditions.com/a/853/960.jpg","https://img.ochreeditions.com/a/853/1920.jpg",{"_312":783,"_314":784},{"_312":781,"_314":782},{"_312":779,"_314":780},{"_312":777,"_314":778},{"_312":775,"_314":776},"#6b5f54",0.0232,"#a9998b",0.027,"#2d251f",0.2361,"#0a0909",0.3222,"#4c3f31",0.3915,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,1925,"Florence","Sargent was born in Florence to American parents and grew up travelling across Europe.","arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":409,"_338":410,"_140":231},"76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)",90.8,193.4,0.4744760881246642,[821,822,823,824,825],{"_221":302,"_222":303,"_42":304,"_305":306},"13.20","James McNeill Whistler painted this in 1883, aged 49. It is now at The Met in New York.","The critic Théodore Duret stands at full length in formal evening dress, a pink domino, the cloak worn to masked balls, draped over his arm and a fan in his hand, against a background of pale, warm flesh tones.","Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883",{"_296":818,"_298":819,"_300":820},"https://img.ochreeditions.com/m/862.jpg?dl=1","/art/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211","/galleries/style/realism/arrangement-in-flesh-colour-and-black-portrait-of-theodore-d-met-13211",{"_292":376,"_294":377},{"_225":815,"_125":816,"_286":817},{"_277":812,"_279":813,"_281":814,"_282":797},106.76367544331005,208.4,91.76367544331005,{"_288":225,"_123":374,"_154":375,"_140":231},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/862/480.jpg","https://img.ochreeditions.com/a/862/960.jpg","https://img.ochreeditions.com/a/862/1920.jpg",{"_312":834,"_314":835},{"_312":832,"_314":833},{"_312":830,"_314":831},{"_312":828,"_314":829},{"_312":826,"_314":827},"#695d46",0.1453,"#908164",0.1531,"#22231c",0.1578,"#51442a",0.2505,"#b1a388",0.2933,"talking-it-over-met-11758","Talking It Over",{"_42":882,"_222":883,"_326":884,"_328":329,"_330":885,"_332":886,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1872","22 1/4 x 29 1/4 in. (56.5 x 74.3 cm)",74.3,56.5,1.3195983379501386,[867,868,869,870,871],{"_221":302,"_222":303,"_42":304,"_305":306},"1980.361","Enoch Wood Perry painted this in 1872, aged 41. It is now at The Met in New York.","Talking It Over, by Enoch Wood Perry, 1872",{"_296":864,"_298":865,"_300":866},"https://img.ochreeditions.com/m/849.jpg?dl=1","/art/talking-it-over-met-11758","/galleries/style/realism/talking-it-over-met-11758",{"_292":376,"_294":377},{"_225":859,"_125":860,"_286":861},{"_277":856,"_279":857,"_281":841,"_282":858},89.3,71.30501180792442,56.30501180792442,{"_288":225,"_123":862,"_154":863,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-enoch-wood-perry","Enoch Wood Perry's contemporaries","https://img.ochreeditions.com/a/849/480.jpg","https://img.ochreeditions.com/a/849/960.jpg","https://img.ochreeditions.com/a/849/1920.jpg",{"_312":880,"_314":881},{"_312":878,"_314":879},{"_312":876,"_314":877},{"_312":874,"_314":875},{"_312":872,"_314":873},"#a08662",0.0492,"#7e5425",0.1517,"#281713",0.221,"#5a381b",0.2855,"#402516",0.2926,"Enoch Wood Perry","enoch-wood-perry","1831–1915",1831,1915,"the-yellow-room-met-760942","The Yellow Room",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":409,"_338":410,"_140":231},"ca. 1883–84","Watercolor and gouache on paperboard","9 3/4 × 7 in. (24.8 × 17.8 cm)",17.8,24.8,0.71425,[917,918,919,920,921],{"_221":302,"_222":303,"_42":304,"_305":306},"2017.664","James McNeill Whistler painted this in about 1883–84, aged about 44. It is now at The Met in New York.","A woman appears in a small interior washed with warm yellow, near a fireplace, in this watercolour and gouache of the early 1880s. Yellow was a favourite colour of Whistler’s for interiors, and in 1883 he decorated a London exhibition of his own etchings entirely in yellow and white.","The Yellow Room, by James McNeill Whistler, ca. 1883–84",{"_296":914,"_298":915,"_300":916},"https://img.ochreeditions.com/m/1285.jpg?dl=1","/art/the-yellow-room-met-760942","/galleries/style/realism/the-yellow-room-met-760942",{"_292":293,"_294":295},{"_225":911,"_125":912,"_286":913},{"_277":909,"_279":547,"_281":910,"_282":549},41.85625,17.856250000000003,{"_288":225,"_123":374,"_154":375,"_140":231},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1285/480.jpg","https://img.ochreeditions.com/a/1285/960.jpg","https://img.ochreeditions.com/a/1285/1920.jpg",{"_312":930,"_314":931},{"_312":928,"_314":929},{"_312":926,"_314":927},{"_312":924,"_314":925},{"_312":922,"_314":923},"#897b74",0.0875,"#574a3c",0.1132,"#c0a36e",0.1878,"#927951",0.2667,"#5b5a5a",0.3448,"variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":403,"_222":404,"_326":405,"_328":329,"_330":406,"_332":407,"_334":408,"_336":409,"_338":410,"_140":231},"1885","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[962,963,964,965,966],{"_221":302,"_222":303,"_42":304,"_305":306},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_296":959,"_298":960,"_300":961},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/realism/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_292":293,"_294":295},{"_225":956,"_125":957,"_286":958},{"_277":954,"_279":547,"_281":955,"_282":549},38.8374529822676,14.8374529822676,{"_288":225,"_123":374,"_154":375,"_140":231},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_312":975,"_314":976},{"_312":973,"_314":974},{"_312":971,"_314":972},{"_312":969,"_314":970},{"_312":967,"_314":968},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"seventh-regiment-on-review-washington-square-new-york-met-10194","Seventh Regiment on Review, Washington Square, New York",{"_42":1023,"_222":1024,"_326":1025,"_328":1026,"_330":1027,"_332":682,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1851","24 x 36 in. (61 x 91.4 cm)",91.4,61,1.5021679148600708,[1008,1009,1010,1011,1012],{"_221":302,"_222":303,"_42":304,"_305":306},"54.90.295","Otto Boetticher painted this in 1851, aged 35. It is now at The Met in New York.","Seventh Regiment on Review, Washington Square, New York, by Otto Boetticher, 1851",{"_296":1005,"_298":1006,"_300":1007},"https://img.ochreeditions.com/m/806.jpg?dl=1","/art/seventh-regiment-on-review-washington-square-new-york-met-10194","/galleries/style/realism/seventh-regiment-on-review-washington-square-new-york-met-10194",{"_292":376,"_294":377},{"_225":1000,"_125":1001,"_286":1002},{"_277":997,"_279":998,"_281":982,"_282":999},106.4,75.84539490947259,60.84539490947259,{"_288":225,"_123":1003,"_154":1004,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-boetticher","Otto Boetticher's contemporaries","https://img.ochreeditions.com/a/806/480.jpg","https://img.ochreeditions.com/a/806/960.jpg","https://img.ochreeditions.com/a/806/1920.jpg",{"_312":1021,"_314":1022},{"_312":1019,"_314":1020},{"_312":1017,"_314":1018},{"_312":1015,"_314":1016},{"_312":1013,"_314":1014},"#1b2424",0.1507,"#403c2c",0.1797,"#7f663c",0.2001,"#a7a680",0.2247,"#5c5234",0.2448,"Otto Boetticher","otto-boetticher","ca. 1816–after 1864","German",1816,"autumn-oaks-met-11227","Autumn Oaks",{"_42":1074,"_222":1075,"_326":1076,"_328":329,"_330":1077,"_332":1078,"_334":1079,"_336":1080,"_338":1081,"_140":95},"ca. 1878","20 3/8 x 30 1/8 in. (54.3 x 76.5 cm)",76.5,51.8,1.4988198269079465,[1059,1060,1061,1062,1063],{"_221":302,"_222":303,"_42":304,"_305":306},"87.8.8","George Inness painted this in about 1878, aged about 50. It is now at The Met in New York.","Autumn Oaks, by George Inness, ca. 1878",{"_296":1056,"_298":1057,"_300":1058},"https://img.ochreeditions.com/m/835.jpg?dl=1","/art/autumn-oaks-met-11227","/galleries/style/realism/autumn-oaks-met-11227",{"_292":376,"_294":377},{"_225":1051,"_125":1052,"_286":1053},{"_277":1048,"_279":1049,"_281":1033,"_282":1050},91.5,66.04015748031496,51.04015748031496,{"_288":225,"_123":1054,"_154":1055,"_140":95},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/835/480.jpg","https://img.ochreeditions.com/a/835/960.jpg","https://img.ochreeditions.com/a/835/1920.jpg",{"_312":1072,"_314":1073},{"_312":1070,"_314":1071},{"_312":1068,"_314":1069},{"_312":1066,"_314":1067},{"_312":1064,"_314":1065},"#826422",0.1395,"#787a75",0.1432,"#c1bd9e",0.2078,"#2d2119",0.2347,"#573f1e",0.2748,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","spanish-lady-si-hmsg-66-1745","Spanish Lady",{"_42":1128,"_222":1129,"_326":1130,"_328":1131,"_330":1132,"_332":1133,"_334":-5,"_336":-5,"_338":1134,"_140":97},"1889","Watercolor on paper","11 5/8 x 8 7/16 in. (29.5 x 21.4 cm)",29.5,0.7222074113569715,[1113,1114,1115,1116,1117],{"_221":384,"_222":385,"_42":386,"_305":387},"66.1745","Louis M. Eilshemius painted this in 1889, aged 25. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Louis Eilshemius",{"_296":1110,"_298":1111,"_300":1112},"https://img.ochreeditions.com/m/1824.jpg?dl=1","/art/spanish-lady-si-hmsg-66-1745","/galleries/style/realism/spanish-lady-si-hmsg-66-1745",{"_292":376,"_294":377},{"_225":1105,"_125":1106,"_286":1107},{"_277":1102,"_279":1103,"_281":1104,"_282":1088},36.30511863503066,44.5,21.30511863503066,{"_288":225,"_123":1108,"_154":1109,"_140":97},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1824/480.jpg","https://img.ochreeditions.com/a/1824/960.jpg","https://img.ochreeditions.com/a/1824/1920.jpg",{"_312":1126,"_314":1127},{"_312":1124,"_314":1125},{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},"#835a4d",0.074,"#ad8f7f",0.0931,"#d3bdad",0.1827,"#c48c67",0.2208,"#dbb18e",0.4294,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.",{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","377d100452ec77994ab845a3aeaf457b2cdc2252","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]