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A bearded man sits near the bed.",{"_295":375,"_297":376,"_299":377},"https://img.ochreeditions.com/m/107.jpg?dl=1","/art/scenes-from-the-life-of-saint-john-the-baptist-aic-25740","/galleries/style/renaissance/scenes-from-the-life-of-saint-john-the-baptist-aic-25740",{"_291":292,"_293":294},{"_225":364,"_125":365,"_285":366},{"_276":361,"_278":362,"_280":345,"_282":363},165,88.68873992209438,73.68873992209438,{"_287":225,"_123":373,"_154":374,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"era/15-italy","15th-century Italy",57,"style/painting-15","More paintings of the 15th century",73,"artist/contemporaries-of-bartolomeo-di-giovanni","Bartolomeo di Giovanni's contemporaries","https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/107/960.jpg","https://img.ochreeditions.com/a/107/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},{"_314":387,"_316":388},"#1c1916",0.1048,"#9e836c",0.1532,"#694a33",0.2112,"#6a665a",0.2167,"#3d362e",0.3141,"Bartolomeo di Giovanni","bartolomeo-di-giovanni",1501,"the-nativity-aic-16205","The Nativity",{"_42":447,"_222":448,"_328":449,"_330":331,"_332":450,"_334":451,"_336":-5,"_337":-5,"_338":452,"_140":95},"1500–05","Tempera on panel, transferred to canvas","26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)",26,1.7069840031213421,[432,433,434,435,436],{"_221":378,"_222":379,"_42":380,"_307":381},"1933.1025","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","Mary and Joseph adore the newborn Christ Child in a simple shelter, with the ox nearby and a quiet landscape beyond.","A work made of tempera on panel, transferred to canvas.",{"_295":429,"_297":430,"_299":431},"https://img.ochreeditions.com/m/46.jpg?dl=1","/art/the-nativity-aic-16205","/galleries/style/renaissance/the-nativity-aic-16205",{"_291":292,"_293":294},{"_225":424,"_125":425,"_285":426},{"_276":421,"_278":422,"_280":187,"_282":423},61,41.94811428571428,26.948114285714286,{"_287":225,"_123":427,"_154":428,"_140":95},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/46/480.jpg","https://img.ochreeditions.com/a/46/960.jpg","https://img.ochreeditions.com/a/46/1920.jpg",{"_314":445,"_316":446},{"_314":443,"_316":444},{"_314":441,"_316":442},{"_314":439,"_316":440},{"_314":437,"_316":438},"#7f8373",0.1351,"#465a54",0.1372,"#51402b",0.1867,"#7d4f24",0.2644,"#77643d",0.2766,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","Virgin and Child with the Young Saint John the Baptist",{"_42":499,"_222":500,"_328":501,"_330":331,"_332":502,"_334":503,"_336":504,"_337":504,"_338":-5,"_140":101},"1560–65","Oil on canvas","79.5 × 90.5 cm (31 1/4 × 35 5/8 in.); Framed: 103.2 × 115.3 × 13.7 cm (40 5/8 × 45 3/8 × 5 3/8 in.)",90,79,1.1670577193805725,[485,486,487,488,489],{"_221":378,"_222":379,"_42":380,"_307":381},"1968.320","Jacopo Bassano painted this in 1560–65, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":482,"_297":483,"_299":484},"https://img.ochreeditions.com/m/271.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-109323",{"_291":292,"_293":294},{"_225":477,"_125":478,"_285":479},{"_276":474,"_278":475,"_280":459,"_282":476},105,92.11700844390833,77.11700844390833,{"_287":225,"_123":480,"_154":481,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/271/480.jpg","https://img.ochreeditions.com/a/271/960.jpg","https://img.ochreeditions.com/a/271/1920.jpg",{"_314":497,"_316":498},{"_314":495,"_316":496},{"_314":493,"_316":494},{"_314":491,"_316":492},{"_314":490,"_316":438},"#937d6a","#605146",0.1432,"#c7a991",0.1481,"#43281e",0.2326,"#2a2320",0.341,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1510,1592,"Bassano del Grappa","the-last-supper-cma-119623","The Last Supper",{"_42":558,"_222":559,"_328":331,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":99},"c. 1500","print","Print","engraving on two sheets printed from two plates",1.3444049031237644,[543,544,545,546,547],{"_221":304,"_222":305,"_42":306,"_307":308},"1940.473.b","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":542,"_302":303},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_295":539,"_297":540,"_299":541},"https://img.ochreeditions.com/m/539.jpg?dl=1","/art/the-last-supper-cma-119623","/galleries/style/renaissance/the-last-supper-cma-119623",{"_291":537,"_293":538},{"_225":530,"_125":531,"_285":532},{"_276":526,"_278":527,"_280":528,"_282":529},84,68.62941176470588,60,44.62941176470588,{"_287":225,"_123":535,"_154":536,"_140":99},{"_287":125,"_123":533,"_154":534,"_140":53},{"_287":285,"_123":367,"_154":368,"_140":369},"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","white","snow","https://img.ochreeditions.com/a/539/480.jpg","https://img.ochreeditions.com/a/539/960.jpg","https://img.ochreeditions.com/a/539/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_314":556,"_316":557},{"_314":554,"_316":555},{"_314":552,"_316":553},{"_314":550,"_316":551},{"_314":548,"_316":549},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":447,"_222":448,"_328":449,"_330":331,"_332":450,"_334":451,"_336":-5,"_337":-5,"_338":452,"_140":95},"27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",27,1.70421710269426,[585,586,587,588,589],{"_221":378,"_222":379,"_42":380,"_307":381},"1933.1023","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.",{"_295":582,"_297":583,"_299":584},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_291":292,"_293":294},{"_225":579,"_125":580,"_285":581},{"_276":421,"_278":577,"_280":187,"_282":578},41.99186619314927,26.99186619314927,{"_287":225,"_123":427,"_154":428,"_140":95},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_314":598,"_316":599},{"_314":596,"_316":597},{"_314":594,"_316":595},{"_314":592,"_316":593},{"_314":590,"_316":591},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":656,"_222":657,"_328":658,"_330":659,"_332":660,"_334":661,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1508","germany","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[641,642,643,644,645],{"_221":304,"_222":305,"_42":306,"_307":308},"1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":640,"_302":303},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_295":637,"_297":638,"_299":639},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_291":537,"_293":538},{"_225":626,"_125":627,"_285":628},{"_276":623,"_278":624,"_280":625,"_282":608},46.837999999999994,56.3,22.837999999999997,{"_287":225,"_123":635,"_154":636,"_140":89},{"_287":125,"_123":632,"_154":633,"_140":634},{"_287":285,"_123":629,"_154":630,"_140":631},"era/16-germany","16th-century Germany",28,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.",{"_314":654,"_316":655},{"_314":652,"_316":653},{"_314":650,"_316":651},{"_314":648,"_316":649},{"_314":646,"_316":647},"#798687",0.0993,"#606f71",0.1747,"#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531","German",1473,1531,"virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","Unrecorded Italian maker","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[695,696,697,698,699],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":694,"_302":303},"Virgin and Child with Saints, c. 1510",{"_295":691,"_297":692,"_299":693},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_291":292,"_293":294},{"_225":686,"_125":687,"_285":688},{"_276":683,"_278":684,"_280":667,"_282":685},133.7,91.77097058823529,76.77097058823529,{"_287":225,"_123":689,"_154":690,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_314":708,"_316":709},{"_314":706,"_316":707},{"_314":704,"_316":705},{"_314":702,"_316":703},{"_314":700,"_316":701},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"virgin-and-child-aic-16295","Virgin and Child",{"_42":760,"_222":761,"_328":762,"_330":763,"_332":764,"_334":765,"_336":-5,"_337":766,"_338":767,"_140":97},"c. 1485","netherlands","Oil on panel","Framed: 41.1 × 33.4 cm (16 3/16 × 13 1/8 in.); Framed: 63.9 × 91.8 × 7.4 cm (25 1/8 × 36 1/8 × 2 7/8 in.)",33,41,0.7746083703530512,[745,746,747,748,749],{"_221":378,"_222":379,"_42":380,"_307":381},"1933.1050","Hans Memling painted this in about 1485, aged about 50. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":742,"_297":743,"_299":744},"https://img.ochreeditions.com/m/48.jpg?dl=1","/art/virgin-and-child-aic-16295","/galleries/style/renaissance/virgin-and-child-aic-16295",{"_291":292,"_293":294},{"_225":735,"_125":736,"_285":737},{"_276":732,"_278":733,"_280":734,"_282":718},46.7589431844751,56,31.7589431844751,{"_287":225,"_123":740,"_154":741,"_140":97},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":738,"_154":739,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/hans-memling","More by Hans Memling","https://img.ochreeditions.com/a/48/480.jpg","https://img.ochreeditions.com/a/48/960.jpg","https://img.ochreeditions.com/a/48/1920.jpg",{"_314":758,"_316":759},{"_314":756,"_316":757},{"_314":754,"_316":755},{"_314":752,"_316":753},{"_314":750,"_316":751},"#b1ada0",0.0922,"#730913",0.1722,"#604636",0.2188,"#bd8a6c",0.2537,"#22110f",0.2631,"Hans Memling","hans-memling","Netherlandish, c. 1430–1494","Netherlandish",1430,1494,"Bruges","Memling, born in Germany, probably trained in Brussels with Rogier van der Weyden before settling in Bruges in 1465, where he became the city’s leading painter.","a-naval-battle-aic-273340","A Naval Battle",{"_42":814,"_222":815,"_328":331,"_330":331,"_332":-5,"_334":816,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[799,800,801,802,803],{"_221":378,"_222":379,"_42":380,"_307":381},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_295":796,"_297":797,"_299":798},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_291":537,"_293":538},{"_225":791,"_125":792,"_285":793},{"_276":528,"_278":789,"_280":774,"_282":790},50.36024844720497,26.360248447204967,{"_287":225,"_123":794,"_154":795,"_140":89},{"_287":125,"_123":632,"_154":633,"_140":634},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_314":812,"_316":813},{"_314":810,"_316":811},{"_314":808,"_316":809},{"_314":806,"_316":807},{"_314":804,"_316":805},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"domenico-da-gambassi-aic-154037","Domenico da Gambassi",{"_42":861,"_222":862,"_328":863,"_330":331,"_332":864,"_334":865,"_336":866,"_337":866,"_338":867,"_140":97},"1525–28","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",1.3081943437273387,[846,847,848,849,850],{"_221":378,"_222":379,"_42":380,"_307":381},"1964.1097a","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.",{"_295":843,"_297":844,"_299":845},"https://img.ochreeditions.com/m/337.jpg?dl=1","/art/domenico-da-gambassi-aic-154037","/galleries/style/renaissance/domenico-da-gambassi-aic-154037",{"_291":292,"_293":294},{"_225":838,"_125":839,"_285":840},{"_276":834,"_278":835,"_280":836,"_282":837},40,34.11031042128603,25,19.11031042128603,{"_287":225,"_123":841,"_154":842,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/337/480.jpg","https://img.ochreeditions.com/a/337/960.jpg","https://img.ochreeditions.com/a/337/1920.jpg",{"_314":859,"_316":860},{"_314":857,"_316":858},{"_314":855,"_316":856},{"_314":853,"_316":854},{"_314":851,"_316":852},"#a67155",0.1173,"#6d4831",0.1231,"#2b1913",0.1904,"#462e1a",0.2092,"#4a1313",0.36,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":917,"_222":918,"_328":919,"_330":331,"_332":920,"_334":921,"_336":866,"_337":922,"_338":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[902,903,904,905,906],{"_221":304,"_222":305,"_42":306,"_307":308},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":901,"_302":303},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_295":898,"_297":899,"_299":900},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_291":537,"_293":538},{"_225":893,"_125":894,"_285":895},{"_276":890,"_278":891,"_280":874,"_282":892},84.4,66.06682352941176,42.066823529411764,{"_287":225,"_123":896,"_154":897,"_140":89},{"_287":125,"_123":533,"_154":534,"_140":53},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_314":915,"_316":916},{"_314":913,"_316":914},{"_314":911,"_316":912},{"_314":909,"_316":910},{"_314":907,"_316":908},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Rome","the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":972,"_222":973,"_328":974,"_330":331,"_332":975,"_334":976,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1580","oil on canvas","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[957,958,959,960,961],{"_221":304,"_222":305,"_42":306,"_307":308},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":956,"_302":303},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_295":953,"_297":954,"_299":955},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_291":292,"_293":294},{"_225":948,"_125":949,"_285":950},{"_276":945,"_278":946,"_280":947,"_282":930},111.35532352941176,138.3,96.35532352941176,{"_287":225,"_123":951,"_154":952,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_314":970,"_316":971},{"_314":968,"_316":969},{"_314":966,"_316":967},{"_314":964,"_316":965},{"_314":962,"_316":963},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":1028,"_222":1029,"_328":1030,"_330":331,"_332":1031,"_334":1032,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1595/96","watercolour","Drawing and Watercolor","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,43,0.46583344654258935,[1013,1014,1015,1016,1017],{"_221":378,"_222":379,"_42":380,"_307":381},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_295":1010,"_297":1011,"_299":1012},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_291":537,"_293":538},{"_225":1003,"_125":1004,"_285":1005},{"_276":1000,"_278":1001,"_280":1002,"_282":986},44.03083820133134,67,20.030838201331342,{"_287":225,"_123":1008,"_154":1009,"_140":89},{"_287":125,"_123":1006,"_154":1007,"_140":89},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_314":1026,"_316":1027},{"_314":1024,"_316":1025},{"_314":1022,"_316":1023},{"_314":1020,"_316":1021},{"_314":1018,"_316":1019},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"the-annunciation-aic-16327","The Annunciation",{"_42":1080,"_222":1081,"_328":1082,"_330":763,"_332":1083,"_334":1084,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1490–95","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[1066,1067,1068,1069,1070],{"_221":378,"_222":379,"_42":380,"_307":381},"1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":1064,"_302":1065},"Painting of the Annunciation, dove flying above Mary with angel.",{"_295":1061,"_297":1062,"_299":1063},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_291":292,"_293":294},{"_225":1056,"_125":1057,"_285":1058},{"_276":1053,"_278":1054,"_280":1055,"_282":1038},64.25914598282554,87,49.25914598282555,{"_287":225,"_123":1059,"_154":1060,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":738,"_154":739,"_140":81},"artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.","Text from the Art Institute of Chicago.",{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},{"_314":1075,"_316":705},{"_314":1073,"_316":1074},{"_314":1071,"_316":1072},"#792423",0.0756,"#84826e",0.1854,"#726727","#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","Netherlandish, active fourth quarter 15th century",1475,1499,"arm-of-eve-cma-141931","Arm of Eve",{"_42":1139,"_222":1140,"_328":1141,"_330":659,"_332":1142,"_334":1143,"_336":1144,"_337":1144,"_338":1145,"_140":89},"1507","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[1124,1125,1126,1127,1128],{"_221":304,"_222":305,"_42":306,"_307":308},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":1123,"_302":303},"Arm of Eve, by Albrecht Dürer, 1507",{"_295":1120,"_297":1121,"_299":1122},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_291":537,"_293":538},{"_225":1112,"_125":1113,"_285":1114},{"_276":1109,"_278":1110,"_280":1111,"_282":1094},51.509882352941176,58.4,27.509882352941176,{"_287":225,"_123":1118,"_154":1119,"_140":89},{"_287":125,"_123":1115,"_154":1116,"_140":1117},{"_287":285,"_123":629,"_154":630,"_140":631},"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},{"_314":1131,"_316":1132},{"_314":1129,"_316":1130},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","526b208845cd7dda46b1eb336ec87acb057e7d1b","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]