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It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_295":374,"_297":375,"_299":376},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_291":292,"_293":294},{"_224":367,"_125":368,"_285":369},{"_275":363,"_277":364,"_279":365,"_281":366},49,46.831191300049426,25,22.83119130004943,{"_287":224,"_123":372,"_154":373,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":89},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":394,"_316":395},{"_314":392,"_316":393},{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b",0.2449,"#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":454,"_221":455,"_328":456,"_330":331,"_332":457,"_334":333,"_336":-5,"_338":-5,"_340":-5,"_140":103},"late 1460s–early 1470s","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",18,28,0.6784424379232505,[439,440,441,442,443],{"_220":377,"_221":378,"_42":379,"_307":380},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_295":436,"_297":437,"_299":438},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_291":292,"_293":294},{"_224":425,"_125":426,"_285":427},{"_275":422,"_277":423,"_279":424,"_281":408},42.99638826185102,52,18.996388261851017,{"_287":224,"_123":434,"_154":435,"_140":89},{"_287":125,"_123":431,"_154":432,"_140":433},{"_287":285,"_123":428,"_154":429,"_140":430},"era/15-italy","15th-century Italy",57,"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,"noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":512,"_221":513,"_328":514,"_330":331,"_332":515,"_334":516,"_336":-5,"_338":-5,"_340":517,"_140":95},"1500–05","painting","Painting","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.7202205158495767,[497,498,499,500,501],{"_220":377,"_221":378,"_42":379,"_307":380},"1933.1026","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_291":492,"_293":493},{"_224":484,"_125":485,"_285":486},{"_275":481,"_277":482,"_279":466,"_281":483},61,41.74075769715005,26.740757697150052,{"_287":224,"_123":490,"_154":491,"_140":95},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":428,"_154":429,"_140":430},"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","natural","ivory","https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},{"_314":502,"_316":503},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":570,"_221":571,"_328":572,"_330":331,"_332":573,"_334":574,"_336":-5,"_338":-5,"_340":-5,"_140":101},"c. 1515–17","Oil on panel","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[555,556,557,558,559],{"_220":377,"_221":378,"_42":379,"_307":380},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":553,"_302":554},"A work made of oil on panel.",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_291":492,"_293":493},{"_224":542,"_125":543,"_285":544},{"_275":540,"_277":201,"_279":541,"_281":525},106.7108843537415,91.7108843537415,{"_287":224,"_123":548,"_154":549,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.","Text from the Art Institute of Chicago.",{"_314":568,"_316":569},{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"death-of-the-virgin-cma-97159","Death of the Virgin","Unrecorded Italian maker","mid-1500s","oil on wood","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[609,610,611,612,613],{"_220":304,"_221":305,"_42":306,"_307":308},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":608,"_302":303},"Death of the Virgin, mid-1500s",{"_295":605,"_297":606,"_299":607},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_291":492,"_293":493},{"_224":600,"_125":601,"_285":602},{"_275":596,"_277":597,"_279":598,"_281":599},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_287":224,"_123":603,"_154":604,"_140":77},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"virgin-and-child-cma-97177","Virgin and Child",{"_42":670,"_221":671,"_328":672,"_330":331,"_332":673,"_334":674,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1500s","Framed: 86 x 74 x 8 cm (33 7/8 x 29 1/8 x 3 1/8 in.); Unframed: 55.5 x 42.7 cm (21 7/8 x 16 13/16 in.)",42.7,55.5,0.7470588235294118,[655,656,657,658,659],{"_220":304,"_221":305,"_42":306,"_307":308},"1916.812","Bernardino Luini painted this in the 1500s, aged about 20. It is now at the Cleveland Museum of Art.","Virgin and Child, by Bernardino Luini, 1500s",{"_295":652,"_297":653,"_299":654},"https://img.ochreeditions.com/m/486.jpg?dl=1","/art/virgin-and-child-cma-97177","/galleries/style/renaissance/virgin-and-child-cma-97177",{"_291":492,"_293":493},{"_224":647,"_125":648,"_285":649},{"_275":644,"_277":645,"_279":646,"_281":630},56.46176470588235,70.5,41.46176470588235,{"_287":224,"_123":650,"_154":651,"_140":89},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/486/480.jpg","https://img.ochreeditions.com/a/486/960.jpg","https://img.ochreeditions.com/a/486/1920.jpg",{"_314":668,"_316":669},{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},{"_314":660,"_316":661},"#571b1d",0.0462,"#674937",0.1302,"#93715c",0.1322,"#3a2b25",0.2256,"#1c1d17",0.4658,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":721,"_221":722,"_328":331,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_340":-5,"_140":103},"early 1500s","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[706,707,708,709,710],{"_220":304,"_221":305,"_42":306,"_307":308},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_295":703,"_297":704,"_299":705},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_291":492,"_293":493},{"_224":698,"_125":699,"_285":700},{"_275":695,"_277":696,"_279":697,"_281":681},99.20411764705882,101,84.20411764705882,{"_287":224,"_123":701,"_154":702,"_140":89},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_314":719,"_316":720},{"_314":717,"_316":718},{"_314":715,"_316":716},{"_314":713,"_316":714},{"_314":711,"_316":712},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo","saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":767,"_221":768,"_328":769,"_330":331,"_332":770,"_334":771,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[752,753,754,755,756],{"_220":377,"_221":378,"_42":379,"_307":380},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":749,"_297":750,"_299":751},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_291":292,"_293":294},{"_224":744,"_125":745,"_285":746},{"_275":742,"_277":363,"_279":743,"_281":365},40.62885994438753,16.628859944387532,{"_287":224,"_123":747,"_154":748,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_314":765,"_316":766},{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":759,"_316":760},{"_314":757,"_316":758},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"st-catherine-of-siena-and-the-beggar-cma-142559","St. Catherine of Siena and the Beggar",{"_42":821,"_221":822,"_328":823,"_330":331,"_332":824,"_334":825,"_336":826,"_338":826,"_340":827,"_140":97},"1460s","tempera and gold on wood","Framed: 35.6 x 35.7 x 4.5 cm (14 x 14 1/16 x 1 3/4 in.); Unframed: 28.7 x 28.9 cm (11 5/16 x 11 3/8 in.)",28.9,28.7,1.0083036773428233,[806,807,808,809,810],{"_220":304,"_221":305,"_42":306,"_307":308},"1966.3","Giovanni di Paolo painted this in the 1460s, aged about 62. It is now at the Cleveland Museum of Art.",{"_118":805,"_302":303},"St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s",{"_295":802,"_297":803,"_299":804},"https://img.ochreeditions.com/m/661.jpg?dl=1","/art/st-catherine-of-siena-and-the-beggar-cma-142559","/galleries/style/renaissance/st-catherine-of-siena-and-the-beggar-cma-142559",{"_291":492,"_293":493},{"_224":797,"_125":798,"_285":799},{"_275":794,"_277":795,"_279":778,"_281":796},43.9,43.66199999999999,28.661999999999995,{"_287":224,"_123":800,"_154":801,"_140":97},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":428,"_154":429,"_140":430},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/661/480.jpg","https://img.ochreeditions.com/a/661/960.jpg","https://img.ochreeditions.com/a/661/1920.jpg","Saint Catherine (1347-1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became much beloved in Siena for selflessly caring for victims of the Black Death. This panel, with 1966.",{"_314":819,"_316":820},{"_314":817,"_316":818},{"_314":815,"_316":816},{"_314":813,"_316":814},{"_314":811,"_316":812},"#98764e",0.1138,"#292621",0.135,"#5d5347",0.1401,"#847c6e",0.1958,"#b0a795",0.4153,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","saint-sebastian-cma-135407","Saint Sebastian",{"_42":512,"_221":513,"_328":514,"_330":331,"_332":515,"_334":516,"_336":-5,"_338":-5,"_340":517,"_140":95},"c. 1493","drawing","Drawing","metalpoint","Sheet: 25.6 x 14.6 cm (10 1/16 x 5 3/4 in.)",14.6,25.6,0.5744117647058824,[864,865,866,867,868],{"_220":304,"_221":305,"_42":306,"_307":308},"1958.411","Perugino drew this in about 1493, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":863,"_302":303},"Saint Sebastian, by Perugino, c. 1493",{"_295":860,"_297":861,"_299":862},"https://img.ochreeditions.com/m/629.jpg?dl=1","/art/saint-sebastian-cma-135407","/galleries/style/renaissance/saint-sebastian-cma-135407",{"_291":292,"_293":294},{"_224":855,"_125":856,"_285":857},{"_275":852,"_277":853,"_279":854,"_281":837},38.70494117647059,49.6,14.70494117647059,{"_287":224,"_123":490,"_154":491,"_140":95},{"_287":125,"_123":858,"_154":859,"_140":91},{"_287":285,"_123":428,"_154":429,"_140":430},"style/drawing-15","More drawings of the 15th century","https://img.ochreeditions.com/a/629/480.jpg","https://img.ochreeditions.com/a/629/960.jpg","https://img.ochreeditions.com/a/629/1920.jpg","The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings.",{"_314":877,"_316":878},{"_314":875,"_316":876},{"_314":873,"_316":874},{"_314":871,"_316":872},{"_314":869,"_316":870},"#d9ccb7",0.0722,"#837057",0.0946,"#b29b7e",0.1119,"#a08c72",0.3041,"#958066",0.4172,"view-of-venice-cma-127250","View of Venice",{"_42":931,"_221":932,"_328":933,"_330":331,"_332":934,"_334":935,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[916,917,918,919,920],{"_220":304,"_221":305,"_42":306,"_307":308},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":915,"_302":303},"View of Venice, by Jacopo de' Barbari, 1500",{"_295":912,"_297":913,"_299":914},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_291":292,"_293":294},{"_224":905,"_125":906,"_285":907},{"_275":901,"_277":902,"_279":903,"_281":904},264,139.5529411764706,240,115.5529411764706,{"_287":224,"_123":910,"_154":911,"_140":89},{"_287":125,"_123":908,"_154":909,"_140":53},{"_287":285,"_123":428,"_154":429,"_140":430},"style/print-15","More prints of the 15th century","artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_314":929,"_316":930},{"_314":927,"_316":928},{"_314":925,"_316":926},{"_314":923,"_316":924},{"_314":921,"_316":922},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"christ-crowned-with-thorns-cma-104610","Christ Crowned with Thorns",{"_42":986,"_221":987,"_328":988,"_330":989,"_332":515,"_334":990,"_336":991,"_338":992,"_340":993,"_140":97},"1470–82","germany","engraving",0.7158823529411765,[971,972,973,974,975],{"_220":304,"_221":305,"_42":306,"_307":308},"1922.89","Martin Schongauer made this in 1470–82, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":970,"_302":303},"Christ Crowned with Thorns, by Martin Schongauer, 1470–82",{"_295":967,"_297":968,"_299":969},"https://img.ochreeditions.com/m/509.jpg?dl=1","/art/christ-crowned-with-thorns-cma-104610","/galleries/style/renaissance/christ-crowned-with-thorns-cma-104610",{"_291":292,"_293":294},{"_224":960,"_125":961,"_285":962},{"_275":956,"_277":957,"_279":958,"_281":959},66.95294117647059,84,42.95294117647059,60,{"_287":224,"_123":965,"_154":966,"_140":97},{"_287":125,"_123":908,"_154":909,"_140":53},{"_287":285,"_123":963,"_154":964,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/509/480.jpg","https://img.ochreeditions.com/a/509/960.jpg","https://img.ochreeditions.com/a/509/1920.jpg","Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_314":984,"_316":985},{"_314":982,"_316":983},{"_314":980,"_316":981},{"_314":978,"_316":979},{"_314":976,"_316":977},"#ece7df",0.1332,"#4a4641",0.1923,"#9b948a",0.2075,"#c8c0b5",0.2218,"#716c64",0.2452,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-academy-of-baccio-bandinelli-aic-273081","The Academy of Baccio Bandinelli",{"_42":1041,"_221":1042,"_328":1043,"_330":331,"_332":516,"_334":1044,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1544/50, printed c. 1560s","Engraving in black on cream laid paper","Sheet: 77.8 × 111.3 cm (30 5/8 × 43 13/16 in.)",111,77,1.5323995472552348,[1026,1027,1028,1029,1030],{"_220":377,"_221":378,"_42":379,"_307":380},"2024.154","Enea Vico made this in 1544/50, printed c. 1560s, aged about 21. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_295":1023,"_297":1024,"_299":1025},"https://img.ochreeditions.com/m/442.jpg?dl=1","/art/the-academy-of-baccio-bandinelli-aic-273081","/galleries/style/renaissance/the-academy-of-baccio-bandinelli-aic-273081",{"_291":292,"_293":294},{"_224":1018,"_125":1019,"_285":1020},{"_275":1015,"_277":1016,"_279":1000,"_281":1017},135,96.43541685901579,72.43541685901579,{"_287":224,"_123":1021,"_154":1022,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-enea-vico","Enea Vico's contemporaries","https://img.ochreeditions.com/a/442/480.jpg","https://img.ochreeditions.com/a/442/960.jpg","https://img.ochreeditions.com/a/442/1920.jpg",{"_314":1039,"_316":1040},{"_314":1037,"_316":1038},{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},"#e2d0c0",0.0759,"#af9e8f",0.1376,"#897c6f",0.2188,"#554d45",0.279,"#6e6459",0.2887,"Enea Vico","enea-vico","Italian, 1523–1567",1567,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":1091,"_221":1092,"_328":989,"_330":989,"_332":-5,"_334":1093,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1544","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[1076,1077,1078,1079,1080],{"_220":377,"_221":378,"_42":379,"_307":380},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.",{"_295":1073,"_297":1074,"_299":1075},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_291":492,"_293":493},{"_224":1066,"_125":1067,"_285":1068},{"_275":489,"_277":1064,"_279":1050,"_281":1065},63.08637012060692,48.08637012060692,{"_287":224,"_123":1071,"_154":1072,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":1069,"_154":1070,"_140":408},"era/16-germany","16th-century Germany","artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_314":1089,"_316":1090},{"_314":1087,"_316":1088},{"_314":1085,"_316":1086},{"_314":1083,"_316":1084},{"_314":1081,"_316":1082},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus",1553,"the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","The Circumcision of Christ, from The Life of the Virgin",{"_42":1142,"_221":1143,"_328":1144,"_330":989,"_332":1145,"_334":1146,"_336":1147,"_338":1147,"_340":1148,"_140":89},"c. 1505, published 1511","Woodcut in black on tan laid paper","Image: 29.8 × 20.9 cm (11 3/4 × 8 1/4 in.); Sheet: 43.3 × 30.2 cm (17 1/16 × 11 15/16 in.)",20,29,0.7032694690687256,[1127,1128,1129,1130,1131],{"_220":377,"_221":378,"_42":379,"_307":380},"1927.2895","Albrecht Dürer made this in about 1505, published 1511, aged 34. It is now at the Art Institute of Chicago.","The infant Christ is brought for circumcision, the rite performed on the eighth day after birth, in a scene from Dürer’s Life of the Virgin, a series of twenty woodcuts.","A work made of woodcut in black on tan laid paper.",{"_295":1124,"_297":1125,"_299":1126},"https://img.ochreeditions.com/m/145.jpg?dl=1","/art/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925","/galleries/style/renaissance/the-circumcision-of-christ-from-the-life-of-the-virgin-aic-43925",{"_291":292,"_293":294},{"_224":1119,"_125":1120,"_285":1121},{"_275":1116,"_277":1117,"_279":1118,"_281":1101},44.39481460299304,53,20.39481460299304,{"_287":224,"_123":1122,"_154":1123,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":1069,"_154":1070,"_140":408},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/145/480.jpg","https://img.ochreeditions.com/a/145/960.jpg","https://img.ochreeditions.com/a/145/1920.jpg",{"_314":1140,"_316":1141},{"_314":1138,"_316":1139},{"_314":1136,"_316":1137},{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},"#5d544b",0.0802,"#9b8977",0.1226,"#c0a78e",0.1486,"#7d6f62",0.159,"#d8bea4",0.4896,"Albrecht Dürer","albrecht-durer","German, 1471–1528",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.",{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","d22c4d3d0dfaaac058691d2a8ee5c362778661e2","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]