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It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":401,"_312":402},{"_310":399,"_312":400},{"_310":397,"_312":398},{"_310":395,"_312":396},{"_310":393,"_312":394},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","saint-anthony-abbot-aic-129756","Saint Anthony Abbot",{"_42":460,"_222":461,"_324":462,"_326":463,"_328":464,"_330":465,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1440–41","Tempera on panel","39.4 × 14 cm (15 1/2 × 5 1/2 in.); Framed: 70.5 × 42.6 × 7 cm (27 3/4 × 16 3/4 × 2 3/4 in.)",39,0.389749585891065,[445,446,447,448,449],{"_221":300,"_222":301,"_42":302,"_303":304},"2001.329","Fra Angelico painted this in 1440–41, aged about 40. It is now at the Art Institute of Chicago.",{"_118":443,"_382":444},"A work made of tempera on panel.",{"_294":440,"_296":441,"_298":442},"https://img.ochreeditions.com/m/311.jpg?dl=1","/art/saint-anthony-abbot-aic-129756","/galleries/style/renaissance/saint-anthony-abbot-aic-129756",{"_290":291,"_292":293},{"_225":435,"_125":436,"_284":437},{"_275":432,"_277":433,"_279":434,"_280":417},30.200233849751534,54,15.200233849751536,{"_286":225,"_123":438,"_154":439,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fra-angelico","Fra Angelico's contemporaries","https://img.ochreeditions.com/a/311/480.jpg","https://img.ochreeditions.com/a/311/960.jpg","https://img.ochreeditions.com/a/311/1920.jpg","Fra Angelico became a Dominican friar early in his painting career.","Text from the Art Institute of Chicago.",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#724d2b",0.1119,"#847a74",0.1363,"#25211c",0.2006,"#4e341e",0.2306,"#9a7242",0.3206,"Fra Angelico","fra-angelico","Guido di Pietro; Italian, c. 1395/1400–1455","Guido di Pietro; Italian",1400,1455,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","Unrecorded Italian maker","c. 1500","oil on wood","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[498,499,500,501,502],{"_221":384,"_222":385,"_42":386,"_303":387},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_294":495,"_296":496,"_298":497},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_290":291,"_292":293},{"_225":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":489,"_280":473},44.41617647058824,56.5,29.416176470588237,{"_286":225,"_123":493,"_154":494,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":567,"_222":568,"_324":569,"_326":327,"_328":570,"_330":571,"_332":-5,"_333":-5,"_334":-5,"_140":103},"mid-1500s","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[552,553,554,555,556],{"_221":384,"_222":385,"_42":386,"_303":387},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":551,"_382":383},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_290":291,"_292":293},{"_225":537,"_125":538,"_284":539},{"_275":534,"_277":535,"_279":536,"_280":519},78.02223529411765,107.4,63.02223529411765,{"_286":225,"_123":546,"_154":547,"_140":89},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":540,"_154":541,"_140":542},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":618,"_222":619,"_324":620,"_326":327,"_328":621,"_330":622,"_332":623,"_333":623,"_334":624,"_140":97},"1455–60","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[603,604,605,606,607],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.",{"_294":600,"_296":601,"_298":602},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_290":291,"_292":293},{"_225":595,"_125":596,"_284":597},{"_275":592,"_277":593,"_279":594,"_280":578},49.60512419323294,83,34.60512419323294,{"_286":225,"_123":598,"_154":599,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","the-power-of-women-samson-and-delilah-cma-114942","The Power of Women: Samson and Delilah",{"_42":681,"_222":682,"_324":683,"_326":684,"_328":685,"_330":686,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1512","netherlands","print","Print","woodcut","Image: 41.1 x 28.7 cm (16 3/16 x 11 5/16 in.)",28.7,41.1,0.7105882352941176,[666,667,668,669,670],{"_221":384,"_222":385,"_42":386,"_303":387},"1935.117","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":665,"_382":383},"The Power of Women: Samson and Delilah, by Lucas van Leyden, c. 1512",{"_294":662,"_296":663,"_298":664},"https://img.ochreeditions.com/m/531.jpg?dl=1","/art/the-power-of-women-samson-and-delilah-cma-114942","/galleries/style/renaissance/the-power-of-women-samson-and-delilah-cma-114942",{"_290":376,"_292":377},{"_225":653,"_125":654,"_284":655},{"_275":650,"_277":651,"_279":652,"_280":635},53.205176470588235,65.1,29.205176470588235,{"_286":225,"_123":660,"_154":661,"_140":89},{"_286":125,"_123":658,"_154":659,"_140":433},{"_286":284,"_123":656,"_154":657,"_140":373},"era/16-netherlands","16th-century Netherlands","style/print-16","More prints of the 16th century","artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/531/960.jpg","https://img.ochreeditions.com/a/531/1920.jpg","The publication of Albrecht Dürer's three impressive woodcut series in 1511— The Large Passion , The Apocalypse , and The Life of the Virgin —had an immediate impact on Northern painters such as Lucas.",{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},"#d5cec7",0.1488,"#484743",0.1552,"#6a6761",0.1787,"#aea79d",0.2456,"#8c877f",0.2717,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":734,"_222":735,"_324":736,"_326":327,"_328":737,"_330":738,"_332":739,"_333":739,"_334":740,"_140":97},"1525–28","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[719,720,721,722,723],{"_221":300,"_222":301,"_42":302,"_303":304},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_294":716,"_296":717,"_298":718},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_290":291,"_292":293},{"_225":711,"_125":712,"_284":713},{"_275":707,"_277":708,"_279":709,"_280":710},40,34.557791728212706,25,19.557791728212703,{"_286":225,"_123":714,"_154":715,"_140":97},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":540,"_154":541,"_140":542},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":322,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":95},1.7202205158495767,[763,764,765,766,767],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1026",{"_294":760,"_296":761,"_298":762},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_290":291,"_292":293},{"_225":757,"_125":758,"_284":759},{"_275":276,"_277":755,"_279":243,"_280":756},41.74075769715005,26.740757697150052,{"_286":225,"_123":171,"_154":170,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_310":776,"_312":777},{"_310":774,"_312":775},{"_310":772,"_312":773},{"_310":770,"_312":771},{"_310":768,"_312":769},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"battle-of-the-nudes-cma-143142","Battle of the Nudes",{"_42":829,"_222":830,"_324":831,"_326":327,"_328":832,"_330":833,"_332":739,"_333":834,"_334":-5,"_140":101},"1470s–80s","engraving","Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.); Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.)",60.4,42,1.4358108108108107,[814,815,816,817,818],{"_221":384,"_222":385,"_42":386,"_303":387},"1967.127","Antonio Pollaiuolo made this in the 1470s–80s, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":813,"_382":383},"Battle of the Nudes, by Antonio Pollaiuolo, 1470s–80s",{"_294":810,"_296":811,"_298":812},"https://img.ochreeditions.com/m/663.jpg?dl=1","/art/battle-of-the-nudes-cma-143142","/galleries/style/renaissance/battle-of-the-nudes-cma-143142",{"_290":376,"_292":377},{"_225":803,"_125":804,"_284":805},{"_275":800,"_277":801,"_279":784,"_280":802},84.4,66.06682352941176,42.066823529411764,{"_286":225,"_123":808,"_154":809,"_140":89},{"_286":125,"_123":806,"_154":807,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-15","More prints of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/663/480.jpg","https://img.ochreeditions.com/a/663/960.jpg","https://img.ochreeditions.com/a/663/1920.jpg","This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Antonio del Pollaiuolo’s grimacing warriors appear like clones in different poses.",{"_310":827,"_312":828},{"_310":825,"_312":826},{"_310":823,"_312":824},{"_310":821,"_312":822},{"_310":819,"_312":820},"#dbcebb",0.0587,"#bcac97",0.1708,"#847764",0.2076,"#968874",0.2747,"#a99984",0.2882,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"Rome","virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","c. 1510","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[865,866,867,868,869],{"_221":384,"_222":385,"_42":386,"_303":387},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":864,"_382":383},"Virgin and Child with Saints, c. 1510",{"_294":861,"_296":862,"_298":863},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_290":291,"_292":293},{"_225":858,"_125":859,"_284":860},{"_275":855,"_277":856,"_279":839,"_280":857},133.7,91.77097058823529,76.77097058823529,{"_286":225,"_123":493,"_154":494,"_140":77},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":540,"_154":541,"_140":542},"https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"the-baptism-of-christ-aic-16197","The Baptism of Christ",{"_42":322,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":95},"27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)",1.70421710269426,[904,905,906,907,908],{"_221":300,"_222":301,"_42":302,"_303":304},"1933.1023","Christ stands in the river Jordan as John the Baptist pours water over his head, with angels in attendance and a serene landscape of feathery trees stretching into the distance.",{"_294":901,"_296":902,"_298":903},"https://img.ochreeditions.com/m/44.jpg?dl=1","/art/the-baptism-of-christ-aic-16197","/galleries/style/renaissance/the-baptism-of-christ-aic-16197",{"_290":291,"_292":293},{"_225":898,"_125":899,"_284":900},{"_275":276,"_277":896,"_279":243,"_280":897},41.99186619314927,26.99186619314927,{"_286":225,"_123":171,"_154":170,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/44/480.jpg","https://img.ochreeditions.com/a/44/960.jpg","https://img.ochreeditions.com/a/44/1920.jpg",{"_310":917,"_312":918},{"_310":915,"_312":916},{"_310":913,"_312":914},{"_310":911,"_312":912},{"_310":909,"_312":910},"#804c41",0.0407,"#754a1e",0.1394,"#5b6a5f",0.234,"#807253",0.2632,"#57462d",0.3227,"a-naval-battle-aic-273340","A Naval Battle",{"_42":964,"_222":965,"_324":327,"_326":327,"_328":-5,"_330":966,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",1.3656927426955703,[949,950,951,952,953],{"_221":300,"_222":301,"_42":302,"_303":304},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_294":946,"_296":947,"_298":948},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_290":376,"_292":377},{"_225":941,"_125":942,"_284":943},{"_275":938,"_277":939,"_279":577,"_280":940},60,50.36024844720497,26.360248447204967,{"_286":225,"_123":944,"_154":945,"_140":89},{"_286":125,"_123":658,"_154":659,"_140":433},{"_286":284,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_310":962,"_312":963},{"_310":960,"_312":961},{"_310":958,"_312":959},{"_310":956,"_312":957},{"_310":954,"_312":955},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"virgin-and-child-cma-97177","Virgin and Child",{"_42":1013,"_222":1014,"_324":1015,"_326":327,"_328":1016,"_330":1017,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1500s","Framed: 86 x 74 x 8 cm (33 7/8 x 29 1/8 x 3 1/8 in.); Unframed: 55.5 x 42.7 cm (21 7/8 x 16 13/16 in.)",42.7,55.5,0.7470588235294118,[998,999,1000,1001,1002],{"_221":384,"_222":385,"_42":386,"_303":387},"1916.812","Bernardino Luini painted this in the 1500s, aged about 20. It is now at the Cleveland Museum of Art.","Virgin and Child, by Bernardino Luini, 1500s",{"_294":995,"_296":996,"_298":997},"https://img.ochreeditions.com/m/486.jpg?dl=1","/art/virgin-and-child-cma-97177","/galleries/style/renaissance/virgin-and-child-cma-97177",{"_290":291,"_292":293},{"_225":990,"_125":991,"_284":992},{"_275":987,"_277":988,"_279":989,"_280":973},56.46176470588235,70.5,41.46176470588235,{"_286":225,"_123":993,"_154":994,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/486/480.jpg","https://img.ochreeditions.com/a/486/960.jpg","https://img.ochreeditions.com/a/486/1920.jpg",{"_310":1011,"_312":1012},{"_310":1009,"_312":1010},{"_310":1007,"_312":1008},{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},"#571b1d",0.0462,"#674937",0.1302,"#93715c",0.1322,"#3a2b25",0.2256,"#1c1d17",0.4658,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"the-dead-christ-with-angels-cma-97170","The Dead Christ with Angels",{"_42":1067,"_222":1068,"_324":1069,"_326":327,"_328":1070,"_330":1071,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1580","oil on canvas","Framed: 157 x 129.5 x 13 cm (61 13/16 x 51 x 5 1/8 in.); Unframed: 123.3 x 96.5 cm (48 9/16 x 38 in.)",96.5,123.3,0.7814705882352941,[1052,1053,1054,1055,1056],{"_221":384,"_222":385,"_42":386,"_303":387},"1916.806","Leandro Bassano painted this in about 1580, aged about 18. It is now at the Cleveland Museum of Art.",{"_118":1051,"_382":383},"The Dead Christ with Angels, by Leandro Bassano, c. 1580",{"_294":1048,"_296":1049,"_298":1050},"https://img.ochreeditions.com/m/485.jpg?dl=1","/art/the-dead-christ-with-angels-cma-97170","/galleries/style/renaissance/the-dead-christ-with-angels-cma-97170",{"_290":291,"_292":293},{"_225":1043,"_125":1044,"_284":1045},{"_275":1040,"_277":1041,"_279":1042,"_280":1025},111.35532352941176,138.3,96.35532352941176,{"_286":225,"_123":1046,"_154":1047,"_140":89},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-leandro-bassano","Leandro Bassano's contemporaries","https://img.ochreeditions.com/a/485/480.jpg","https://img.ochreeditions.com/a/485/960.jpg","https://img.ochreeditions.com/a/485/1920.jpg","In this scene, two angels are shown attending to the body of Christ after his death. The artist, Leandro Bassano, came from a family of painters—both his father and grandfather were artists, as were his brothers, Francesco and Gerolamo.",{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},{"_310":1057,"_312":1058},"#8f7156",0.1206,"#c2ac8f",0.1303,"#747d73",0.1528,"#564a3c",0.1756,"#2f2820",0.4207,"Leandro Bassano","leandro-bassano","Italian, 1557–1623",1557,1623,"holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":1120,"_222":1121,"_324":1122,"_326":327,"_328":1123,"_330":1124,"_332":-5,"_333":-5,"_334":-5,"_140":103},"early 1520s","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[1105,1106,1107,1108,1109],{"_221":384,"_222":385,"_42":386,"_303":387},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":1104,"_382":383},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_294":1101,"_296":1102,"_298":1103},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_290":291,"_292":293},{"_225":1096,"_125":1097,"_284":1098},{"_275":1093,"_277":1094,"_279":1095,"_280":1078},47.45108823529412,53.7,32.45108823529412,{"_286":225,"_123":1099,"_154":1100,"_140":89},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":540,"_154":541,"_140":542},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","6e9f797667f78ebdd58c9ff95eb2ad885cda9caf","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},{"_222":1153,"_20":1154},{"_222":1151,"_20":1152},{"_222":1149,"_20":1150},{"_222":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]