[{"_1":2,"_3":4},"root",{"_5":1150},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Renaissance, in the galleries · Ochre Editions","description","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/ornament-in-hexagonal-shape-nga-9484",15,"https://www.ochreeditions.com/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",14,"https://www.ochreeditions.com/art/the-holy-family-with-saint-elizabeth-cma-112099",13,"https://www.ochreeditions.com/art/portrait-of-a-young-man-cma-97167",12,"https://www.ochreeditions.com/art/francesco-sforza-nga-1141",11,"https://www.ochreeditions.com/art/arm-of-eve-cma-141931",10,"https://www.ochreeditions.com/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",9,"https://www.ochreeditions.com/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",8,"https://www.ochreeditions.com/art/portrait-of-vincenzo-guarignoni-cma-137135",7,"https://www.ochreeditions.com/art/farmhouse-on-the-slope-of-a-hill-cma-134951",6,"https://www.ochreeditions.com/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190",5,"https://www.ochreeditions.com/art/christ-crowned-with-thorns-cma-104610",4,"https://www.ochreeditions.com/art/the-annunciation-aic-16327",3,"https://www.ochreeditions.com/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184",2,"https://www.ochreeditions.com/art/the-last-supper-cma-119622",1,"https://www.ochreeditions.com/art/venus-reclining-in-a-landscape-cma-112586","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~renaissance.d891093445.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~renaissance.d891093445.jpg","alt","Renaissance, a room in the galleries: three of its 78 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Renaissance: 78 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~renaissance.jpg","key","style/renaissance","style","Renaissance","intro","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.","wing","Style galleries","floor","layout","enfilade","hang",5117,"/galleries/style/renaissance","total",78,"page","works",[201,202,203,204,205,206,207,208,209,210,211,212,213,214,215,216],"walls",[172,173,174,175],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NTExNywiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/renaissance?hang=5117&cursor=eyJvIjoxNiwiaCI6NTExNywiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0&via=continue","label","Renaissance, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/107/480.jpg","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/598/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":77},{"_154":165,"_123":166,"_44":167,"_140":168},"15th-century Italy","era/15-italy","/galleries/era/15-italy?hang=5117&via=continue",57,"More by unrecorded makers of Italy","artist/unrecorded-italy","/galleries/artist/unrecorded-italy?hang=5117&via=continue",{"_42":195,"_177":196},{"_42":189,"_177":190},{"_42":183,"_177":184},{"_42":176,"_177":178},"Second room, north wall","work_ids",[179,180,181,182],482,526,92,1353,"Second room, south wall",[185,186,187,188],536,530,659,1321,"First room, south wall",[191,192,193,194],509,489,617,644,"First room, north wall",[197,198,199,200],527,538,133,50,{"_217":197,"_218":1098,"_20":1099,"_221":1100,"_222":-5,"_224":1101,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":397,"_236":1102,"_238":1103,"_240":1104,"_241":1105,"_243":1106,"_245":1107,"_247":404,"_249":1108,"_251":252,"_253":1109,"_154":1110,"_255":-5,"_111":1111,"_257":1112,"_259":1113,"_261":1114,"_263":1115,"_265":1116,"_144":1117,"_268":1118},{"_217":198,"_218":1051,"_20":1052,"_221":1053,"_222":-5,"_224":1054,"_226":75,"_227":228,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":1055,"_236":-5,"_238":-5,"_240":-5,"_241":1056,"_243":1057,"_245":1058,"_247":404,"_249":1059,"_251":252,"_253":1060,"_154":1061,"_255":-5,"_111":1062,"_257":1063,"_259":1064,"_261":1065,"_263":1066,"_265":1067,"_144":1068,"_268":1069},{"_217":199,"_218":1004,"_20":1005,"_221":1006,"_222":-5,"_224":1007,"_226":53,"_227":558,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":323,"_236":1008,"_238":1009,"_240":1010,"_241":1011,"_243":1012,"_245":1013,"_247":329,"_249":1014,"_251":252,"_253":1015,"_154":-5,"_255":-5,"_111":332,"_257":1016,"_259":1017,"_261":1018,"_263":1019,"_265":1020,"_144":1021,"_268":1022},{"_217":200,"_218":950,"_20":951,"_221":952,"_222":-5,"_224":953,"_226":75,"_227":624,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":323,"_236":954,"_238":200,"_240":955,"_241":956,"_243":957,"_245":958,"_247":329,"_249":959,"_251":252,"_253":960,"_154":961,"_255":-5,"_111":962,"_257":963,"_259":964,"_261":965,"_263":966,"_265":967,"_144":968,"_268":969},{"_217":191,"_218":896,"_20":897,"_221":898,"_222":-5,"_224":899,"_226":75,"_227":558,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":397,"_236":-5,"_238":-5,"_240":-5,"_241":900,"_243":901,"_245":902,"_247":404,"_249":903,"_251":252,"_253":904,"_154":905,"_255":-5,"_111":906,"_257":907,"_259":908,"_261":909,"_263":910,"_265":911,"_144":912,"_268":913},{"_217":192,"_218":843,"_20":844,"_221":845,"_222":-5,"_224":846,"_226":75,"_227":228,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":740,"_236":847,"_238":848,"_240":849,"_241":850,"_243":851,"_245":852,"_247":404,"_249":853,"_251":252,"_253":854,"_154":855,"_255":-5,"_111":856,"_257":857,"_259":858,"_261":859,"_263":860,"_265":861,"_144":862,"_268":863},{"_217":193,"_218":789,"_20":790,"_221":791,"_222":-5,"_224":792,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":559,"_232":560,"_234":793,"_236":794,"_238":795,"_240":796,"_241":797,"_243":798,"_245":799,"_247":404,"_249":800,"_251":252,"_253":801,"_154":802,"_255":-5,"_111":803,"_257":804,"_259":805,"_261":806,"_263":807,"_265":808,"_144":809,"_268":810},{"_217":194,"_218":736,"_20":737,"_221":738,"_222":-5,"_224":739,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":740,"_236":741,"_238":742,"_240":743,"_241":744,"_243":745,"_245":746,"_247":404,"_249":747,"_251":252,"_253":748,"_154":749,"_255":-5,"_111":750,"_257":751,"_259":752,"_261":753,"_263":754,"_265":755,"_144":756,"_268":757},{"_217":185,"_218":679,"_20":680,"_221":681,"_222":-5,"_224":682,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":559,"_232":560,"_234":683,"_236":684,"_238":685,"_240":686,"_241":687,"_243":688,"_245":689,"_247":404,"_249":690,"_251":252,"_253":691,"_154":692,"_255":-5,"_111":693,"_257":694,"_259":695,"_261":696,"_263":697,"_265":698,"_144":699,"_268":700},{"_217":186,"_218":620,"_20":621,"_221":622,"_222":-5,"_224":623,"_226":53,"_227":624,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":625,"_236":-5,"_238":-5,"_240":-5,"_241":626,"_243":627,"_245":628,"_247":404,"_249":629,"_251":252,"_253":630,"_154":631,"_255":-5,"_111":632,"_257":633,"_259":634,"_261":635,"_263":636,"_265":637,"_144":638,"_268":639},{"_217":187,"_218":554,"_20":555,"_221":556,"_222":-5,"_224":557,"_226":53,"_227":558,"_229":230,"_125":-5,"_28":559,"_232":560,"_234":561,"_236":562,"_238":563,"_240":564,"_241":565,"_243":566,"_245":567,"_247":404,"_249":568,"_251":252,"_253":569,"_154":570,"_255":-5,"_111":571,"_257":572,"_259":573,"_261":574,"_263":575,"_265":576,"_144":577,"_268":578},{"_217":188,"_218":507,"_20":508,"_221":-5,"_222":223,"_224":509,"_226":75,"_227":228,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":510,"_236":511,"_238":512,"_240":513,"_241":514,"_243":515,"_245":516,"_247":248,"_249":517,"_251":252,"_253":518,"_154":-5,"_255":-5,"_111":519,"_257":520,"_259":521,"_261":522,"_263":523,"_265":524,"_144":525,"_268":526},{"_217":179,"_218":453,"_20":454,"_221":455,"_222":-5,"_224":456,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":457,"_236":458,"_238":459,"_240":460,"_241":461,"_243":462,"_245":463,"_247":404,"_249":464,"_251":252,"_253":465,"_154":466,"_255":-5,"_111":467,"_257":468,"_259":469,"_261":470,"_263":471,"_265":472,"_144":473,"_268":474},{"_217":180,"_218":393,"_20":394,"_221":395,"_222":-5,"_224":396,"_226":75,"_227":228,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":397,"_236":398,"_238":399,"_240":400,"_241":401,"_243":402,"_245":403,"_247":404,"_249":405,"_251":252,"_253":406,"_154":407,"_255":-5,"_111":408,"_257":409,"_259":410,"_261":411,"_263":412,"_265":413,"_144":414,"_268":415},{"_217":181,"_218":317,"_20":318,"_221":319,"_222":-5,"_224":320,"_226":53,"_227":228,"_229":230,"_125":-5,"_28":321,"_232":322,"_234":323,"_236":324,"_238":75,"_240":325,"_241":326,"_243":327,"_245":328,"_247":329,"_249":330,"_251":252,"_253":331,"_154":-5,"_255":-5,"_111":332,"_257":333,"_259":334,"_261":335,"_263":336,"_265":337,"_144":338,"_268":339},{"_217":182,"_218":219,"_20":220,"_221":-5,"_222":223,"_224":225,"_226":75,"_227":228,"_229":230,"_125":-5,"_28":231,"_232":233,"_234":235,"_236":237,"_238":239,"_240":101,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_154":-5,"_255":-5,"_111":256,"_257":258,"_259":260,"_261":262,"_263":264,"_265":266,"_144":267,"_268":269},"id","slug","ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","artist","unrecorded","Unrecorded Italian maker","date","c. 1480/1510","century","place","italy","movement","renaissance","print","classification","Print","medium","niello print","dimensions","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)","width_cm",4.3,"height_cm","aspect",2.1132254995242628,"palette",[300,301,302,303,304],"museum",{"_217":295,"_218":296,"_42":297,"_298":299},"credit","Courtesy National Gallery of Art, Washington","accession","1943.3.6690","licence","CC0","story","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","note","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.","images",{"_289":290,"_291":292,"_293":294},"download_url","https://img.ochreeditions.com/m/1353.jpg?dl=1","page_url","/art/ornament-in-hexagonal-shape-nga-9484","walk_url","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484","frame",{"_285":286,"_287":288},{"_221":278,"_125":279,"_280":281},"size",{"_270":271,"_272":273,"_274":275,"_276":277},"w",49,"h",35.83025664115263,"image_w",25,"image_h",11.830256641152634,{"_282":221,"_123":170,"_154":169,"_140":77},{"_282":125,"_123":283,"_154":284,"_140":53},"era",{"_282":280,"_123":166,"_154":165,"_140":168},"facet","style/print-15","More prints of the 15th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1353/480.jpg","960","https://img.ochreeditions.com/a/1353/960.jpg","1920","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_305":315,"_307":316},{"_305":313,"_307":314},{"_305":311,"_307":312},{"_305":309,"_307":310},{"_305":306,"_307":308},"hex","#786a59","weight",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":378,"_218":379,"_380":381,"_382":383,"_384":385,"_386":387,"_388":389,"_390":389,"_391":392,"_140":97},"1525–28","painting","Painting","Oil on panel","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",22,1.2782629218786878,[363,364,365,366,367],{"_217":359,"_218":360,"_42":361,"_298":362},"Courtesy of the Art Institute of Chicago","1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_289":356,"_291":357,"_293":358},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_285":354,"_287":355},{"_221":343,"_125":344,"_280":345},{"_270":340,"_272":341,"_274":275,"_276":342},40,34.557791728212706,19.557791728212703,{"_282":221,"_123":352,"_154":353,"_140":97},{"_282":125,"_123":349,"_154":350,"_140":351},{"_282":280,"_123":346,"_154":347,"_140":348},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/andrea-del-sarto","More by Andrea del Sarto","natural","ivory","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_305":376,"_307":377},{"_305":374,"_307":375},{"_305":372,"_307":373},{"_305":370,"_307":371},{"_305":368,"_307":369},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","bio","Italian, 1486–1530","nationality","Italian","birth_year",1486,"death_year",1530,"birth_place","Florence","death_place","about_excerpt","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":448,"_218":449,"_380":450,"_382":383,"_384":451,"_386":452,"_388":-5,"_390":-5,"_391":-5,"_140":101},"c. 1503","engraving","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[433,434,435,436,437],{"_217":429,"_218":430,"_42":431,"_298":432},"Courtesy of the Cleveland Museum of Art","1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":426,"_427":428},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_289":423,"_291":424,"_293":425},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_285":286,"_287":288},{"_221":418,"_125":419,"_280":420},{"_270":271,"_272":416,"_274":275,"_276":417},44.26470588235294,20.264705882352942,{"_282":221,"_123":421,"_154":422,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":53},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_305":446,"_307":447},{"_305":444,"_307":445},{"_305":442,"_307":443},{"_305":440,"_307":441},{"_305":438,"_307":439},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e",0.22,"#676359",0.2572,"#837e71",0.317,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,1520,"portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":502,"_218":503,"_380":504,"_382":383,"_384":505,"_386":506,"_388":-5,"_390":-5,"_391":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[487,488,489,490,491],{"_217":429,"_218":430,"_42":431,"_298":432},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":486,"_427":428},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_289":483,"_291":484,"_293":485},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_285":354,"_287":355},{"_221":478,"_125":479,"_280":480},{"_270":475,"_272":476,"_274":477,"_276":460},91.61647058823529,112.2,76.61647058823529,{"_282":221,"_123":481,"_154":482,"_140":89},{"_282":125,"_123":349,"_154":350,"_140":351},{"_282":280,"_123":346,"_154":347,"_140":348},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_305":500,"_307":501},{"_305":498,"_307":499},{"_305":496,"_307":497},{"_305":494,"_307":495},{"_305":492,"_307":493},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1490,1541,"francesco-sforza-nga-1141","Francesco Sforza","probably c. 1480/1500","oil on panel","painted surface: 69.5 x 59.5 cm (27 3/8 x 23 7/16 in.) overall (with backing, collar, and cradle): 72.4 x 62.1 cm (28 1/2 x 24 7/16 in.) framed: 103.5 x 92.7 x 8.9 cm (40 3/4 x 36 1/2 x 3 1/2 in.)",59.5,69.5,0.8447265625,[539,540,541,542,543],{"_217":295,"_218":296,"_42":297,"_298":299},"1942.9.4","An unrecorded North Italian artist painted this (probably c. 1480/1500). It is now at the National Gallery of Art in Washington, DC.","This painting shows an upper-body portrait of a man in a three-quarter view, turned to the left. He has a prominent double chin, a slightly furrowed brow, thin lips, and a serious expression. He has pale yellow skin and short, dark hair, and he wears a large, red hat. He is clad in silver armor with red straps on his shoulder and chest. The background is a simple, dark green color.",{"_289":536,"_291":537,"_293":538},"https://img.ochreeditions.com/m/1321.jpg?dl=1","/art/francesco-sforza-nga-1141","/galleries/style/renaissance/francesco-sforza-nga-1141",{"_285":354,"_287":355},{"_221":530,"_125":531,"_280":532},{"_270":527,"_272":528,"_274":529,"_276":513},73.70849609375,84.5,58.70849609375,{"_282":221,"_123":170,"_154":169,"_140":77},{"_282":125,"_123":533,"_154":534,"_140":535},{"_282":280,"_123":166,"_154":165,"_140":168},"style/painting-15","More paintings of the 15th century",73,"https://img.ochreeditions.com/a/1321/480.jpg","https://img.ochreeditions.com/a/1321/960.jpg","https://img.ochreeditions.com/a/1321/1920.jpg",{"_305":552,"_307":553},{"_305":550,"_307":551},{"_305":548,"_307":549},{"_305":546,"_307":547},{"_305":544,"_307":545},"#b53305",0.0883,"#c38116",0.1007,"#866917",0.1432,"#524418",0.1453,"#243021",0.5225,"arm-of-eve-cma-141931","Arm of Eve",{"_42":612,"_218":613,"_380":614,"_382":615,"_384":616,"_386":617,"_388":618,"_390":618,"_391":619,"_140":89},"1507","germany","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[597,598,599,600,601],{"_217":429,"_218":430,"_42":431,"_298":432},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":596,"_427":428},"Arm of Eve, by Albrecht Dürer, 1507",{"_289":593,"_291":594,"_293":595},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_285":286,"_287":288},{"_221":582,"_125":583,"_280":584},{"_270":579,"_272":580,"_274":581,"_276":564},51.509882352941176,58.4,27.509882352941176,{"_282":221,"_123":591,"_154":592,"_140":89},{"_282":125,"_123":588,"_154":589,"_140":590},{"_282":280,"_123":585,"_154":586,"_140":587},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_305":610,"_307":611},{"_305":608,"_307":609},{"_305":606,"_307":607},{"_305":604,"_307":605},{"_305":602,"_307":603},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","The Power of Women: The Poet Virgil Suspended in a Basket",{"_42":673,"_218":674,"_380":675,"_382":676,"_384":677,"_386":678,"_388":-5,"_390":-5,"_391":-5,"_140":101},"c. 1512","netherlands","woodcut",0.6988235294117647,[658,659,660,661,662],{"_217":429,"_218":430,"_42":431,"_298":432},"1935.116","Lucas van Leyden made this in about 1512, aged about 13. It is now at the Cleveland Museum of Art.",{"_118":657,"_427":428},"The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512",{"_289":654,"_291":655,"_293":656},"https://img.ochreeditions.com/m/530.jpg?dl=1","/art/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941","/galleries/style/renaissance/the-power-of-women-the-poet-virgil-suspended-in-a-basket-cma-114941",{"_285":286,"_287":288},{"_221":644,"_125":645,"_280":646},{"_270":640,"_272":641,"_274":642,"_276":643},65.92941176470589,84,41.92941176470588,60,{"_282":221,"_123":652,"_154":653,"_140":89},{"_282":125,"_123":649,"_154":650,"_140":651},{"_282":280,"_123":647,"_154":648,"_140":590},"era/16-netherlands","16th-century Netherlands","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-lucas-van-leyden","Lucas van Leyden's contemporaries","https://img.ochreeditions.com/a/530/480.jpg","https://img.ochreeditions.com/a/530/960.jpg","https://img.ochreeditions.com/a/530/1920.jpg","This woodcut is from a series depicting the power of women, a popular early 16th-century theme. The series highlights a woman’s capacity to use beauty, charm, and ruse to thwart even the cleverest men. Here, Van Leyden illustrated the cunning of the Roman emperor’s daughter.",{"_305":671,"_307":672},{"_305":669,"_307":670},{"_305":667,"_307":668},{"_305":665,"_307":666},{"_305":663,"_307":664},"#615e55",0.1094,"#d1c7b8",0.1323,"#817b6f",0.2264,"#b3aa9b",0.2646,"#9c9486",0.2673,"Lucas van Leyden","lucas-van-leyden","Netherlandish, 1494–about 1533","Netherlandish",1494,1533,"study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)",{"_42":729,"_218":730,"_380":731,"_382":383,"_384":732,"_386":733,"_388":734,"_390":735,"_391":-5,"_140":101},"1510–11","red chalk over black chalk or charcoal","Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)",24.3,34.3,0.5841176470588235,[714,715,716,717,718],{"_217":429,"_218":430,"_42":431,"_298":432},"1940.465","Michelangelo Buonarroti drew this in 1510–11, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":713,"_427":428},"Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), by Michelangelo Buonarroti, 1510–11",{"_289":710,"_291":711,"_293":712},"https://img.ochreeditions.com/m/536.jpg?dl=1","/art/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614","/galleries/style/renaissance/study-for-the-nude-youth-over-the-prophet-daniel-recto-figur-cma-119614",{"_285":286,"_287":288},{"_221":705,"_125":706,"_280":707},{"_270":701,"_272":702,"_274":703,"_276":704},46.064818550059705,61.774613831924974,22.064818550059705,37.774613831924974,{"_282":221,"_123":708,"_154":709,"_140":89},{"_282":125,"_123":588,"_154":589,"_140":590},{"_282":280,"_123":346,"_154":347,"_140":348},"artist/contemporaries-of-michelangelo-buonarroti","Michelangelo Buonarroti's contemporaries","https://img.ochreeditions.com/a/536/480.jpg","https://img.ochreeditions.com/a/536/960.jpg","https://img.ochreeditions.com/a/536/1920.jpg","Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel.",{"_305":727,"_307":728},{"_305":725,"_307":726},{"_305":723,"_307":724},{"_305":721,"_307":722},{"_305":719,"_307":720},"#e3d7c5",0.0528,"#cd926c",0.0752,"#d0ab85",0.1769,"#fcfcfa",0.1981,"#d4bb98",0.497,"Michelangelo Buonarroti","michelangelo-buonarroti","Italian, 1475–1564",1475,1564,"Caprese","Rome","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":784,"_218":785,"_380":786,"_382":383,"_384":787,"_386":788,"_388":-5,"_390":-5,"_391":-5,"_140":103},"c. 1572","oil on canvas","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[769,770,771,772,773],{"_217":429,"_218":430,"_42":431,"_298":432},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":768,"_427":428},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_289":765,"_291":766,"_293":767},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_285":354,"_287":355},{"_221":760,"_125":761,"_280":762},{"_270":758,"_272":138,"_274":759,"_276":743},66.3820588235294,51.38205882352941,{"_282":221,"_123":763,"_154":764,"_140":89},{"_282":125,"_123":349,"_154":350,"_140":351},{"_282":280,"_123":346,"_154":347,"_140":348},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_305":782,"_307":783},{"_305":780,"_307":781},{"_305":778,"_307":779},{"_305":776,"_307":777},{"_305":774,"_307":775},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,"farmhouse-on-the-slope-of-a-hill-cma-134951","Farmhouse on the Slope of a Hill",{"_42":838,"_218":839,"_380":840,"_382":383,"_384":841,"_386":842,"_388":-5,"_390":-5,"_391":-5,"_140":103},"c. 1508","pen and brown ink","Sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)",29.4,22.3,1.2786761940579165,[823,824,825,826,827],{"_217":429,"_218":430,"_42":431,"_298":432},"1957.498","Fra Bartolommeo drew this in about 1508, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":822,"_427":428},"Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508",{"_289":819,"_291":820,"_293":821},"https://img.ochreeditions.com/m/617.jpg?dl=1","/art/farmhouse-on-the-slope-of-a-hill-cma-134951","/galleries/style/renaissance/farmhouse-on-the-slope-of-a-hill-cma-134951",{"_285":286,"_287":288},{"_221":814,"_125":815,"_280":816},{"_270":811,"_272":812,"_274":795,"_276":813},53.4,46.99252941176471,22.992529411764703,{"_282":221,"_123":817,"_154":818,"_140":89},{"_282":125,"_123":588,"_154":589,"_140":590},{"_282":280,"_123":346,"_154":347,"_140":348},"artist/contemporaries-of-fra-bartolommeo","Fra Bartolommeo's contemporaries","https://img.ochreeditions.com/a/617/480.jpg","https://img.ochreeditions.com/a/617/960.jpg","https://img.ochreeditions.com/a/617/1920.jpg","This is a significant early example of pure landscape drawing in Europe, as it is dedicated completely to the depiction of nature for its own sake, without suggestion of a biblical or historical narrative.",{"_305":836,"_307":837},{"_305":834,"_307":835},{"_305":832,"_307":833},{"_305":830,"_307":831},{"_305":828,"_307":829},"#9d8163",0.0897,"#b89c7b",0.1328,"#cdb596",0.1622,"#dec8aa",0.2434,"#ead9bc",0.3719,"Fra Bartolommeo","fra-bartolommeo","Italian, 1472–1517",1472,1517,"salome-with-the-head-of-saint-john-the-baptist-cma-97190","Salome with the Head of Saint John the Baptist",{"_42":891,"_218":892,"_380":893,"_382":383,"_384":894,"_386":895,"_388":-5,"_390":-5,"_391":-5,"_140":101},"1500s or later","Framed: 72.1 x 87 x 5.7 cm (28 3/8 x 34 1/4 x 2 1/4 in.); Unframed: 46.6 x 59.7 cm (18 3/8 x 23 1/2 in.)",59.7,46.6,1.2903225806451613,[876,877,878,879,880],{"_217":429,"_218":430,"_42":431,"_298":432},"1916.824","Bernardino Luini painted this in the 1500s or later, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":875,"_427":428},"Salome with the Head of Saint John the Baptist, by Bernardino Luini, 1500s or later",{"_289":872,"_291":873,"_293":874},"https://img.ochreeditions.com/m/489.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-97190","/galleries/style/renaissance/salome-with-the-head-of-saint-john-the-baptist-cma-97190",{"_285":354,"_287":355},{"_221":867,"_125":868,"_280":869},{"_270":864,"_272":865,"_274":848,"_276":866},74.7,61.267500000000005,46.267500000000005,{"_282":221,"_123":870,"_154":871,"_140":89},{"_282":125,"_123":533,"_154":534,"_140":535},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bernardino-luini","Bernardino Luini's contemporaries","https://img.ochreeditions.com/a/489/480.jpg","https://img.ochreeditions.com/a/489/960.jpg","https://img.ochreeditions.com/a/489/1920.jpg","Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family on an elaborate dish.",{"_305":889,"_307":890},{"_305":887,"_307":888},{"_305":885,"_307":886},{"_305":883,"_307":884},{"_305":881,"_307":882},"#948776",0.0872,"#635141",0.1138,"#633125",0.1166,"#36231c",0.2263,"#15100e",0.4561,"Bernardino Luini","bernardino-luini","Italian, c. 1480-c. 1532",1480,1532,"christ-crowned-with-thorns-cma-104610","Christ Crowned with Thorns",{"_42":942,"_218":943,"_380":944,"_382":615,"_384":945,"_386":946,"_388":947,"_390":948,"_391":949,"_140":97},"1470–82",0.7158823529411765,[927,928,929,930,931],{"_217":429,"_218":430,"_42":431,"_298":432},"1922.89","Martin Schongauer made this in 1470–82, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":926,"_427":428},"Christ Crowned with Thorns, by Martin Schongauer, 1470–82",{"_289":923,"_291":924,"_293":925},"https://img.ochreeditions.com/m/509.jpg?dl=1","/art/christ-crowned-with-thorns-cma-104610","/galleries/style/renaissance/christ-crowned-with-thorns-cma-104610",{"_285":286,"_287":288},{"_221":916,"_125":917,"_280":918},{"_270":914,"_272":641,"_274":915,"_276":643},66.95294117647059,42.95294117647059,{"_282":221,"_123":921,"_154":922,"_140":97},{"_282":125,"_123":283,"_154":284,"_140":53},{"_282":280,"_123":919,"_154":920,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/509/480.jpg","https://img.ochreeditions.com/a/509/960.jpg","https://img.ochreeditions.com/a/509/1920.jpg","Martin Schonaguer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_305":940,"_307":941},{"_305":938,"_307":939},{"_305":936,"_307":937},{"_305":934,"_307":935},{"_305":932,"_307":933},"#ece7df",0.1332,"#4a4641",0.1923,"#9b948a",0.2075,"#c8c0b5",0.2218,"#716c64",0.2452,"Martin Schongauer","martin-schongauer","German, c. 1450–1491",1450,1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","the-annunciation-aic-16327","The Annunciation",{"_42":1000,"_218":1001,"_380":1002,"_382":676,"_384":732,"_386":1003,"_388":-5,"_390":-5,"_391":-5,"_140":101},"1490–95","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)",72,0.6841548053170216,[985,986,987,988,989],{"_217":359,"_218":360,"_42":361,"_298":362},"1933.1062","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":983,"_427":984},"Painting of the Annunciation, dove flying above Mary with angel.",{"_289":980,"_291":981,"_293":982},"https://img.ochreeditions.com/m/50.jpg?dl=1","/art/the-annunciation-aic-16327","/galleries/style/renaissance/the-annunciation-aic-16327",{"_285":354,"_287":355},{"_221":973,"_125":974,"_280":975},{"_270":970,"_272":971,"_274":972,"_276":955},64.25914598282554,87,49.25914598282555,{"_282":221,"_123":978,"_154":979,"_140":89},{"_282":125,"_123":533,"_154":534,"_140":535},{"_282":280,"_123":976,"_154":977,"_140":81},"era/15-netherlands","15th-century Netherlands","artist/contemporaries-of-jean-hey-called-master-of-moulins","Jean Hey (called Master of Moulins)'s contemporaries","https://img.ochreeditions.com/a/50/480.jpg","https://img.ochreeditions.com/a/50/960.jpg","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.","Text from the Art Institute of Chicago.",{"_305":998,"_307":999},{"_305":996,"_307":997},{"_305":994,"_307":995},{"_305":992,"_307":993},{"_305":990,"_307":991},"#792423",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","Netherlandish, active fourth quarter 15th century",1499,"the-fall-of-man-with-scenes-of-the-creation-aic-35184","The Fall of Man with Scenes of the Creation",{"_42":1048,"_218":1049,"_380":615,"_382":615,"_384":-5,"_386":1050,"_388":-5,"_390":-5,"_391":-5,"_140":103},"1544","48.6 × 58.4 cm (19 1/8 × 23 in.); Framed: 57.5 × 66.7 × 5.1 cm (22 5/8 × 26 1/4 × 2 in.)",58,48,1.206162990771156,[1033,1034,1035,1036,1037],{"_217":359,"_218":360,"_42":361,"_298":362},"1970.1009","Augustus Cordus painted this in 1544. It is now at the Art Institute of Chicago.",{"_289":1030,"_291":1031,"_293":1032},"https://img.ochreeditions.com/m/133.jpg?dl=1","/art/the-fall-of-man-with-scenes-of-the-creation-aic-35184","/galleries/style/renaissance/the-fall-of-man-with-scenes-of-the-creation-aic-35184",{"_285":354,"_287":355},{"_221":1025,"_125":1026,"_280":1027},{"_270":535,"_272":1023,"_274":1009,"_276":1024},63.08637012060692,48.08637012060692,{"_282":221,"_123":1028,"_154":1029,"_140":89},{"_282":125,"_123":349,"_154":350,"_140":351},{"_282":280,"_123":585,"_154":586,"_140":587},"artist/contemporaries-of-augustus-cordus","Augustus Cordus's contemporaries","https://img.ochreeditions.com/a/133/480.jpg","https://img.ochreeditions.com/a/133/960.jpg","https://img.ochreeditions.com/a/133/1920.jpg",{"_305":1046,"_307":1047},{"_305":1044,"_307":1045},{"_305":1042,"_307":1043},{"_305":1040,"_307":1041},{"_305":1038,"_307":1039},"#896b4b",0.1501,"#58706a",0.1504,"#b0967d",0.1627,"#544a2d",0.1963,"#312f23",0.3405,"Augustus Cordus","augustus-cordus",1553,"the-last-supper-cma-119622","The Last Supper",{"_42":1096,"_218":1097,"_380":383,"_382":383,"_384":-5,"_386":-5,"_388":-5,"_390":-5,"_391":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",1.3137557959814528,[1081,1082,1083,1084,1085],{"_217":429,"_218":430,"_42":431,"_298":432},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":1080,"_427":428},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_289":1077,"_291":1078,"_293":1079},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_285":286,"_287":288},{"_221":1072,"_125":1073,"_280":1074},{"_270":641,"_272":1070,"_274":643,"_276":1071},69.67058823529412,45.67058823529412,{"_282":221,"_123":1075,"_154":1076,"_140":99},{"_282":125,"_123":283,"_154":284,"_140":53},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_305":1094,"_307":1095},{"_305":1092,"_307":1093},{"_305":1090,"_307":1091},{"_305":1088,"_307":1089},{"_305":1086,"_307":1087},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","venus-reclining-in-a-landscape-cma-112586","Venus Reclining in a Landscape",{"_42":1145,"_218":1146,"_380":1147,"_382":383,"_384":1148,"_386":1149,"_388":-5,"_390":-5,"_391":-5,"_140":103},"c. 1508–9","Platemark: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.); Sheet: 11.9 x 18.3 cm (4 11/16 x 7 3/16 in.)",18.3,11.9,1.4873140857392826,[1130,1131,1132,1133,1134],{"_217":429,"_218":430,"_42":431,"_298":432},"1931.205","Giulio Campagnola made this in about 1508–9, aged about 26. It is now at the Cleveland Museum of Art.",{"_118":1129,"_427":428},"Venus Reclining in a Landscape, by Giulio Campagnola, c. 1508–9",{"_289":1126,"_291":1127,"_293":1128},"https://img.ochreeditions.com/m/527.jpg?dl=1","/art/venus-reclining-in-a-landscape-cma-112586","/galleries/style/renaissance/venus-reclining-in-a-landscape-cma-112586",{"_285":286,"_287":288},{"_221":1121,"_125":1122,"_280":1123},{"_270":271,"_272":1119,"_274":275,"_276":1120},40.80882352941177,16.808823529411764,{"_282":221,"_123":1124,"_154":1125,"_140":89},{"_282":125,"_123":649,"_154":650,"_140":651},{"_282":280,"_123":346,"_154":347,"_140":348},"artist/contemporaries-of-giulio-campagnola","Giulio Campagnola's contemporaries","https://img.ochreeditions.com/a/527/480.jpg","https://img.ochreeditions.com/a/527/960.jpg","https://img.ochreeditions.com/a/527/1920.jpg","The Venetian artist Giulio Campagnola introduced the \"dot manner,\" an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light.",{"_305":1143,"_307":1144},{"_305":1141,"_307":1142},{"_305":1139,"_307":1140},{"_305":1137,"_307":1138},{"_305":1135,"_307":1136},"#ede7dc",0.0694,"#a2978c",0.1959,"#615b55",0.2009,"#7e766d",0.23,"#c7baaa",0.3038,"Giulio Campagnola","giulio-campagnola","Italian, 1482–1515",1482,1515,{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","744529ac84b6b820623db46536115f7040e52a7d","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_218":1194,"_20":1195},{"_218":1192,"_20":1193},{"_218":1190,"_20":1191},{"_218":1188,"_20":1189},{"_218":1186,"_20":1187},{"_218":1184,"_20":1185},{"_218":1182,"_20":1183},{"_218":1180,"_20":1181},{"_218":1178,"_20":1179},{"_218":1176,"_20":1177},{"_218":1174,"_20":1175},{"_218":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]