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The drawing's borders are uneven and have an antique appearance.",{"_299":440,"_301":441,"_303":442},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_295":296,"_297":298},{"_228":430,"_125":431,"_289":432},{"_279":369,"_281":428,"_283":353,"_285":429},35.83025664115263,11.830256641152634,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":436,"_154":437,"_140":53},{"_291":289,"_123":433,"_154":434,"_140":435},"era/15-italy","15th-century Italy",57,"style/print-15","More prints of the 15th century","artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_318":460,"_320":461},{"_318":458,"_320":459},{"_318":456,"_320":457},{"_318":454,"_320":455},{"_318":452,"_320":453},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","early 1600s","painting","Painting","oil on canvas","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[500,501,502,503,504],{"_224":308,"_225":309,"_42":310,"_311":312},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":499,"_306":307},"Portrait of Roberto Castiglione, early 1600s",{"_299":496,"_301":497,"_303":498},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_295":494,"_297":495},{"_228":488,"_125":489,"_289":490},{"_279":485,"_281":486,"_283":487,"_285":470},113.02941176470588,136.2,98.02941176470588,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":491,"_154":492,"_140":493},{"_291":289,"_123":167,"_154":166,"_140":169},"style/painting-16","More paintings of the 16th century",95,"natural","ivory","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_318":513,"_320":514},{"_318":511,"_320":512},{"_318":509,"_320":510},{"_318":507,"_320":508},{"_318":505,"_320":506},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"christ-carrying-the-cross-aic-234781","Christ Carrying the Cross",{"_42":565,"_225":566,"_332":567,"_334":335,"_336":568,"_338":569,"_340":-5,"_342":-5,"_344":-5,"_140":101},"c. 1515–17","Oil on panel","118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)",92,118,0.7772108843537415,[550,551,552,553,554],{"_224":382,"_225":383,"_42":384,"_311":385},"2016.15","Sebastiano del Piombo painted this in about 1515–17, aged about 30. It is now at the Art Institute of Chicago.",{"_118":548,"_306":549},"A work made of oil on panel.",{"_299":545,"_301":546,"_303":547},"https://img.ochreeditions.com/m/367.jpg?dl=1","/art/christ-carrying-the-cross-aic-234781","/galleries/style/renaissance/christ-carrying-the-cross-aic-234781",{"_295":494,"_297":495},{"_228":540,"_125":541,"_289":542},{"_279":537,"_281":538,"_283":539,"_285":522},106.7108843537415,133,91.7108843537415,{"_291":228,"_123":543,"_154":544,"_140":89},{"_291":125,"_123":491,"_154":492,"_140":493},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/367/480.jpg","https://img.ochreeditions.com/a/367/960.jpg","https://img.ochreeditions.com/a/367/1920.jpg","In the 1510s, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively competition between the period's two great luminaries, Michelangelo and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for commissions.","Text from the Art Institute of Chicago.",{"_318":563,"_320":564},{"_318":561,"_320":562},{"_318":559,"_320":560},{"_318":557,"_320":558},{"_318":555,"_320":556},"#896140",0.0731,"#8c958f",0.1081,"#563b24",0.1516,"#362b22",0.28,"#17120c",0.3872,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"portrait-of-a-couple-cma-97155","Portrait of a Couple","c. 1580–88","Framed: 132 x 173 x 10.5 cm (51 15/16 x 68 1/8 x 4 1/8 in.); Unframed: 99.8 x 140.5 cm (39 5/16 x 55 5/16 in.)",140.5,99.8,1.4078674948240166,[600,601,602,603,604],{"_224":308,"_225":309,"_42":310,"_311":312},"1916.793","An unrecorded Northern Italy, late 16th century artist painted this in about 1580–88. It is now at the Cleveland Museum of Art.",{"_118":599,"_306":307},"Portrait of a Couple, c. 1580–88",{"_299":596,"_301":597,"_303":598},"https://img.ochreeditions.com/m/478.jpg?dl=1","/art/portrait-of-a-couple-cma-97155","/galleries/style/renaissance/portrait-of-a-couple-cma-97155",{"_295":494,"_297":495},{"_228":593,"_125":594,"_289":595},{"_279":590,"_281":591,"_283":574,"_285":592},155.5,114.79632352941177,99.79632352941177,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":491,"_154":492,"_140":493},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/478/480.jpg","https://img.ochreeditions.com/a/478/960.jpg","https://img.ochreeditions.com/a/478/1920.jpg","While the attribution remains hotly debated, this work exemplifies how Italian portraiture of the 1500s could articulate family alliances through marriage. The inscription gives the sitters’ ages as 35 and 28, and their elaborate jewelry, weapons, and garments, made of expensive materials, convey their elite status.",{"_318":613,"_320":614},{"_318":611,"_320":612},{"_318":609,"_320":610},{"_318":607,"_320":608},{"_318":605,"_320":606},"#a96957",0.0181,"#7b6954",0.0615,"#b9a489",0.0646,"#171812",0.3358,"#3c3629",0.52,"virgin-and-child-with-saints-cma-97158","Virgin and Child with Saints","c. 1510","oil on wood","Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)",118.7,77.8,1.5461573442473853,[646,647,648,649,650],{"_224":308,"_225":309,"_42":310,"_311":312},"1916.796","An unrecorded Italy, Venice artist painted this in about 1510. It is now at the Cleveland Museum of Art.",{"_118":645,"_306":307},"Virgin and Child with Saints, c. 1510",{"_299":642,"_301":643,"_303":644},"https://img.ochreeditions.com/m/480.jpg?dl=1","/art/virgin-and-child-with-saints-cma-97158","/galleries/style/renaissance/virgin-and-child-with-saints-cma-97158",{"_295":494,"_297":495},{"_228":639,"_125":640,"_289":641},{"_279":636,"_281":637,"_283":620,"_285":638},133.7,91.77097058823529,76.77097058823529,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":491,"_154":492,"_140":493},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/480/480.jpg","https://img.ochreeditions.com/a/480/960.jpg","https://img.ochreeditions.com/a/480/1920.jpg","What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum.",{"_318":659,"_320":660},{"_318":657,"_320":658},{"_318":655,"_320":656},{"_318":653,"_320":654},{"_318":651,"_320":652},"#7c402d",0.0956,"#99a499",0.1097,"#2c421e",0.2031,"#6a5740",0.269,"#2d2823",0.3226,"the-nativity-cma-153271","The Nativity",{"_42":713,"_225":714,"_332":715,"_334":335,"_336":716,"_338":717,"_340":-5,"_342":-5,"_344":718,"_140":99},"1553","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[698,699,700,701,702],{"_224":308,"_225":309,"_42":310,"_311":312},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":697,"_306":307},"The Nativity, by Giorgio Ghisi, 1553",{"_299":694,"_301":695,"_303":696},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_295":296,"_297":298},{"_228":686,"_125":687,"_289":688},{"_279":683,"_281":684,"_283":685,"_285":668},71.21029411764707,91.5,47.21029411764706,{"_291":228,"_123":692,"_154":693,"_140":99},{"_291":125,"_123":689,"_154":690,"_140":691},{"_291":289,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_318":711,"_320":712},{"_318":709,"_320":710},{"_318":707,"_320":708},{"_318":705,"_320":706},{"_318":703,"_320":704},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","view-of-venice-cma-127250","View of Venice",{"_42":769,"_225":770,"_332":771,"_334":335,"_336":772,"_338":716,"_340":-5,"_342":-5,"_344":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[754,755,756,757,758],{"_224":308,"_225":309,"_42":310,"_311":312},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":753,"_306":307},"View of Venice, by Jacopo de' Barbari, 1500",{"_299":750,"_301":751,"_303":752},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_295":296,"_297":298},{"_228":745,"_125":746,"_289":747},{"_279":741,"_281":742,"_283":743,"_285":744},264,139.5529411764706,240,115.5529411764706,{"_291":228,"_123":748,"_154":749,"_140":89},{"_291":125,"_123":436,"_154":437,"_140":53},{"_291":289,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_318":767,"_320":768},{"_318":765,"_320":766},{"_318":763,"_320":764},{"_318":761,"_320":762},{"_318":759,"_320":760},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,"drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":822,"_225":823,"_332":824,"_334":335,"_336":825,"_338":826,"_340":-5,"_342":-5,"_344":-5,"_140":103},"late 1460s–early 1470s","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",28,0.6784424379232505,[807,808,809,810,811],{"_224":382,"_225":383,"_42":384,"_311":385},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_299":804,"_301":805,"_303":806},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_295":296,"_297":298},{"_228":796,"_125":797,"_289":798},{"_279":793,"_281":794,"_283":795,"_285":779},42.99638826185102,52,18.996388261851017,{"_291":228,"_123":802,"_154":803,"_140":89},{"_291":125,"_123":799,"_154":800,"_140":801},{"_291":289,"_123":433,"_154":434,"_140":435},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_318":820,"_320":821},{"_318":818,"_320":819},{"_318":816,"_320":817},{"_318":814,"_320":815},{"_318":812,"_320":813},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83",0.1325,"#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"samson-and-the-lion-from-the-story-of-samson-met-393723","Samson and the Lion, from \"The Story of Samson\"","Unrecorded French maker","ca. 1560–80","france","Prints","Woodcut with pochoir (stencil) and hand coloring","sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm)",49.5,37.4,1.2985699337286363,[868,869,870,871,872],{"_224":864,"_225":865,"_42":866,"_311":867},"Courtesy of The Metropolitan Museum of Art","2010.27.2","An unrecorded French artist made this in about 1560–80. It is now at The Met in New York.","Samson and the Lion, from \"The Story of Samson\", ca. 1560–80",{"_299":861,"_301":862,"_303":863},"https://img.ochreeditions.com/m/1054.jpg?dl=1","/art/samson-and-the-lion-from-the-story-of-samson-met-393723","/galleries/style/renaissance/samson-and-the-lion-from-the-story-of-samson-met-393723",{"_295":296,"_297":298},{"_228":854,"_125":855,"_289":856},{"_279":851,"_281":852,"_283":835,"_285":853},73.5,62.11885576148267,38.11885576148267,{"_291":228,"_123":859,"_154":860,"_140":87},{"_291":125,"_123":689,"_154":690,"_140":691},{"_291":289,"_123":857,"_154":858,"_140":89},"era/16-france","16th-century France","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1054/480.jpg","https://img.ochreeditions.com/a/1054/960.jpg","https://img.ochreeditions.com/a/1054/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_318":881,"_320":882},{"_318":879,"_320":880},{"_318":877,"_320":878},{"_318":875,"_320":876},{"_318":873,"_320":874},"#eadecc",0.0548,"#a67150",0.1314,"#b0957a",0.1849,"#7a6559",0.2423,"#8c6f56",0.3866,"death-of-the-virgin-cma-97159","Death of the Virgin","mid-1500s","Framed: 78.8 x 130.9 cm (31 x 51 9/16 in.); Unframed: 25 x 103.5 cm (9 13/16 x 40 3/4 in.)",103.5,2.9437229437229435,[913,914,915,916,917],{"_224":308,"_225":309,"_42":310,"_311":312},"1916.797","An unrecorded Italy, Venice artist painted this in the mid-1500s. It is now at the Cleveland Museum of Art.",{"_118":912,"_306":307},"Death of the Virgin, mid-1500s",{"_299":909,"_301":910,"_303":911},"https://img.ochreeditions.com/m/481.jpg?dl=1","/art/death-of-the-virgin-cma-97159","/galleries/style/renaissance/death-of-the-virgin-cma-97159",{"_295":494,"_297":495},{"_228":906,"_125":907,"_289":908},{"_279":902,"_281":903,"_283":904,"_285":905},102.27475646991584,44.647748153750825,87.27475646991584,29.647748153750825,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":491,"_154":492,"_140":493},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/481/480.jpg","https://img.ochreeditions.com/a/481/960.jpg","https://img.ochreeditions.com/a/481/1920.jpg","This panel reveals a long history of changes. The initial work was painted on a single slab of wood, with strips left unpainted along the top and bottom.",{"_318":926,"_320":927},{"_318":924,"_320":925},{"_318":922,"_320":923},{"_318":920,"_320":921},{"_318":918,"_320":919},"#9b957f",0.0554,"#593825",0.1129,"#5d553c",0.1286,"#382f21",0.2607,"#211e16",0.4424,"a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)",{"_42":971,"_225":972,"_332":973,"_334":335,"_336":974,"_338":975,"_340":-5,"_342":-5,"_344":-5,"_140":103},"1520/30","Red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper","11.6 × 12.7 cm (4 5/8 × 5 in.)",1.0949932341001354,[957,958,959,960,961],{"_224":382,"_225":383,"_42":384,"_311":385},"2019.888","Giovanni Antonio di Francesco Sogliani painted this in 1520/30, aged about 28. It is now at the Art Institute of Chicago.","A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.",{"_299":954,"_301":955,"_303":956},"https://img.ochreeditions.com/m/371.jpg?dl=1","/art/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303","/galleries/style/renaissance/a-drapery-study-for-the-knees-of-a-seated-allegorical-figure-aic-248303",{"_295":296,"_297":298},{"_228":949,"_125":950,"_289":951},{"_279":369,"_281":947,"_283":353,"_285":948},46.831191300049426,22.83119130004943,{"_291":228,"_123":952,"_154":953,"_140":89},{"_291":125,"_123":375,"_154":376,"_140":89},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-antonio-di-francesco-sogliani","Giovanni Antonio di Francesco Sogliani's contemporaries","https://img.ochreeditions.com/a/371/480.jpg","https://img.ochreeditions.com/a/371/960.jpg","https://img.ochreeditions.com/a/371/1920.jpg",{"_318":969,"_320":970},{"_318":968,"_320":398},{"_318":966,"_320":967},{"_318":964,"_320":965},{"_318":962,"_320":963},"#503e35",0.0633,"#e0ab87",0.2047,"#db9068",0.2293,"#c7724b","#e4c5a7",0.2578,"Giovanni Antonio di Francesco Sogliani","giovanni-antonio-di-francesco-sogliani","Italian, 1492–1544",1492,1544,"adoration-of-the-shepherds-cma-97143","Adoration of the Shepherds","c. 1500","Framed: 63 x 51 x 7.8 cm (24 13/16 x 20 1/16 x 3 1/16 in.); Unframed: 41.5 x 29.8 cm (16 5/16 x 11 3/4 in.)",29.8,41.5,0.7088235294117647,[1007,1008,1009,1010,1011],{"_224":308,"_225":309,"_42":310,"_311":312},"1916.782","An unrecorded Northern Italy, late 15th-early 16th Century artist painted this in about 1500. It is now at the Cleveland Museum of Art.","Adoration of the Shepherds, c. 1500",{"_299":1004,"_301":1005,"_303":1006},"https://img.ochreeditions.com/m/472.jpg?dl=1","/art/adoration-of-the-shepherds-cma-97143","/galleries/style/renaissance/adoration-of-the-shepherds-cma-97143",{"_295":494,"_297":495},{"_228":998,"_125":999,"_289":1000},{"_279":995,"_281":996,"_283":997,"_285":981},44.41617647058824,56.5,29.416176470588237,{"_291":228,"_123":438,"_154":439,"_140":77},{"_291":125,"_123":1001,"_154":1002,"_140":1003},{"_291":289,"_123":433,"_154":434,"_140":435},"style/painting-15","More paintings of the 15th century",73,"https://img.ochreeditions.com/a/472/480.jpg","https://img.ochreeditions.com/a/472/960.jpg","https://img.ochreeditions.com/a/472/1920.jpg",{"_318":1020,"_320":1021},{"_318":1018,"_320":1019},{"_318":1016,"_320":1017},{"_318":1014,"_320":1015},{"_318":1012,"_320":1013},"#433828",0.1522,"#a09a7b",0.1814,"#a18554",0.2028,"#7f643f",0.2201,"#614e34",0.2435,"the-last-supper-pair-cma-119621","The Last Supper (pair)",{"_42":1067,"_225":1068,"_332":335,"_334":335,"_336":-5,"_338":-5,"_340":-5,"_342":-5,"_344":-5,"_140":99},"engraving on two sheets printed from two plates",2.6275115919629055,[1053,1054,1055,1056,1057],{"_224":308,"_225":309,"_42":310,"_311":312},"1940.473","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":1052,"_306":307},"The Last Supper (pair), by Lucantonio degli Uberti, c. 1500",{"_299":1049,"_301":1050,"_303":1051},"https://img.ochreeditions.com/m/537.jpg?dl=1","/art/the-last-supper-pair-cma-119621","/galleries/style/renaissance/the-last-supper-pair-cma-119621",{"_295":296,"_297":298},{"_228":1044,"_125":1045,"_289":1046},{"_279":1040,"_281":1041,"_283":1042,"_285":1043},84,46.83529411764706,60,22.83529411764706,{"_291":228,"_123":1047,"_154":1048,"_140":99},{"_291":125,"_123":436,"_154":437,"_140":53},{"_291":289,"_123":433,"_154":434,"_140":435},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/537/480.jpg","https://img.ochreeditions.com/a/537/960.jpg","https://img.ochreeditions.com/a/537/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_318":1065,"_320":1066},{"_318":1063,"_320":1064},{"_318":1061,"_320":1062},{"_318":1060,"_320":455},{"_318":1058,"_320":1059},"#d1c2ac",0.0833,"#ad9d86","#695e4e",0.1686,"#958670",0.2943,"#807360",0.3132,"Lucantonio degli Uberti","lucantonio-degli-uberti","equestrian-portrait-of-the-emperor-maximilian-cma-128048","Equestrian Portrait of the Emperor Maximilian",{"_42":1121,"_225":1122,"_332":1123,"_334":1124,"_336":1125,"_338":1126,"_340":-5,"_342":-5,"_344":-5,"_140":103},"1508","germany","woodcut, in black and white on paper washed blue","Sheet: 32.3 x 22.7 cm (12 11/16 x 8 15/16 in.)",22.7,32.3,0.7070588235294117,[1106,1107,1108,1109,1110],{"_224":308,"_225":309,"_42":310,"_311":312},"1950.72","Hans Burgkmair made this in 1508, aged 35. It is now at the Cleveland Museum of Art.",{"_118":1105,"_306":307},"Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508",{"_299":1102,"_301":1103,"_303":1104},"https://img.ochreeditions.com/m/590.jpg?dl=1","/art/equestrian-portrait-of-the-emperor-maximilian-cma-128048","/galleries/style/renaissance/equestrian-portrait-of-the-emperor-maximilian-cma-128048",{"_295":296,"_297":298},{"_228":1095,"_125":1096,"_289":1097},{"_279":1092,"_281":1093,"_283":1094,"_285":1077},46.837999999999994,56.3,22.837999999999997,{"_291":228,"_123":1100,"_154":1101,"_140":89},{"_291":125,"_123":689,"_154":690,"_140":691},{"_291":289,"_123":1098,"_154":1099,"_140":779},"era/16-germany","16th-century Germany","artist/contemporaries-of-hans-burgkmair","Hans Burgkmair's contemporaries","https://img.ochreeditions.com/a/590/480.jpg","https://img.ochreeditions.com/a/590/960.jpg","https://img.ochreeditions.com/a/590/1920.jpg","Presented in full profile, the Holy Roman Emperor Maximilian I (reigned 1486–1519) and his mount emulate a classical equestrian portrait statue.",{"_318":1119,"_320":1120},{"_318":1117,"_320":1118},{"_318":1115,"_320":1116},{"_318":1113,"_320":1114},{"_318":1111,"_320":1112},"#798687",0.0993,"#606f71",0.1747,"#313d40",0.208,"#4d5d62",0.2424,"#3f4d51",0.2756,"Hans Burgkmair","hans-burgkmair","German, 1473–1531","German",1473,1531,{"_1128":-5,"_1129":1130,"_1131":1132,"_1133":8,"_1134":1135,"_1136":8},"user","csrf","8c66ac26f8fad18b4e3780a936f49aef539544bb","cartCount",0,"dropLive","legal",[1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148],"uploadsEnabled",{"_225":1171,"_20":1172},{"_225":1169,"_20":1170},{"_225":1167,"_20":1168},{"_225":1165,"_20":1166},{"_225":1163,"_20":1164},{"_225":1161,"_20":1162},{"_225":1159,"_20":1160},{"_225":1157,"_20":1158},{"_225":1155,"_20":1156},{"_225":1153,"_20":1154},{"_225":1151,"_20":1152},{"_225":1149,"_20":1150},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]