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It is now at the Cleveland Museum of Art.",{"_118":433,"_299":300},"Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560",{"_292":430,"_294":431,"_296":432},"https://img.ochreeditions.com/m/490.jpg?dl=1","/art/portrait-of-a-woman-as-saint-catherine-cma-97191","/galleries/style/renaissance/portrait-of-a-woman-as-saint-catherine-cma-97191",{"_288":371,"_290":372},{"_225":425,"_125":426,"_283":427},{"_273":422,"_275":423,"_277":424,"_279":368},86.05441176470588,110,71.05441176470588,{"_285":225,"_123":428,"_154":429,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-pier-francesco-foschi","Pier Francesco Foschi's contemporaries","https://img.ochreeditions.com/a/490/480.jpg","https://img.ochreeditions.com/a/490/960.jpg","https://img.ochreeditions.com/a/490/1920.jpg","Saint Catherine of Alexandria, a Christian, was martyred for refusing to make sacrifices to idols as decreed by the pagan Roman emperor Maxentius. While Maxentius first attempted to slay Catherine with spiked wheels, the machine broke when she prayed for salvation, and the emperor subsequently beheaded her.",{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},{"_311":441,"_313":442},{"_311":439,"_313":440},"#624a38",0.0768,"#69181e",0.0879,"#9b7472",0.1312,"#311d11",0.2191,"#190e09",0.485,"Pier Francesco Foschi","pier-francesco-foschi","Italian, 1502–1567",1502,1567,"christ-and-the-woman-of-samaria-aic-16200","Christ and the Woman of Samaria",{"_42":504,"_222":505,"_325":506,"_327":326,"_328":507,"_329":508,"_330":-5,"_331":-5,"_332":509,"_140":95},"1500–05","Tempera on panel, transferred to canvas","27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)",46,27,1.6930673896204493,[489,490,491,492,493],{"_221":376,"_222":377,"_42":378,"_304":379},"1933.1024","Perugino painted this in 1500–05, aged about 50. It is now at the Art Institute of Chicago.","A work made of tempera on panel, transferred to canvas.",{"_292":486,"_294":487,"_296":488},"https://img.ochreeditions.com/m/45.jpg?dl=1","/art/christ-and-the-woman-of-samaria-aic-16200","/galleries/style/renaissance/christ-and-the-woman-of-samaria-aic-16200",{"_288":371,"_290":372},{"_225":478,"_125":479,"_283":480},{"_273":475,"_275":476,"_277":460,"_279":477},61,42.169621411414845,27.169621411414845,{"_285":225,"_123":484,"_154":485,"_140":95},{"_285":125,"_123":481,"_154":482,"_140":483},{"_285":283,"_123":167,"_154":166,"_140":169},"style/painting-15","More paintings of the 15th century",73,"artist/perugino","More by Perugino","https://img.ochreeditions.com/a/45/480.jpg","https://img.ochreeditions.com/a/45/960.jpg","https://img.ochreeditions.com/a/45/1920.jpg",{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},{"_311":496,"_313":497},{"_311":494,"_313":495},"#60695c",0.1238,"#92826b",0.1558,"#7e4e24",0.1785,"#5a442c",0.2171,"#73603a",0.3248,"Perugino","perugino","Italian, c. 1450/55–1523",1450,1523,"Pietro Vannucci took the name Perugino from Perugia, the chief city of his native Umbria, and trained in Florence, probably alongside Leonardo in Verrocchio’s studio.","the-nativity-cma-153271","The Nativity",{"_42":562,"_222":563,"_325":564,"_327":326,"_328":565,"_329":566,"_330":-5,"_331":-5,"_332":567,"_140":99},"1553","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[547,548,549,550,551],{"_221":301,"_222":302,"_42":303,"_304":305},"1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":546,"_299":300},"The Nativity, by Giorgio Ghisi, 1553",{"_292":543,"_294":544,"_296":545},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_288":289,"_290":291},{"_225":535,"_125":536,"_283":537},{"_273":532,"_275":533,"_277":534,"_279":517},71.21029411764707,91.5,47.21029411764706,{"_285":225,"_123":541,"_154":542,"_140":99},{"_285":125,"_123":538,"_154":539,"_140":540},{"_285":283,"_123":363,"_154":364,"_140":365},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.",{"_311":560,"_313":561},{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","the-crucifixion-cma-97147","The Crucifixion",{"_42":613,"_222":614,"_325":615,"_327":326,"_328":616,"_329":617,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1500s","oil on canvas","Framed: 72 x 59 x 4 cm (28 3/8 x 23 1/4 x 1 9/16 in.); Unframed: 59 x 47 cm (23 1/4 x 18 1/2 in.)",59,0.7861764705882353,[599,600,601,602,603],{"_221":301,"_222":302,"_42":303,"_304":305},"1916.786","Sodoma painted this in the 1500s, aged about 23. It is now at the Cleveland Museum of Art.","The Crucifixion, by Sodoma, 1500s",{"_292":596,"_294":597,"_296":598},"https://img.ochreeditions.com/m/475.jpg?dl=1","/art/the-crucifixion-cma-97147","/galleries/style/renaissance/the-crucifixion-cma-97147",{"_288":371,"_290":372},{"_225":591,"_125":592,"_283":593},{"_273":588,"_275":589,"_277":590,"_279":574},61.38441176470588,74,46.38441176470588,{"_285":225,"_123":594,"_154":595,"_140":89},{"_285":125,"_123":481,"_154":482,"_140":483},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sodoma","Sodoma's contemporaries","https://img.ochreeditions.com/a/475/480.jpg","https://img.ochreeditions.com/a/475/960.jpg","https://img.ochreeditions.com/a/475/1920.jpg",{"_311":611,"_313":612},{"_311":609,"_313":610},{"_311":607,"_313":608},{"_311":605,"_313":606},{"_311":604,"_313":495},"#603124","#534a30",0.1984,"#85774f",0.2034,"#2e3a30",0.2047,"#7d8f74",0.2697,"Sodoma","sodoma","Italian, 1477–1549",1477,1549,"the-passion-the-agony-in-the-garden-cma-104613","The Passion: The Agony in the Garden",{"_42":665,"_222":666,"_325":667,"_327":668,"_328":507,"_329":669,"_330":670,"_331":671,"_332":672,"_140":97},"c. 1480","germany",0.7132352941176471,[650,651,652,653,654],{"_221":301,"_222":302,"_42":303,"_304":305},"1922.91","Martin Schongauer made this in about 1480, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":649,"_299":300},"The Passion: The Agony in the Garden, by Martin Schongauer, c. 1480",{"_292":646,"_294":647,"_296":648},"https://img.ochreeditions.com/m/510.jpg?dl=1","/art/the-passion-the-agony-in-the-garden-cma-104613","/galleries/style/renaissance/the-passion-the-agony-in-the-garden-cma-104613",{"_288":289,"_290":291},{"_225":639,"_125":640,"_283":641},{"_273":637,"_275":274,"_277":638,"_279":278},66.79411764705883,42.794117647058826,{"_285":225,"_123":644,"_154":645,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":53},{"_285":283,"_123":642,"_154":643,"_140":91},"era/15-germany","15th-century Germany","artist/martin-schongauer","More by Martin Schongauer","https://img.ochreeditions.com/a/510/480.jpg","https://img.ochreeditions.com/a/510/960.jpg","https://img.ochreeditions.com/a/510/1920.jpg","Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life.",{"_311":663,"_313":664},{"_311":661,"_313":662},{"_311":659,"_313":660},{"_311":657,"_313":658},{"_311":655,"_313":656},"#46433d",0.1396,"#6c665e",0.1678,"#b7aea2",0.2035,"#90897e",0.2072,"#ded5c8",0.2819,"Martin Schongauer","martin-schongauer","German, c. 1450–1491","German",1491,"Colmar","Breisach","Schongauer, the son of a goldsmith, worked in Colmar in Alsace and was both a painter and the most accomplished engraver of fifteenth-century northern Europe.","a-naval-battle-aic-273340","A Naval Battle",{"_42":719,"_222":720,"_325":326,"_327":326,"_328":-5,"_329":721,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",36,22,1.3656927426955703,[704,705,706,707,708],{"_221":376,"_222":377,"_42":378,"_304":379},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_292":701,"_294":702,"_296":703},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_288":289,"_290":291},{"_225":696,"_125":697,"_283":698},{"_273":278,"_275":694,"_277":679,"_279":695},50.36024844720497,26.360248447204967,{"_285":225,"_123":699,"_154":700,"_140":89},{"_285":125,"_123":538,"_154":539,"_140":540},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_311":717,"_313":718},{"_311":715,"_313":716},{"_311":713,"_313":714},{"_311":711,"_313":712},{"_311":709,"_313":710},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"the-last-supper-cma-119622",{"_42":323,"_222":324,"_325":326,"_327":326,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_332":-5,"_140":99},1.3137557959814528,[744,745,746,747,748],{"_221":301,"_222":302,"_42":303,"_304":305},"1940.473.a",{"_118":298,"_299":300},{"_292":741,"_294":742,"_296":743},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_288":289,"_290":291},{"_225":738,"_125":739,"_283":740},{"_273":274,"_275":736,"_277":278,"_279":737},69.67058823529412,45.67058823529412,{"_285":225,"_123":171,"_154":170,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":53},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg",{"_311":757,"_313":758},{"_311":755,"_313":756},{"_311":753,"_313":754},{"_311":751,"_313":752},{"_311":749,"_313":750},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"holy-family-with-a-shepherd-cma-126768","Holy Family with a Shepherd",{"_42":807,"_222":808,"_325":809,"_327":326,"_328":810,"_329":811,"_330":-5,"_331":-5,"_332":-5,"_140":103},"early 1520s","Unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.)",32,38.7,0.8385294117647059,[792,793,794,795,796],{"_221":301,"_222":302,"_42":303,"_304":305},"1949.185","Battista Dossi painted this in the early 1520s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":791,"_299":300},"Holy Family with a Shepherd, by Battista Dossi, early 1520s",{"_292":788,"_294":789,"_296":790},"https://img.ochreeditions.com/m/582.jpg?dl=1","/art/holy-family-with-a-shepherd-cma-126768","/galleries/style/renaissance/holy-family-with-a-shepherd-cma-126768",{"_288":371,"_290":372},{"_225":783,"_125":784,"_283":785},{"_273":780,"_275":781,"_277":782,"_279":765},47.45108823529412,53.7,32.45108823529412,{"_285":225,"_123":786,"_154":787,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-battista-dossi","Battista Dossi's contemporaries","https://img.ochreeditions.com/a/582/480.jpg","https://img.ochreeditions.com/a/582/960.jpg","https://img.ochreeditions.com/a/582/1920.jpg","In this image of the Holy Family, Joseph and Mary lean in to admire the Christ Child while a shepherd looks on, leaning on his staff. Before executing this painting, Battista visited Rome, including an extensive study of Raphael's works.",{"_311":805,"_313":806},{"_311":803,"_313":804},{"_311":801,"_313":802},{"_311":799,"_313":800},{"_311":797,"_313":798},"#967d52",0.0431,"#7f472c",0.059,"#5c553b",0.1128,"#473523",0.215,"#2b281f",0.5701,"Battista Dossi","battista-dossi","Italian, c. 1490–1548",1490,1548,"noli-me-tangere-aic-16207","Noli Me Tangere",{"_42":504,"_222":505,"_325":506,"_327":326,"_328":507,"_329":508,"_330":-5,"_331":-5,"_332":509,"_140":95},1.7202205158495767,[834,835,836,837,838],{"_221":376,"_222":377,"_42":378,"_304":379},"1933.1026",{"_292":831,"_294":832,"_296":833},"https://img.ochreeditions.com/m/47.jpg?dl=1","/art/noli-me-tangere-aic-16207","/galleries/style/renaissance/noli-me-tangere-aic-16207",{"_288":371,"_290":372},{"_225":828,"_125":829,"_283":830},{"_273":475,"_275":826,"_277":460,"_279":827},41.74075769715005,26.740757697150052,{"_285":225,"_123":484,"_154":485,"_140":95},{"_285":125,"_123":481,"_154":482,"_140":483},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/47/480.jpg","https://img.ochreeditions.com/a/47/960.jpg","https://img.ochreeditions.com/a/47/1920.jpg",{"_311":847,"_313":848},{"_311":845,"_313":846},{"_311":843,"_313":844},{"_311":841,"_313":842},{"_311":839,"_313":840},"#7b7f70",0.0938,"#75442e",0.1022,"#835020",0.1681,"#47402e",0.2141,"#796841",0.4218,"virgin-and-child-with-angels-cma-97153","Virgin and Child with Angels",{"_42":895,"_222":896,"_325":326,"_327":326,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"early 1500s","Framed: 115 x 115 x 8 cm (45 1/4 x 45 1/4 x 3 1/8 in.); Unframed: 86 x 83.5 cm (33 7/8 x 32 7/8 in.)",83.5,86,0.9791176470588235,[880,881,882,883,884],{"_221":301,"_222":302,"_42":303,"_304":305},"1916.791","Master of the Holden Tondo painted this in the early 1500s. It is now at the Cleveland Museum of Art.","Virgin and Child with Angels, by Master of the Holden Tondo, early 1500s",{"_292":877,"_294":878,"_296":879},"https://img.ochreeditions.com/m/476.jpg?dl=1","/art/virgin-and-child-with-angels-cma-97153","/galleries/style/renaissance/virgin-and-child-with-angels-cma-97153",{"_288":371,"_290":372},{"_225":872,"_125":873,"_283":874},{"_273":869,"_275":870,"_277":871,"_279":855},99.20411764705882,101,84.20411764705882,{"_285":225,"_123":875,"_154":876,"_140":89},{"_285":125,"_123":481,"_154":482,"_140":483},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-master-of-the-holden-tondo","Master of the Holden Tondo's contemporaries","https://img.ochreeditions.com/a/476/480.jpg","https://img.ochreeditions.com/a/476/960.jpg","https://img.ochreeditions.com/a/476/1920.jpg",{"_311":893,"_313":894},{"_311":891,"_313":892},{"_311":889,"_313":890},{"_311":887,"_313":888},{"_311":885,"_313":886},"#b4814e",0.1324,"#594d37",0.1399,"#5f2b19",0.1607,"#242217",0.2795,"#868785",0.2875,"Master of the Holden Tondo","master-of-the-holden-tondo","saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":944,"_222":945,"_325":946,"_327":326,"_328":947,"_329":948,"_330":949,"_331":949,"_332":950,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",68,0.508898885194602,[929,930,931,932,933],{"_221":376,"_222":377,"_42":378,"_304":379},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_292":926,"_294":927,"_296":928},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_288":371,"_290":372},{"_225":921,"_125":922,"_283":923},{"_273":918,"_275":919,"_277":920,"_279":903},49.60512419323294,83,34.60512419323294,{"_285":225,"_123":924,"_154":925,"_140":97},{"_285":125,"_123":481,"_154":482,"_140":483},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_311":942,"_313":943},{"_311":940,"_313":941},{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","portrait-of-a-young-man-cma-97167","Portrait of a Young Man",{"_42":1000,"_222":1001,"_325":1002,"_327":326,"_328":810,"_329":1003,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1530","oil and gold on wood","Framed: 128.2 x 102.2 x 11.5 cm (50 1/2 x 40 1/4 x 4 1/2 in.); Unframed: 97.2 x 77.5 cm (38 1/4 x 30 1/2 in.)",77.5,97.2,0.788235294117647,[985,986,987,988,989],{"_221":301,"_222":302,"_42":303,"_304":305},"1916.803","Dosso Dossi painted this in about 1530, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":984,"_299":300},"Portrait of a Young Man, by Dosso Dossi, c. 1530",{"_292":981,"_294":982,"_296":983},"https://img.ochreeditions.com/m/482.jpg?dl=1","/art/portrait-of-a-young-man-cma-97167","/galleries/style/renaissance/portrait-of-a-young-man-cma-97167",{"_288":371,"_290":372},{"_225":976,"_125":977,"_283":978},{"_273":973,"_275":974,"_277":975,"_279":958},91.61647058823529,112.2,76.61647058823529,{"_285":225,"_123":979,"_154":980,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-dosso-dossi","Dosso Dossi's contemporaries","https://img.ochreeditions.com/a/482/480.jpg","https://img.ochreeditions.com/a/482/960.jpg","https://img.ochreeditions.com/a/482/1920.jpg","Like other paintings from the Dossi workshop, this work conveys the sitter's social status and self-confidence. He holds a crumpled letter written in Italian. The words Asto , meaning \"ship mast,\" and mare , meaning \"sea,\" suggest that trade was a topic of this letter.",{"_311":998,"_313":999},{"_311":996,"_313":997},{"_311":994,"_313":995},{"_311":992,"_313":993},{"_311":990,"_313":991},"#801603",0.0539,"#7f5d2d",0.0708,"#524d2f",0.0821,"#3d240f",0.136,"#1d180f",0.6572,"Dosso Dossi","dosso-dossi","Italian, c. 1490–after 1541",1541,"madonna-and-child-in-a-niche-cma-97178","Madonna and Child in a Niche",{"_42":1052,"_222":1053,"_325":326,"_327":326,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1520s","Framed: 87 x 72 x 5.5 cm (34 1/4 x 28 3/8 x 2 3/16 in.); Unframed: 59.5 x 43.9 cm (23 7/16 x 17 5/16 in.)",43.9,59.5,0.7326470588235294,[1037,1038,1039,1040,1041],{"_221":301,"_222":302,"_42":303,"_304":305},"1916.813","Antonio del Ceraiolo painted this in about 1520s. It is now at the Cleveland Museum of Art.",{"_118":1036,"_299":300},"Madonna and Child in a Niche, by Antonio del Ceraiolo, c. 1520s",{"_292":1033,"_294":1034,"_296":1035},"https://img.ochreeditions.com/m/487.jpg?dl=1","/art/madonna-and-child-in-a-niche-cma-97178","/galleries/style/renaissance/madonna-and-child-in-a-niche-cma-97178",{"_288":371,"_290":372},{"_225":1028,"_125":1029,"_283":1030},{"_273":1025,"_275":1026,"_277":1027,"_279":1010},58.5925,74.5,43.5925,{"_285":225,"_123":1031,"_154":1032,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonio-del-ceraiolo","Antonio del Ceraiolo's contemporaries","https://img.ochreeditions.com/a/487/480.jpg","https://img.ochreeditions.com/a/487/960.jpg","https://img.ochreeditions.com/a/487/1920.jpg","This image of Madonna with the Christ Child on her lap has been extensively altered by restoration.",{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},{"_311":1044,"_313":1045},{"_311":1042,"_313":1043},"#364e43",0.0525,"#874c3e",0.0745,"#b28c6c",0.1971,"#655b4d",0.2666,"#373733",0.4093,"Antonio del Ceraiolo","antonio-del-ceraiolo","portrait-of-vincenzo-guarignoni-cma-137135","Portrait of Vincenzo Guarignoni",{"_42":1101,"_222":1102,"_325":1103,"_327":326,"_328":1104,"_329":1105,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1572","Framed: 91 x 80 x 8 cm (35 13/16 x 31 1/2 x 3 1/8 in.); Unframed: 63 x 50.8 cm (24 13/16 x 20 in.)",50.8,63,0.8155882352941176,[1086,1087,1088,1089,1090],{"_221":301,"_222":302,"_42":303,"_304":305},"1962.1","Giovanni Battista Moroni painted this in about 1572, aged about 42. It is now at the Cleveland Museum of Art.",{"_118":1085,"_299":300},"Portrait of Vincenzo Guarignoni, by Giovanni Battista Moroni, c. 1572",{"_292":1082,"_294":1083,"_296":1084},"https://img.ochreeditions.com/m/644.jpg?dl=1","/art/portrait-of-vincenzo-guarignoni-cma-137135","/galleries/style/renaissance/portrait-of-vincenzo-guarignoni-cma-137135",{"_288":371,"_290":372},{"_225":1077,"_125":1078,"_283":1079},{"_273":1075,"_275":138,"_277":1076,"_279":1060},66.3820588235294,51.38205882352941,{"_285":225,"_123":1080,"_154":1081,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-giovanni-battista-moroni","Giovanni Battista Moroni's contemporaries","https://img.ochreeditions.com/a/644/480.jpg","https://img.ochreeditions.com/a/644/960.jpg","https://img.ochreeditions.com/a/644/1920.jpg","The Latin inscription gives the sitter's name and age (45), as well as the painting's date. Guarignoni came from a prominent family in the northern Italian city of Bergamo.",{"_311":1099,"_313":1100},{"_311":1097,"_313":1098},{"_311":1095,"_313":1096},{"_311":1093,"_313":1094},{"_311":1091,"_313":1092},"#a09483",0.0592,"#7a6556",0.0601,"#27231e",0.2431,"#484139",0.2695,"#141210",0.3681,"Giovanni Battista Moroni","giovanni-battista-moroni","Italian, 1525–1578",1525,1578,{"_1107":-5,"_1108":1109,"_1110":1111,"_1112":8,"_1113":1114,"_1115":8},"user","csrf","5c3768ff085fcc03385bfeedd21c53ea8dbca7c0","cartCount",0,"dropLive","legal",[1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127],"uploadsEnabled",{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},{"_222":1140,"_20":1141},{"_222":1138,"_20":1139},{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},{"_222":1128,"_20":1129},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]