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It is now at the Cleveland Museum of Art.",{"_118":437,"_438":439},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_293":434,"_295":435,"_297":436},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_289":432,"_291":433},{"_224":425,"_125":426,"_283":427},{"_274":421,"_276":422,"_278":423,"_280":424},49,44.26470588235294,25,20.264705882352942,{"_285":224,"_123":430,"_154":431,"_140":89},{"_285":125,"_123":428,"_154":429,"_140":53},{"_285":283,"_123":364,"_154":365,"_140":366},"style/print-15","More prints of the 15th century","artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","white","snow","https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. 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It is now at the Cleveland Museum of Art.",{"_118":499,"_438":439},"Martyrdom of Saint Andrew, by Guido Reni, 1600s",{"_293":496,"_295":497,"_297":498},"https://img.ochreeditions.com/m/473.jpg?dl=1","/art/martyrdom-of-saint-andrew-cma-97145","/galleries/style/renaissance/martyrdom-of-saint-andrew-cma-97145",{"_289":290,"_291":292},{"_224":485,"_125":486,"_283":487},{"_274":482,"_276":483,"_278":484,"_280":467},48.97252941176471,55.7,33.97252941176471,{"_285":224,"_123":494,"_154":495,"_140":93},{"_285":125,"_123":491,"_154":492,"_140":493},{"_285":283,"_123":488,"_154":489,"_140":490},"era/16-italy","16th-century Italy",66,"style/painting-16","More paintings of the 16th century",95,"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/473/480.jpg","https://img.ochreeditions.com/a/473/960.jpg","https://img.ochreeditions.com/a/473/1920.jpg","This small devotional picture by an anonymous 17th-century Venetian artist drew his composition from Guido Reni's large St. Andrew Led to Martyrdom fresco in Rome's Church of San Gregorio al Celio. The CMA painting portrays the central image of Reni's 1608 fresco by Reni. St.",{"_309":513,"_311":514},{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},{"_309":505,"_311":506},"#684f38",0.0631,"#9b7d51",0.0703,"#6b684c",0.1563,"#423f33",0.2182,"#2d2d29",0.4921,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","portrait-of-a-man-possibly-girolamo-rosati-cma-127571","Portrait of a Man, Possibly Girolamo Rosati",{"_42":570,"_221":571,"_323":572,"_325":394,"_327":573,"_329":574,"_331":575,"_332":576,"_334":577,"_140":99},"1533–34","Framed: 135.9 x 128 x 8.6 cm (53 1/2 x 50 3/8 x 3 3/8 in.); Unframed: 108.2 x 100.5 cm (42 5/8 x 39 9/16 in.)",100.5,108.2,0.923235294117647,[555,556,557,558,559],{"_220":372,"_221":373,"_42":374,"_302":375},"1950.250","Lorenzo Lotto painted this in 1533–34, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":554,"_438":439},"Portrait of a Man, Possibly Girolamo Rosati, by Lorenzo Lotto, 1533–34",{"_293":551,"_295":552,"_297":553},"https://img.ochreeditions.com/m/589.jpg?dl=1","/art/portrait-of-a-man-possibly-girolamo-rosati-cma-127571","/galleries/style/renaissance/portrait-of-a-man-possibly-girolamo-rosati-cma-127571",{"_289":290,"_291":292},{"_224":546,"_125":547,"_283":548},{"_274":543,"_276":544,"_278":545,"_280":528},114.8940588235294,123.2,99.8940588235294,{"_285":224,"_123":549,"_154":550,"_140":99},{"_285":125,"_123":491,"_154":492,"_140":493},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/lorenzo-lotto","More by Lorenzo Lotto","https://img.ochreeditions.com/a/589/480.jpg","https://img.ochreeditions.com/a/589/960.jpg","https://img.ochreeditions.com/a/589/1920.jpg","The gesture of the elegantly dressed man is a mystery. Is he rising from his chair to address someone or is he pointing to something outside the frame? His right hand rests on a piece of paper (a letter?)",{"_309":568,"_311":569},{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":560,"_311":561},"#927e66",0.1091,"#538a99",0.1131,"#403124",0.1472,"#2b5766",0.2296,"#1b1716",0.401,"Lorenzo Lotto","lorenzo-lotto","Italian, 1475–1556",1475,1556,"Venice","Loreto","Lotto was born in Venice but spent much of his restless career elsewhere: in Treviso, Bergamo and the towns of the Marches, with a stay in Rome.","angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":628,"_221":629,"_323":630,"_325":394,"_327":459,"_329":631,"_331":-5,"_332":-5,"_334":632,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[613,614,615,616,617],{"_220":299,"_221":300,"_42":301,"_302":303},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_293":610,"_295":611,"_297":612},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_289":432,"_291":433},{"_224":602,"_125":603,"_283":604},{"_274":599,"_276":600,"_278":601,"_280":585},44.00355555555556,53,20.003555555555558,{"_285":224,"_123":608,"_154":609,"_140":99},{"_285":125,"_123":605,"_154":606,"_140":607},{"_285":283,"_123":488,"_154":489,"_140":490},"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_309":626,"_311":627},{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},{"_309":618,"_311":619},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582",1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":680,"_221":681,"_323":682,"_325":394,"_327":683,"_329":684,"_331":685,"_332":685,"_334":686,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[665,666,667,668,669],{"_220":299,"_221":300,"_42":301,"_302":303},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_293":662,"_295":663,"_297":664},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_289":290,"_291":292},{"_224":657,"_125":658,"_283":659},{"_274":655,"_276":191,"_278":656,"_280":640},49.60512419323294,34.60512419323294,{"_285":224,"_123":660,"_154":661,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},{"_309":672,"_311":673},{"_309":670,"_311":671},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","portrait-of-roberto-castiglione-cma-97168","Portrait of Roberto Castiglione","Unrecorded Italian maker","early 1600s","Framed: 147.3 x 120.6 x 10.2 cm (58 x 47 1/2 x 4 in.); Unframed: 121.2 x 98.7 cm (47 11/16 x 38 7/8 in.)",98.7,121.2,0.8088235294117647,[720,721,722,723,724],{"_220":372,"_221":373,"_42":374,"_302":375},"1916.804","An unrecorded Italy, Cremona artist painted this in the early 1600s. It is now at the Cleveland Museum of Art.",{"_118":719,"_438":439},"Portrait of Roberto Castiglione, early 1600s",{"_293":716,"_295":717,"_297":718},"https://img.ochreeditions.com/m/483.jpg?dl=1","/art/portrait-of-roberto-castiglione-cma-97168","/galleries/style/renaissance/portrait-of-roberto-castiglione-cma-97168",{"_289":290,"_291":292},{"_224":711,"_125":712,"_283":713},{"_274":708,"_276":709,"_278":710,"_280":693},113.02941176470588,136.2,98.02941176470588,{"_285":224,"_123":714,"_154":715,"_140":77},{"_285":125,"_123":491,"_154":492,"_140":493},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/483/480.jpg","https://img.ochreeditions.com/a/483/960.jpg","https://img.ochreeditions.com/a/483/1920.jpg","The inscription on the bottom of this painting identifies the sitter of this commemorative portrait as Roberto Castiglione, a magistrate and imperial vicar for the Spanish empire in the 1200s. His identity is further supported by the coat of arms in the upper left.",{"_309":733,"_311":734},{"_309":731,"_311":732},{"_309":729,"_311":730},{"_309":727,"_311":728},{"_309":725,"_311":726},"#5d3921",0.0376,"#947340",0.0526,"#5c4d33",0.0983,"#272017",0.366,"#1f1c15",0.4455,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":779,"_221":780,"_323":781,"_325":394,"_327":782,"_329":783,"_331":-5,"_332":-5,"_334":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[764,765,766,767,768],{"_220":299,"_221":300,"_42":301,"_302":303},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_293":761,"_295":762,"_297":763},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_289":432,"_291":433},{"_224":756,"_125":757,"_283":758},{"_274":754,"_276":421,"_278":755,"_280":423},40.62885994438753,16.628859944387532,{"_285":224,"_123":759,"_154":760,"_140":89},{"_285":125,"_123":605,"_154":606,"_140":607},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_309":777,"_311":778},{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","Virgin and Child with the Young Saint John the Baptist",{"_42":833,"_221":834,"_323":835,"_325":836,"_327":837,"_329":838,"_331":-5,"_332":-5,"_334":-5,"_140":103},"c. 1515","64.2 × 50.2 cm (25 1/4 × 19 3/4 in.); Framed: 79.4 × 63.9 × 8.3 cm (31 1/4 × 25 1/8 × 3 1/4 in.)",50,64,0.7786499215070644,[818,819,820,821,822],{"_220":299,"_221":300,"_42":301,"_302":303},"1965.688","Antonio da Correggio painted this in about 1515, aged about 21. It is now at the Art Institute of Chicago.",{"_118":816,"_438":817},"Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.",{"_293":813,"_295":814,"_297":815},"https://img.ochreeditions.com/m/100.jpg?dl=1","/art/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972","/galleries/style/renaissance/virgin-and-child-with-the-young-saint-john-the-baptist-aic-23972",{"_289":290,"_291":292},{"_224":808,"_125":809,"_283":810},{"_274":805,"_276":806,"_278":807,"_280":790},64.83359497645212,79,49.83359497645212,{"_285":224,"_123":811,"_154":812,"_140":89},{"_285":125,"_123":491,"_154":492,"_140":493},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-antonio-da-correggio","Antonio da Correggio's contemporaries","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/100/960.jpg","https://img.ochreeditions.com/a/100/1920.jpg","This intimate devotional panel, an early work by Antonio da Correggio, reveals the young artist's evolving style. The distant landscape demonstrates his awareness of Northern European precedents, and the figural composition references the manner of Raphael, while its soft outlines recall Da Vinci.","Text from the Art Institute of Chicago.",{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},"#892f1f",0.0784,"#3c636a",0.0806,"#a8a49c",0.1931,"#6d5e37",0.255,"#2a2217",0.3929,"Antonio da Correggio","antonio-da-correggio","Antonio Allegri; Italian, 1489–1534","Antonio Allegri; Italian",1489,1534,"mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","Mock Joust of War with Flying Shields and Without Bevors","Unrecorded German maker","c.1512-1515","germany","drawing","Drawing","pen and black ink with watercolor over black chalk on laid paper","sheet: 33.5 × 26.4 cm (13 3/16 × 10 3/8 in.)",26.4,33.5,0.7900390625,[885,886,887,888,889],{"_220":881,"_221":882,"_42":883,"_302":884},"Courtesy National Gallery of Art, Washington","1943.3.4486","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.",{"_293":878,"_295":879,"_297":880},"https://img.ochreeditions.com/m/1699.jpg?dl=1","/art/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042","/galleries/style/renaissance/mock-joust-of-war-with-flying-shields-and-without-bevors-nga-216042",{"_289":432,"_291":433},{"_224":867,"_125":868,"_283":869},{"_274":864,"_276":865,"_278":866,"_280":849},50.46630859375,57.5,26.46630859375,{"_285":224,"_123":876,"_154":877,"_140":97},{"_285":125,"_123":873,"_154":874,"_140":875},{"_285":283,"_123":870,"_154":871,"_140":872},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1699/480.jpg","https://img.ochreeditions.com/a/1699/960.jpg","https://img.ochreeditions.com/a/1699/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":898,"_311":899},{"_309":896,"_311":897},{"_309":894,"_311":895},{"_309":892,"_311":893},{"_309":890,"_311":891},"#856750",0.042,"#a9916d",0.0558,"#a39783",0.0561,"#cfba9e",0.1195,"#e6d3bc",0.7266,"drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","Drapery Study of a Standing Figure Facing Right, in Profile",{"_42":950,"_221":951,"_323":952,"_325":394,"_327":953,"_329":954,"_331":-5,"_332":-5,"_334":-5,"_140":103},"late 1460s–early 1470s","watercolour","Drawing and Watercolor","Brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper","Primary support: 28.3 × 18.3 cm (11 3/16 × 7 1/4 in.); Secondary support: 30 × 20 cm (11 13/16 × 7 7/8 in.)",18,0.6784424379232505,[936,937,938,939,940],{"_220":299,"_221":300,"_42":301,"_302":303},"2020.255","Andrea del Verrocchio painted this in the late 1460s–early 1470s, aged about 30. It is now at the Art Institute of Chicago.","A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.",{"_293":933,"_295":934,"_297":935},"https://img.ochreeditions.com/m/400.jpg?dl=1","/art/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345","/galleries/style/renaissance/drapery-study-of-a-standing-figure-facing-right-in-profile-aic-259345",{"_289":432,"_291":433},{"_224":925,"_125":926,"_283":927},{"_274":922,"_276":923,"_278":924,"_280":872},42.99638826185102,52,18.996388261851017,{"_285":224,"_123":931,"_154":932,"_140":89},{"_285":125,"_123":928,"_154":929,"_140":930},{"_285":283,"_123":364,"_154":365,"_140":366},"style/watercolour","More watercolours",85,"artist/contemporaries-of-andrea-del-verrocchio","Andrea del Verrocchio's contemporaries","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/400/960.jpg","https://img.ochreeditions.com/a/400/1920.jpg",{"_309":948,"_311":949},{"_309":946,"_311":947},{"_309":945,"_311":619},{"_309":943,"_311":944},{"_309":941,"_311":942},"#dec9b3",0.0849,"#857360",0.1048,"#bc9d83","#544b44",0.1836,"#6c5f51",0.4942,"Andrea del Verrocchio","andrea-del-verrocchio","Italian, c. 1435–1488",1435,1488,"the-last-supper-cma-119622","The Last Supper",{"_42":1002,"_221":1003,"_323":394,"_325":394,"_327":-5,"_329":-5,"_331":-5,"_332":-5,"_334":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",1.3137557959814528,[987,988,989,990,991],{"_220":372,"_221":373,"_42":374,"_302":375},"1940.473.a","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":986,"_438":439},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_293":983,"_295":984,"_297":985},"https://img.ochreeditions.com/m/538.jpg?dl=1","/art/the-last-supper-cma-119622","/galleries/style/renaissance/the-last-supper-cma-119622",{"_289":432,"_291":433},{"_224":978,"_125":979,"_283":980},{"_274":974,"_276":975,"_278":976,"_280":977},84,69.67058823529412,60,45.67058823529412,{"_285":224,"_123":981,"_154":982,"_140":99},{"_285":125,"_123":428,"_154":429,"_140":53},{"_285":283,"_123":364,"_154":365,"_140":366},"artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/538/480.jpg","https://img.ochreeditions.com/a/538/960.jpg","https://img.ochreeditions.com/a/538/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_309":1000,"_311":1001},{"_309":998,"_311":999},{"_309":996,"_311":997},{"_309":994,"_311":995},{"_309":992,"_311":993},"#f0e3cf",0.0574,"#c0af98",0.1441,"#6f6353",0.206,"#9f907a",0.2813,"#887966",0.3112,"Lucantonio degli Uberti","lucantonio-degli-uberti","a-naval-battle-aic-273340","A Naval Battle",{"_42":1049,"_221":1050,"_323":394,"_325":394,"_327":-5,"_329":1051,"_331":-5,"_332":-5,"_334":-5,"_140":103},"c. 1550","Engraving and etching in black on cream laid paper","22 × 36.1 cm (8 11/16 × 14 1/4 in.)",22,1.3656927426955703,[1034,1035,1036,1037,1038],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.163","Michele Lucchese made this in about 1550. It is now at the Art Institute of Chicago.","A work made of engraving and etching in black on cream laid paper.",{"_293":1031,"_295":1032,"_297":1033},"https://img.ochreeditions.com/m/445.jpg?dl=1","/art/a-naval-battle-aic-273340","/galleries/style/renaissance/a-naval-battle-aic-273340",{"_289":432,"_291":433},{"_224":1026,"_125":1027,"_283":1028},{"_274":976,"_276":1024,"_278":639,"_280":1025},50.36024844720497,26.360248447204967,{"_285":224,"_123":1029,"_154":1030,"_140":89},{"_285":125,"_123":605,"_154":606,"_140":607},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-michele-lucchese","Michele Lucchese's contemporaries","https://img.ochreeditions.com/a/445/480.jpg","https://img.ochreeditions.com/a/445/960.jpg","https://img.ochreeditions.com/a/445/1920.jpg",{"_309":1047,"_311":1048},{"_309":1045,"_311":1046},{"_309":1043,"_311":1044},{"_309":1041,"_311":1042},{"_309":1039,"_311":1040},"#635a51",0.0771,"#c0b0a3",0.0798,"#a09388",0.0864,"#80756c",0.0884,"#eddacc",0.6683,"Michele Lucchese","michele-lucchese",1564,"lucrezia-di-lippo-di-iacopo-guidi-aic-22270","Lucrezia di Lippo di Iacopo Guidi",{"_42":1095,"_221":1096,"_323":1097,"_325":394,"_327":1098,"_329":1099,"_331":1100,"_332":1100,"_334":1101,"_140":97},"1525–28","22.5 × 15.9 cm (8 7/8 × 6 1/4 in.)",1.2782629218786878,[1080,1081,1082,1083,1084],{"_220":299,"_221":300,"_42":301,"_302":303},"1964.1097b","Andrea del Sarto painted this in 1525–28, aged about 39. It is now at the Art Institute of Chicago.",{"_293":1077,"_295":1078,"_297":1079},"https://img.ochreeditions.com/m/92.jpg?dl=1","/art/lucrezia-di-lippo-di-iacopo-guidi-aic-22270","/galleries/style/renaissance/lucrezia-di-lippo-di-iacopo-guidi-aic-22270",{"_289":290,"_291":292},{"_224":1072,"_125":1073,"_283":1074},{"_274":1069,"_276":1070,"_278":423,"_280":1071},40,34.557791728212706,19.557791728212703,{"_285":224,"_123":1075,"_154":1076,"_140":97},{"_285":125,"_123":491,"_154":492,"_140":493},{"_285":283,"_123":488,"_154":489,"_140":490},"artist/andrea-del-sarto","More by Andrea del Sarto","https://img.ochreeditions.com/a/92/480.jpg","https://img.ochreeditions.com/a/92/960.jpg","https://img.ochreeditions.com/a/92/1920.jpg",{"_309":1093,"_311":1094},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},"#2f1d18",0.07,"#6f5446",0.1291,"#a47659",0.1659,"#4d3819",0.2609,"#4f1615",0.3741,"Andrea del Sarto","andrea-del-sarto","Italian, 1486–1530",1486,1530,"Florence","Andrea del Sarto, the son of a tailor, or sarto, spent almost his whole career in Florence and became its leading painter after Leonardo, Michelangelo and Raphael had left.","arm-of-eve-cma-141931","Arm of Eve",{"_42":1151,"_221":1152,"_323":1153,"_325":1154,"_327":1155,"_329":1156,"_331":1157,"_332":1157,"_334":1158,"_140":89},"1507","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[1136,1137,1138,1139,1140],{"_220":372,"_221":373,"_42":374,"_302":375},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":1135,"_438":439},"Arm of Eve, by Albrecht Dürer, 1507",{"_293":1132,"_295":1133,"_297":1134},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_289":432,"_291":433},{"_224":1127,"_125":1128,"_283":1129},{"_274":1124,"_276":1125,"_278":1126,"_280":1109},51.509882352941176,58.4,27.509882352941176,{"_285":224,"_123":1130,"_154":1131,"_140":89},{"_285":125,"_123":873,"_154":874,"_140":875},{"_285":283,"_123":870,"_154":871,"_140":872},"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_309":1149,"_311":1150},{"_309":1147,"_311":1148},{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.",{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","9e451c049fb599343ba894cf691ed68c683582ea","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]