[{"_1":2,"_3":4},"root",{"_5":1136},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Renaissance, in the galleries · Ochre Editions","description","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/renaissance","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/renaissance.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Renaissance, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-annunciation-aic-16327",15,"https://www.ochreeditions.com/art/the-nativity-cma-153271",14,"https://www.ochreeditions.com/art/angelica-and-medoro-aic-21314",13,"https://www.ochreeditions.com/art/the-last-supper-cma-119623",12,"https://www.ochreeditions.com/art/arm-of-eve-cma-141931",11,"https://www.ochreeditions.com/art/saint-john-the-baptist-entering-the-wilderness-aic-16156",10,"https://www.ochreeditions.com/art/view-of-venice-cma-127250",9,"https://www.ochreeditions.com/art/italian-joust-of-peace-nga-216058",8,"https://www.ochreeditions.com/art/study-of-a-standing-male-nude-aic-248306",7,"https://www.ochreeditions.com/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",6,"https://www.ochreeditions.com/art/ornament-in-hexagonal-shape-nga-9484",5,"https://www.ochreeditions.com/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",4,"https://www.ochreeditions.com/art/sinan-reis-and-hayreddin-barbarossa-aic-90060",3,"https://www.ochreeditions.com/art/portrait-of-an-old-man-cma-97156",2,"https://www.ochreeditions.com/art/the-holy-family-with-saint-elizabeth-cma-112099",1,"https://www.ochreeditions.com/art/group-of-nine-standing-figures-aic-52668","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~renaissance.d891093445.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~renaissance.d891093445.jpg","alt","Renaissance, a room in the galleries: three of its 78 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Renaissance: 78 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~renaissance.jpg","key","style/renaissance","style","Renaissance","intro","European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.","wing","Style galleries","floor","layout","corridor","hang",8718,"/galleries/style/renaissance","total",78,"page","works",[207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222],"walls",[172,173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6ODcxOCwiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/renaissance?hang=8718&cursor=eyJvIjoxNiwiaCI6ODcxOCwiaSI6bnVsbCwiZyI6Ing0bGxHaTZsIn0&via=continue","label","Renaissance, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/531/480.jpg","https://img.ochreeditions.com/a/100/480.jpg","https://img.ochreeditions.com/a/400/480.jpg","https://img.ochreeditions.com/a/476/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":81},"15th-century Netherlands","era/15-netherlands","/galleries/era/15-netherlands?hang=8718&via=continue","Jean Hey (called Master of Moulins)'s contemporaries","artist/contemporaries-of-jean-hey-called-master-of-moulins","/galleries/artist/contemporaries-of-jean-hey-called-master-of-moulins?hang=8718&via=continue",{"_42":202,"_179":203},{"_42":197,"_179":198},{"_42":192,"_179":193},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, south wall","work_ids",[181,182],738,50,"Section 3, north wall",[185,186,187],659,539,83,"Section 2, north wall",[190,191],587,43,"Section 2, south wall",[194,195,196],292,373,1700,"Section 1, south wall",[199,200,201],247,408,1353,"Section 1, north wall",[204,205,206],164,526,479,{"_223":204,"_224":1088,"_20":1089,"_227":1090,"_229":-5,"_230":1091,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":741,"_238":742,"_240":1092,"_242":1093,"_244":79,"_245":81,"_247":1094,"_249":1095,"_251":1096,"_253":254,"_255":1097,"_257":258,"_259":1098,"_154":-5,"_262":-5,"_111":1099,"_264":1100,"_266":1101,"_268":1102,"_270":1103,"_272":1104,"_144":1105,"_275":1106},{"_223":205,"_224":1044,"_20":1045,"_227":1046,"_229":-5,"_230":1047,"_232":75,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":347,"_242":1048,"_244":1049,"_245":1050,"_247":1051,"_249":1052,"_251":1053,"_253":354,"_255":1054,"_257":258,"_259":1055,"_154":1056,"_262":-5,"_111":1057,"_264":1058,"_266":1059,"_268":1060,"_270":1061,"_272":1062,"_144":1063,"_275":1064},{"_223":206,"_224":990,"_20":991,"_227":992,"_229":-5,"_230":993,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":237,"_238":239,"_240":994,"_242":995,"_244":996,"_245":997,"_247":998,"_249":999,"_251":1000,"_253":354,"_255":1001,"_257":258,"_259":1002,"_154":1003,"_262":-5,"_111":1004,"_264":1005,"_266":1006,"_268":1007,"_270":1008,"_272":1009,"_144":1010,"_275":1011},{"_223":199,"_224":940,"_20":941,"_227":942,"_229":-5,"_230":943,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":237,"_238":239,"_240":944,"_242":945,"_244":946,"_245":374,"_247":947,"_249":948,"_251":949,"_253":254,"_255":950,"_257":258,"_259":951,"_154":-5,"_262":-5,"_111":952,"_264":953,"_266":954,"_268":955,"_270":956,"_272":957,"_144":958,"_275":959},{"_223":200,"_224":891,"_20":892,"_227":893,"_229":-5,"_230":894,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":895,"_242":896,"_244":91,"_245":83,"_247":897,"_249":898,"_251":899,"_253":254,"_255":900,"_257":258,"_259":901,"_154":-5,"_262":-5,"_111":902,"_264":903,"_266":904,"_268":905,"_270":906,"_272":907,"_144":908,"_275":909},{"_223":201,"_224":844,"_20":845,"_227":-5,"_229":846,"_230":847,"_232":75,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":848,"_242":849,"_244":850,"_245":101,"_247":851,"_249":852,"_251":853,"_253":697,"_255":854,"_257":258,"_259":855,"_154":-5,"_262":-5,"_111":856,"_264":857,"_266":858,"_268":859,"_270":860,"_272":861,"_144":862,"_275":863},{"_223":194,"_224":792,"_20":793,"_227":794,"_229":-5,"_230":795,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":741,"_238":742,"_240":796,"_242":797,"_244":798,"_245":799,"_247":800,"_249":801,"_251":802,"_253":254,"_255":803,"_257":258,"_259":804,"_154":-5,"_262":-5,"_111":805,"_264":806,"_266":807,"_268":808,"_270":809,"_272":810,"_144":811,"_275":812},{"_223":195,"_224":737,"_20":738,"_227":739,"_229":-5,"_230":740,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":741,"_238":742,"_240":743,"_242":744,"_244":745,"_245":191,"_247":746,"_249":747,"_251":748,"_253":254,"_255":749,"_257":258,"_259":750,"_154":-5,"_262":-5,"_111":751,"_264":752,"_266":753,"_268":754,"_270":755,"_272":756,"_144":757,"_275":758},{"_223":196,"_224":686,"_20":687,"_227":-5,"_229":688,"_230":689,"_232":53,"_233":516,"_235":236,"_125":-5,"_28":517,"_238":518,"_240":690,"_242":691,"_244":692,"_245":693,"_247":694,"_249":695,"_251":696,"_253":697,"_255":698,"_257":258,"_259":699,"_154":-5,"_262":-5,"_111":700,"_264":701,"_266":702,"_268":703,"_270":704,"_272":705,"_144":706,"_275":707},{"_223":190,"_224":632,"_20":633,"_227":634,"_229":-5,"_230":635,"_232":75,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":636,"_242":637,"_244":638,"_245":639,"_247":640,"_249":641,"_251":642,"_253":354,"_255":643,"_257":258,"_259":644,"_154":645,"_262":-5,"_111":646,"_264":647,"_266":648,"_268":649,"_270":650,"_272":651,"_144":652,"_275":653},{"_223":191,"_224":578,"_20":579,"_227":580,"_229":-5,"_230":581,"_232":75,"_233":344,"_235":236,"_125":-5,"_28":237,"_238":239,"_240":582,"_242":583,"_244":584,"_245":585,"_247":586,"_249":587,"_251":588,"_253":254,"_255":589,"_257":258,"_259":590,"_154":-5,"_262":591,"_111":592,"_264":593,"_266":594,"_268":595,"_270":596,"_272":597,"_144":598,"_275":599},{"_223":185,"_224":512,"_20":513,"_227":514,"_229":-5,"_230":515,"_232":53,"_233":516,"_235":236,"_125":-5,"_28":517,"_238":518,"_240":519,"_242":520,"_244":521,"_245":522,"_247":523,"_249":524,"_251":525,"_253":354,"_255":526,"_257":258,"_259":527,"_154":528,"_262":-5,"_111":529,"_264":530,"_266":531,"_268":532,"_270":533,"_272":534,"_144":535,"_275":536},{"_223":186,"_224":458,"_20":459,"_227":460,"_229":-5,"_230":461,"_232":75,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":462,"_242":-5,"_244":-5,"_245":-5,"_247":463,"_249":464,"_251":465,"_253":354,"_255":466,"_257":258,"_259":467,"_154":468,"_262":-5,"_111":469,"_264":470,"_266":471,"_268":472,"_270":473,"_272":474,"_144":475,"_275":476},{"_223":187,"_224":413,"_20":414,"_227":415,"_229":-5,"_230":416,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":417,"_242":418,"_244":419,"_245":420,"_247":421,"_249":422,"_251":423,"_253":254,"_255":424,"_257":258,"_259":425,"_154":-5,"_262":-5,"_111":426,"_264":427,"_266":428,"_268":429,"_270":430,"_272":431,"_144":432,"_275":433},{"_223":181,"_224":340,"_20":341,"_227":342,"_229":-5,"_230":343,"_232":53,"_233":344,"_235":236,"_125":-5,"_28":345,"_238":346,"_240":347,"_242":348,"_244":349,"_245":350,"_247":351,"_249":352,"_251":353,"_253":354,"_255":355,"_257":258,"_259":356,"_154":357,"_262":-5,"_111":358,"_264":359,"_266":360,"_268":361,"_270":362,"_272":363,"_144":364,"_275":365},{"_223":182,"_224":225,"_20":226,"_227":228,"_229":-5,"_230":231,"_232":75,"_233":234,"_235":236,"_125":-5,"_28":237,"_238":239,"_240":241,"_242":243,"_244":182,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":261,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","the-annunciation-aic-16327","The Annunciation","artist",{"_42":327,"_224":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":-5,"_140":101},"unrecorded","date","1490–95","century","place","netherlands","movement","renaissance","painting","classification","Painting","medium","Oil on panel","dimensions","72.5 × 50.1 cm (28 1/2 × 19 11/16 in.); Framed: 86.3 × 65.4 cm (34 × 25 3/4 in.)","width_cm","height_cm",72,"aspect",0.6841548053170216,"palette",[310,311,312,313,314],"museum",{"_223":305,"_224":306,"_42":307,"_308":309},"credit","Courtesy of the Art Institute of Chicago","accession","1933.1062","licence","CC0","story","Jean Hey (called Master of Moulins) painted this in 1490–95, aged about 15. It is now at the Art Institute of Chicago.",{"_118":302,"_303":304},"note","Painting of the Annunciation, dove flying above Mary with angel.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/50.jpg?dl=1","page_url","/art/the-annunciation-aic-16327","walk_url","/galleries/style/renaissance/the-annunciation-aic-16327","frame",{"_292":293,"_294":295},{"_227":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",64.25914598282554,"h",87,"image_w",49.25914598282555,"image_h",{"_288":227,"_123":170,"_154":169,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":81},"facet","style/painting-15","More paintings of the 15th century",73,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/50/480.jpg","960","https://img.ochreeditions.com/a/50/960.jpg","1920","https://img.ochreeditions.com/a/50/1920.jpg","Jean Hey, known as the Master of Moulins, was a leading painter in 15th-century France. Here, he captured the moment the archangel Gabriel announced to Mary that she would give birth to a son.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#792423","weight",0.0756,"#84826e",0.1854,"#726727",0.2031,"#393b32",0.2507,"#553624",0.2852,"Jean Hey (called Master of Moulins)","jean-hey-called-master-of-moulins","bio","Netherlandish, active fourth quarter 15th century","nationality","Netherlandish","birth_year",1475,"death_year",1499,"birth_place","death_place","about_excerpt","the-nativity-cma-153271","The Nativity",{"_42":406,"_224":407,"_329":408,"_331":409,"_333":410,"_335":411,"_337":-5,"_338":-5,"_339":412,"_140":99},"1553","italy","print","Print","engraving","Overall: 67.5 x 45.6 cm (26 9/16 x 17 15/16 in.); Part 1: 32.9 x 45 cm (12 15/16 x 17 11/16 in.); Part 2: 34 x 45.6 cm (13 3/8 x 17 15/16 in.)",45.6,67.5,0.6994117647058824,[391,392,393,394,395],{"_223":387,"_224":388,"_42":389,"_308":390},"Courtesy of the Cleveland Museum of Art","1986.233","Giorgio Ghisi made this in 1553, aged 33. It is now at the Cleveland Museum of Art.",{"_118":385,"_303":386},"The Nativity, by Giorgio Ghisi, 1553",{"_296":382,"_298":383,"_300":384},"https://img.ochreeditions.com/m/738.jpg?dl=1","/art/the-nativity-cma-153271","/galleries/style/renaissance/the-nativity-cma-153271",{"_292":380,"_294":381},{"_227":369,"_125":370,"_286":371},{"_277":366,"_279":367,"_281":368,"_283":350},71.21029411764707,91.5,47.21029411764706,{"_288":227,"_123":378,"_154":379,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/giorgio-ghisi","More by Giorgio Ghisi","white","snow","https://img.ochreeditions.com/a/738/480.jpg","https://img.ochreeditions.com/a/738/960.jpg","https://img.ochreeditions.com/a/738/1920.jpg","The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":404,"_317":405},{"_315":402,"_317":403},{"_315":400,"_317":401},{"_315":398,"_317":399},{"_315":396,"_317":397},"#ded5c3",0.0767,"#575247",0.1757,"#b2a899",0.2142,"#948b7e",0.2601,"#766f63",0.2733,"Giorgio Ghisi","giorgio-ghisi","Italian, 1520–1582","Italian",1520,1582,"Ghisi was a Mantuan engraver who worked in Antwerp for the publisher Hieronymus Cock, engraving large plates after Raphael’s Vatican frescoes, and later in France.","angelica-and-medoro-aic-21314","Angelica and Medoro",{"_42":406,"_224":407,"_329":408,"_331":409,"_333":410,"_335":411,"_337":-5,"_338":-5,"_339":412,"_140":99},"c. 1570","Engraving in black on ivory laid paper","29.9 × 20.9 cm (11 13/16 × 8 1/4 in.)",20,29,0.6897777777777778,[443,444,445,446,447],{"_223":305,"_224":306,"_42":307,"_308":309},"1935.119","Giorgio Ghisi made this in about 1570, aged about 45. It is now at the Art Institute of Chicago.","A work made of engraving in black on ivory laid paper.",{"_296":440,"_298":441,"_300":442},"https://img.ochreeditions.com/m/83.jpg?dl=1","/art/angelica-and-medoro-aic-21314","/galleries/style/renaissance/angelica-and-medoro-aic-21314",{"_292":380,"_294":381},{"_227":437,"_125":438,"_286":439},{"_277":434,"_279":435,"_281":436,"_283":420},44.00355555555556,53,20.003555555555558,{"_288":227,"_123":378,"_154":379,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/83/480.jpg","https://img.ochreeditions.com/a/83/960.jpg","https://img.ochreeditions.com/a/83/1920.jpg",{"_315":456,"_317":457},{"_315":454,"_317":455},{"_315":452,"_317":453},{"_315":450,"_317":451},{"_315":448,"_317":449},"#e0d7c5",0.1325,"#b5aa96",0.1761,"#918774",0.2163,"#524d3f",0.2322,"#6f6757",0.2429,"the-last-supper-cma-119623","The Last Supper",{"_42":510,"_224":511,"_329":409,"_331":409,"_333":-5,"_335":-5,"_337":-5,"_338":-5,"_339":-5,"_140":99},"c. 1500","engraving on two sheets printed from two plates",1.3444049031237644,[495,496,497,498,499],{"_223":387,"_224":388,"_42":389,"_308":390},"1940.473.b","Lucantonio degli Uberti made this in about 1500. It is now at the Cleveland Museum of Art.",{"_118":494,"_303":386},"The Last Supper, by Lucantonio degli Uberti, c. 1500",{"_296":491,"_298":492,"_300":493},"https://img.ochreeditions.com/m/539.jpg?dl=1","/art/the-last-supper-cma-119623","/galleries/style/renaissance/the-last-supper-cma-119623",{"_292":380,"_294":381},{"_227":481,"_125":482,"_286":483},{"_277":477,"_279":478,"_281":479,"_283":480},84,68.62941176470588,60,44.62941176470588,{"_288":227,"_123":489,"_154":490,"_140":99},{"_288":125,"_123":487,"_154":488,"_140":53},{"_288":286,"_123":484,"_154":485,"_140":486},"era/15-italy","15th-century Italy",57,"style/print-15","More prints of the 15th century","artist/lucantonio-degli-uberti","More by Lucantonio degli Uberti","https://img.ochreeditions.com/a/539/480.jpg","https://img.ochreeditions.com/a/539/960.jpg","https://img.ochreeditions.com/a/539/1920.jpg","Because large prints were often displayed on a wall, they were susceptible to damage and often have not survived. This large print of the Last Supper , however, is in excellent condition. It was engraved on two plates and printed on two separate sheets of paper.",{"_315":508,"_317":509},{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},{"_315":500,"_317":501},"#e6d9c4",0.0485,"#b8a78f",0.1356,"#625848",0.2111,"#968772",0.2673,"#7c6f5d",0.3375,"Lucantonio degli Uberti","lucantonio-degli-uberti","arm-of-eve-cma-141931","Arm of Eve",{"_42":570,"_224":571,"_329":572,"_331":573,"_333":574,"_335":575,"_337":576,"_338":576,"_339":577,"_140":89},"1507","germany","drawing","Drawing","point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache","Sheet: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.)",26.7,34.4,0.7997058823529412,[555,556,557,558,559],{"_223":387,"_224":388,"_42":389,"_308":390},"1965.470","Albrecht Dürer painted this in 1507, aged 36. It is now at the Cleveland Museum of Art.",{"_118":554,"_303":386},"Arm of Eve, by Albrecht Dürer, 1507",{"_296":551,"_298":552,"_300":553},"https://img.ochreeditions.com/m/659.jpg?dl=1","/art/arm-of-eve-cma-141931","/galleries/style/renaissance/arm-of-eve-cma-141931",{"_292":380,"_294":381},{"_227":540,"_125":541,"_286":542},{"_277":537,"_279":538,"_281":539,"_283":522},51.509882352941176,58.4,27.509882352941176,{"_288":227,"_123":549,"_154":550,"_140":89},{"_288":125,"_123":546,"_154":547,"_140":548},{"_288":286,"_123":543,"_154":544,"_140":545},"era/16-germany","16th-century Germany",28,"style/drawing-16","More drawings of the 16th century",35,"artist/albrecht-durer","More by Albrecht Dürer","https://img.ochreeditions.com/a/659/480.jpg","https://img.ochreeditions.com/a/659/960.jpg","https://img.ochreeditions.com/a/659/1920.jpg","Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid. It is also one of the few surviving drawings by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7.",{"_315":568,"_317":569},{"_315":566,"_317":567},{"_315":564,"_317":565},{"_315":562,"_317":563},{"_315":560,"_317":561},"#82857f",0.0518,"#f7f6f4",0.0695,"#b1b8b5",0.0833,"#969d97",0.2353,"#9fa9a4",0.5601,"Albrecht Dürer","albrecht-durer","German, 1471–1528","German",1471,1528,"Nuremberg","Dürer trained as a goldsmith with his father and then under the Nuremberg painter Michael Wolgemut, whose studio produced woodcut book illustrations.","saint-john-the-baptist-entering-the-wilderness-aic-16156","Saint John the Baptist Entering the Wilderness",{"_42":625,"_224":626,"_329":627,"_331":409,"_333":628,"_335":629,"_337":630,"_338":630,"_339":631,"_140":97},"1455–60","Tempera on panel","68.5 × 36.2 cm (27 × 14 1/4 in.); Framed: 79.4 × 47.7 × 8 cm (31 1/4 × 18 3/4 × 3 1/8 in.)",36,68,0.508898885194602,[610,611,612,613,614],{"_223":305,"_224":306,"_42":307,"_308":309},"1933.1010","Giovanni di Paolo painted this in 1455–60, aged about 57. It is now at the Art Institute of Chicago.","The young John the Baptist leaves his home through a city gate at the lower left and reappears higher up, climbing a winding path into fantastical, folded mountains, so that one panel tells a whole journey. Below him spreads a patchwork of fields laid out like a map.","A work made of tempera on panel.",{"_296":607,"_298":608,"_300":609},"https://img.ochreeditions.com/m/43.jpg?dl=1","/art/saint-john-the-baptist-entering-the-wilderness-aic-16156","/galleries/style/renaissance/saint-john-the-baptist-entering-the-wilderness-aic-16156",{"_292":293,"_294":295},{"_227":602,"_125":603,"_286":604},{"_277":600,"_279":187,"_281":601,"_283":585},49.60512419323294,34.60512419323294,{"_288":227,"_123":605,"_154":606,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":484,"_154":485,"_140":486},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/43/480.jpg","https://img.ochreeditions.com/a/43/960.jpg","https://img.ochreeditions.com/a/43/1920.jpg",{"_315":623,"_317":624},{"_315":621,"_317":622},{"_315":619,"_317":620},{"_315":617,"_317":618},{"_315":615,"_317":616},"#453420",0.1567,"#65512e",0.1652,"#82775a",0.2064,"#555b4a",0.2093,"#2e3027",0.2624,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.","view-of-venice-cma-127250","View of Venice",{"_42":682,"_224":683,"_329":684,"_331":409,"_333":685,"_335":410,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1500","woodcut from six blocks on six sheets of paper","Overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.)",277.5,132.7,2.0769700671960902,[667,668,669,670,671],{"_223":387,"_224":388,"_42":389,"_308":390},"1949.565","Jacopo de' Barbari made this in 1500, aged 45. It is now at the Cleveland Museum of Art.",{"_118":666,"_303":386},"View of Venice, by Jacopo de' Barbari, 1500",{"_296":663,"_298":664,"_300":665},"https://img.ochreeditions.com/m/587.jpg?dl=1","/art/view-of-venice-cma-127250","/galleries/style/renaissance/view-of-venice-cma-127250",{"_292":380,"_294":381},{"_227":658,"_125":659,"_286":660},{"_277":654,"_279":655,"_281":656,"_283":657},264,139.5529411764706,240,115.5529411764706,{"_288":227,"_123":661,"_154":662,"_140":89},{"_288":125,"_123":487,"_154":488,"_140":53},{"_288":286,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-jacopo-de-barbari","Jacopo de' Barbari's contemporaries","https://img.ochreeditions.com/a/587/480.jpg","https://img.ochreeditions.com/a/587/960.jpg","https://img.ochreeditions.com/a/587/1920.jpg","By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world.",{"_315":680,"_317":681},{"_315":678,"_317":679},{"_315":676,"_317":677},{"_315":674,"_317":675},{"_315":672,"_317":673},"#7b7163",0.1134,"#8d8271",0.1966,"#a19483",0.2087,"#c6b8a3",0.2329,"#b4a694",0.2484,"Jacopo de' Barbari","jacopo-de-barbari","Italian, c. 1460/70–c. 1516",1455,"italian-joust-of-peace-nga-216058","Italian Joust of Peace","Unrecorded German maker","c.1512-1515","pen and brown ink with watercolor over leadpoint on laid paper","sheet: 33 × 26.3 cm (13 × 10 3/8 in.)",26.3,33,0.802734375,[722,723,724,725,726],{"_223":718,"_224":719,"_42":720,"_308":721},"Courtesy National Gallery of Art, Washington","1943.3.4502","An unrecorded German artist painted this in about 1512-1515. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.",{"_296":715,"_298":716,"_300":717},"https://img.ochreeditions.com/m/1700.jpg?dl=1","/art/italian-joust-of-peace-nga-216058","/galleries/style/renaissance/italian-joust-of-peace-nga-216058",{"_292":380,"_294":381},{"_227":710,"_125":711,"_286":712},{"_277":708,"_279":486,"_281":709,"_283":693},50.490234375,26.490234375,{"_288":227,"_123":713,"_154":714,"_140":97},{"_288":125,"_123":546,"_154":547,"_140":548},{"_288":286,"_123":543,"_154":544,"_140":545},"artist/unrecorded-germany","More by unrecorded makers of Germany","https://img.ochreeditions.com/a/1700/480.jpg","https://img.ochreeditions.com/a/1700/960.jpg","https://img.ochreeditions.com/a/1700/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":735,"_317":736},{"_315":733,"_317":734},{"_315":731,"_317":732},{"_315":729,"_317":730},{"_315":727,"_317":728},"#a2846e",0.0362,"#a15240",0.042,"#ecddce",0.0542,"#c8b195",0.08,"#e9d3b7",0.7876,"study-of-a-standing-male-nude-aic-248306","Study of a Standing Male Nude",{"_42":787,"_224":788,"_329":789,"_331":409,"_333":790,"_335":791,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1595/96","watercolour","Drawing and Watercolor","Black chalk on laid paper, laid down on tan laid pulp board","43.2 × 17.3 cm (17 1/16 × 6 13/16 in.)",17,0.46583344654258935,[772,773,774,775,776],{"_223":305,"_224":306,"_42":307,"_308":309},"2019.876","Giuseppe Cesari, called Cavaliere d'Arpino painted this in 1595/96, aged about 27. It is now at the Art Institute of Chicago.","A work made of black chalk on laid paper, laid down on tan laid pulp board.",{"_296":769,"_298":770,"_300":771},"https://img.ochreeditions.com/m/373.jpg?dl=1","/art/study-of-a-standing-male-nude-aic-248306","/galleries/style/renaissance/study-of-a-standing-male-nude-aic-248306",{"_292":380,"_294":381},{"_227":762,"_125":763,"_286":764},{"_277":759,"_279":760,"_281":761,"_283":191},44.03083820133134,67,20.030838201331342,{"_288":227,"_123":767,"_154":768,"_140":89},{"_288":125,"_123":765,"_154":766,"_140":89},{"_288":286,"_123":372,"_154":373,"_140":374},"style/watercolour-16","More watercolours of the 16th century","artist/contemporaries-of-giuseppe-cesari-called-cavaliere-d-arpino","Giuseppe Cesari, called Cavaliere d'Arpino's contemporaries","https://img.ochreeditions.com/a/373/480.jpg","https://img.ochreeditions.com/a/373/960.jpg","https://img.ochreeditions.com/a/373/1920.jpg",{"_315":785,"_317":786},{"_315":783,"_317":784},{"_315":781,"_317":782},{"_315":779,"_317":780},{"_315":777,"_317":778},"#867564",0.0776,"#a9927c",0.1693,"#c99f78",0.199,"#b89173",0.2052,"#cdb096",0.3489,"Giuseppe Cesari, called Cavaliere d'Arpino","giuseppe-cesari-called-cavaliere-d-arpino","Italian, 1568–1640",1568,1640,"virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","Virgin and Child with Saints Peter and John the Baptist (recto); Saint John the Baptist (verso)",{"_42":839,"_224":840,"_329":841,"_331":409,"_333":842,"_335":843,"_337":-5,"_338":-5,"_339":-5,"_140":103},"n.d.","Black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper","31.4 × 21.1 cm (12 3/8 × 8 5/16 in.)",21,31,0.6771270718232044,[824,825,826,827,828],{"_223":305,"_224":306,"_42":307,"_308":309},"1922.3493","Pietro d' Asaro painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk (recto), and black chalk and pen and black ink (verso), on ivory laid paper.",{"_296":821,"_298":822,"_300":823},"https://img.ochreeditions.com/m/292.jpg?dl=1","/art/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613","/galleries/style/renaissance/virgin-and-child-with-saints-peter-and-john-the-baptist-rect-aic-112613",{"_292":380,"_294":381},{"_227":816,"_125":817,"_286":818},{"_277":813,"_279":814,"_281":815,"_283":799},44.99093922651934,55,20.990939226519338,{"_288":227,"_123":819,"_154":820,"_140":89},{"_288":125,"_123":765,"_154":766,"_140":89},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-pietro-d-asaro","Pietro d' Asaro's contemporaries","https://img.ochreeditions.com/a/292/480.jpg","https://img.ochreeditions.com/a/292/960.jpg","https://img.ochreeditions.com/a/292/1920.jpg",{"_315":837,"_317":838},{"_315":835,"_317":836},{"_315":833,"_317":834},{"_315":831,"_317":832},{"_315":829,"_317":830},"#91673f",0.0089,"#a48b6f",0.0163,"#b09f89",0.1857,"#bfb2a0",0.3935,"#b8a995",0.3956,"Pietro d' Asaro","pietro-d-asaro","Italian, 1597–1647",1597,1647,"ornament-in-hexagonal-shape-nga-9484","Ornament in Hexagonal Shape","Unrecorded Italian maker","c. 1480/1510","niello print","sheet: 2 x 4.3 cm (13/16 x 1 11/16 in.)",4.3,2.1132254995242628,[876,877,878,879,880],{"_223":718,"_224":719,"_42":720,"_308":721},"1943.3.6690","An unrecorded Italian artist made this in about 1480/1510. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of an ornamental floral design. The image shows a central floral motif resembling a flower with radiating petals, surrounded by swirling leaf patterns. The background is dark, contrasting with the lighter line work of the floral design. The drawing's borders are uneven and have an antique appearance.",{"_296":873,"_298":874,"_300":875},"https://img.ochreeditions.com/m/1353.jpg?dl=1","/art/ornament-in-hexagonal-shape-nga-9484","/galleries/style/renaissance/ornament-in-hexagonal-shape-nga-9484",{"_292":380,"_294":381},{"_227":868,"_125":869,"_286":870},{"_277":864,"_279":865,"_281":866,"_283":867},49,35.83025664115263,25,11.830256641152634,{"_288":227,"_123":871,"_154":872,"_140":77},{"_288":125,"_123":487,"_154":488,"_140":53},{"_288":286,"_123":484,"_154":485,"_140":486},"artist/unrecorded-italy","More by unrecorded makers of Italy","https://img.ochreeditions.com/a/1353/480.jpg","https://img.ochreeditions.com/a/1353/960.jpg","https://img.ochreeditions.com/a/1353/1920.jpg",{"_315":889,"_317":890},{"_315":887,"_317":888},{"_315":885,"_317":886},{"_315":883,"_317":884},{"_315":881,"_317":882},"#786a59",0.1375,"#9f8e76",0.1406,"#5a5146",0.2245,"#433e39",0.2406,"#d4cab5",0.2568,"saint-catherine-of-siena-receiving-the-stigmata-aic-262135","Saint Catherine of Siena Receiving the Stigmata",{"_42":935,"_224":936,"_329":937,"_331":409,"_333":938,"_335":939,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1595","Etching in black on cream laid paper","Plate/sheet: 11.9 × 7.7 cm (4 11/16 × 3 1/16 in.)",0.6651543977755012,[920,921,922,923,924],{"_223":305,"_224":306,"_42":307,"_308":309},"2022.52","Francesco Vanni made this in about 1595, aged about 27. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_296":917,"_298":918,"_300":919},"https://img.ochreeditions.com/m/408.jpg?dl=1","/art/saint-catherine-of-siena-receiving-the-stigmata-aic-262135","/galleries/style/renaissance/saint-catherine-of-siena-receiving-the-stigmata-aic-262135",{"_292":380,"_294":381},{"_227":912,"_125":913,"_286":914},{"_277":910,"_279":864,"_281":911,"_283":866},40.62885994438753,16.628859944387532,{"_288":227,"_123":915,"_154":916,"_140":89},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-francesco-vanni","Francesco Vanni's contemporaries","https://img.ochreeditions.com/a/408/480.jpg","https://img.ochreeditions.com/a/408/960.jpg","https://img.ochreeditions.com/a/408/1920.jpg",{"_315":933,"_317":934},{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},"#f9e9d8",0.0985,"#756b61",0.1326,"#d3c1af",0.198,"#988b7e",0.2144,"#b5a595",0.3565,"Francesco Vanni","francesco-vanni","Italian, 1563–1610",1563,1610,"sinan-reis-and-hayreddin-barbarossa-aic-90060","Sinan Reis and Hayreddin Barbarossa",{"_42":409,"_224":989,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1535","Tempera on canvas","66.5 × 63.7 cm (26 3/16 × 25 1/16 in.); Framed: 73.7 × 71.2 × 5.1 cm (29 × 28 × 2 in.)",63,0.9557105163965323,[974,975,976,977,978],{"_223":305,"_224":306,"_42":307,"_308":309},"1947.53","Italian painted this in about 1535. It is now at the Art Institute of Chicago.","A work made of tempera on canvas.",{"_296":971,"_298":972,"_300":973},"https://img.ochreeditions.com/m/247.jpg?dl=1","/art/sinan-reis-and-hayreddin-barbarossa-aic-90060","/galleries/style/renaissance/sinan-reis-and-hayreddin-barbarossa-aic-90060",{"_292":293,"_294":295},{"_227":963,"_125":964,"_286":965},{"_277":960,"_279":961,"_281":962,"_283":374},78.07689408217112,81,63.07689408217113,{"_288":227,"_123":969,"_154":970,"_140":89},{"_288":125,"_123":966,"_154":967,"_140":968},{"_288":286,"_123":372,"_154":373,"_140":374},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-italian","Italian's contemporaries","https://img.ochreeditions.com/a/247/480.jpg","https://img.ochreeditions.com/a/247/960.jpg","https://img.ochreeditions.com/a/247/1920.jpg",{"_315":987,"_317":988},{"_315":985,"_317":986},{"_315":983,"_317":984},{"_315":981,"_317":982},{"_315":979,"_317":980},"#baa581",0.1565,"#82643f",0.1862,"#887c60",0.1973,"#a07c4c",0.22,"#5c513d",0.24,"italian","portrait-of-an-old-man-cma-97156","Portrait of an Old Man",{"_42":1039,"_224":1040,"_329":1041,"_331":409,"_333":1042,"_335":1043,"_337":-5,"_338":-5,"_339":-5,"_140":103},"mid-1500s","oil on wood","Framed: 120.7 x 91.4 x 11.4 cm (47 1/2 x 36 x 4 1/2 in.); Unframed: 92.4 x 63.5 cm (36 3/8 x 25 in.)",63.5,92.4,0.6820588235294117,[1024,1025,1026,1027,1028],{"_223":387,"_224":388,"_42":389,"_308":390},"1916.794","Giulio Campi painted this in the mid-1500s, aged about 25. It is now at the Cleveland Museum of Art.",{"_118":1023,"_303":386},"Portrait of an Old Man, by Giulio Campi, mid-1500s",{"_296":1020,"_298":1021,"_300":1022},"https://img.ochreeditions.com/m/479.jpg?dl=1","/art/portrait-of-an-old-man-cma-97156","/galleries/style/renaissance/portrait-of-an-old-man-cma-97156",{"_292":293,"_294":295},{"_227":1015,"_125":1016,"_286":1017},{"_277":1012,"_279":1013,"_281":1014,"_283":997},78.02223529411765,107.4,63.02223529411765,{"_288":227,"_123":1018,"_154":1019,"_140":89},{"_288":125,"_123":966,"_154":967,"_140":968},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-giulio-campi","Giulio Campi's contemporaries","https://img.ochreeditions.com/a/479/480.jpg","https://img.ochreeditions.com/a/479/960.jpg","https://img.ochreeditions.com/a/479/1920.jpg","Part of a distinguished family of Northern northern Italian painters, Campi depicts his sitter with an unidealized face dominated by carefully observed wrinkles. He stares out intently while grasping what may be a letter with its paper seal broken in his right hand.",{"_315":1037,"_317":1038},{"_315":1035,"_317":1036},{"_315":1033,"_317":1034},{"_315":1031,"_317":1032},{"_315":1029,"_317":1030},"#5a4739",0.0483,"#916e59",0.0533,"#2a2b1f",0.146,"#1b1c17",0.3729,"#11120e",0.3795,"Giulio Campi","giulio-campi","Italian, c. 1500–1572",1500,1572,"the-holy-family-with-saint-elizabeth-cma-112099","The Holy Family with Saint Elizabeth",{"_42":682,"_224":683,"_329":684,"_331":409,"_333":685,"_335":410,"_337":-5,"_338":-5,"_339":-5,"_140":101},"c. 1503","Platemark: 12.8 x 16.3 cm (5 1/16 x 6 7/16 in.); Sheet: 13.3 x 16.6 cm (5 1/4 x 6 9/16 in.)",16.3,12.8,1.2336719883889695,[1074,1075,1076,1077,1078],{"_223":387,"_224":388,"_42":389,"_308":390},"1930.575","Jacopo de' Barbari made this in about 1503, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":1073,"_303":386},"The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503",{"_296":1070,"_298":1071,"_300":1072},"https://img.ochreeditions.com/m/526.jpg?dl=1","/art/the-holy-family-with-saint-elizabeth-cma-112099","/galleries/style/renaissance/the-holy-family-with-saint-elizabeth-cma-112099",{"_292":380,"_294":381},{"_227":1067,"_125":1068,"_286":1069},{"_277":864,"_279":1065,"_281":866,"_283":1066},44.26470588235294,20.264705882352942,{"_288":227,"_123":661,"_154":662,"_140":89},{"_288":125,"_123":487,"_154":488,"_140":53},{"_288":286,"_123":484,"_154":485,"_140":486},"https://img.ochreeditions.com/a/526/480.jpg","https://img.ochreeditions.com/a/526/960.jpg","https://img.ochreeditions.com/a/526/1920.jpg","While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God.",{"_315":1086,"_317":1087},{"_315":1084,"_317":1085},{"_315":1083,"_317":986},{"_315":1081,"_317":1082},{"_315":1079,"_317":1080},"#d3d0c3",0.0571,"#4a4840",0.1487,"#a39d8e","#676359",0.2572,"#837e71",0.317,"group-of-nine-standing-figures-aic-52668","Group of Nine Standing Figures",{"_42":1131,"_224":1132,"_329":1133,"_331":409,"_333":1134,"_335":1135,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1524/27","Pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card","12.4 × 13.1 cm (4 15/16 × 5 3/16 in.)",1.0559045226130652,[1117,1118,1119,1120,1121],{"_223":305,"_224":306,"_42":307,"_308":309},"1978.275","Parmigianino painted this in 1524/27, aged about 21. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.",{"_296":1114,"_298":1115,"_300":1116},"https://img.ochreeditions.com/m/164.jpg?dl=1","/art/group-of-nine-standing-figures-aic-52668","/galleries/style/renaissance/group-of-nine-standing-figures-aic-52668",{"_292":380,"_294":381},{"_227":1109,"_125":1110,"_286":1111},{"_277":864,"_279":1107,"_281":866,"_283":1108},47.67638310529447,23.67638310529447,{"_288":227,"_123":1112,"_154":1113,"_140":89},{"_288":125,"_123":765,"_154":766,"_140":89},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-parmigianino","Parmigianino's contemporaries","https://img.ochreeditions.com/a/164/480.jpg","https://img.ochreeditions.com/a/164/960.jpg","https://img.ochreeditions.com/a/164/1920.jpg",{"_315":1129,"_317":1130},{"_315":1127,"_317":1128},{"_315":1126,"_317":982},{"_315":1124,"_317":1125},{"_315":1122,"_317":1123},"#a29b92",0.0635,"#b08969",0.1815,"#9d7758","#c19c7d",0.2742,"#cead8e",0.2946,"Parmigianino","parmigianino","Italian, 1503–1540",1503,1540,{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","4ece0c7d4c5cf44191a94f1daa13eb3c9056fc29","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
