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It is now at the Art Institute of Chicago.","Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage.","Pastel drawing of two figures in a sailboat, bright multi-colored clouds.",{"_296":479,"_298":480,"_300":481},"https://img.ochreeditions.com/m/194.jpg?dl=1","/art/flower-clouds-aic-76395","/galleries/style/watercolour-19/flower-clouds-aic-76395",{"_292":293,"_294":295},{"_226":471,"_125":472,"_286":473},{"_277":468,"_279":469,"_281":452,"_282":470},78,68.80417044424297,44.80417044424297,{"_288":226,"_123":477,"_154":478,"_140":91},{"_288":125,"_123":474,"_154":475,"_140":476},{"_288":286,"_123":165,"_154":164,"_140":167},"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/194/480.jpg","https://img.ochreeditions.com/a/194/960.jpg","https://img.ochreeditions.com/a/194/1920.jpg",{"_312":495,"_314":496},{"_312":493,"_314":494},{"_312":491,"_314":492},{"_312":489,"_314":490},{"_312":487,"_314":488},"#9e6248",0.0843,"#42404b",0.1763,"#675853",0.199,"#866352",0.2447,"#857771",0.2957,"Odilon Redon","odilon-redon","French, 1840–1916",1840,1916,"Bordeaux","Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383","Bather With Outstretched Arms (recto); Study of a Tree (verso)",{"_42":550,"_223":551,"_326":552,"_328":329,"_330":553,"_332":554,"_334":555,"_335":555,"_336":556,"_140":79},"1874/77","Graphite on cream laid paper (pieced)","17.9 × 11.1 cm (7 1/16 × 4 3/8 in.)",17,0.661707713464183,[535,536,537,538,539],{"_222":302,"_223":303,"_42":304,"_305":306},"2019.840","Paul Cézanne painted this in 1874/77, aged about 35. It is now at the Art Institute of Chicago.","A nude bather stands with arms flung wide, sketched in graphite in the mid-1870s, a figure related to the bathers that Cézanne returned to throughout his career. He rarely worked from the nude model, relying instead on memory, earlier drawings and the study of art, and the figure has an awkward, expressive energy.","A work made of graphite on cream laid paper (pieced).",{"_296":532,"_298":533,"_300":534},"https://img.ochreeditions.com/m/351.jpg?dl=1","/art/bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383","/galleries/style/watercolour-19/bather-with-outstretched-arms-recto-study-of-a-tree-verso-aic-202383",{"_292":293,"_294":295},{"_226":527,"_125":528,"_286":529},{"_277":525,"_279":413,"_281":526,"_282":415},40.54269283660457,16.542692836604576,{"_288":226,"_123":530,"_154":531,"_140":79},{"_288":125,"_123":474,"_154":475,"_140":476},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/paul-cezanne","More by Paul Cézanne","https://img.ochreeditions.com/a/351/480.jpg","https://img.ochreeditions.com/a/351/960.jpg","https://img.ochreeditions.com/a/351/1920.jpg",{"_312":548,"_314":549},{"_312":546,"_314":547},{"_312":544,"_314":545},{"_312":542,"_314":543},{"_312":540,"_314":541},"#e3caac",0.0804,"#847567",0.0911,"#9d8a77",0.1868,"#c5aa8e",0.3118,"#b39c83",0.3299,"Paul Cézanne","paul-cezanne","French, 1839–1906",1839,1906,"Aix-en-Provence","Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions.","garden-view-brooklyn-met-853646","Garden View, Brooklyn",{"_42":616,"_223":617,"_326":618,"_328":619,"_330":620,"_332":621,"_334":622,"_335":623,"_336":-5,"_140":101},"ca. 1867","united-states","realism","Watercolor","Watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper","8 × 5 1/8 in. (20.3 × 13 cm)",20.3,0.657,[601,602,603,604,605],{"_222":597,"_223":598,"_42":599,"_305":600},"Courtesy of The Metropolitan Museum of Art","2021.161.1","Fidelia Bridges painted this in about 1867, aged about 28. It is now at The Met in New York.","Garden View, Brooklyn, by Fidelia Bridges, ca. 1867",{"_296":594,"_298":595,"_300":596},"https://img.ochreeditions.com/m/1294.jpg?dl=1","/art/garden-view-brooklyn-met-853646","/galleries/style/watercolour-19/garden-view-brooklyn-met-853646",{"_292":293,"_294":295},{"_226":583,"_125":584,"_286":585},{"_277":581,"_279":413,"_281":582,"_282":415},40.425,16.425,{"_288":226,"_123":592,"_154":593,"_140":89},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":586,"_154":587,"_140":588},"era/19-united-states","19th-century United States",198,"style/realism","More Realism",41,"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1294/480.jpg","https://img.ochreeditions.com/a/1294/960.jpg","https://img.ochreeditions.com/a/1294/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":614,"_314":615},{"_312":612,"_314":613},{"_312":610,"_314":611},{"_312":608,"_314":609},{"_312":606,"_314":607},"#c0b980",0.1004,"#ece2d2",0.1097,"#7f7257",0.1957,"#aa957e",0.2362,"#c5af99",0.358,"Fidelia Bridges","fidelia-bridges","American, 1834–1923","American",1834,1923,"Salem, Massachusetts","Canaan, Connecticut","sketches-of-algerian-men-aic-110984","Sketches of Algerian Men",{"_42":671,"_223":672,"_326":673,"_328":329,"_330":674,"_332":675,"_334":676,"_335":392,"_336":677,"_140":95},"c. 1832","Pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper","20.5 × 30.2 cm (8 1/8 × 11 15/16 in.)",30,20,1.4684287812041117,[656,657,658,659,660],{"_222":302,"_223":303,"_42":304,"_305":306},"1988.141.24","Eugène Delacroix painted this in about 1832, aged about 24. It is now at the Art Institute of Chicago.","Quick pen sketches of men in robes and headdresses fill this sheet, made during or soon after Delacroix’s journey to North Africa in 1832.","A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":653,"_298":654,"_300":655},"https://img.ochreeditions.com/m/275.jpg?dl=1","/art/sketches-of-algerian-men-aic-110984","/galleries/style/watercolour-19/sketches-of-algerian-men-aic-110984",{"_292":293,"_294":295},{"_226":648,"_125":649,"_286":650},{"_277":452,"_279":646,"_281":630,"_282":647},44.43,20.43,{"_288":226,"_123":651,"_154":652,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/eugene-delacroix","More by Eugène Delacroix","https://img.ochreeditions.com/a/275/480.jpg","https://img.ochreeditions.com/a/275/960.jpg","https://img.ochreeditions.com/a/275/1920.jpg",{"_312":669,"_314":670},{"_312":667,"_314":668},{"_312":665,"_314":666},{"_312":663,"_314":664},{"_312":661,"_314":662},"#9b845b",0.0213,"#e7ddbd",0.0813,"#bea879",0.1005,"#d4bf90",0.2152,"#e2d1a2",0.5817,"Eugène Delacroix","eugene-delacroix","French, 1798–1863",1798,1863,"Charenton-Saint-Maurice","Delacroix trained under Pierre-Narcisse Guérin and emerged in the 1820s as the leader of French Romanticism, with dramatic, richly coloured canvases such as The Death of Sardanapalus and Liberty Leading the People.","study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":726,"_223":727,"_326":728,"_328":619,"_330":620,"_332":729,"_334":730,"_335":731,"_336":732,"_140":232},"c. 1879","american-gilded-age","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",0.7061027837259101,[711,712,713,714,715],{"_222":302,"_223":303,"_42":304,"_305":306},"1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_296":708,"_298":709,"_300":710},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/watercolour-19/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_292":293,"_294":295},{"_226":700,"_125":701,"_286":702},{"_277":698,"_279":413,"_281":699,"_282":415},41.65256959314775,17.652569593147753,{"_288":226,"_123":706,"_154":707,"_140":232},{"_288":125,"_123":703,"_154":704,"_140":705},{"_288":286,"_123":586,"_154":587,"_140":588},"style/american-gilded-age","More American Gilded Age",67,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg",{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},{"_312":718,"_314":719},{"_312":716,"_314":717},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","woman-with-a-cat-aic-116236","Woman with a Cat",{"_42":780,"_223":781,"_326":782,"_328":329,"_330":783,"_332":729,"_334":392,"_335":784,"_336":785,"_140":85},"c. 1900","Transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper","46.5 × 61.5 cm (18 5/16 × 24 1/4 in.)",61,46,1.6554498902706656,[765,766,767,768,769],{"_222":302,"_223":303,"_42":304,"_305":306},"1991.217","Paul Gauguin painted this in about 1900, aged 52. It is now at the Art Institute of Chicago.","Gauguin developed this unusual technique in Tahiti around 1899: he inked a sheet, laid paper over it and drew on the back with pencil, so that the pressure transferred a soft, grainy line onto the underside, which became the finished image.","A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.",{"_296":762,"_298":763,"_300":764},"https://img.ochreeditions.com/m/296.jpg?dl=1","/art/woman-with-a-cat-aic-116236","/galleries/style/watercolour-19/woman-with-a-cat-aic-116236",{"_292":293,"_294":295},{"_226":757,"_125":758,"_286":759},{"_277":366,"_279":755,"_281":739,"_282":756},60.84798939460893,36.84798939460893,{"_288":226,"_123":760,"_154":761,"_140":85},{"_288":125,"_123":474,"_154":475,"_140":476},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/paul-gauguin","More by Paul Gauguin","https://img.ochreeditions.com/a/296/480.jpg","https://img.ochreeditions.com/a/296/960.jpg","https://img.ochreeditions.com/a/296/1920.jpg",{"_312":778,"_314":779},{"_312":776,"_314":777},{"_312":774,"_314":775},{"_312":772,"_314":773},{"_312":770,"_314":771},"#4d4231",0.1291,"#948369",0.141,"#6e5f47",0.1472,"#b3a694",0.1961,"#ccbfac",0.3866,"Paul Gauguin","paul-gauguin","French, 1848–1903",1848,"Atuona, Hiva Oa, Marquesas Islands","Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions.","hercules-resting-aic-150834","Hercules Resting",{"_42":550,"_223":551,"_326":552,"_328":329,"_330":553,"_332":554,"_334":555,"_335":555,"_336":556,"_140":79},"1897","Graphite on ivory wove paper","19.4 × 11.8 cm (7 11/16 × 4 11/16 in.)",1.6402413649604661,[814,815,816,817,818],{"_222":302,"_223":303,"_42":304,"_305":306},"1998.695v","Paul Cézanne painted this in 1897, aged 58. It is now at the Art Institute of Chicago.","Cézanne made this pencil drawing in 1897 after a sculpture of Hercules at rest, one of the many works of sculpture he studied in the Louvre and in plaster casts throughout his life. Copying sculpture let him concentrate on the turning planes and volumes of the body without the distractions of a living model.","A work made of graphite on ivory wove paper.",{"_296":811,"_298":812,"_300":813},"https://img.ochreeditions.com/m/332.jpg?dl=1","/art/hercules-resting-aic-150834","/galleries/style/watercolour-19/hercules-resting-aic-150834",{"_292":293,"_294":295},{"_226":808,"_125":809,"_286":810},{"_277":413,"_279":806,"_281":415,"_282":807},39.24165926677661,15.241659266776608,{"_288":226,"_123":530,"_154":531,"_140":79},{"_288":125,"_123":474,"_154":475,"_140":476},{"_288":286,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/332/480.jpg","https://img.ochreeditions.com/a/332/960.jpg","https://img.ochreeditions.com/a/332/1920.jpg",{"_312":827,"_314":828},{"_312":825,"_314":826},{"_312":823,"_314":824},{"_312":821,"_314":822},{"_312":819,"_314":820},"#8e8985",0.0216,"#b5a69a",0.0345,"#cdb9a8",0.1086,"#e0cab7",0.1923,"#eed4bd",0.643,"a-byzantine-well-head-aic-261214","A Byzantine Well-head",{"_42":878,"_223":879,"_326":880,"_328":881,"_330":882,"_332":883,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1852","britain","victorian-art","26 × 20.5 cm (10 1/4 × 8 1/8 in.)",0.8049345692475464,[863,864,865,866,867],{"_222":302,"_223":303,"_42":304,"_305":306},"2021.319","Frederic Leighton, 1st Baron Leighton of Stretton painted this in 1852, aged 22. It is now at the Art Institute of Chicago.",{"_296":860,"_298":861,"_300":862},"https://img.ochreeditions.com/m/405.jpg?dl=1","/art/a-byzantine-well-head-aic-261214","/galleries/style/watercolour-19/a-byzantine-well-head-aic-261214",{"_292":293,"_294":295},{"_226":851,"_125":852,"_286":853},{"_277":848,"_279":849,"_281":850,"_282":247},44.92829880043621,50,20.928298800436206,{"_288":226,"_123":858,"_154":859,"_140":89},{"_288":125,"_123":856,"_154":857,"_140":631},{"_288":286,"_123":854,"_154":855,"_140":138},"era/19-britain","19th-century Britain","style/victorian-art","More Victorian art","artist/contemporaries-of-frederic-leighton-1st-baron-leighton-of-stretton","Frederic Leighton, 1st Baron Leighton of Stretton's contemporaries","https://img.ochreeditions.com/a/405/480.jpg","https://img.ochreeditions.com/a/405/960.jpg","https://img.ochreeditions.com/a/405/1920.jpg",{"_312":876,"_314":877},{"_312":874,"_314":875},{"_312":872,"_314":873},{"_312":870,"_314":871},{"_312":868,"_314":869},"#f7e2cb",0.0511,"#ecdbcc",0.0526,"#cab9a9",0.1602,"#d7c4b3",0.2359,"#e7d1bc",0.5002,"Frederic Leighton, 1st Baron Leighton of Stretton","frederic-leighton-1st-baron-leighton-of-stretton","English, 1830–1896","English",1830,1896,"standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)",{"_42":671,"_223":672,"_326":673,"_328":329,"_330":674,"_332":675,"_334":676,"_335":392,"_336":677,"_140":95},"1816","Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper","59 × 45 cm (23 1/4 × 17 3/4 in.)",45,59,0.7685862865947611,[915,916,917,918,919],{"_222":302,"_223":303,"_42":304,"_305":306},"1977.350","Eugène Delacroix painted this in 1816, aged 18. It is now at the Art Institute of Chicago.","A male model stands posed in the studio, modelled in black chalk and charcoal, softened by stumping and lifted with white highlights on tan paper.","A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.",{"_296":912,"_298":913,"_300":914},"https://img.ochreeditions.com/m/295.jpg?dl=1","/art/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856","/galleries/style/watercolour-19/standing-academic-male-nude-recto-sketch-of-upper-arm-verso-aic-113856",{"_292":293,"_294":295},{"_226":909,"_125":910,"_286":911},{"_277":906,"_279":907,"_281":908,"_282":891},69.3465909090909,83,45.34659090909091,{"_288":226,"_123":651,"_154":652,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/295/480.jpg","https://img.ochreeditions.com/a/295/960.jpg","https://img.ochreeditions.com/a/295/1920.jpg",{"_312":927,"_314":928},{"_312":925,"_314":926},{"_312":923,"_314":924},{"_312":921,"_314":922},{"_312":920,"_314":664},"#493c33","#a29d99",0.1011,"#97765d",0.1706,"#6c5342",0.2797,"#7a5e4a",0.3673,"the-yellow-room-met-760942","The Yellow Room",{"_42":726,"_223":727,"_326":728,"_328":619,"_330":620,"_332":729,"_334":730,"_335":731,"_336":732,"_140":232},"ca. 1883–84","Watercolor and gouache on paperboard","9 3/4 × 7 in. (24.8 × 17.8 cm)",17.8,24.8,0.71425,[959,960,961,962,963],{"_222":597,"_223":598,"_42":599,"_305":600},"2017.664","James McNeill Whistler painted this in about 1883–84, aged about 44. It is now at The Met in New York.","A woman appears in a small interior washed with warm yellow, near a fireplace, in this watercolour and gouache of the early 1880s. Yellow was a favourite colour of Whistler’s for interiors, and in 1883 he decorated a London exhibition of his own etchings entirely in yellow and white.","The Yellow Room, by James McNeill Whistler, ca. 1883–84",{"_296":956,"_298":957,"_300":958},"https://img.ochreeditions.com/m/1285.jpg?dl=1","/art/the-yellow-room-met-760942","/galleries/style/watercolour-19/the-yellow-room-met-760942",{"_292":293,"_294":295},{"_226":953,"_125":954,"_286":955},{"_277":951,"_279":413,"_281":952,"_282":415},41.85625,17.856250000000003,{"_288":226,"_123":706,"_154":707,"_140":232},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":586,"_154":587,"_140":588},"https://img.ochreeditions.com/a/1285/480.jpg","https://img.ochreeditions.com/a/1285/960.jpg","https://img.ochreeditions.com/a/1285/1920.jpg",{"_312":972,"_314":973},{"_312":970,"_314":971},{"_312":968,"_314":969},{"_312":966,"_314":967},{"_312":964,"_314":965},"#897b74",0.0875,"#574a3c",0.1132,"#c0a36e",0.1878,"#927951",0.2667,"#5b5a5a",0.3448,"avenue-of-pollard-birches-and-poplars-aic-202382","Avenue of Pollard Birches and Poplars",{"_42":1023,"_223":1024,"_326":1025,"_328":1026,"_330":1027,"_332":1028,"_334":1029,"_335":1030,"_336":1031,"_140":77},"March 1884","netherlands","Reed pen and iron-gall ink on tan laid paper","19.2 × 26.5 cm (7 9/16 × 10 7/16 in.)",1.3788085493406093,[1008,1009,1010,1011,1012],{"_222":302,"_223":303,"_42":304,"_305":306},"2022.74","Vincent van Gogh painted this (March 1884), aged 31. It is now at the Art Institute of Chicago.","A row of pollarded birches and poplars lines a country road near the village of Nuenen in the southern Netherlands, where Van Gogh lived with his parents from late 1883.","A work made of reed pen and iron-gall ink on tan laid paper.",{"_296":1005,"_298":1006,"_300":1007},"https://img.ochreeditions.com/m/350.jpg?dl=1","/art/avenue-of-pollard-birches-and-poplars-aic-202382","/galleries/style/watercolour-19/avenue-of-pollard-birches-and-poplars-aic-202382",{"_292":293,"_294":295},{"_226":997,"_125":998,"_286":999},{"_277":849,"_279":995,"_281":247,"_282":996},42.85686015831135,18.856860158311346,{"_288":226,"_123":1003,"_154":1004,"_140":77},{"_288":125,"_123":474,"_154":475,"_140":476},{"_288":286,"_123":1000,"_154":1001,"_140":1002},"era/19-netherlands","19th-century Netherlands",21,"artist/vincent-van-gogh","More by Vincent van Gogh","https://img.ochreeditions.com/a/350/480.jpg","https://img.ochreeditions.com/a/350/960.jpg","https://img.ochreeditions.com/a/350/1920.jpg",{"_312":1021,"_314":1022},{"_312":1019,"_314":1020},{"_312":1017,"_314":1018},{"_312":1015,"_314":1016},{"_312":1013,"_314":1014},"#ad7e5a",0.1138,"#886349",0.1294,"#6c4c3b",0.2191,"#48372f",0.2228,"#584034",0.3149,"Vincent van Gogh","vincent-van-gogh","Dutch, 1853–1890","Dutch",1853,1890,"Zundert","Auvers-sur-Oise","Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened.","variations-in-violet-and-grey-market-place-dieppe-met-16863","Variations in Violet and Grey—Market Place, Dieppe",{"_42":726,"_223":727,"_326":728,"_328":619,"_330":620,"_332":729,"_334":730,"_335":731,"_336":732,"_140":232},"1885","Gouache and watercolor on off-white wove paper, mounted on academy board","7 15/16 x 5 in. (20.2 x 12.7 cm)",12.7,20.2,0.593498119290704,[1062,1063,1064,1065,1066],{"_222":597,"_223":598,"_42":599,"_305":600},"2000.512","James McNeill Whistler painted this in 1885, aged 51. It is now at The Met in New York.","A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described.","Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885",{"_296":1059,"_298":1060,"_300":1061},"https://img.ochreeditions.com/m/868.jpg?dl=1","/art/variations-in-violet-and-grey-market-place-dieppe-met-16863","/galleries/style/watercolour-19/variations-in-violet-and-grey-market-place-dieppe-met-16863",{"_292":293,"_294":295},{"_226":1056,"_125":1057,"_286":1058},{"_277":1054,"_279":413,"_281":1055,"_282":415},38.8374529822676,14.8374529822676,{"_288":226,"_123":706,"_154":707,"_140":232},{"_288":125,"_123":589,"_154":590,"_140":591},{"_288":286,"_123":586,"_154":587,"_140":588},"https://img.ochreeditions.com/a/868/480.jpg","https://img.ochreeditions.com/a/868/960.jpg","https://img.ochreeditions.com/a/868/1920.jpg",{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},"#83817a",0.0921,"#ac9978",0.1135,"#a69f93",0.1875,"#d9caaf",0.2829,"#c2b5a0",0.324,"sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","Sheet of Sketches: Cavalry Battles and Mounted Soldiers",{"_42":1122,"_223":1123,"_326":1124,"_328":329,"_330":1125,"_332":1126,"_334":1127,"_335":392,"_336":1128,"_140":99},"1813/14","Graphite, on tan wove paper, perimeter mounted on ivory laid paper","17.2 × 23 cm (6 13/16 × 9 1/16 in.)",1.2110445205479452,[1107,1108,1109,1110,1111],{"_222":302,"_223":303,"_42":304,"_305":306},"1947.35.57R","Jean Louis André Théodore Géricault painted this in 1813/14, aged about 22. It is now at the Art Institute of Chicago.","Horses rear and gallop and riders clash across this sheet of rapid pencil sketches, made around 1813–14, when the young Théodore Géricault was absorbed by the drama of Napoleon’s cavalry.","A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.",{"_296":1104,"_298":1105,"_300":1106},"https://img.ochreeditions.com/m/293.jpg?dl=1","/art/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385","/galleries/style/watercolour-19/sheet-of-sketches-cavalry-battles-and-mounted-soldiers-aic-113385",{"_292":293,"_294":295},{"_226":1099,"_125":1100,"_286":1101},{"_277":413,"_279":1097,"_281":415,"_282":1098},44.643336868151295,20.64333686815129,{"_288":226,"_123":1102,"_154":1103,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/293/480.jpg","https://img.ochreeditions.com/a/293/960.jpg","https://img.ochreeditions.com/a/293/1920.jpg",{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},{"_312":1112,"_314":1113},"#b0a490",0.0117,"#cbbda6",0.152,"#ddd6c4",0.2169,"#d6c9b1",0.247,"#e2ddd0",0.3724,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.",{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","d028a758a845b8c46f37113c35f96c16b64164fa","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},{"_223":1157,"_20":1158},{"_223":1155,"_20":1156},{"_223":1153,"_20":1154},{"_223":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]