Floor plan

West wing: Old MastersBaroque and Rococo

Baroque and Rococo

A work made of etching in black on ivory laid paper.
A work made of etching in black on tan laid paper.
Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
A work made of pen and brown ink and brush and brown ink wash on ivory laid paper.
Danaë, by Orazio Gentileschi, c. 1623
A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.

The works in this room are listed below.

Works in this room

Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.

First room, north wall

  1. A work made of etching in black on ivory laid paper.
    The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  3. Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.
    Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
  4. A work made of pen and brown ink and brush and brown ink wash on ivory laid paper.
    Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago

First room, south wall

  1. Danaë, by Orazio Gentileschi, c. 1623
    DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art
  2. A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
    The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of oil on canvas.
    The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.
    The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)Pietro Antonio di Pietri, 1690/1710Courtesy of the Art Institute of Chicago
  3. A work made of chiaroscuro woodcut, from three blocks in pink, dark blue, and light blue, on cream laid paper.
    The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of oil on canvas.
    Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago
  2. The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.
    Portrait of a Man in a Military UniformUnrecorded French maker, 18th centuryCourtesy National Gallery of Art, Washington

Third room, north wall

  1. A work made of oil on canvas.
    The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago
  2. Adoration of the Magi, by Guido Reni, 1642
    Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art

Third room, south wall

  1. A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740
    A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art
  2. A work made of etching in black on cream laid paper.
    Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago
  3. The Sacrifice of Isaac, by Francesco Guardi, 1750s
    The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art