Baroque and Rococo







Works in this room
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Three Angels Appearing to AbrahamGiovanni Battista Tiepolo, c. 1726Courtesy of the Art Institute of Chicago 
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago 
A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago 
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
First room, south wall

The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago 
Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago 
Old Woman with a MuffUnrecorded French maker, second half 18th centuryCourtesy National Gallery of Art, Washington
Second room, south wall

DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art 
The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago
Second room, north wall

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art 
The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago
Third room, north wall

Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago 
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago