Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art
First room, south wall

Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago
Second room, south wall

The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago 
The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art 
Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Second room, north wall

Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
Soldier in Profile Holding a Pike, from Capricci e habiti militariFilippo Napoletano, 1610/29Courtesy of the Art Institute of Chicago 
Three Angels Appearing to AbrahamGiovanni Battista Tiepolo, c. 1726Courtesy of the Art Institute of Chicago
Third room, north wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art 
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series)Francesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago