Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago 
The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago
First room, south wall

Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)Giovanni Battista Gaulli, c. 1675–1677Courtesy of the Cleveland Museum of Art 
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago
Second room, south wall

Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago 
Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art
Second room, north wall

Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)Pietro Antonio di Pietri, 1690/1710Courtesy of the Art Institute of Chicago
Third room, north wall

Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago 
DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art