Floor plan

West wing: Old MastersBaroque and Rococo

Baroque and Rococo

A work made of etching and engraving on heavy ivory laid paper.
A work made of etching in black on cream laid paper.
A work made of etching on ivory laid paper.
Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677
A work made of oil on canvas.
A work made of etching on ivory laid paper.
A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
ONE SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION FOR HORIZONTAL PANELS. INTENDED TO BE ENGRAVED

The works in this room are listed below.

Works in this room

Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.

First room, north wall

  1. A work made of etching and engraving on heavy ivory laid paper.
    The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago
  2. A work made of etching in black on cream laid paper.
    Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago
  3. A work made of etching on ivory laid paper.
    The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago
  4. Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677
    Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)Giovanni Battista Gaulli, c. 1675–1677Courtesy of the Cleveland Museum of Art

First room, south wall

  1. A work made of oil on canvas.
    Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
  2. A work made of etching on ivory laid paper.
    Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago
  3. A work made of etching and aquatint, from three plates, in brown and black, with metallic gold, on ivory laid paper.
    The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago
  4. ONE SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION FOR HORIZONTAL PANELS. INTENDED TO BE ENGRAVED
    One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum

Second room, south wall

  1. Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), by Giovanni Battista Tiepolo, 1739
    Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art
  2. A work made of etching in black on tan laid paper.
    The Holy FamilyGiulio Cesare Procaccini, 1613/15Courtesy of the Art Institute of Chicago
  3. Large painting of soldier asleep outdoors surrounded by two women and a cupid.
    Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago

Second room, north wall

  1. Sketch for a Ceiling, by Giovanni Battista Tiepolo, 1750s
    Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink and brush and brown ink wash on ivory laid paper.
    Holy Family with St. John and Two AngelsGiovanni Battista Tiepolo, n.d.Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of oil on canvas.
    Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago