Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago 
Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art
First room, south wall

Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago 
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago
Second room, south wall

The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago 
The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago 
The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago
Second room, north wall

The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
One of a set of projects for a title page and the decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago
Third room, north wall

Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art
Third room, south wall

Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
The Crucifixion of Saint AndrewCaravaggio, 1606–7Courtesy of the Cleveland Museum of Art