Baroque and Rococo






Works in this room
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art 
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago 
DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art
First room, south wall

Adoration of the MagiGuido Reni, 1642Courtesy of the Cleveland Museum of Art 
The Angel Departing from the Family of Tobit (?)Giovanni Benedetto Castiglione, c. 1655Courtesy of the Art Institute of Chicago 
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago
Second room, south wall

Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago
Second room, north wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
Cupid ChastisedBartolomeo Manfredi, 1613Courtesy of the Art Institute of Chicago 
The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
Third room, north wall

Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Third room, south wall

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo, 1739Courtesy of the Cleveland Museum of Art 
Antique Carved Marble Candelabra BaseAndrea di Lione, 1642/44 or 1647/51Courtesy of the Art Institute of Chicago