Baroque and Rococo
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The Triumph of Truth over EnvyMaria Katharina Prestel, 1781Courtesy of the Art Institute of Chicago 
The Old ShepherdConte Antonio Maria Zanetti, the Elder, 1722Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
A Young Woman Buying a Pink from a Young ManGiovanni Battista Piazzetta, c. 1740Courtesy of the Cleveland Museum of Art
First room, south wall

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago
Second room, south wall

DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art 
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum
Second room, north wall

Portrait of a GirlFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
The Supper at EmmausGiovanni Battista Piazzetta, c. 1720Courtesy of the Cleveland Museum of Art 
The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago
Third room, north wall

Landscape with Rock and FortressDomenico Gargiuli (Micco Spadaro), c. 1645Courtesy of the Art Institute of Chicago 
The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago 
Tobias and the AngelFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art
Third room, south wall

Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art