Floor plan

North wing: East AsiaChinese Painting

Chinese Painting

Mt. Shenchang, by Song Xu, c. 1588
Emperor Xuanzong's flight to Shu, mid-12th century
Two hawks in a thicket, by Lin Liang, mid- 15th century
Album of Landscapes: Leaf 5, by Wang Gai, 1677
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra, c. 900
Woman at her dressing table, by Leng Mei, early 18th century
Eighteen Views of Huzhou, by Song Xu, c. 1588

The works in this room are listed below.

Works in this room

Ink and colour on silk and paper, from imperial courts to scholars' retreats.

Section 1, north wall

  1. Mt. Shenchang, by Song Xu, c. 1588
    Mt. ShenchangSong Xu, c. 1588Courtesy of the Cleveland Museum of Art
  2. Emperor Xuanzong's flight to Shu, mid-12th century
    Emperor Xuanzong's flight to ShuUnrecorded Chinese maker, mid-12th centuryCourtesy of The Metropolitan Museum of Art
  3. Two hawks in a thicket, by Lin Liang, mid- 15th century
    Two hawks in a thicketLin Liang, mid- 15th centuryCourtesy of The Metropolitan Museum of Art
  4. Album of Landscapes: Leaf 5, by Wang Gai, 1677
    Album of Landscapes: Leaf 5Wang Gai, 1677Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra, c. 900
    Shakyamuni Triad: Buddha Attended by Manjushri and SamantabhadraUnrecorded Chinese maker, c. 900Courtesy of the Cleveland Museum of Art
  2. Woman at her dressing table, by Leng Mei, early 18th century
    Woman at her dressing tableLeng Mei, early 18th centuryCourtesy of The Metropolitan Museum of Art
  3. Eighteen Views of Huzhou, by Song Xu, c. 1588
    Eighteen Views of HuzhouSong Xu, c. 1588Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Portrait of the artist’s great-granduncle Yizhai at the age of eighty-five, by Ruan Zude, dated 1561 or 1621
    Portrait of the artist’s great-granduncle Yizhai at the age of eighty-fiveRuan Zude, dated 1561 or 1621Courtesy of The Metropolitan Museum of Art
  2. A work made of handscroll; ink and color on paper.
    Pillars of the CountryYao Shou, Ming dynasty (1368–1644), 1494Courtesy of the Art Institute of Chicago
  3. A vertical painting of a bundle of many types of flowers set in a vase-like vessel. The bottom of this vessel contains netted rope through which many blossoms can be seen. A plethora of blooms and leaves extend upward from the top of the vessel.
    Flowers of the Four SeasonsUnrecorded Chinese maker, Qing dynasty (1644–1911), 18th/19th centuryCourtesy of the Art Institute of Chicago

Section 2, north wall

  1. Woods and Valleys of Mount Yu, by Ni Zan, dated 1372
    Woods and Valleys of Mount YuNi Zan, dated 1372Courtesy of The Metropolitan Museum of Art
  2. A work made of album of twelve leaves; ink on paper.
    GhostsYao Luan, Qing dynasty (1644–1911), 1893Courtesy of the Art Institute of Chicago
  3. Hanging scroll (mounted on panel)
    The dragon king revering the BuddhaChen Hongshou, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. A work made of hanging scroll; ink and color on silk.
    Portrait of an OfficialGu Jianlong, Qing dynasty (1644-1911), 17th centuryCourtesy of the Art Institute of Chicago

Section 3, north wall

  1. Tiger, by Fachang Muqi, c. 1250–79
    TigerFachang Muqi, c. 1250–79Courtesy of the Cleveland Museum of Art
  2. Album leaf
    Dragon among cloudsTraditionally attributed to Chen Rong, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution