Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

Portrait of a Woman, by Govaert Flinck, 1646
A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
A work made of engraving in black on cream laid paper.
A work made of oil on panel.
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
A work made of oil on copper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  2. A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
    ApolloJan Harmensz. Muller, c. 1600-1620Courtesy of the Art Institute of Chicago
  3. Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
    Travelers in Hilly CountrysideAelbert Cuyp, c. 1650Courtesy of the Cleveland Museum of Art
  4. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago

East wall

  1. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago
  2. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  3. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  4. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago

West wall

  1. A work made of watercolor and opaque watercolor on cream laid paper.
    A Horseshoe CrabPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago
  2. Rush Gatherers, by Nicolaes Berchem, 1657
    Rush GatherersNicolaes Berchem, 1657Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago
  4. A work made of watercolor and opaque watercolor on cream laid paper.
    Megasoma Elephas or Megaceras Jason and Six Other InsectsPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago

South wall

  1. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art
  2. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago
  4. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago