Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.
A work made of engraving on three joined sheets of laid paper.
A work made of oil on copper.
The Witch (Night Piece), by Jan van de Velde II, 1626
English Warship Firing a Salute, 1690
Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
Portrait of a Woman, by Govaert Flinck, 1646

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.
    Woman Seated on Bench and Three Sketches of HeadsSchool of Rembrandt van Rijn, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  3. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago
  4. The Witch (Night Piece), by Jan van de Velde II, 1626
    The Witch (Night Piece)Jan van de Velde II, 1626Courtesy of the Cleveland Museum of Art

East wall

  1. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art
  2. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  3. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  4. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art

West wall

  1. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  2. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  3. Samson and Delilah, by Gerrit van Honthorst, c. 1616
    Samson and DelilahGerrit van Honthorst, c. 1616Courtesy of the Cleveland Museum of Art
  4. Rush Gatherers, by Nicolaes Berchem, 1657
    Rush GatherersNicolaes Berchem, 1657Courtesy of the Cleveland Museum of Art

South wall

  1. A work made of engraving in black on cream laid paper.
    Drunken SilenusJonas Suyderhoef, 1642Courtesy of the Art Institute of Chicago
  2. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Still LifePieter Claesz, c. 1625Courtesy of the Art Institute of Chicago
  4. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago