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The 16th century

Works made in the 16th century, anywhere in the world.

210 works · hang 7436 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of two armored figures on horseback engaged in a joust. Both knights are clad in ornate armor and mounted on horses as they participate in the match. The scene captures the moment of impact, with splintered lances flying in the air. One knight in silver armor with blue accents is being unseated from his horse, while the other knight in red and silver armor remains mounted. Both horses are draped in colors matching their riders' armors. The focus is on the dynamic action and energy of the joust, with fine details showing the armor's shine and the movement of the horses. The drawing is bordered, and there is some script at the top and bottom.
    Italian Joust of PeaceUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  2. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Jupiter and Juno: Study for the "Furti di Giove" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35
    Jupiter and Juno: Study for the "Furti di Giove" TapestriesPerino del Vaga (Pietro Buonaccorsi), ca. 1532–35Courtesy of The Metropolitan Museum of Art
  2. This is a drawing of an ornamental design featuring mythological creatures and motifs. The artwork depicts a symmetrical arrangement with two central figures holding musical instruments, surrounded by acanthus leaves, griffins, and sphinxes. In the upper portion, there is a winged figure with a crown-like headdress carrying symbols or trophies. The design is detailed with decorative elements including floral patterns and architectural motifs. Throughout the drawing, there are various mythological creatures integrated into the composition.
    Ornamental Panel Inscribed "Victoria Augusta"Giovanni Antonio da Brescia, c. 1516Courtesy National Gallery of Art, Washington
  3. "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan Album, by Nanha, verso: ca. 1615–29; recto: ca. 1540
    "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan AlbumNanha, verso: ca. 1615–29; recto: ca. 1540Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The image shows an elderly man seated from the waist up. He is angled slightly away from the viewer, resting his head on one hand and leaning on the other arm. The man has a deeply lined face, a large beard, curly hair, and appears focused on something outside the frame. He wears flowing garments and a book is under his arm. In the background, there are rugged, mountainous rock formations. Ornate text frames the image at the bottom.
    Saint AndrewHendrick Goltzius, probably 1589Courtesy National Gallery of Art, Washington
  2. Portrait of an Old Man, by Giulio Campi, mid-1500s
    Portrait of an Old ManGiulio Campi, mid-1500sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Adam and Eve, by Albrecht Dürer, 1504
    Adam and EveAlbrecht Dürer, 1504Courtesy of The Metropolitan Museum of Art
  2. This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word "PACIENTIA." On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.
    Pacientia (Patience)Sebald Beham, 1540Courtesy National Gallery of Art, Washington
  3. A work made of oil on panel.
    Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.
    Portrait of a ManCorneille de Lyon, c. 1536/1540Courtesy National Gallery of Art, Washington
  2. Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589
    Still Life with Flowers, a Snail and InsectsJoris Hoefnagel, 1589Courtesy of The Metropolitan Museum of Art
  3. Lucretia, by Raphael, 1508–10
    LucretiaRaphael, 1508–10Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of engraving in black on cream laid paper.
    Christ on the CrossRaphael Sadeler, I, 1590Courtesy of the Art Institute of Chicago
  2. The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512
    The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art
  3. A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.
    Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago