Floor plan

Time and placeThe 20th century

The 20th century

The sculpture is a depiction of a horse's head crafted from a dark material that appears to be metal. The horse's ears are perked up, and its mane is depicted with smooth, curving lines trailing down the back of the neck. The sculpture includes a ring that extends from the horse's mouth. Positioned on a simple cylindrical pedestal, the sculpture's material and design suggest a robust and timeless feel. The details of the horse's expression and mane are rendered with a smooth finish.
This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.
The image shows a wooden stool with a semi-circular seat on a light beige background. The stool has four slim legs and a primarily brown color.
The River, by Maxime Maufra, 1902
My Day at Home, by William H. Howe, 1906
The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.

The works in this room are listed below.

Works in this room

Works made in the 20th century, anywhere in the world.

Section 1, north wall

  1. The sculpture is a depiction of a horse's head crafted from a dark material that appears to be metal. The horse's ears are perked up, and its mane is depicted with smooth, curving lines trailing down the back of the neck. The sculpture includes a ring that extends from the horse's mouth. Positioned on a simple cylindrical pedestal, the sculpture's material and design suggest a robust and timeless feel. The details of the horse's expression and mane are rendered with a smooth finish.
    Hitching PostAlbert Ryder, c. 1938Courtesy National Gallery of Art, Washington
  2. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington
  3. A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.
    Lozenge Composition with Yellow, Black, Blue, Red, and GrayPiet Mondrian, 1921Courtesy of the Art Institute of Chicago
  4. The image shows a wooden stool with a semi-circular seat on a light beige background. The stool has four slim legs and a primarily brown color.
    Shaker Music RackAlfred H. Smith, c. 1936Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The River, by Maxime Maufra, 1902
    The RiverMaxime Maufra, 1902Courtesy of the Cleveland Museum of Art
  2. My Day at Home, by William H. Howe, 1906
    My Day at HomeWilliam H. Howe, 1906Courtesy of the Smithsonian American Art Museum
  3. The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
    Candle MoldVincent P. Rosel, c. 1936Courtesy National Gallery of Art, Washington
  4. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a painting of a decorative box with pastoral scenes. The box has an oval lid and rectangular base adorned with intricate pastoral scenes in earthy tones. The scenes depict landscapes with trees, hills, and figures engaged in various activities against a warm backdrop. The lid has a similar scene, creating a cohesive decorative theme. The style resembles 19th-century European art focusing on pastoral genre scenes and decorative arts. The artwork delicately balances detail and composition, evoking calm and nostalgia.
    BandboxJohn Tarantino, c. 1937Courtesy National Gallery of Art, Washington
  2. The image shows a tall, narrow wooden table with a square top and four long, slender legs. The color palette is warm with shades of light brown and reddish-brown on the table. Positioned centrally, the table stands against a plain, light-colored background.
    Shaker StandRay Holden, c. 1936Courtesy National Gallery of Art, Washington
  3. Tradition, by Kenyon Cox, 1916
    TraditionKenyon Cox, 1916Courtesy of the Cleveland Museum of Art
  4. The image shows a wooden duck decoy against a plain, light-colored background. The duck is crafted in various shades of brown, black, and green with subtle highlights in lighter tones. The duck is facing to the right side of the frame, with its head slightly tilted upward.
    DecoyMina Lowry, c. 1940Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. The image features a large terracotta pot with two small handles on its sides. The pot is primarily in shades of earthy orange and brown with some lighter patches that suggest a slightly weathered texture. It is positioned centrally against a plain, light background.
    Preserving JarWilford H. Shurtliff, c. 1938Courtesy National Gallery of Art, Washington
  2. Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934
    Study in Rhythm: Red and GoldJoseph Schillinger, ca. 1934Courtesy of the Smithsonian American Art Museum
  3. Dutton Lumber Yard, by Thomas Weeks Barrett, 1942
    Dutton Lumber YardThomas Weeks Barrett, 1942Courtesy of the Smithsonian American Art Museum
  4. A work made of oil on canvas.
    Farm near DuivendrechtPiet Mondrian, c. 1916Courtesy of the Art Institute of Chicago