Ochre Editions
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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 875 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The image shows a detailed sketch of a dress with short, puffed sleeves and a decorative neckline. There is a smaller sketch of the same dress to the right. The color palette is monochrome gray scale, with darker gray outlines and details against a light gray background. The main dress is centered, with the smaller sketch positioned to the right.
    Child's DressRay Price, c. 1937Courtesy National Gallery of Art, Washington
  2. Eddyville, by Samuel Halpert, 1917
    EddyvilleSamuel Halpert, 1917Courtesy of the Cleveland Museum of Art
  3. THE TRIUMPH OF UNCLE SAM
    The Triumph of Uncle SamVictor Wilbour, 1917Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”
    Nude with Red HairGeorge Bellows, 1920Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature "ROSE CAMPBELL GERKE" is visible in the lower right corner of the image.
    FenceRose Campbell-Gerke, c. 1940Courtesy National Gallery of Art, Washington
  2. The image shows a spinning wheel with intricate details, surrounded by smaller insets highlighting specific components. The color palette consists of muted browns, greens, and beiges. The spinning wheel is positioned in the center, with its circular wheel on the right and the spinning mechanism on the left. Detailed insets are placed around the spinning wheel, each showing different mechanical elements.
    Spinning WheelClyde L. Cheney, 1935/1942Courtesy National Gallery of Art, Washington
  3. Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909
    Wrestlers in a CircusErnst Ludwig Kirchner, 1909Courtesy of the Cleveland Museum of Art
  4. Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917
    Church Bells Ringing, Rainy Winter NightCharles Burchfield, December 1917Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. The image shows a large rectangular wooden box with decorative panels, a metal handle on the side, and a keyhole on the front panel.
    "Chest"Edith Towner, 1940Courtesy National Gallery of Art, Washington
  2. Fight Between a Tiger and a Buffalo, by Henri Rousseau, 1908
    Fight Between a Tiger and a BuffaloHenri Rousseau, 1908Courtesy of the Cleveland Museum of Art
  3. Hillside, by Edward Gay, 1908
    HillsideEdward Gay, 1908Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. This is a drawing of a decorative vase design. The central focus of the image is a detailed drawing of a vase with a bulbous body and a flared top, placed on an intricately designed tall stand. The stand features elaborate ornate patterns, giving it an almost floral appearance with its swirling details and golden hue. The vase itself has subtle decorative elements engraved or painted around its surface. Surrounding the primary image are additional sketches showcasing different parts and views of the vase, such as its profile, the pattern, and cross-sectional diagrams. These supplementary sketches provide further insight into the structural and decorative design aspects of the vase. The careful attention to scale and detail suggests this is a design blueprint for a piece of decorative art.
    Metal Base LampHenry Meyers, c. 1936Courtesy National Gallery of Art, Washington
  2. This is a drawing of an abstract shape or artifact. The image features a central black object positioned against a plain, light-colored background. The object has a slightly irregular, elongated triangular form with rounded edges and contours. It includes a series of geometric holes and protrusions. The subtle shadowing suggests a three-dimensional form, yet the drawing maintains a simplicity that emphasizes the object's unique contours and cutouts.
    BootjackClaude Marshall, c. 1940Courtesy National Gallery of Art, Washington
  3. Alfred Henry Maurer
    Woman in BlackAlfred Henry Maurer, (c. 1904)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Section 3, north wall

  1. Untitled, by Mildred McMillen, 1915
    UntitledMildred McMillen, 1915Courtesy of the Smithsonian American Art Museum
  2. This is a painting of a colorful floral design with text. The artwork features stylized flowers in shades of red, green, and yellow scattered across the page. In the center, there is calligraphic text in varying boldness and fonts, likely in German. Two symmetrical bird-like figures with human faces and crowns are above the text. The piece combines imagery with artistic lettering in a style reminiscent of traditional Pennsylvania German fraktur. The artwork is bordered by a thin line, suggesting it's part of a larger artifact or document.
    Pa. German Birth CertificateAlbert Levone, c. 1940Courtesy National Gallery of Art, Washington