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The galleries · East wing: The Nineteenth Century

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

53 works · hang 9235 ·

Share Impressionism, in the galleries

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. This painting shows a young woman's upper body from the torso up. She is seated and facing the right, with her face seen in profile and one arm bent in front of her, seeming to rest on a brown table or surface. She has pale skin, round, rosy cheeks, a small nose, and pink lips that are slightly parted. Her brown hair is styled into a smooth, glossy bun at the nape of her neck. She is wearing a white garment with thin straps over her shoulders. The background features a yellow section on the bottom half, and on the top half is a colorful, abstract pattern with large, soft, swirling forms in shades of orange and red on a blue-gray background with hints of green.
    Head of a Young GirlPierre-Auguste Renoir, c. 1890Courtesy National Gallery of Art, Washington
  2. A work made of oil on canvas.
    Watering Place at MarlyAlfred Sisley, 1875Courtesy of the Art Institute of Chicago
  3. A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865
    A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)Edgar Degas, 1865Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Impressionist painting of woman wearing green dress trying on hats.
    The Millinery ShopEdgar Degas, 1879-86Courtesy of the Art Institute of Chicago
  2. Two girls in acrobatic uniforms stand in an arena, one holds oranges.
    Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)Pierre-Auguste Renoir, 1879Courtesy of the Art Institute of Chicago
  3. We look up at the exterior of a church that soars the height of this vertical painting. The church is painted with visible dabs and strokes of azure blue, peach, lavender purple, and camel brown to create a blurred look, as if seeing a reflection in the rippling surface of a puddle. The church façade is angled to our left, away from us. The main door and its surround takes up the center of the composition, where a rectangular door is set within nested, pointed arches that lead up to a narrow, tall, triangular gable. The point of that gable overlaps the round, dark rose window, which is the same width as the portal surround below. Spires flank the central section and rise precipitously off the top edge of the painting. The sky above is painted with daubs of white and pale blue. The artist signed and dated the lower left, “Claude Monet 94.”
    Rouen Cathedral, West FaçadeClaude Monet, 1894Courtesy National Gallery of Art, Washington

Second room, south wall

  1. A work made of oil on canvas.
    Rabbit Warren at Pontoise, SnowCamille Pissarro, 1879Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Alfred SisleyPierre-Auguste Renoir, 1876Courtesy of the Art Institute of Chicago
  3. Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892
    Two Young Girls at the PianoPierre-Auguste Renoir, 1892Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Fishmarket, by Camille Pissarro, 1902
    FishmarketCamille Pissarro, 1902Courtesy of the Cleveland Museum of Art
  2. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago
  3. Jalais Hill, Pontoise, by Camille Pissarro, 1867
    Jalais Hill, PontoiseCamille Pissarro, 1867Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.
    The Beach at Sainte-AdresseClaude Monet, 1867Courtesy of the Art Institute of Chicago
  2. By the Seashore, by Pierre-Auguste Renoir, 1883
    By the SeashorePierre-Auguste Renoir, 1883Courtesy of The Metropolitan Museum of Art

Third room, south wall

  1. A work made of oil on canvas.
    Landscape at ChaillyFrédéric Bazille, 1865Courtesy of the Art Institute of Chicago
  2. Roses in a Vase, by Pierre-Auguste Renoir, c. 1890
    Roses in a VasePierre-Auguste Renoir, c. 1890Courtesy of the Cleveland Museum of Art

Walk on

  • Impressionism, room 2
  • Post-Impressionism 62 works
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